How to overlay a gif onto a still image

Hello, I am new to photoshop and I was wondering if it is possible to place a gif on top of an image? I saw a tutorial on YouTube explaining how to do it on cs5 but I can't find any tutorials for element. Thanks in advance to anyone that answers.

Try this:
Open picture B, the one you wish to select something from to add to another picture.
Use one of the selection tools, e.g. selection brush, lasso tool, to select the object. You will see an outline ("marching ants") once the selection is complete
Go to Edit menu>copy to copy the selection to the clipboard
Open picture A, then go to Edit>paste
Use the move tool to position object from picture B.
In the layers palette you should see picture A as the background layer, and object B on a separate layer.

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Adding animated gif to a still image, how do I do this?

I used to know how to do it, but I've forgotten.
Example: The person who told me how to do it had taken an animated gif (butterfly) and placed it on her breast in a still photo of herself. I know that she used Image Ready and as I recall, she created the same number of frames of the still image as the animated butterfly and then she somehow merged the two together. Can someone help, is there a tutorial somewhere? I'm using 7.0 by the way.
Thanks,
Ray
P.S. I also remember that it had something to do with linking the layers so that you just needed to place the first frame in the sequence and link all the other layers to it, but I'm totally lost now!

I don't believe that PS 7.0 supports animation, 'least I don't know how to use this function if it does. That is why I remember using Image Ready to do it. In Image Ready you can use any animated gif file to do what I want, I just can't remember how I did it. I do remember that I had to take my background image and duplicate it to get the same number of frames as the animated gif file, but I don't remember how I merged the two together. It had something to do with placing the first frame of the animated gif where I wanted it on my background and then using the link tool in the layer box to link them together, that way I didn't have to place each individual frame of the animation on to the background and avoid an alignment nightmare. I sure wish I would've taken notes!
Thank you for your suggestions.
Ray

How to make a podcast with one still image with iMovie 09

I'm using trying to transfer my podcasts to Vimeo. I've been using iWeb to create a person web site with video and podcasts. I have embedded Vimeo with "html snippet widge." I want to do the same thing with audio, however Vimeo only accept "video" files.
In my attempt to work around Vimeo's video issues, I had the idea to use iMovie 09 to create a "video file" using a single still image with my audio podcast play in the background. The single image would be consistent for the entire length of the audio. It seems simple...one still image file and one audio file.
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I'm sure there's a simple way to do this with one image, used one time, and have the audio added.
Anyone understand my situation and have a good idea?

The most efficient method would be for you to do this in iMovie 6. You can download a version if you don't already have it on your computer. http://supportdownload.apple.com/download.info.apple.com/AppleSupport_Area/Apple_Software_Updates/Mac_OSX/downloads/061-3532.20070807.nq3ER/iMovieHD6.dmg
Put all your clips into a new iMovie project, in the order you wish them to play. Use the chapters tab and add chapter markers for each clip (except the first one; iDVD will add that one for you). Close iMovie.
Open an new iDVD project. Use the Media tab, then Movies, to locate your new iMovie. Drag and drop it onto the main iDVD window, taking care not to drop it into a drop zone. You should then see the title of your movie and the two options: Play Movie (which will play all the clips sequentiallly) and Scene Selection (which will take you to submenu(s) where you can select which clip to view).

How can I capture live video and still image by a DirectX compatible USB webcam using LabView ?

Dear forum members
   I'd like to design a user interface which shows a live video and capture still images for it by a DirectX compatible USB webcam using LabView or NI Vision Toolkit, how can I do this ? and If this is possible How can I reach the webcam DirectX filter properties and set them using LabView ? I would be grateful to anyone Who lead me to the correct solution.
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    Cem DEMiRKIR

Cem,
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Applications Engineering
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How do I export HDV, DV and still images as one HDV sequence?

Hi, my sequence (HDV-PAL) contains mainly HDV footage but also a few DV shots and stills that have a few applied effects. I want to export the whole thing as HDV (because it will be shown on a big screen) and don't mind a bit of lost quality on the DV sections, but would like the best possible outcome. I know it's difficult to mix DV and HDV together, but I've done it, the project is complete, I can't recapture anything (will take too long) and I need to export this thing as beautifully as possible. At the moment any exporting (I've tried lots of different codecs) makes the different fields go crazy, and if I try dump the whole project on a DV50 sequence then all mixed media ratios freak out and become huge. I haven't tried frame blending or blurring yet because I don't know anything about it...
Is there a way to export this project to DVD and also to a DV TAPE without trashing my DV and still images and conserving the high res HDV footage?
Kerrin
PowerMacG5 Quad Mac OS X (10.4.6) 2.5G RAM

To make the MPEG for the DVD and the DV version: Choose file/export/QuickTime Movie... then check ON the "make self contained" option. Open that file in Compressor and choose the lowest time preset you can. Then select another preset to use for that same compression session... from the Advanced Format conversions, choose the DV NTSC preset. The resulting movie will be a DV file you can record to DV tape.
It's pretty likely this will take quite a while to do...
Jerry

How to overlay a watermark onto many, separate, individual layers of an animation.

