Getting footage into shake

What is the best way to get my dv footage into shake? I have been trying to use final cut as a go between but am having issues. Is there a better way?
MARK

Mark,
Matt Goudey here... remember me?
I found it interesting to see your name here. I am Richard's friend... I read the lead part in Dudes and Aliens when we did readings. How are ya?
Anyway, if you use FCP then you have to use the "send to shake" command in the FIle menu or control click on the part of the sequence you want to export and choose send to shake. You will then have to choose what to call the file and where to save the reference clip. Before you close it, click on the checkbox for launch shake and it should open right away.
Keep in mind that shake does not support compressed footage. I have been able to get HDV footage in, even though the manual says it shouldn't... can't figure that one out yet... but
If you have DV footage you should have no problem.
If send to shake doesn't work post more on the problem. Someone here will talk you through it. If you would rather go live on this ask Rich for my number in Vermont and he'll give it to you.
Good luck,
Later

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Panasonic HMC150-Best Way To Get Footage Into FCS2, etc.

I've just ordered a new Panasonic AG-HMC150, to replace a Sony V1U.
A couple of questions while I'm waiting for it to get here: First, for anyone using this camera with FCS2, what's the best way to import footage? Should I connect the camera with the SDHC card mounted to the Mac via USB, and then use Log and Transfer? Or, is it better to use a separate SDHC card reader? Also, is it better to copy the files off of the card to an external HD first, and then use Log and Transfer?
Finally, in another forum I read that shooting in 720p (30 or 60?) yields better looking SD DVDs after using Compressor than 1080i; does anyone have any experience with this?
My current workflow is to shoot in 1080i with my V1U, capture to Pro Res, edit, and export with Compressor. For a 1 hour SD DVD, around 12-15 hours in Compressor (using the frame controls)
would be required.
I'm not concerned about any speed increases; my goal is just to have the best looking letterboxed SD DVDs I can get. Thanks in advance for any advice anyone might have. And to Shane, David S., and others: thanks for helping me choose a new camera--it seems to be highly recommended everywhere.

1. My practice is to copy the intact SDHC card to my media drive, and L/T from there. I copy is by write protecting the SDHC card first, and then mounting it with a SDHC compatible card reader.
2. 720 is the sweet spot for this cam. I shot 720/60 and usually encoded from there.
Hope this helps.
Note: Always format the card in the cam first. ALWAYS

Getting footage into timeline after deleting

I have imported clips in to premier. I was able to drag and drop all of them into the timeline without any issues. I then went through and delted large chunks of footage I did not think I would use. I have been editing my video together, and now have decided to use a couple of those clips. However, when I try to drag and drop those clips back into the timeline, it only allows me to drag and drop the audio. I have tried re importing them and it still does not work. What am I doing wrong, first time using premier, so it is probably something simple.

See the V1 on the left. It is NOT selected. Make sure it is selected and looks like A1 in the image below.
It should look something like this:

Getting footage into SG (Linear space)

I'm working on my potential pipeline.
I have a number of files that are 'technical grades or vfx elements' that are being worked on in Nuke. However i'd like to finish in Premiere Pro and SpeedGrade for the creative grading.
My question is what containers/formats can be used in this way.
For example, the work within Nuke is linear, i have linearised source files with large dynamic range (14 stops). So i will need to find a format that i can export these in to bring over to the suite to work, but retain the high range.
Ideally i'd like to use a quicktime movie container. I could use cineform for example, 12 bit 444 but i would need to find a way to store the full range into that container so either
- There is a codec combination that maintains 32 bit linear float in quicktime
- I need to produce log based movies
If i produce a log based movie then in SpeedGrade what is the best, correct method to use to reverse that into Linear for grading?
Or does anyone really grade with EXR files on a large format show - with Premier/SG link?
thanks
Paul

I don't know what RAW footage is. I thought RAW as a digital photo format without compression.
On the chance you mean recapturing footage in it's original format,
1. take the footage you have now off-line
2. Open up Log & Capture
3. Select all your footage in the Browser and select BATCH CAPTURE
4. In Log & Capture make sure the settings are for the correct format for the footage you wish to capture
5. Capture
6. Make sure the settings of your sequence are changed to match the footage you just captured.
There is probably an easier way using media manager - but I never use MM ....
good luck.
x

How do I get HVX200 footage into Final Cut 4.5?

