Export FCP 6 preferences to FCP 7

I just move to snow leopard and FCP 7,I would like to export FCP 6 preferences (settings,favorites transitions) to FCP 7,I tried with Preference manager,but it doesnt work here...what about u...

In the Finder, go to your user name/Library/Preferences.
Move the folder, *Final Cut Pro User Data* to the Desktop.
Place the FCP 6 version of *Final Cut Pro User Data* in the Preferences folder.
If it works, that's great. If not, just move the FCP 7 version from the Destop, back to where it was.

Similar Messages

  • How do I export FCP movie to a WMV format (Windows Media Player friendly)?

    I am puzzled. How can I export FCP movie to a WMV format or Windows Media Player friendly?
    Thanks in advance.

    You need a third party app to do this... AVI is the only format that you can export from FCP that's windows media friendly... WMF's can be exported with flip4mac... http://www.flip4mac.com Probably the best of the apps...
    Jerry

  • Exporting FCP Video to Youtube Sub-Channel

    I want to export my FCP project to my youtube main channel but it got uploaded to my gmail youtube account instead.
    I already uploaded over 20 videos on my main youtube account through Final Cut Pro but this is the first time it happened where it got sent to my Gmail youtube channel.
    To get a better illustration, I sent a screenshot link:
    http://i752.photobucket.com/albums/xx166/tobywchu/Screen%20Shot%202015-02-02%20a t%205.00.53%20PM.png
    As you can see, I have 143 subs on my main youtube account so you know why I do not want the video to be uploaded  here on my gmail account with no subs or any content at all.
    I also tried sending the project to compressor but I keep getting a quicktime error 2045. I also don't know what that is because this is also the first time I got the error. I had no problem compressing all my FCP projects in the past.
    I was hoping if anyone can help me with this. Thank you!

    I found out that exporting FCP to a different channel under the same gmail account was something you can adjust on youtube, apparently the problem wasn't on FCP to begin with.
    However, for the failed compressor export, I haven't found a fix yet mainly because the forums have a different problem: plug-ins. Which I don't have.
    The only additional detail I can give is that I deleted all my FCP events and projects back in Jan 1 to start fresh. I just recently added a brand new event folder so I'm not sure if that's the root of the problem. Did FCP reset something to trigger that quicktime error 2045 problem that keeps on occurring?

  • Export FCP seq in a way that will work on Windows Media Player (good grief)

    Hello all (again).
    Before getting down to business I wanted to thank “FxDude,” TopoTone,” and “governor” for their assistance to my recent posts. By the way- (to all) sorry for the double postings. I was in a time crunch and kind of panicked.
    With that said- here’s my deal…
    I’ve created a short (5min) commercial for a community college. The project was “dirty work” (which I think is the industry term for taking low quality video from multiple sources, cameras, and formats, and turning it into a single decent looking video). If it isn’t the term- perhaps it should be. Note to self – wow, that was way more work than I ever want to do again. Anyway, I digress. The video is done and looks great as a DVD playing on TV’s or projector etc. Cool? Cool.
    Now, although the school will be using the DVD (in most cases) via the mediums of TV and projection, they have also informed me that in many cases, they will be playing the DVD on their various PC laptops and PC desktops alone – aka viewing the DVD on their actual computer screen. Of course, being a community college in California- it’s all PC and all Windows Media Player for them. Further, being a community college- they all run basic versions of WMP with no QuickTime or any other plugins that would facilitate many of Mac’s avi codecs, and they’re not allowed to download such things (at least on the machines owned and operated by the school). Poop I say… POOP!
    Of course, as we all know- (in general) most “dirty work” SD videos formatted for NTSC look like dog crap when played on a computer screen (especially full screen modes) mainly because of interlacing etc etc. Since I worked my butt off trying to make crap look decent and succeeded, im sure u can understand my desire to not move back to crap.
    What I need- (what I think I need?)
    1. I need a version of the video that will play easily on a standard PC via a standard version of Windows Media Player.
    2. I need it to look as good a possible.
    What I know so far- (what I think I know so far)
    1. I need to export a deinterlaced version of the original FCP timeline (sequence).
    2. I need the final version to be .wmv file
    What I don’t know- (pretty sure I don’t this)
    1. What’s the best method of achieving the above? Currently, (based on what I do know and what I have loaded on my mac) I have three
    options for achieving the above. FYI- I have a working version of the plugin flip4mac which offers a wmv export option in both my QuickTime conversion window as well as my compressor.
    a. Export using QuickTime conversion > choosing wmv, and messing around with the settings to get the best quality.
    b. Export using Compressor > choosing wmv, and messing around with the settings to get the best quality
    c. Convert a high quality version of the video (perhaps h264 or some other good looking avi using mpeg streamclip to wmv.
    My questions- (bless all of you for reading this far- good grief)
    1. What’s the best way to do the above?
    2. Is there a way, workflow, codec, setting, or religion I can use to get this done in the least amount of steps?
    3. I’ve been told that there are some codecs that are by their nature deinterlaced- h264?, is this correct?
    4. Based on my issue, what do you think I should do?
    My Specs
    Sequence Settings
    F = 720 x 480, AR NTSC DV(3:2). PAR= NTSC – CCIR 601 / DV (720x480), Anamorphic Checked, FD= Lower / Even, ET= 29.97,
    Comp.= DV / DVCPRO-NTSC
    Advanced Seq Settings
    All same with the addition of quality set to Highest, Scan Mode = Interlaced, and AR set to 16x9.
    Clip Settings = same as Seq settings
    Once again-
    Thanks you guys (as always) for you time-
    Terry