For theoritical purposes, let's say that I am building an animation and that I have 10 layers in this animation thus far. Now, let's say that I would like a watermark to be overlayed on every single one of these individual layers.
The only way that I would know how to do this would be to make a layer with the watermark, duplicate it nine times so that there were a total of ten layers with the watermark and then painstakingly go about the process of merging one layer of the animation with with one layer of the watermark and then repeat this process nine more times.
Whenever this situation comes up, whether it is a watermark or a correction of some sort that belongs on ALL LAYERS and I do this the only way that I know how, I think to myself that with something as powerful as CS 5, there has GOT to be an more automated and easier way of going about this.
Would anybody happen to know what that way would be???
THANKS !
Randy

csuebele wrote:
Don't do it that way. Do it as JJMack suggested. You don't want to merge all those layers.
You do not seem to understand how frame animations work. There is no destruction you have one logo watermark layer on top of the stack that is visible in all frames.. The only merging done is in the animation frames. The PSD is stil your layered document with nothing merged with a watermark as the top layer. Using Photoshop tween option you could even have Photoshop move the watermark across the animation. in the psd the is just a single un-merged watermark layer.
This is my Adobe Cloud.....http://www.mouseprints.net/old/dpr/CloudLogo2.psd

How do you fix playback quality for still image video on Adobe Premiere Elements 10?

Hi there, I'm a new editor, and am still wanting to make my first awesome video. I find that when I do a still motion video all quality is very bad, and a little blurry. I asked that question and someone told me to fix the playback quality and I do not know how to fix that. If you can answer my question, please also give me the instructions too.

First, read these...
Photo Scaling for Video http://forums.adobe.com/thread/450798
-Too Large May = Crash http://forums.adobe.com/thread/879967
-And another crash report http://forums.adobe.com/thread/973935

How Can I Make Smooth Moves of Still Images?

I'm doing a lot of moving stills in a current project, but I can't figure out how to add acceleration curves to the moves. I know the pen tool has a "smooth point" to add curves to keyframes, but I don't know where to apply them. I can apply them in the "scale" setting in the viewer, but not "center."
I'm sure there's an easy way, but I can't figure it out. Id prefer to do it in the canvas if possible. I want to reposition, slide, and zoom my photos so they don't "clunk" on the keyframes.

In the Canvas, make sure you're in Image + Wireframe mode.
Set up the basic move:
- position the layer at one end of the motion
- set one keyframe on Center
- move the playhead to the other end of the intended motion and move the layer again.
Right-click on the closing keyframe and choose Linear. Look really closely at the motion path (a series of small purple squares) in the Canvas. Connected to the currently selected keyframe (green square) are two circles, one dark purple and one light purple.
The lighter circle controls the curve of the motion. Adjusting this will change the path the object moves along.
The darker circle controls the acceleration. You'll see the smaller purple squares bunch up or spread out as you drag the darker purple circle; the further away the squares are from one another, the faster the motion.
Since you want to keep the path the same but change the acceleration, just move the darker circles. Ease In/Ease Out will start the process for you but with less control.
If all that doesn't give you the results you're looking for, consider using Motion or iPhoto instead. Some third-party plug-ins can also help if you're doing this a lot.