This may be a redundant question, and I am currently in the process of waiting for my upgrade to Final Cut Studio to arrive in the mail, but in the meantime, just received a HVX200 camera in the mail yesterday and was wondering if it is possible to get the footage in my computer. I followed the instructions in the operation manual and my G5 did recognize the camera as a separate drive via Firewire on the desktop which is full of .mxf files. Being new to HD video, I just did a basic Firewire hook-up from the camera straight into the computer and hoped that I would be able to capture the footage via Final Cut 4.5 HD. Obviously I was wrong. After doing some research, I've seen several ways of getting the footage into the system, most of which refer to the latest version of Final Cut Studio, but nothing much on how to get it into 4.5 other than some confusing mentions of somehow converting the footage in Quicktime files. If the .mxf files can be converted into Quicktime and then edited in Final Cut 4.5 until my upgrade arrives in the mail, can someone please help me with this? The bad news is as of now I only have Mac OS X version 10.3.7. I do plan on upgrading very soon, but was curious if it is still possible to make the HD footage editable on the system I currently are running - 10.3.7 and FC 4.5. If anybody could help, I would appreciate it very much.
Mac G5 Dual-Processor with Final Cut HD 4.5 Mac OS X (10.3.7)

Do I have to be running the latest version of Tiger for this to work? I ask because the new Quicktime download method did not work from OS 10.3.9. Maybe I'm still doing something wrong. Either way, I'm completely confused. First of all, what mode does the HVX200 need to be in? MCR/VCR or PC/DUB mode? My main question is how to convert those .mxf files into editable and viewable Quicktime files. Can I select a "convert" option somewhere? Am I overlooking something here completely? The thing that baffles me is the Firewire cable running from the tower to the camera displays the HVX200 files on my desktop under a white-drive icon that reads "no name". I just so badly want to grab them and convert them to editable Quicktime files that my 4.5 Version of Final Cut will import and recognize. Looks like that would be a relatively easy thing to do, but apparently not. Honestly, all that I got out of the link that you attached was apparently just how to upgrade to the latest version of Quicktime which would recognize "XL1" footage, not HVX200 HD footage. The posting didn't appear to be directed towards the HVX200/FCP 4.5 solely.
In your original posting, you mentioned that FCP 4.5 would actually allow HVX200 footage in or at least knew a way to go about getting the footage into a system like mine. My question is, from your personal experience, can you give me a more accurate step-by-step description of what I need to do from hooking up the HVX200 to the G5 tower via Firewire and so on....
It just seems that only upgrading Quicktime doesn't really get me anywhere near where I need to be. As I just try to figure out the common-sense of this all, it sounds like the computer IS recognizing the camera and the P2 card - hence the icon the appears on my desktop full of my video files labeled as .mxf files. So from here, the only thing that I can figure is that the only way to see my clips are to convert those files into another file (such as Quicktime) that FCP 4.5 wouldn't have any trouble reading??? CORRECT???? Seems like this is the only way it's gonna fly on the system I have...until I get the FCS upgrade. That said, I've got a two week wait and I'm impatient to watch my footage on my high quality Apple monitor!!
Sorry to be a bother about this, but any additional help is welcomed!

Getting DVD footage into Final Cut X?

