How to Use Vienna In Logic

ok, so I bought vienna special edition. I used it in logic by creating several vienna instrument instances. They cluttered up the screen and made work sloppy, so my solution was vienna ensemble. Instead of opening many vienna ensemble instances I just created a multi timbral track and was able to have many vienna instruments loaded in one vienna ensemble instance. The only problem is that the track is multi timbral so all my midi editing in one track does the same for all of them. Is there a way to have a multi timbral track but split the tracks so editing will only change the track I'm editing?

The MI can be created in any layer. I created a new layer just for these kind of MIs.
I've always been confused by the "Cable and channel Port is Set" dialog. It has to be "Remove", I think.
"What selection do you make in the TI to convert CC7 to CC11?" -- Do you mean in the TO "Transformer Object"? It's hard to explain. You really need to read the manual on the transformer. But basically, the top line is stuff you want to process and the bottom line is what you want to do it. So top line is status: controller, byte 1: 7. and bottom line is fix byte 1 to 11. Or something. I'm doing this from memory.
To cable an object in one layer to an object in another layer: hold down the Option key while click and holding on the cable arrow. This will produce a list of all objects in the session, categorized by layer.
"What “plug-in” do you assign to respond to CC 11 for volume?" -- In the case of VSL SE Multi Ensemble, I guess you make the changes on an instrument by instrument basis inside of Ensemble? But I don't remember having to do this, so maybe it's set to 11 already.
Or in Spectrasonics Multis you do it in the Mixer with their MIDI template or something. Maybe they default to 11 too.
I haven't had any issues with this setup. Yet. Knock wood. All MIDI data except CC7 passes unmolested through the Transformer Object.
One final tip. In the arrange window there is a menu item: "Same Instrument with next MIDI channel". Assign a key command to this (or is there one already?). Then after you assign the first channel of the MI to a track in Arrange, you can hit this key command as many times as necessary.

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Hardware compressor and am not quite sure how to use it in logic express 9. Please help???

I recently bought a dbx hardware compressor and am not quite sure how to use it in logic express 9. I hav a focusrite saffire 6 usb audio interface and am not sure how to use it in logic. Please help???

Hi Ujjawal,
Use the Tab-order property of IR object.
In design mode, select the any command button, right click and select the property. you will find the window for "Tab-Order". It lists all the objects available in that dashboard. Here you can arrange the tab order..
Hope it will help you.
Thanks & Regards,
Mohit Jain

I recently bought a dbx hardware compressor and am not quite sure how to use it in logic express 9. I hav a focusrite saffire 6 usb audio interface and am not dont how to use it in logic. Please help???

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MUYconfundido wrote:
Pancenter,
Thanks for the response, but I do not have a midi interface. I am using a midi to usb connector cable, thus bypassing the need for a Midi interface.
The Mac reads the USB cable as a midi device, but not the keyboard that I am trying to use as a controller. I have tried it with my korg sp 300 and with my Nord Electro 2.
Thoughts?
Thanks,
Tristan
Tristan...
This is what you have, correct?
http://www.alesis.com/usbmidicable
This from Alesis..
"The AudioLink Series USB cable receives and outputs MIDI signal thanks to its internal interface. The USB-MIDI Cable connects plug-and-play to your Mac or PC for an all-in-one USB-MIDI solution."
Notice, -internal interface-. What you have is a simple USB MIDI Interface. Most MIDI interfaces are USB.
My point is (was), MIDI OUT of the Korg goes to the connector marked MIDI IN on the Alesis, those new to MIDI often get this wrong.
pancenter-

How to use variables in logical file name definition FILE

Hi Friends,
How can I use variables in logical file name definition (tcode FILE). The requirement is to pass value in these variables (based on selection criteria), and use it as part of file name. You quick response will be highly appreciated.
Thanks,
Kuldeep Joshi

Hi,
Thanks for your reply.
In detail, the scenario is like I have created an Open Hub. Its working fine. Now I am planning to execute this open hub using process chain and for that I have to define the file output on application server along with logical file name (using tcode FILE). The logical file name contains two variables (defined in FILE) i.e. z_dept and z_fiscperiod.
Filter value in DTP ( I will read these values from Ztable using routine )
Dept = R&D
Fisc period = 004/2009
Variables defined in tcode FILE:
z_dept for Dept
z_fiscperiod for Fiscal Period
Logical file name : <z_dept>_<z_fiscperiod>.csv
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How to use IAC in Logic?