How to Work With Still Images in Premiere Elements 10

I am struggling with the still images in my Titles for my video project, and would really appreciate some help. I have done a lot of googling on this and searched this forum, but can't seem to find the answer I need, maybe not searching the right questions or just "not getting it". Not even PE Adobe tips or Adobe TV cover this, although it seems important to know. I am not clear how PE10 will handle the resolution of an imported still image or graphic art from Photoshop. Perhaps this topic will also help others as well.
I am working on a video project for my job, editing an old training video. Created new Title graphics in Photoshop, inserted the Title images and integrated with video clips, then exported the video segments as MPEG files. I burned the whole video to DVD.
When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
So I need to know how to improve the quality of the still images/graphics for a video??
Project settings:
- Hard Disk, Standard 48kHz
- Editing Mode: DV NTSC
- Frame: 720 x 480 (0.9091)
- Frame rate: 29.97fps
- with "Optimize Stills" box checked
Using these settings because I am working with MPEG files from an old training video CD.
File Export: MPEG, NTSC DVD Standard
I export the video clips as MPEGS because they will be burned to a CD or DVD for distribution to our staff offices.
Work Details:
In Photoshop, I created still image graphics for each Title sized at 720 x480 with high resolution photos and company logo (300 dpi), and save them as a bitmap to import into PE10. In the Timeline, I insert the still image in "Video 1" track, then in Video 2 track create a Title over it for text (some animated, some still). Sometimes I stack 2 or three titles with text in separate video tracks over one still title image. Yes, there is a red line across the top in the Timeline because I didn't render the still images.
Questions:
• What is the best resolution for images imported into PE10 from Photoshop?
• Should I be creating title graphics/images at 720 x 480 or a larger ratio like 1920 x 1080 so it will display better when seen on a computer or TV?
• Do I need to render each title image in the timeline so that it will eventually display better in the MPEG?
• Is it better to create a title and then insert the still image into the title so they are integrated, rather than layered on separate video tracks?
I would greatly appreciate any assistance.

When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
Remember that DVD-Video was designed for CRT TV sets, and was a major step up from VHS tape. However, when viewed on an HD computer monitor, or HD TV *, it is still ONLY 720 x 480, with is about 1/4 of the resolution as 1920 x 1080, which is about what we are used to seeing on those display devices. That is but only 25% of the quality. It can never look as good as HD material.
Good luck, and if I missed something, please point that out to me.
Hunt
* With the advent of BD players, and up-rezzing DVD players, things HAVE improved, when viewing a DVD-Video on an HD TV. The newer players have up-rezzing chips, that do a very good job of "improving" the viewed material's quality. However, even with those amazing chips, DVD-Video will NEVER be as good as a full-HD source. Also, computers do not have those up-rezzing chips, so when one views a DVD-Video on a high-rez computer monitor, it will still look pretty bad. There ARE a couple of new DVD software players, that improve the quality of DVD-Video played on a high-rez computer monitor, and a few look fairly promising. I speculate that we will see some more development in the DVD-Video area, especially as BD is not proving to be the big seller, that many promised. Even 3D is not helping BD realize its promise.

Still images per second and "shutter times" for webcams

Hi! I'd like to know how frequent a webcam (such as Optia AF) can take still images (at for example 2 megapixel) and send them to the PC via USB. Also, I'd like to know how long the "shutter time" is for still images, and if it can be adjusted. I want to be able to take sharp still images of moving objects and to process those images in near realtime. What webcam would be good to use for this purpose?I would be grateful for any advice!

Great news. For Time-Lapse, I probably go with 3 - 5 Frames for my Stills Duration most often, but it depends on the look and feel that I am trying to obtain, and also the interval that the shooting took place. Sometimes I end up with less, but sometimes more - it just depends on the look. I usually do a test Project, and Import a few Images at 3 Frames, then play that many times, to see if I like it. If not, then off I go to 4 Frames, etc.. You were going in the other direction, as you already had a good feel for the pacing of your piece - you just needed to do the math to get there.
Good luck,
Hunt

I have some presentation on the ipad 2 which went missing even though it is still on the icloud. how do i load them onto the ipad again? I have already updated the keynote and am currently on ios8

i have some presentation on the ipad 2 which went missing even though it is still on the icloud. how do i load them onto the ipad again? I have already updated the keynote and am currently on ios8

Here you go:
You should be able to hit the "Agree" button, if you are on an iPhone right now. On a Mac, you should just left click the button where it said "Accept". I hope this helped.
To quit the app store, simply hit these keys:
Than, you should come up with this window:
Select the app store with:
a) The up and down arrow keys
b) Your cursor
Than hit the 'Enter' button twice. This should close the app store. The force quit window is also accesible through the apple logo in the top left corner of the screen. It should say:
Force Quit...

How to overlay one pdf page onto other page?

Hi,
I don't know how to overlay one pdf page onto other. Remember, i am not looking to merge them. Please let me know which software will help me in doing that.
Thanks
Sami

Hi samik79976082,
You can use the Background tool in Acrobat to overlay one PDF page over another. Please see this thread for details:
Can you overlay two PDF documents, but use second PDF as watermark to first?
If you don't have Acrobat, feel free to give it a try. You can download the 30-day trial from http://www.adobe.com/products/acrobat.html.
Please let us know how it goes.
Best,
Sara
[Discussion moved from Acrobat.com Online Services forum to Creating, Editing & Exporting PDFs forum]

How to superimpose still images onto video?