Hi,
I am an actor who has just got Final Cut X and want to edit my showreel on it. I have various dvds of my work. Could anyone please suggest the best way to convert the dvd and get them into Final Cut please?
All the best, Anna

I'm trying to do the same thing. I have an unprotected DVD which I am trying to import into Final Cut Pro X but the "free" MPEG Streamclip software which you mention says that:
"The Apple QuickTime MPEG-2 Playback Component is not installed...
You will miss the two most important features of MPEG Streamclip:
- you won't be able to play MPEG-2 files and transport streams;
- you won't be able to convert MPEG-2 files and transport streams to QuickTime, DV, AVI.
However, all other features are always available, including playback and conversion of MPEG-1 to QuickTime, DV, AVI, demuxing of MPEG-1 and MPEG-2, AC3 decoding, and conversion from transport streams to MPEG files (useful if you have Toast 6).
MPEG Streamclip is free of charge but the MPEG-2 Playback Component has a small price (around $20/£15/€20 in most countries); you can buy it online from Apple:
http://www.apple.com/quicktime/mpeg2"
Hm....How do I get the right format for FCP X?
Thanking you.
Mitaka27

Importing 16:9 footgae into Shake from FCP

I am a new user to Shake, and I have green screen footage I have filmed in 16:9 (PAL) on my Sony FX1 camera for compositing as a test and I am importing it into Shake but It is stretched vertically.
I am outputting it as DVPAL 48KhHz, should I be doing it another way to get it as the natural size in Shake?
Also do I need to put the .mov extension on the file?

Wow - greenscreening DV. This will require some care to achieve good results, but it can be done. Some horizontal blur on the chroma can help. There are also some macros available for download on the http://www.highend3d.com/shake/downloads/ site - a great resource, btw.
There is a whole section of your manual that discusses dealing with anamorphic footage, beginning (in the PDF version, anyway) on Page 209, entitled Importing Video and Anamorphic Film... Starts with About Aspect Ratios and Nonsquare Pixels.
Hope this helps,
Patrick

Reposting this - bringing dvd footage into FCP - progressive scan

I occasionally have clients that need me to bring footage into their projects from a dvd or vhs. I'm looking into getting something that can do both NTSC & PAL and I've come across this product:
Sharp DV-NC80
6-Head Hi-Fi Stereo VHS/S-VHS VCR & DVD, CD-R, V-CD Combo Player - Multi System, Multi Zone
My only dilemma is that the dvd player does not have progressive scan. Can anyone let me know if that should matter or not and what progressive scan is for? (I read the jagged edge article, but does progressive scan affect how FCP digitizes dvd material as well?) Thank you.

Unless you are bringing the material in via a capture card, you can't take advantage of the 480p scanrate anyway...
Patrick

Bringing dvd footage into FCP - progressive scan

I occasionally have clients that need me to bring footage into their projects from a dvd or vhs. I'm looking into getting something that can do both NTSC & PAL and I've come across this product:
Sharp DV-NC80
6-Head Hi-Fi Stereo VHS/S-VHS VCR & DVD, CD-R, V-CD Combo Player - Multi System, Multi Zone
My only dilemma is that the dvd player does not have progressive scan. Can anyone let me know if that should matter or not and what progressive scan is for? Thank you.

Unless you are bringing the material in via a capture card, you can't take advantage of the 480p scanrate anyway...
Patrick

Can no longer import mp4 (XDCAM) footage into CS4

Hopefully somebody will be able to help me with this!
I am trying to import some Sony EX1 (mp4) footage into Premiere CS4, but am getting the following error message:
“file import failure: Error message – the importer reported a generic error”
I have done this process on many occasions over the last year or so and experienced no problems whatsover.
But for some reason I am no longer able to import the mp4 files...or even access these file types in historic projects!
I have checked the footage in the Sony clip browser in it seems fine, and plays fine when opened with a VLC player, so am a bit stumped to what the problem could be.
(For info, I am using a PC with 8gb RAM and a Quadro CX. I did have After Effects installed a month ago back and switched to VISTA. All Adobe updates have been installed, and I have sufficient memory)
Thanks in advance for any pointers or assistance

Of course using Premiere CS3 I have the problem of the audio constantly cutting out on the XDCAM MP4 files, so I really could do with a solution to this problem in CS4 asap - can anyone else help?
It is definitely a new problem for me, which almost certainly revolves around the impoter process. It did not affect my editing until 2-3 months ago but suddenly now renders CS4 Premiere more or less useless, on both on my laptop and my main PC.
It is possible that the problem only affects projects where one of the XDCAM files is very long and/or was originally saved across two separate cards at the time of recording. In which case it may not be a new problem, simply one I had not encountered before because I'd notg used any such long files.