Dear gurus,
What exactly is the IAC driver (as seen in AudioMIDI setup), and how does one configure it for use with Logic? I assume its purpose is to allow music applications to communicate (f'rinstance, letting Sibelius play though Logic instruments) but I'm not sure how it works, nor can I find any documentation.
Thanks in advance for any help,
Mike

> What exactly is the IAC driver
I remember using it once with Cubase to drive a stand alone application that didn't exist as an AU plug, and that was in 2002...
> I'm not sure how it works, nor can I find any documentation
The AMS help will tell you how to configure the IAC driver, but the Logic reference doesn't even mention it. If it was effective, Rewire wouldn't be needed, I guess.
Does Sibelius send midi messages? If yes, then it acts as a controller and Logic shouldn't process its messages differently to a keyboard controller, for instance. Did you test this?

How to use compressor with logic 7?

I'm trying to record an audio track using the compressor provided by logic. I know that I can insert a compressor to the audio track, but is my understanding that the audio is not compressed when recorded. Is this true? or is there a work around? Thanks

listen man
if you can afford an analog compressor then go for that
source---> tube pre-amp ---> ANALOG COMPRESSOR ----> mixer (for hardware monitoring if you want) ---> Interface
if you do get a compressor try something with a gate and a limiter built into it as well
1: limiter is good for setting a level where nothing will over pass that level
2: gate is a good idea incase you wanna get a good decent sound out of your Tube pre-amp without worrying about the low dirty sounds
you can use the gate to cut signals below some level, lets say you
Threshold : -50 dbu
Ratio : 2:1
Attack : 1 ms
Release : 1 sec ( depending on what you want)
Output : -3 db
this just a example of what i set for most of my clients, what is, is that i get them in about 30 mins before session and we do sound check plus mic positioning and settings for the PREAMP, COMPRESSOR AND LEVELS IN
doing all this means the singers / rappers will feel comfortable singing like they are on stage or in their bathroom
don't let an artist change for you if the artist is good and they happy with their style, position, volume and groove ( because the song will lack of taste and feel at the end)
tip: recording onto computer/ digital should not clip, you can make the tube as hot as you want but make sure you are about -3 db below clip
because sometimes good takes only comes once and distorting it and making the clients record about 80x will make the clients lose the feel
after recording good takes you can go on and compressor to your needs or gain to your needs
good tip : always make sure you get a good sound before recording or before hitting the disk, less time cutting and pasting more time creating other good things
and don't over compress with the analog compressor, always leave space for extra stuff just incase
stash
Message was edited by: $ta$h

How to use hashmap in logic:iterate/

Now i want to display four list columns within a table.
example:
<logic:iterate name="rowSet" property="hashMap" id="rowSetObj">
<tr>
<td><bean:write name="rowSetObj" property="v1"></td>
<td><bean:write name="rowSetObj" property="v2"></td>
<td><bean:write name="rowSetObj" property="v3"></td>
<td><bean:write name="rowSetObj" property="v4"></td>
</tr>
</logic:iterate>
Can you help me?
how do i need to make a java bean about rowSet and rowSetObj?

Hi,
You need to make bean like:
public class YourClass {
public someType getV1() {return somthing}
Then as you need iteration you have to create array, or collection or something described in http://jakarta.apache.org/struts/userGuide/dev_logic.html
and fill it with instances of YourClass
Then you need to add this that something into session like this:
session.setAttribute(SESSION_ATTRIBUTE_NAME, yourArray);
And then in your JSP you can do as you wrote, but you have to add one more attribute: type. so, you will have:
<logic:iterate name="rowSet" property="hashMap" id="rowSetObj"
type yourPackage.YourClass scope="session">
<tr>
<td><bean:write name="rowSetObj" property="v1"></td>
<td><bean:write name="rowSetObj" property="v2"></td>
<td><bean:write name="rowSetObj" property="v3"></td>
<td><bean:write name="rowSetObj" property="v4"></td>
</tr>
</logic:iterate>
good luck
if i'm write it should work :)

How to use my external processor effects?