    Hey Terry
    in the corporate world wee have to contend with clients who are all windows based and prevented from installing anything on their systems.
    I use Flip4Mac, Studio Pro HD, with the following mix of settings;
    Open clip in QT, I do also use compressor but for some reason I like using QT for exporting to WMV.
    File/Export
    Export:movie to windows media
    Use: One pass VBR, Presentation (high), 16:9
    Options>
    Advanced... input type: interlace Lower field first(DV), output type: progressive
    Coding method: Two pass VBR
    Give this a shot and then tweak to suit your needs, oh and you can save your settings as a preset for QuickTime.
    Within Compressor there is no export to WMV, so you have to start with another setting and create your own saving it for future use.
    Tony

  • Exporting FCP 16:9 to QT for the web in 16:9?

    Hello everyone,
    I recently began doing my projects in 16:9 mode. I shoot them with my GL2's in 16:9, then capture to FCP as usual. FCP then automatically recognizes the 16:9 footage and adjusts everything perfectly for me. I figured out how to get the footage to DVDSP by 'forcing letterbox'. This plays the true 16:9 footage on a widescreen TV perfectly.
    Now, I've come to another bridge that I can't seem to cross... that is... exporting the video to QT for the web in 16:9. I did a lot of searching here and all of the topics related to this did not help me at all. So, what I'm going to do is explain what I used to do when I shot in 4:3 mode:
    1. In FCP... File>Export>QT Conversion
    2. Format: QT Movie> Options
    3. Settings> Sorenson Video 3
    4. Frame Rate>15
    5. Key Frames: Every 150 frames
    6. Compressor> Medium
    7. Data Rate: Automatic
    8. OK
    9. Sound>Settings>Mpeg-4 Audio, 16bit, Stereo
    10. OK
    11. Prepare for Internet Streaming> Fast Start
    12. OK
    13. SAVE
    This usually turns a full sized 5 minute clip into a nice little presentation for the web no larger than 35 or so MB's. You can see a boat load of files like that on my website at (www.buerhausdesign.com).
    Now, what I want to do is get a similar sized video for the web, only in 16:9 as I'm now shooting and editing in 16:9.
    Does anyone have step-by-step instructions on how to do this? I know it's possible as I see movie trailors in 16:9 all the time in QT.
    Any help would be appreciated:)
    Matt

    Nope, tried all of that. It stretches the image way beyond 16:9. Currently, if I export as a 4:3 file, the widescreen displays correctly, but I get two black bars at the top and bottom of the frame. Manually sizing to a 16:9 size, to say 720x404, stretches everything... including the unwanted black bars.
    When I export to DVDSP, the black bars go away when I 'force letterbox'. There's gotta be a way to get it to work in QT.