Iphone footage into Final Cut Express

I left a question earlier in this forum and would like to update (hopefully that's proper process!). I'll repeat the question, in case:
I'm trying to get footage from iPhone 4 to Final Cut Express. I'm using MPEG Streamclip 1.9.2. In the tutorial I found, they did an export to Quicktime, selecting the Apple Intermediate Codec as the compression, 29.97 as the Frame, and "1280 x 720 (unscaled)" as the frame size option (I'm also selecting frame blending and better downscaling, and turning off interlaced scaling; the rest are Streamclip defaults). My version of Streamclip doesn't have a 1280x720 (unscaled), so I've been forced to select 1280x720 (HDTV 720P). Not sure if this is my problem.
On recent attempts, I've managed to get the clip into a QuickTime format (using the settings above) in a way that doesn't look stretched (can't tell whether it is or not). When I import the clip into FCE, it comes in without having to be rendered, and looks as if it's not stretched there either. But as soon as I drop the clip into the sequence and try to play it, I get the "Dropped Frames" warning. I'm already operating in RT Safe mode, and rarely/never have problems w/ dropped frames with clips that were captured from my Sony camera/tape. Is the AIC codec more demanding of faster drives? (I'm using a 200Gig external Apple drive at the moment). Or is it because I have been forced to export as a 1280x720 HDTV 720p as opposed to unscaled?
In FCE I've set easy set up to:
Apple Intermediate Codec, 29.97, and HDV AIC 720 p30; Is this a match with the Export QT version?
And if so, would the clip be coming into my sequence without having to be rendered? Since I haven't had to upgrade my hardware for my other camera, I'd be reluctant to go out and buy more external disk power, in the event it doesn't do me any good.
I know there are several posts on people trying to get iphone footage into FCE already, but they don't seem to apply and, after hours on the internet looking for a solution, I'm at my wits end. PLEASE HELP
Thanks in advance!!

The 4s records video as MPEG4/AVC (H.264)/1080p/30fps in a .mov filetype. Final Cut Express is NOT designed to edit this kind of video. You need to convert the 4s video clips to QuickTime/Apple Intermediate Codec/1080i before importing them into FCE. You can use MPEG Streamclip to do the conversion. In FCE you also need to select a matching Easy Setup (should be AVCHD Apple Intermediate Codec 1920x1080i60 for converted 4s clips) and create a new Sequence to edit your video. This should eliminate the constant re-rendering problem.
ps. Final Cut Express was discontinued in 2011 even before OS X Lion was released. It is no longer supported by Apple and there is no guarantee it will run properly on Yosemite. Just so you know. Final Cut Pro X is the currently supported app.

Importing Sony PMW EX1 footage into FCPX

I just got a Sony PMW-EX1 (not the 1r). I'm not very familiar with this format and I'm having trouble getting my footage into FCPX. I imported a clip the way I thought it should be done and it simply showed up as a green clip.
Would someone familiar with this camera and FCPX help me get my footage ingested for use in FCPX.
General information:
Camera connected via usb and card can be seen in the browser.
I searched through the card until I found a file named pir80684_01.MP4
When I imported the file the clip is completely green. When I try to open the file in Quicktime I get this error.
The operation couldn’t be completed. (OSStatus error -12909.)
FCPX said to access the camera via camera import, and then create a camera archive. This was not possible for me as the camera did not show up in the camera import section.