I have a lexicon processor and I want to know how to use it with logic.
Thanks
g5 ma' os Mac OS X (10.4.4)

I hope this info can help you.
The main Problem is that Logic don't have an delay compensation plugin like in nuendo or cubase "external FX"
Here is the info to compensate the delay coused by the D/A and A/D converters:
6.30 How do I set-up record / playback / monitoring delay?
Subject: Record delay vs send/return using external effect units
You'd think that with modern multichannel audio interfaces and a modern, professional audio sequencer like Logic, this would be a piece of cake, right? It turns out that there are a number of potential traps, all to do with Logic's highly inadequate record delay compensation. What follows is a run through of the general setup procedure, using my RME Multiface.
Basic Record/Playback delay Setup
Set up a 4/4 audio click track (trim the sample starts so they are right on the beats). Use real audio, not a software instrument. Rerecord the main outs to a new track via a hardware loopback cable (i.e. cable your audiocard's outputs into its inputs). Measure the clicks with reference to bars/beats in the Sample Editor - the clicks should be (but may not be) recorded right on the beat.
If the audio driver has a record delay parameter in samples, use that to adjust. If not - use the ASIO Buffer delay "IN" for coarse adjustment (multiples of buffer). Leave the ASIO Buffer delay "OUT" at zero. Use the main driver playback delay for final fine adjustment (samples). Do NOT use the Arrange window's delay parameter - it's in ticks and thus tempo-dependent!
So if you are playing in time with a prerecorded track, your playing is recorded in the correct position to preserve your exact timing on playback.
The use of the playback delay to compensate is not ideal, as it will mess with the playback timing vs displayed position of any audio - this has an adverse effect on fine editing, and MIDI-to-audio sync - but Logic unfortunately does not provide a sample-accurate record delay adjustment, and has not done so since version 3.5...
Effect Return/Record Setup
You definitely want to avoid monitoring external FX returns through Logic if at all possible, since that would add 2x the audio buffer worth of latency to the return, which will adversely mess with the sound of any time-based effects (i.e. just about everything). So, monitor your external FX returns at source, or through direct hardware monitoring - in my case that's through RME TotalMix routed to the main outs for (near) zero latency.
You probably want to be able to record the external FX outputs into Logic (to free up the FX for other uses) and have it play back exactly as it was monitored, right?
Using your 4/4 audio click track, panned left, send to an external delay (approx 1/2 beat, single repeat). Pan the delay return R at source and monitor as above. Rerecord the main outs to new track via a hardware loopback cable. Measure the number of samples from a click to its delay in the Sample Editor
Now record the delay return signal to a new track. Playback just the audio click panned left & the recorded delay panned right. Rerecord the main outs to new track via hardware loopback cable. Measure the number of samples from click to delay in Sample Edit.
Both measurements must be the same for accurate recording of FX returns, but it's likely they won't be, probably because the playback delay has been messed with. Compensate by inserting a sample delay on the FX return Input Objects in Logic. Since you're not monitoring the FX returns through Logic anyway, the input delay will be recorded but not monitored (in 5.2+, but if you use an earlier version you're hosed since effects are not recorded).
Record the delay return again, play it back with the click, rerecord the outputs and measure again. Adjust the input sample delay until the recorded-&-played-back delay position is identical to the monitored delay.
Live Input Monitoring/Recording
For accurate timing, monitor any live inputs at source or through direct hardware monitoring (TotalMix), the same as for FX returns. When recorded, playback timing will be accurate. Sends from live inputs to external FX can also be applied in at source or in TotalMix. No problem.
Live Input Monitoring Through Logic
Here's where the problem starts. If you also plan to monitor some live inputs through Logic - to add Logic FX, or to control & automate the live inputs, or to add live inputs to a bounce, etc - then you'll be monitoring the live inputs with a latency of 2x the audio buffer size (or more if applied processing induces further delays). Therefore when you record a live input, on playback it will be early by that amount, since the record/playback delay is set up to compensate for zero-latency monitoring. What you heard live is not what you get on playback.
There's no set-&-forget way around this, since Logic won't let you apply a sample delay to an input without the delay also being applied to the input's monitor output from Logic. So using the same input delay trick you applied to recording the FX returns won't work - you'll wind up monitoring with even more delay, which will need yet more input compensation, and so on. You can't use the record/playback delay to compensate, because that would screw up the recording of source-monitored material.
You could conceivably monitor everything through Logic at all times, and use a single record/playback delay to compensate for all of it (with the editing & MIDI-to-audio sync shortcomings discussed, but on a larger scale as considerably more compensation is required), but that will screw with the sound of any time-based external FX as noted above.
So assuming you stick with source-monitoring the external FX returns, there are 2 options for correct playback timing of any recorded tracks that were monitored through Logic while recording:
1 - Output all such tracks to a bus, and place a Sample delay on that bus to compensate. This will correct the playback you hear, but it won't correct the bad positioning of the audio.
2 - Physically move the recorded audio later to compensate. Uh-oh - Logic's Arrange window is not sample-accurate. And it's not possible to move a newly recorded audio region later in the Sample Editor without adding samples to the start of the file, which is a tedious process if you've just recorded a number of tracks. You'll just have to get it as close as you can in the Arrange - bear in mind that ticks are tempo dependent, so you have to calculate the number of ticks based on the current song tempo (let's not even begin to discuss Audio vs tempo changes in Logic), or use the smallest SMPTE nudge available. No fun at all.
If anyone has any other suggestions, I'm all ears...
So what about OS-X?
In Logic under OS X, the CoreAudio driver setup panel doesn't have any record/playback delay setup. If you're optimistic, you might interpret that as an indication that it's all done automatically by CoreAudio and the driver. But given Emagic's history in this area, what's the bet it's currently a big fat inaccurate mess? Rumblings from the Mobile i/o list seem to indicate this...
G5 dual 2,5 Mac OS X (10.4.4)