  • Export fcp 5 to compressor, bye-bye chapter markers

    If I'm reading the manuals and the pro training books right, the only way to export chapter markers from FCP 5 is to a QT movie. That kinda stinks a little.
    Would a workaround be to export to QT and then run compressor as stand-alone? Seems like an extra step, more time and a possiblity of introducing artifacts from all of the handling.
    I also tried to export markers as text file. DVD SP can import a chapter marker text file.
    My original plan was to create the chapter markers in Compressor so I would get exact i-frame placement, but what a royal pain! At least in FCP you can bang through them with keyboard shortcuts.
    - Eric

    How much space is left on that external drive? As to the rez of your timeline, pick the sequence, and select Command-0 (that's a zero). The dialogue box will tell you what codec you're working with.
    Without knowing anything else, you will definitely experience better performance by exporting to a different drive than your media is on - that drive is being asked to both read and write at the same time, which slows it down considerably. If you can export it to a different drive, you can expect to see your export time cut perhaps in half.
    However, six hours is still way too long. There's some other problem going on here, it may be the drive being too full or perhaps the rez of your sequence is really high.

  • Export FCP movie for burning in iDVD

    I created a 30 minute movie in Final cut pro. When I exported the file, it was 25 gig. I want to burn the movie to DVD in Imovie and obviously it was a smidge large.. What are the best and most effective settings in FCP to do this. I am new to FCP so any help is greatly appreciated.

    It doesn't matter how large the file is.
    Drop it into iDVD and iDVD should compress it to a suitable size for a DVD.
    The only measurement that matters is the length as iDVD cannot deal with projects longer than around 2 hours.

  • Exporting FCP quicktime error -50

    hi i want to export a 9 minutes video with FCP. while exporting, suddenly an error was occurred "final cut pro has failed quicktime error -50" , the statement probably like this.
    i've searched on internet about this bug (quicktime error -50) but i couldn't find solution
    thank you very much.
    any response will help .

    One thing that seems to solve a lot of these export problems in 10,9 is this: right click on the FCPX app file and choose Get Info. Check the box next to Prevent App Nap. You may have to close and re-launch FCP for it to take efffect.
    Russ

  • Exporting FCP to Flash File

    So I am creating an intro to a website and I want to include a video I made in FCP and then create links in the video to two seperate websites. So basically this website page is index or front page of two other websites.
    I know that I will have to send the video to Flash to create the hyperlinks and page setup. But does anyone have any experience with exporting from FCP to AdobeFlash?

    I use this: http://www.on2.com/index.php?365
    But many people just export as QuickTime h.264 and then change the resulting file's extension to .flv.
    -DH

  • The size of my exported FCP movie is too big for DVD studio pro

    Hey,
    I have been editing for 4-5 years now and have never had a problem with size of a project to put into DVD Studio Pro to burn. However, I just finished a 2 hour project in which exported as a FCP movie it is 23.97 gb in size. When i put this into DVD Studio Pro it makes it 4.8gb in size which just makes it too big for it to burn. I have tried changing the compression to no avail and just now decided to clean up the timeline so everything is on one track with nothing overlapping. (The problem was it was a 2 camera shoot so the first camera i had on the bottom track constant with the second camera on the top track when i needed it but still with the first camera underneath.) Do you think this could be the solution to my problem? If you guys could help me out it would be most appreciated!

    some things don't make sense here. please clarify.
    Standard DV is roughly 5 minutes per gig, so that means that you have just about 2 hours of video, ok, got that. Now it's the two track thing that gets me.
    Are you saying you have 4 hours of footage, the same thing from two cameras, and you're trying to set up a multi-angle DVD?
    If it's just that you used two video tracks to edit, then NO, it is not your problem. It's still only 2 hours, the video will be mixed down to one track upon export from FCP to quicktime.
    My suggestion is, instead of bringing a quicktime file directly into DVDSP, use compressor. I believe they have a preset in compressor 2 for a standard 120 minute DVD. IF you're project is truly less than 120 minutes, than that should be fine. If not, then you may have to manually make your own setting and lower the bitrate.
    So the workflow is:
    -open sequence in fcp
    -file>export>quicktime movie... (you can uncheck "make movie self-contained" if you want it to export faster and you plan on keeping your original capture footage around)
    -export your movie to a directory of your choice with a name of your choice.
    -open compressor (in applications)
    -drag the quicktime file you created into compressors main window, this will set it up. Now specify the export setting (120 minute HQ all files either 16x9 or 4x3 dep. on project) and specify a location for the files to be created. I strongly suggest that you use the HQ (High quality) settings in compressor. It's much slower to process, but much better quality.
    -with a 2 hour movie it should take a really REALLY long time to compress, so I'de say do it over night.
    -when compressor is done, you should have 2 or three files. a .m2v file a .aif file, and a .ac3 file. The .aif is your PCM audio, much better quality than the .ac3, which is dolby 2 channel. However, the .ac3 is a much smaller file with a lower bit rate, so if the .aif makes the DVD file size too big, you can switch it out for the .ac3
    -Finally, open up your DVDSP project, drag the .m2v, .aif, and .ac3 into DVDSP and use the .m2v for the video track and either the .aif or .ac3 as the audio (as mentioned above)
    -the good news is, your DVD media is already rendered, so when you go to build your DVD it will go much, much faster!
    By the way, I recommend you go to file>advanced>build do not do a burn and build.
    I find it best to build the VIDEO_TS folder on a hard drive and then use a program like toast to create a DVD (using toasts from VIDEO_TS option). This method also allows you to go back into DVDSP, make tweaks, and reuse your VIDEO_TS folder, not having to rebuild the whole thing each time.
    Remember, 120 minutes on a single layer DVD is going to render fairly low quality no matter what.
    If you have a newer mac and a dual layer drive, you may want to cough up a few bucks and get a dual layer DVD-R, then you have over 8 gigs of space to work with, perfect for HQ 2 hour footage.