This came from Twezk Digital:
"There is no “native” XDCAM EX support (unlike native DSLR support) in the new FCPX — you still have to use Sony software to “wrap” your XDCAM files into a Quicktime file and then import your clips from there. And the new XDCAM Browser won’t do the trick, nor will the Clip Browser, no, you have to use something you may not have used before: XDCAM Transfer. If you think of XDCAM Transfer as your new Log & Transfer window, I guess it is about the same, it just feels wrong to have an “evolutionary” new video editor and need to switch out to an older third-party application for a codec that has been around for so long now."
The link: http://www.tweakdigital.com/2011/06/fcpx-and-xdcam-workflow.html

How do I get clips into "Available Media"

I am using Premiere Elements 3.0. I've just had some old home movies transferred to DVD into two fairly large .AVI files. I can import these two files into Premiere Elements, and then split clips that show up in the timeline and sceneline, but I can't get the "subdivided" clips back up into Available Media. There, they stay as the two original source .AVI files. Do I need to get them into "Available Media," or can I just reorder them in the timeline? I don't want to get too far down the road and then figure out I can't create an edited DVD. Thanks.

You don't say how you ripped the files from the DVD and how you got them converted to AVI files.
That said, version 3.0 is about 8 years old. The technology has changed dramatically over the years, and version 11 of the program is much better at working with a wider range of video formats, including DVD/VOB video. Version 3 could pretty much work successfully with miniDV footage and that's about it. You may well want to consider upgrading.
Version 3 will not sub-divide the clips from your DVD. You get your video as completed video files. The program has no facilities for breaking these larger files into individual scenes.
How well the program will be able to do anything with these files depends on how you converted them to AVIs and what codec these AVI files use. When you open one of these AVIs in a program like G Spot or MediaInfo, what codec, resolution and frame rate does it show?
EDIT:
It appears that maybe you're trimming the video yourself and then trying to add the shorted clips back to your media panel. Is that right?
If so, this will not work if you cut the video on your timeline.
Instead, open your clip in the Clip Monitor/Preview Monitor by double-clicking on it in your media panel. Set in and out markers and then you can dragged this "trimmed" clip to the media panel from the Clip Monitor for later use.
Note that it will still technically be the same long clip. It will just be pre-trimmed to the in and out points you use to create each sub-clip.

Importing HD (AVCHD) Footage into Premiere Pro CS3 (windows)

Hi guy's the question is pretty much in the title.
Is it possible to import HD (AVCHD) footage into Premiere (with or without aditional software)?
Thanks.

What I can't figure out is why such a major format does not have native support in in Premiere CS3.
http://en.wikipedia.org/wiki/AVCHD
This is a format that has been adopted by Sony and Panasonic and is compatible with most blue-ray players and even the Play Station 3. So why would so many of the small software companies, in competition with Adobe, have recognized the importance of the format and come up with solutions to read and edit the format when Adobe has not?
http://kb.adobe.com/selfservice/viewContent.do?externalId=kb403297&sliceId=2
I've been coming back to Adobe's web site for months hoping to find they are working on a solution and I have found nothing. I have been a huge fan of Adobe software for years and have pumped many a pay check in keeping my Adobe software current, the most recent being the purchase of the CS3 Master Suite. I'm not trying to bash the company but Adobe if your listening I really want to know want to know what the real story is. This goes beyond the "we are just busy and will get to it when can" statements I have been seeing on the adobe sites. It looks to me as though some other deal has been made and Adobe does not want to talk about why they are not incorporating the AVCHD format into Premiere CS3.

Getting footage off of a commercial DVD

I had wanted to get some footage off of a commercial DVD, specifically it was that count down stuff that is at the beginning of a reel and some real dust and scratches that I could use to composit an old film look. When I tried to get the DVD footage into Premiere it wasn't reading it. The DVD files are in .VOB ------I was thinking that changing the extension may do the trick, or am I out of luck. I use CS4 on a Mac OX 10.5.7
Thank you

If there is no DRM on that DVD, then PrPro CS4, as of about CS4.3 (cannot remember when full VOB support was added, but it was about the third update for CS4), the program should be able to Import the VOB.
I do like the idea of using stock footage, as you will have paid for the rights of usage, and then there will be no worries about DRM. That will be easier and legal (important to me).
Good luck,
Hunt

Getting footage into shake

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