Fcp and motion 3 with Yosemite

I Recently upgraded the operating system of my 2009 Mac Pro to Yosemite and consequently FCP and motion 3 no longer work. Can I do a clean install of Mavericks on a spare hard drive, install FCP and motion 3 on it and not have any conflicts with the other hard drives?

HHi Nick, thanks for the response. My question however was : can I have one hard drive operating Yosemite and another operating Mavericks with FCP and motion 3 without conflict in the same computer? Any ideas?

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Two Radeons 3870 with FCP and Motion?

Hi!
Have you tried to use two 3870 with FCP and Motion?
I just wanted to have all 512MB of video RAM for my canvas and use the second card with my Matrox MXO to display broadcast preview.
I know it could be risky, but as I remember earlier the problems shows only while rendering some of the plugins in FCP (my test was on 2006).
Do you have any experience with pair of 3870 cards?
I've just ordered two of them:)
regards
arti

From what I've read on this forum, FCP doesn't work properly with two video cards.
-DH

How do I set-up my memory amount for max speed for FCP and Motion

Hey all, I have a Dual 2.3 G5 with (8 Gigs) Ram. I'm working with a new client. I want to set up my memory or whatever else to provide MAXIMUM processing power for FCP and MOTION. Does anyone have any recommended settings. I've maxed-our RAM. My card is (ATI Radeon 9600-128MB of VRAM)
Is there a setting in FCP that allows more processing power to be applied to that application ?
Appreciate any replies

Most of FCP's speed in performing functions is directly related to processor speed. The only way to increase performance would be to use a Mac with faster processors. Performance is also related to data throughput, so if you're working with high data rate video formats, a fast RAID and/or SATA (or eSATA) media storage solution would help.
The exception to FCP performance is when rendering/processing FX Plugs; they are dependent on the power of the graphics card.
Motion is mostly dependent on the power of the graphics card.
There is no way that I'm aware of that you can speed up RAM. Having the extra RAM will just mean that you can successfully work with more applications open at the same time.
-DH

FCP and Motion Inegration Issues

I just upgraded the whole beast and I now have FCP 5.1 and Motion 2.1 or something close to that, I am very technical Working with P2 files out of the HVX and seem to have some interesting things happen. I can import all my files fine from the Camara via The FS-100, edit them in viewer, drop them into the sequence, send them to motion to do some keying and save the files in motion. Everything seems great,keyed clips show up great in the main sequence, but also appear as if they are creating another sequence as the number of Tabs in incrementing for each clip in the main sequence. I save my work in both FCP and Motion, shut down my machine and when I come back to countinue working on the project I open the project to find red checkerboards in the viewer. When I play the sequence the clips show up OK with the exception of the fact that I can only play the sequence with a black background and it would be hard to do any other compositing because I dont see the actual clips in the viewer to line up any longer. I also noticed that the number of files in my Bin for this project has grown and there a bunch of motion files that look like sequences rather than clips....
I guess thats enough for now.... Any help would be most appreciated.
Thanks,
Andrew

I figured most of it out myself.

2 imacs v 1mbp for use with FCP and motion.

