How to make a corner in pattern brush

I have made a line consisting of 3 lines, one in the middle i strong and one on each side which is dashed, I have made a pattern brush, but how do I make the corners, cant find out of how to get the corners in the pattern.

Oh okay... close that window and bring up the Brushes Panel.
Select the corner artwork with the Selection Tool, hold down the Option/Alt key, and drag the artwork onto the brush in the Brushes Panel. You'll see a black highlight over the areas. Simply drop the art on the corner you want.
Hint, two corners of a pattern brush use the exact same artwork. (first and third in the Pattern Brush Dialog Window).

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I wish to make an image with one or two rounded corners. Can some one explain how this is done or point me to a tutorial that works.

Now I see. You have to create a .png file with alpha channels enabled to have transparency on the corners.
First of all open you image. After that double-click on the Background layer on your layer window to be able to rename it. That will allow you to delete any part of it. After that make a curve with pan tool in the shape you want your round corner to be. After making the path right button -> make selection from path. After you selection is made hit delete. Save you image for web Ctrl+Alt+Shift+S and choose .PNG as a type of file you want to save.
This is generally.
If you need details feel free to ask.

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Thanks in advance, I'd be really happy If you could help me to figure this one out.

See this thread:
http://forums.adobe.com/message/5639814#5639814

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Is there a way to do it via stylesheet in 6?
TIA!

Hi
Please use the following syntax
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Hi!
Is there someone out there who knows how to make a brush similar to this? I've been trying to figure it out for several hours now, but nothing works!
Daniel

Sorry but you aren't going to get something that looks like that from a pressure sensitive brush in Illustrator.
The colors and groupings of blocks are too random to be a repeating pattern (a simple one, anyway) and the order is too consistent to be something like a scatter brush. That said, you *can* do this with a brush but it won't be pressure sensitive and it will require a degree of setup.
Start by building a row of blocks. Mine is a simple pattern with a few pieces removed and not terribly interesting looking but hopefully it'll give you the idea of what I mean:
Group everything and then go up to Effect> 3D> Rotate
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Go to Object> Expand Appearance You'll notice that Illustrator has put a clipping mask around your squares (transparent rectangle) Delete it.
Take everything you have and drag it over to the brush panel and make a new Art Brush:
Now you can select that brush and paint with it though you'll get better results by stroking a path you've drawn with the pen tool:
A couple of things to keep in mind:
You'll need to consider your ultimate length when creating the brush. Longer or more wavy lines will require more squares. My squares look a little skewed because I didn't bother to make my pattern very long. A longer row will improve the look of this but hopefully my example is enough to give you the idea.
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Hello all,
I must be over looking something here. I am trying to make a hatch pattern in Illustrator CS6 with the pattern tool so I can apply a clean, single lined hatch to various shapes (some small some big - but the hatch needs to remain at the same seamless scale). I understand that there is a Basic Graphics_Lines Pattern under the Swatches Palette, but I don't understand how to edit it with the Pattern Options dialogue box.
I must be missing something, becuase I wouldn't think making a single line at 45° repeat at the same spacing for a shape fill would be that difficult. I shouldn't have to make a line with the pan tool at a stroke of 1000 with a 0.1-3 dash and make a clipping mask should I?
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I'm completely lost and would really appreciate if someone could help me understand this....It just seems so arbitrary. and all the examples/tutorials i've seen of this tool are of floral patterns where arbitrary is okay.
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Create the pattern at either horizontal or vertical angle.
Rotate after applying to the object.

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At the moment I have just given up and made one huge image and kept it at around 800kb for a web background. However, I realize this is not ideal. I can't figure out how to make this pattern tileable. I figure there's some crazy math I have to calculate to figure in the crop size so that the cut off for the images fit perfectly, but I have no idea how to do that. Has anyone run into this situation before and found a solution?

You're doing it wrong! :-)
Use css to solve this problem. Although there is no css property to rotate a background image, you can apply a neat trick to create the same effect.
1) save your file as a regular rectangular pattern (17.6kb!) :
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    top: -50%;
    left: -50%;
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    -moz-transform: rotate(-20deg);
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Done! Far easier, and more flexible. To see it work, check out the test I made at http://estructor.altervista.org/rotbg/test.html
You can inspect the code in your browser.
PS css transformations are unsupported in IE 8 - the background will still show, though (non-rotated). For IE8 you will might want to use a conditional comment in your html to create a conventional background pattern instead.
*update* I updated the example with a page wrapper element that uses the same background, but rotates it at a different angle. The trick here is to create a sufficiently large element that covers the entire box. Then you will have to set overflow:hidden; to hide the overflow so it contains the background pattern inside that box. It takes a bit of tinkering to get the working values for height and width, because it is slightly dependent on the actual content.

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Hi There,
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Thanks!

That doesn't help me or people will large displays. I hope it's something that they will correct because that preview really helps me
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Do you have any say on how Photoshop makes it's changes and updates?
aleX

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how to make a pattern in illustrator from a placed image ?

Just embed the image and make a swatch of it.

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Hello guys Please I am looking for advice how to make this kind of pattenr in pohtoshop- you can see it on background- the rounded one- en the end whole piece makes nice surface.
http://vladstudio.deviantart.com/art/Typographic-World-Map-106395788
thank a lot

Sometimes a patten is defined for some pixel size and may even need to have the document rotated to have the proper orientation for the pattern. For example a frame pattern for a one inch wide strip. An Action can be created to add the pattern to a mitered 1" wide strip at 300 dpi on the left side then rotate the document for the other side rotate back and dupe and flip the frame side added.
If you search the web there are a countless number of patterns that can be downloaded for free textures like woods ,paper, textiles etc.

