How to avoid selection/deselection of TreeItem when changing expandedProp?

Hello,
i have an application that uses several TreeViews for Assets and Objects.
These TreeViews are working with Groups and Subgroups, Sub-Subgroups, and so on ...
My Problem is: Always when i toggle the expandedProperty of any Group, selected or not, it will change the selection in the TreeView.
If the Group was selected, it will be deselected, if it was not selected, it will be selected, clearing any other selection.
How can i prevent this?
I tried eventFiltering and Handling of the mousePressed events without any success.
Hopefully someone could help me?
Thanks in Advance!
Jewe

Hello Krishnan,
i tried to switch all object types from "not changeable" to "changeable original", but still get the popup when switching cube loading mode.
Do you know the particular object type to manage ?
Hello Vishnu,
same thing, whatever the option is (switch on / off standard) I have the transport popup.
Anyway thanks for your try.

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Hello Krishnan,
i tried to switch all object types from "not changeable" to "changeable original", but still get the popup when switching cube loading mode.
Do you know the particular object type to manage ?
Hello Vishnu,
same thing, whatever the option is (switch on / off standard) I have the transport popup.
Anyway thanks for your try.

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try like this
if@section:IND=1
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bhs67

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RemoveHandler setFocusTimer.Tick, AddressOf setFocusTimer_Tick
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Hi,
i have this short report:
TABLES: MARA.
SELECT-OPTIONS: S_MATNR FOR MARA-MATNR.
AT SELECTION-SCREEN.
IF SY-BATCH = 'X'.
* how to avoid selection screen
ENDIF.
START-OF-SELECTION.
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ENDSELECT.
END-OF-SELECTION.
in batch i don't want the selection-screen. Is it possible? How can i do this?
Thanks.
regards, Dieter

Dieter Gröhn wrote:
> Hi,
>
> i have this short report:
>
>
> TABLES: MARA.
> SELECT-OPTIONS: S_MATNR FOR MARA-MATNR.
> *
> AT SELECTION-SCREEN.
>   IF SY-BATCH = 'X'.
> * how to avoid selection screen
>   ENDIF.
> *
> ************************************************************************
> START-OF-SELECTION.
> *
>   SELECT * FROM MARA WHERE MATNR IN S_MATNR.
>     WRITE: / MARA-MATNR.
>   ENDSELECT.
> *
> END-OF-SELECTION.
>
>
> in batch i don't want the selection-screen. Is it possible? How can i do this?
>
> Thanks.
>
> regards, Dieter
Please check the value of the variable sy-binpt, I believe the value of the variable sy-binpt will be set to 'X' if the program is called from a bath input, hope this helps.

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Hi friends,
can any tell how to avoid the select with in a loop for the following code, since it badly effecting my performance. if possible with code
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SELECT r~rsnum r~rspos r~matnr r~nomng r~meins r~plnum r~bdter r~ewahr r~alprf r~posnr r~baugr m~dispo
          INTO TABLE t_resb
          FROM resb AS r
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The logic of this select is completely weird. Whcih order of the db-tables should be used, which indexes?
On RESB matnr, werks and xloek are in one index, but rsnum not.
Are the conditions in fs_plan_order and it_tal connected or independent?
It is probably much faster, to leave the fs_plan_order condition away and check it on the result.
SELECT r~rsnum r~rspos r~matnr r~nomng r~meins r~plnum r~bdter r~ewahr r~alprf r~posnr r~baugr m~dispo
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          FROM resb AS r
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sort fs_plan_order by rsnum.
loop at it_tal in wa.
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          with key rsnum = wa-rsnum
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endloop.
Siegfried

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Hi,
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How do I output the smoothest video when changing or mixing frame rates from the original footage?