I'm in need of advice. I'm in the market for a new computer(s).
Let me give you a rundown on my situation.
HOME COMPUTER- dual 800 1GIG ram G4. probably 6-7 years old -i got it 2nd hand in 03 i think-
(its about 6 years old and very noisy and update needed)
WORK COMPUTER- AL PB G4 1.5ghz 2gig ram 17". Bees knees when released almost 4 years ago.
(redering and Motion are getting beyond tiresome with how slow they are).
The WORK computer I do all my editing on while the HOME computer I use for internet surfing, itunes etc. I use FCP for editing wedding dvds, work related videos etc. but I'm thinking of taking a break from the wedding filming & editing business to concentrate on other things. I will still continue to edit and film but not as much in the past 6 years. As of last week I don't have any projects or side jobs in the pipeline but that may change within 6 months.
MY QUESTION- What should I get?
1. 1 x 2.6 Ghz 4gig Ram 17" MBP at around 3,500 dollars (i'm in japan so about 360,000yen) and then use my AL powerbook as my home computer
OR
2. 2 x imac 20inch with 4gig ram which i think comes in at just under the MBP price
OR
3. 1 x imac 24" 4gig ram & 1x imac 20" with 4gig ram.
Is final cut pro and motion3 going to work better on the imacs than on my current AL powerbook? surely!
I still use motion1 and that really pushes my computer to it's limits. and the last 2 years have been a hectic one editing wise so I didn't want to upgrade computers during the course of projects ongoing.
(playing with fire in my books)
THING IS i need to be able to edit at both work and home. I take a my laptop with me to work everyday, but if I were to get 2 desktops I could just use external hard drives for my projects (which I do anyway). That's why if both computers are desktops they both need to be able to handle motion 3 and fcp6 to a competent level. and if I got two desktops I could try and sell my AL PB. It's still in superb condition due to me keeping it sleeved whenever not in use.
I heard rumours that apple will be releasing new imacs sooner rather than later as well.
ANY thoughts would be highly appreciated.

From what I've read on this forum, FCP doesn't work properly with two video cards.
-DH

Using still image in FCP and Motion

I'm using still images in Motion (and FCP) and exporting them to Quicktime movie files. What's the best size and resolution for the images and are JPGs or TIF best? I'm exporting for 720 X 480, and currently my JPGs are 4 x 6 at 300 dpi with a pixel width and height of 1312 x 2000. I'm adding some behaviors to the images in Motion (motion paths and shrink/grow).
My FCP project is setup as a DV NTSC 48kHz, 720 x 480, editing timebase=59.94, timecode Rate=same as editing timebase, compressor-DV/DVPRO-NTSC, quality 100%.
When I export to Quicktime the movies are very low quality--lots of noise and moire pattern etc.
How do I get the best qualtiy using still images? Is it my FPS setting, image pixel size, compressor setting? Also, do the movies need to be deinterlaced?
The preview in the FCP browser and canvas looks a little better but I do notice noise (moire patterns) along the sharp edges of the still images.
I've seen QT movies of these very same images (done by someone else who is no longer around) and they are much better quality.
Does anyone have an appropriate workflow for this type of project? The final movies are to be shown on a flatscreen monitor from a local computer, so the file sizes can be relatively large (300mb).
I can post an example of he movie files if that might help.
Thanks.
Pedro

David, your a genius!!! You posted your reply on my birthday, and I missed it until today!
Fotomagico is devastatingly easy to use and absolutely makes me want to cry at the amount of time I wasted creating photo slideshows in FCP!
I opened Fotomagico up and created a slideshow, one that I had already created in FCP and had take me FIVE HOURS to create... in TEN MINUTES!!!!!!!!! Aaaaaaaaah.
I couldn't believe it. I thought there had to be a catch or something. This was too easy the quality can't be there... but it was. It's amazing and I can't thank you enough for all the future hours you have saved for me.
Al Romero

Color differences between FCP and Motion

Forgive me if I'm breaking any unwritten rules here as I posted this same topic on the Final Cut forum the other day..so bear with me as I hope to find some insight here from the many experienced (and extremely helpful) Motion users on the motion forum.
OK...here's my dilemma. I create a graphic/text page in Motion working with the RGB colors from a style guide provided by an agency. I then drop the motion project into the FCP timeline and the colors between the 2 applications are different.
I'm attaching a link to 2 jpegs that show the different RGB readings with the DigitalColorMeter application.
http://www.myphotos.yahoo.com/s/218qifk6fseemvbmprlw
In my Motion project the meter tells me that the dark blue color is RGB-11,44,99
In my FCP timeline the meter tells me that the dark blue color is RGB-4,30,79
I gather from some forum research that this may have something to do with gamma levels...my FCP setting has the Imported/StillRGB Video Gamma setting set at Source.
I'm hoping that someone can explain to me why the DigitalColorMeter readings would be different between Motion and FCP...and what I might do to feel confident that my Motion files would import correctly into my FCP timeline.
Thanks in advance to any insight....
Jay