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Pattern Brush: Making a proper sequence.

I have a pattern brush that Needs to start and end with the same symbol before reach the corner. Instead of describing the sequence, for now, I would juts like to have somebody clarify something:
I noticed that there is a second side tile in the brush library thumbnail...
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Puzmen,
I am afraid you only have one option for each kind of path segment (set), outercorner, nocorner, innercorner, start, end.

Pattern brush

Hi,
I am trying to create a pattern brush with the two elements you'll see at the top of the attached file.The perfect square shape should be the corners and the thinner rectangle with the link graphic in it should be in between. I created a pattern brush placing each of those elements where they should be in the Pattern Brush Options Dialog Box, but as you can see in the area I circled in red the thin rectangle element with the link in it is overlapping the edge of the corner element. How can you correct that so that the corners look like they do in the green circled area at the bottom of the image?
Thanks very much!

22,
The principle is illustrated at the top of Scott's first screenshot. The artwork that is contained in the Side Tile of the Pattern Brush needs to have an unfilled, unstroked rectangle as its rearmost object.
When you first define a Pattern Brush, if the artwork does not include that unfilled, unstroked rectangle, Illustrator automatically creates it at the size of the artwork bounds.
If you drag a Pattern Brush that contains artwork in its Side Tile and a Corner Tile from Brushes palette and drop it onto the page, it is a Group. If you Ungroup, then the artwork from each Tile is a Group.
So Ungroup twice. Then just concern yourself with the artwork for the Side Tile. Its rearmost object is the unfilled, unstroked rectangular path. That path needs to be the same height as the artwork from the Corner Tile. Keep it the same width as the Side Tile artwork. After adjusting (or re-creating) it, make sure it is still the rearmost object. Then, with the black pointer, marquee select around the Side Tile artwork. AltDrag it and drop it onto the existing Side Tile of the Brush you are modifying.
JET

Pattern Brushes- steps to print

I am using AI CS2, and am designing a logo for a restaurant to be used as a neon sign in addition to menus, t-shirts, etc. this is my first real design job (i'm nervous!). so, as i developed the logo i used a pattern brush to create a rope, which the client loves. i realize that this is a bit of a no-no. how can i make the pattern brush printable?
thanks in advance!

Not to be preachy, but just a little more friendly advice, since you say this is your first real design job, and that you are nervous:
> Never send editable native AI files for someone downstream to edit unless they assume responsibility for any errors.
To elaboate: If there are errors in your file, you need to not only know about them, but you need to know how to correct them and how to avoid them in the future. Therefore, corrections should be made by you.
It necessarily follows that a beginner should especially avoid getting himself into projects with "crisis" deadlines. Leave yourself time to accommodate a round or two of edits if they become necessary.
If you are not already using Acrobat Professional, get it and get friendly with its settings. When you save your AI file as press-ready PDF, all that "live" stuff gets "normalized" to things a PostScript printer (and some other programs, like InDesign) can understand. Acrobat also has tools that Illustrator does not, like preflight checks and the ability to preview color separations to check for errors.
Do not automatically assume that everyone working at a printing house cannot / will not wreck your file. Printers hire entry-level workers, too, just like anyone else. Some of them even hire them into the pre-press room. Even an experienced pre-press worker may be less familiar with the application-specific design commands of the native program than you are.
Errors are inevitable. When disputes arise, the question invariably comes down to "who's error is it?" Work toward the day when you can confidently disallow anyone to modify your native files downstream. Correcting your own mistakes is the only way you will learn to avoid them.
Seek relationships with responsible and respected local output houses. A good printing house may not have time to give you free coaching on every project, but many are more than willing to help you understand their processes to help streamline workflows in future work you may bring them. Find one printer like that and most of the real-world knowledge you gain there will apply to other printing houses, too (even less friendly ones).
If at all possible, find opportunity to smell the ink, touch the paper, and understand the repro processes you design for. In other words, find an opportunity to spend some time in a press room, a pre-press room, and (although they are far and few between these days) a litho darkroom. If that means taking night courses at the local tech school, do that.
Understand that "the repro processes you design for" includes more than just offset commercial printing. Even in this post, you mentioned signage and t-shirts (silkscreen). There's also flexography, still used in packaging and labels. The best way to build your AI files can differ radically depending upon the target repro method.
Example: Although that "logo" (which I suspect is CMYK, correct?) may look great when prepared for offset printing, it may very well be quite disappointing when screen printed on a T-shirt. The best and "punchiest" screen printing is often not what we consider "normal" 4-color process, but leverages a wide range of possibilities inherent in screen printing, but not available in offset. One common and obvious example: Normal CMYK process assumes tranlucent inks, even in screen printing. Translucent inks look like crap on dark substrates. The best screen printing designs can be printed on colored substrates. (No one wants to
only wear white T-shirts.)
Another example: The sign industry actually
fabricates things. So it often involves devices (vector plotters--routers, cutters, engravers) entirely different from any kind of printing process. Those devices often require continuous vector paths, free of overlaps and crosscuts, not just artwork that "looks right" on screen.
A real logo (a true corporate or product identity graphic) usually has to be designed to properly accomodate all those repro disciplines.
JET

How to make a corner in pattern brush

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