Hi there,
I'm an absolute beginner with iMovie (and video editing in general), so please forgive my ignorance!
OK, my question is this: Is it possible to superimpose still images on top of video in iMovie, and if so how? I'm using iMovie because it has a reputation for ease of use, and yet I can't figure out how to do this... Basically, all I want to do is take a single piece of video about 5 minutes long and periodically fade in and fade out some still images on top of the action. Am I being too ambitious here?! Should I just give up on the idea...?!
Any help or advice would be very gratefully received!
Thanks.

Just in case anyone else is interested in doing something similar - I found two (commercial) solutions to this problem:
Gee Three software's 'Slick 4 - Hollywood edition' plug-ins package includes 'Picture-in-Picture' - $50 (also includes three other great effects): http://www.geethree.com/slick/V_04.html
cf/x's 'Picture in Clip (Static)' does exactly the same, but only costs a bargain $1.50 - available here: http://www.imovieplugins.com/plugs/pictinclipstat.html
Cheers!

How to export a short film made with still images without loosing quality?

Hi,
I have been trying everything to make a short film, which is made with still images, to look decent once exported however it is a real challenge. Here are the steps I have undertaken:
1- I prepare the photographs and give them the aspect ration of 720p and whatever height as I try not to crop them too much at 300dpi. They look great in photoshop or capture one. I then save them as.tiff. All the images are RGB.
2- I start a new project in premiere pro cs4 and make it DV Pal 25fps.
3-I import the images and place them on the timeline. If they are a bit too big I rescale them. The images seem to look ok on the timeline although I seem to have lost the deepness of the colours.
4-I render the work area
5-I export it as quicktime, dv pal, quality 100.
My dilemna is that although exporting with quicktime, dv pal, quality 100 seems to give me the best quality compared to using quicktime animation, mpeg2, cinemak, avi..., the images are still not as sharp as in Photoshop and the colours look a lot paler and washed out. Also, when looking close to the screens you can see tiny squares on the images although from distance it's not too bad. When I view it from the exported file using Nero it's not too bad although definitely not perfect, as soon as I try to make a DVD and import it in Adobe Encore CS4 or send it by Dynamic Link, the quality looks horrible with images that look soft if not blurred and completely washed out.
I have now tried about t bu15 versions to see what 's the best I still have not reached the optimum quality and since these will be shown on big tvs or projected onto screens I need to nail it.
Would anybody have any advice please please please?
Many Thanks

My overall advice is to do that kind of work in an application that is designed for that. Give Photodex Proshow Producer trial a crack at it. I do a lot of work with stills, and that IMO PSP is the best approach. If you are intermixing the odd still, Pr may get you by. If you plan on doing a lot of that, try proshow, where the workflow and extensive features are designed for making high quality videos from stills that can be output to a wide number of formats and destinations, including color management with many of them( including avi). And, no need to resize. I know this won't solve your present problem.
Obviously, your attempt in Pr has not worked out as you had hoped. Maybe a bit more info would help. How are you rescaling them in Pr? That might well account for some quality loss. What is the original format and size of the images? What color management are you using in PS? Are you using any color correction or effects in Pr? Is your project interlaced or progressive?
From your description, you are not even getting the quality you should be getting from Pr IMO, though as Jim says, it is video and it will never look as pristine as it does in PS, but it still seems to me that something you are doing has degraded the work more than normally would be expected.

How to animate still images

I'm trying to figure out how to use still images to create an animated video - similar to:
http://www.pbs.org/wgbh/amex/oakley/promo/promo_qt_oakley.html
Any help would be much appreciated -

Use tables for putting graphics together to reduce the size of a gif animation. Depending on what your animation is like, tables can help reduce its overall file size. For example, you may have an image you want to animate, but only a small part of the image will actually be the animation. You can manually cut up the image into different pieces using a program like photoshop, or automatically, using a special utility like Ulead SmartSaver Pro. If you use photoshop, you must put the resulting graphics back together in your html editor using table cells. Programs like SmartSaver creat the html file with the graphics already in the table cells. By slicing up your image into sections, the samll part of the image that animates will now be in a table cell by itself. The rest of the image in the other table cells does not become part of tthe actual animation itself, thus reducing file size.

How to overlay a gif onto a still image

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