Cannot use Battery with Logic pro

An Know how to use battery2 with logic
because seems the logic au managerr can't find battery

hi
did you run the au validation programm? maybe if the validation crashed or didnt work you should update battery with the au hotfixes. battery 1 and 2 working for me since first installation.
if the registration of battery or other plug-ins expired they will also crash in the au manager.
best
marc

How to use Logical database in function module?

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Regards

In this report i have marked one line..if this width 30,i need to multiply by a number 0.3 and if the width =30,it multiplies by 0.37...how to use this logic here..??? anyone can help??

In this report i have marked one line..if this width < 30,i need to multiply by a number 0.3 and if the width >=30,it multiplies by 0.37...how to use this logic here..??? anyone can help??
Declare @FromDate Datetime
Declare @ToDate Datetime
Declare @SCCode nvarchar(30)
select @FromDate = min(S0.Docdate) from dbo.OINM S0 where S0.Docdate >='[%0]'
select @ToDate = max(S1.Docdate) from dbo.OINM s1 where S1.Docdate <='[%1]'
--Rcpt from PRDN (Condition checked for Return component exclusion also)
SELECT T2.U_STKNO as 'PRN No', T2.PostDate as Date,
T2.DocNum AS 'WorkOrderNo',
b.DocNum as 'Issue Doc No',
ISNULL(d.DocNum,'') as 'Receipt Doc No',
b.U_IssPSCName as 'SubContractor Name',
T2.ItemCode as 'FG Item Code',
T3.ItemName as 'FG Item Name',
T2.PlannedQty as 'FG Planned Qty',
T2.U_OD as 'OD',
T2.U_ID as 'ID',
T2.U_OD/25.4 as 'Inches',
(T2.U_OD-T2.U_ID)/2 as 'Width',
0 as 'FG Pending Qty',
0 as 'FG Receipt Qty',
'' as 'Issue Item Code',
'' as 'Issue Item Name',
Sum(ISNULL(a.Quantity,0)) as 'Total Issue Quantity',
0 as 'Issue Item - Return Quantity',
'' as 'Return Doc No',
SUM(ISNULL(a.U_IssPTotWeight,0)) as 'Total Issue Weight',
SUM(ISNULL(c.U_Quantity,0)) as 'Total Receipt Weight'
from OWOR T2 inner join WOR1 T4 on T2.DocEntry = T4.DocEntry
INNER JOIN OITM T1 ON T1.ItemCode = T4.ItemCode inner join OITM T3 on T3.ItemCode = T2.ItemCode
LEFT join IGE1 a on T2.DocNum = a.BaseRef Inner JOIN OIGE b on a.DocEntry = b.DocEntry and T4.ItemCode not in (a.ItemCode)
LEFT JOIN IGN1 c ON c.BaseRef = T2.DocNum and T2.ItemCode = c.ItemCode INNER JOIN OIGN d on c.DocEntry = d.DocEntry
WHERE b.Series in('101','20') and T2.PostDate >= @FromDate and T2.PostDate <= @ToDate and b.U_IssPSCName = '[%2]'
GROUP BY T2.U_STKNO, T2.PostDate, T2.DocNum, b.DocNum, d.DocNum, b.U_IssPSCName,T2.ItemCode,T3.ItemName,T2.PlannedQty,T2.U_OD,T2.U_ID, T2.U_OD/25.4,(T2.U_OD-T2.U_ID)/2