I have been experimenting with various Media Encoder settings, and wondered if there was anything else I can try to get the smoothest video output possible, especially when changing frame rate and possibly resolution. For clarification, let me start from the beginning and explain what I'm doing and what I've tried so far. I'll try to be as brief as possible, but if I do go into too much detail, I apologize.
My original footage is AVCHD 1080p - 60fps. (my camera only does 60fps...specifically 59.94fps) We're not talking interlaced video here, I'm staying away from that. This is definitely full frame, progressive video at 60 frames (not fields) per second. My output will ultimately be for the web. I have been keeping my output codec (H.264) and bit-rate (VBR 2-pass, relatively high-bitrate) consistent, and have been trying numerous output options and even sequence settings to see what would yield the best results. I am using Premiere Pro CS5.5 along with Media Encoder. Here's what I've done and the results I've observed:
1. I created a sequence with 1080p - 59.94fps settings to match my original footage. I then output both 1080p and 720p versions at 59.94fps, and at 29.97fps. The 59.94fps output files looked absolutely great, as would be expected. Extremely smooth. The 29.97fps output files were generally smooth, but not near as smooth as the 59.94fps. This is expected since it's half the frame rate as my original footage. However, my question is this: What exactly is Media Encoder doing when "down converting" from 60p to 30p? From a technical stand point, is it dropping every other frame? I'm just curious to understand exactly what it does. I tried the Frame Blending option as well, and that only yielded a bit more blur to the images which wasn't desirable for any of the output files.
2. Just to see what would happen, I created a sequence with 1080p - 29.97 settings. I then output both 1080p and 720p versions at 29.97fps. The video was much more choppy in these cases, even with Frame Blending on. Now, I know not matching my sequence settings with my original media isn't ideal, but I again just want to understand why this yields less smooth video than the 29.97fps options above. Why does cutting the sequence settings frame rate in half from the original, then outputting the same frame rate as the sequence yield video that is not as smooth?
3. Next, I wanted to try mixing frame rates to see how Premiere and Media Encoder handled the footage and output files. Premiere handled it great, no issues there. However, I had some interesting things happen when I output the files. Here's what I did: I created a sequence with 1080p - 59.94fps to match my original footage. Then I took the same exact footage that was in my sequence, copied it in my project panel and interpreted it at both 23.976 and 29.97 fps, yielding slow motion video. The slow motion video looked great in Premiere, so I went ahead and just added it to my sequences, along with the original 59.94 footage. I also created separate sequences for the 29.97 and 23.976 footage respectively, each with matching sequence settings, then added a nested sequence to another original footage sequence (with 59.94fps sequence settings) to see which yielded the best results. Basically, I'm trying to output 59.94fps that match my original footage, but also throw in some slow motion footage at different framerates. I'll explain my results in a moment as they are a bit convoluted, however, here is my question: When mixing frame rates and trying to output the smoothest video, am I going about this the right way? I would assume you would use your sequence settings that match the original footage (which is what the majority of the footage will be), then bring in a nested sequence for the slow motion (as oppose to just dropping the slow motion video directly into my main sequence), and then output to the same frame rate of the majority of the footage, in this case 59.94fps. Is there a better workflow for this?
The results to #3 above were as follows. Initially, it looked like it didn't matter if I nested the slow motion sequence into my main sequence, or simply dropped the actual slow motion video into my original 59.94fps sequence. It seemed to produce smooth results either way. Frame Blending blurred the video a bit, but didn't seem to make much difference, and quite honestly I like the footage without Frame Blending in general. However, when I closed down Premiere, and opened the output files later (opening in Quicktime), the footage looked choppy. In fact, it would go from choppy to smooth and back, almost like it had an irregular cadence (don't know if I'm using "cadence" in the right context here). I would then open up Premiere again, import the output footage into my project panel, and play the footage in Premiere, and it would play back smooth again. Is this a Quicktime issue? I was playing 1080p 59.94fps files when this happened, so maybe it's just because it's a large file. Doesn't seem to have issues with the 720p files I created. But it sure threw me off with my testing because I then started second guessing the settings I was using. My iMac is the latest 2011 model with plenty of RAM, so I wouldn't think it's the computer. Thoughts?
4. Next, I noticed on ALL my output files (again, using the H.264 codec from Media Encoder) that the color of my video seemed to flatten quite a bit. It seems that the original footage has more contrast and saturation than the output files. I figured maybe this was just how it was, but when I re-imported the output files back into Premiere, they looked IDENTICAL to the original footage. And in Media Encoder's Source/Output windows, I don't see any difference there either. Is Quicktime again the culprit here, doing some odd things to the color of my videos?
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6. Lastly, my conclusion is that 60fps yields the smoothest video, which is an obvious conclusion. However, I know that 60fps isn't the best or easiet frame rate for web delivery. It seems 30p is more the standard. Are there any integrated web players that would play 60fps? Can you get 60fps video on YouTube/Vimeo? If yes to any of these questions, can they do 720p and 1080p at 60fps?
Those are all my questions. I hope I am clear enough without being overly wordy and hopefully I didn't put too many questions into one post. Thanks in advance for any insight, I really appreciate it.

Did you ever figure out which output worked the best? I have the same original footage; trying to determine the best output settings to make a dvd for tv.
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Zircon_5 wrote:
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I cannot find how to select the frame that I want to appear as the Poster Frame in the exported video.
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I've been through every menu I can find & even Lynda.com training!
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There are two common meanings for the phrase "poster frame":
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Thanks EricvdS, I think that will work. I plan to try it with my next PSU patch. It's not exactly what I wanted, since I'd prefer to avoid having OPatch installed at all (and thus have no ORACLE_OCM user and no OCM instrumentation in the database), and I believe the initial OPatch install will submit OCM data to MOS even before pausing it and setting it to disconnected mode, and I'd like to avoid that too.
I also have the feeling that I may be able to skip the OPatch install by not providing my email address and MOS password or CSI number when applying patches. I'll try that too.

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How to avoid selection/deselection of TreeItem when changing expandedProp?

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