After some more exploration...turning things on and off, changing sequence/gamma setting, and the like...I now realize what the issue is.
When the background setting in my canvas/edit window is set to black the colors are accurate between motion and FCP.
Once I change the background setting in the canvas/edit window to white or checkerboard there is definitely a shift in color/gamma. Not sure why that is...maybe someone can explain

Fcp and motion

Hi!
I finished a clip with text animation in motion and imported it in fcp. And as always it´s problematic. In fcp my motion file isn´t playing at all, neither in dvd 3. I have to finish this project next week!!!!!!! Help!
Mel

"Always" implies you have never been able to get Motion to work properly so it wouldn't be prudent to try stuff against a deadline. GEt out the Getting Started book and run it again. Now that you know your way around the interface, you can concentrate on the format settings and procedures.
"Problematic" doesn't help us help you. Frame rate, alpha, image quality, aspect ratio, color space? Try adding some descriptive information.
Without knowing what you think you're seeing, these problems are usually user issues because Motion only does what you tell it to do. So, go over your settings again and make sure the project specs match your FCP specs for image size and frame rate. Check the properties of the movie you've imported into FCP.
bogiesan

Premiere Pro CS6 crashing and bizarre colors with Yosemite 10.10.1

See attached images. Latest version of Yosemite, Premiere and Cuda driver is updated to 6.5.36. Only happens when I'm using Premiere. Given, it's not Premiere CC, is there still support available?

>Given, it's not Premiere CC, is there still support available?
CS6 is 3+ years old and no longer supported by Adobe... so you are mostly on your own when it comes to problems with Yosemite... unless someone who reads this message is using both and can give you some ideas

Fcp will not start with yosemite, what should I do

FCP 10 will not load with yosemite, what should I do

WWhat version is this? Only 10.1.3 or later will run with Yosemite.

FCP and Motion formatting issues with DVCPro 50?

The material is DVCPro 50 NTSC 48khtz. (Item properties indicate that I initially digitized it properly.) My sequence settings are DV50 NTSC 48khtz.
I wanted to create a vignette effect so I exported my clips as a Quicktime (current settings) sequence to Motion. When I was done there I exported the sequence from Motion back to FCP as a DV NTSC movie.
Some of the Motion effected clips will play, look great and then all the sudden I see a black band appear on the East side of the frame. I can stretch it in Motion some but it just degrades the image so I'd rather not.
I'm surely grateful if someone can steer me in the right direction here.

Thanks for the workflow tips and suggestions. I backtracked to my original sequence and found the problem originates there. I have narrow black lines on both sides of all these clips. Since I resized a few clips with moves, I didn't recognize the problem. Now that I'm closer the root of it, any suggestions?
By the way, these problematic clips are intercut with no problem library footage that was also shot on DVCPro 50 and I took in on the same deck.
I cruised the forum for any occurence of a similiar issue and most replies seem to suggest a formatting issue. I don't get it since I think I have everything set up correctly. As a precaution, I also tossed out my preferences using FCP Rescue 5.
Welcome to the discussions, splotch.
Not sure what is causing this, but I might propose an
alternate workflow. Have your clips on the timeline
as you wish, ctrl/right click on them and select
Send To Motion.... Click the
embedded and open Motion ticks, give it a name, then
continue. Do your work in Motion, save, quit, and
fall back into FCP. Your clips may lose their
"anamorphicness" on their round trip, but just
ctrl/right click on the clip and select Item Properties/Format..., then
click on the anamorphic button.
Try this and see if you are still getting the same
problem...
Patrick

Final Cut Studio 3 installed - and in FCP and Motion, video comes out white

My system meets all the requirements, I've got QT 7.6.4 (and it is pro registered). I did a fresh install of FCS3. When I load anything into an FCP project, the audio plays but video just comes out white (with the exception of an mpg I tried bringing in that did show properly). Also, in Motion, when I load a template, it shows drop zones but all of the graphics are not visible, even when going into "layers".