  • Slow Export FCP X, need to use more CPU %

    Hello Hello!
    Thanks in advance for your help!
    I am trying to export a video from FCP X and it is taking forever! My end goal is to run it through compressor, when I sent it to compressor from FCP X it said it was going to take 4 hours. This is a 12 minutes clip. Shot on 3 different cameras.
    I read a number of forums and many people advised me to first export it using fcp X - Export Media (Apple + E) and then run it through compressor. That this was the fastest way.
    It has been exporting for the last hour and has 80 minutes left.
    I have opened up activity monitor and noticed that around 60% of my CPU is idle. When working in FCP X usually my this number is usually down at 15%.
    Basically, how can I use more of CPU power to speed up this process? Is there a reason why so much of my CPU is not being used?
    Is it running slowly because it has to transcode 3 different video files that all use different codecs?
    What would be the best way to speed this whole process up?!
    Specs:
    Mac Book Pro 2.8 Ghz i7 with 8G RAM
    Mac OS X 10.6.8
    FCP X 10.0.2
    Video file 1: 1920 × 1080 H.264 shot on Panasonic HD Handicam
    Video File 2: 1920 × 1080 H.264 shot on Go Pro 2
    Video FIle 3: 720 × 576 m2v1 MPEG 2 shot on Old sony dvd handicam - I know, I need a new third camera.

    Hi Giles,
    Thanks for getting back to me.
    Yes, all the files were optimized when imported.
    However the timeline was not rendered. Only when using this particular project (Lots of different video files and effects on every single clip) the background render take FOREVER. I left it on last night while i was asleep and 8 hours later it still had 15% to go.
    I tried exporting again - and it was quicker this time - only 1 hour for a straight export - but the point is I still had to background render for 8 hours to get it down to that speed.
    You ever experienced background rendering that takes that long? And advice on why its taking so long.
    Surely even with a lot of effects - keyer & masking - it should never take 5+ to background render a 11 minutes clip.

  • Final cut bugs when I want to export fcp project in FLV format

    Hy, when I did a fcp project, I export it well in QTime conversion to have .mov file.
    But If I want to have a flv file after doing my fcp project, and try to export in flv, Final cut is taking a long time and after few minutes doesn't answering. Can you help me, I have a lot of files to export first in .mov and after in flv. thank you

    http://discussions.apple.com/thread.jspa?threadID=1705856&tstart=0

  • Export FCP Timeline as HD 1440 x 1080i in Compressor?

    I have a 2 and a Half hour timeline in FCP 7 shot and edited in 1440 x 1080i HD. I want to export it as HD 1440 x 1080i with my Chapter Markers.
    Can I do this in Compressor?
    I am going to make it a Blu-Ray DVD eventually.
    FCP Studio 3
    Power Mac Intel Xeon
    10GB RAM

    I have had success exporting markers from a timeline but I have not have success in them showing up on a Blu-ray via Compressor.
    You can make a blu-ray from Compressor but you will have to compress the file quite a bit to fit 2.5 hours footage on a blu-ray. Due to how Compressor makes the BR you may be dissapointed by the output. I would definitely purchase a BR-R disk so that you can do lots of tests.  Keep in mind that Compressor is a really basic option for getting video to BR. It is very limited in authoring options when you compare it to what you can do in DSP(HD-DVD would be the equivalent but the format is now dead).
    To have the markers show-up in a export from FC you need to ensure you have done the following:
    1) Make sure all othe markers are actually chapter markers vs. just a regular marker.
    Command/option/m will allow you to edit the markers and change the names
    2) When you export your QT set the markers pull-down(lower left) to DSP markers. These markers will show-up in QT on the exported file so that you can jump to another marker from the pull-down in the QT window.