The video is QT clips and FCP movie (QT exports) from previous work in older versions. It does play fine in QT, so that's not the problem. I also checked and indeed RGB is selected, so it's no an alpha problem.
When I import an mpg, it shows fine in the Viewer. When I import a jpg picture into a new project, it shows as a multicoloured rough image. Video clips just show as white. If I drag that jpg down to the timeline, it shows as White in the Canvas.

FCP and Motion taking SUPER long to load, then works fine...

...and yes, I've trashed my preferences and deleted my thumbnail caches. Any other suggestions?

FC2 on a 2.33 MBP with 2GB RAM running Leopard 10.5.6
It's been happening with multiple projects of varying size and length (that is to say, anytime i run it). One for instance, a 2 minute green screen template project in motion, also happened with a motion project that only had 1 still and some text. Happens in FCP with a project with a 70 minute DV or a project of a daily 2 minute show with 1 months worth of capture and sequences and the interface fires up, but at the first keystroke or mouse click, i get beach ball for 5-10 minutes. The thing is I've been using the green screen project in motion and the daily FCP project for over a month now and this issue just started happening. havent done any significant installs or trashing that i know of.
thanks

Render time between fcp and motion

I make my own project in motion 3, this project is something like a slideshow but I used a new camera, a light, and the images (png files) in a 3d way. the number of media in the scene is always low, one ore two without filters too. Anyway, when I export the animation directly from motion to a .mov file I obtain a render time very quick, but if I import my motion project in fcp I can't work with this; just the visualization time is prohibitive! than when I export through compressor or directly from fcp tha application crash!
so my question is what elements fcp doesn't like? light? camera? 3d elements?
this time I solved the problem exporting my clip from motion like file.mov but I only move the problem... I cant't archive my project, it's to big!
thank you
G5 Mac OS X (10.4) 8 GB RAM

In my experience, these problems are more likely to crop up when using oversized images. Especially those greater than 2k or 4k (depending on your card). Motion gets a larger "workspace" on its own than when invoked to render from within FCP or Compressor...
Patrick

Workflow Circuit between FCP and After Effects with HDV

I am trying to set up a workflow circuit with FCP 5.1.1 and AE 7.0 using HDV. We are:
1. building sequences with FCP
2. exporting to AE
3. adding in FX with AE
4. putting those back into FCP
The footage we are using is compressed with HDV 1080i60 in FCP.
My problem is finding the correct way to export the HDV with FCP. I have tried using Quicktime Conversion but the only option I can find for uncompressed video didn't work when we tried to transfer it.
I think the main problem is that the AE work is being done on PCs and the video that we have tried sending can't be read by PCs. The audio plays through fine but the video shown is nonexistent.
What conversion should we use in FCP that allows us to keep the video uncompressed and in its best quality for use in AE? And what works best on the AE end of it?
Can someone give some advice on steps that they would or have taken for a project of the same ilk.
G5 Mac OS X (10.4.7)

What's your system setup? What FX exactly (e.g. color correction, or just random FX thrown in every now and then)? What went wrong when you tried using an uncompressed codec?
1) If everything's on an external FAT32 formatted drive (fat chance, get it?), then i think you could export a quicktime reference of your timeline (choose the option that ends up giving u a tiny file). Then plug the drive into your PC, load the Quicktime Ref (also known as QT Ref) into AE7 and FX away. Then export a QT with HDV 1080i60 specs and reimport into FCP.
2) If you're only doing occsional FX (e.g. gun flashes, lasers from robots, etc..), and nothing that encompasses the entire length of the project (e.g. color correction), you could export a hashed down QT Conversion of the timeline with whatever decent codec that works (e.g. DV NTSC). Then import into AE7, lay down the video, add your effects. But then before you export your FX, turn OFF your original video layer so all your FX are on a transparent background. Export clips with alpha channel and reimport those into FCP.
3) Ensure that the PC is using the latest version of quicktime. It may need to be upgraded to whatever version is on the Mac, and it may need to be registered as Pro.

Fcp and motion 3 with Yosemite

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