  • Exporting FCP HDV Sequence To MPG-1

    (Re-Posted From FCP Forum)
    I need to compress a 60 minute 16:9 video for the web.
    It's HDV, in an HDV timeline, in FCP5.
    I'm using a 2 minute test clip while I try to figure it out.
    I've tried using Quicktime Conversion (since I'm a little bit familiar with it) and it doesn't offer MPG-1. I see MPG-4 and MPG IMX, etc.
    I've also tried the MPG-1 setting in Compressor but it dims out the frame size options in the geometry pane. So the resulting MPG's are the wrong aspect ratio.
    I have a workflow on the PC that I used prior to HDV by exporting AVI from Premiere into TMPGEnc Plus for MPG compression. So I decided to try and get an AVI to use with that. I used the Quicktime conversion to AVI and my two minute clip ended up at 16GB. Something's not quite right with that.
    SO... hopefully somebody knows the magic word to make compressor let me change the frame size of my MPG (don't know why it wouldn't let me). OR... someone knows how to make Quicktime let me make an MPG1.
    Thanks in advance...
    G5 Dual 2.7Ghz Mac OS X (10.4.3) FCP Studio, G-Raid, Sony HDV

    Compressor will only output MPEG-1 at 320 x 240 or 352 x 240. Thus, you can't output HD resolution using Compressor's or QuickTime's MPEG-1 codec.
    If you really need to do HD resolution with MPEG-1 on the Macintosh then you should check out Digigami's MegaPEG product.
    http://www.digigami.com/megapeg/
    Also, the ten to twenty-five dollar MPEG2 Works product(s) supports custom MPEG-1 sizes, but I don't know if they will support something as large as HD.
    http://www.mpeg2works.com/

  • How do I export FCP project to DigiBeta -- what video card?

    How can I export my 90 minute movie edited in FCP to a rented DigiBeta deck, so it will be broadcast quality? What video card do I need to buy? I can't afford an HD, so an SD card is fine for now. Where do I get one? And how much? Are they easy to install? Is it as easy as transferring to mini-DV, but to digibeta? Are there controls while transferring, or does it automatically make a perfect clone of the FCP project onto DigiBeta? I can't find info on video cards in SD anywhere for the MAC. Thank you.
    g5   Mac OS X (10.4.8)  

    See if this helps.
    In the analog world, every generation - copying from one tape to the next - loses quality. A generation of BetaSP doesn't destroy the material, but a generation on VHS pretty much does.
    If you have something important that is already on VHS, it will still lose some quality going to BetaSP. Probably not enough to matter, but the best quality will still come from that VHS tape.
    The analogy to digital video:
    Contrary to what everybody thought in the early days, digital video often works the same way. As soon as you commit images to DV compression you have compressed it and lost a lot of the quality of the otiginal camera signal.
    As soon as you apply transitions, filters, CC, etc. in editing, you are recompressing and losing more quality. Sometimes these two compressions create visible problems.
    Fortunately, outputting that product to DV tape is a digital clone of the date and loses no quality. So there is nothing gained by going to DigiBeta from your system as compared to taking a tape out for transfer.
    But when you take that DV edit from DV format to DigiBeta, it is being compressed again. It will lose quality. Not as much as another DV recompression, but enough to make any visible artifacting worse.
    The best thing, in my oopinion, for you to do is to move your bits into a DigiBeta-equivalent sequence (is that the same as DVCPro50?) and render. Then find a way to get that into DigiBeta - most likely from hard drive at a service bureau or dub house.
    The second best thing you can do is to tell the dub house that your deliverable is going to be DV. If it makes them feel any better you can provide it as a QT file.
    In the end DigiBeta will not add to your quality but decrease it. Probably not a enough to matter, but enough to be a ridiculous requirement under the corcumstances.
    Also consider whether they are working for you, or you are working for them.

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