UNION ALL
SELECT T2.U_STKNO as 'PRN No', T2.PostDate as Date,
T2.DocNum AS 'WorkOrderNo',
b.DocNum as 'Issue Doc No',
ISNULL(d.DocNum,'') as 'Receipt Doc No',
b.U_IssPSCName as 'SubContractor Name',
T2.ItemCode as 'Item Code',
T3.ItemName as 'Item Name',
T2.PlannedQty as 'Planned Qty',
T2.U_OD as 'OD',
T2.U_ID as 'ID',
T2.U_OD/25.4 as 'Inches',
(T2.U_OD-T2.U_ID)/2 as 'Width',
(Select (T2.PlannedQty - (Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum and a1.ItemCode in (b1.itemcode) where b1.DocNum = t2.DocNum))) as 'Pending Qty',
(Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum and a1.ItemCode in (b1.itemcode) where b1.DocNum = t2.DocNum) as 'Receipt Qty',
a.ItemCode as 'Issued Item Code',
a.Dscription as 'Issued Item Name',
Sum(ISNULL(a.Quantity,0)) as 'Total Issue Quantity',
(Select (Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum inner join WOR1 b2 on b1.DocEntry = b2.DocEntry where b1.DocNum = t2.DocNum and a1.ItemCode in (b2.itemcode))) as 'Issue Item - Return Quantity',
(ISNULL((Select (Select a2.DocNum from OIGN a2 where a2.DocEntry = a1.DocEntry) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum inner join WOR1 b2 on b1.DocEntry = b2.DocEntry where b1.DocNum = t2.DocNum and a1.ItemCode in (b2.itemcode)),'')) as 'Return Doc No',
SUM(ISNULL(a.U_IssPTotWeight,0)) as 'Total Issue Weight',
SUM(ISNULL(c.U_Quantity,0)) as 'Total Receipt Weight'
from OWOR T2 inner join WOR1 T4 on T2.DocEntry = T4.DocEntry
INNER JOIN OITM T1 ON T1.ItemCode = T4.ItemCode inner join OITM T3 on T3.ItemCode = T2.ItemCode
LEFT join IGE1 a on T2.DocNum = a.BaseRef Inner JOIN OIGE b on a.DocEntry = b.DocEntry and T4.ItemCode in (a.ItemCode)
LEFT JOIN IGN1 c ON c.BaseRef = T2.DocNum and T2.ItemCode = c.ItemCode LEFT JOIN OIGN d on c.DocEntry = d.DocEntry
WHERE b.Series in('101','20') and T2.PostDate >= @FromDate and T2.PostDate <= @ToDate and b.U_IssPSCName = '[%2]'
GROUP BY T2.U_STKNO, T2.PostDate, T2.DocNum, b.DocNum, d.DocNum, b.U_IssPSCName,T2.ItemCode,T3.ItemName,T2.PlannedQty,T2.U_OD,T2.U_ID,T2.U_OD/25.4,(T2.U_OD-T2.U_ID)/2,a.ItemCode,a.Dscription order by T2.DocNum desc

Hi,
Try this:
Declare @FromDate Datetime
Declare @ToDate Datetime
Declare @SCCode nvarchar(30)
select @FromDate = min(S0.Docdate) from dbo.OINM S0 where S0.Docdate >='[%0]'
select @ToDate = max(S1.Docdate) from dbo.OINM s1 where S1.Docdate <='[%1]'
--Rcpt from PRDN (Condition checked for Return component exclusion also)
SELECT T2.U_STKNO as 'PRN No', T2.PostDate as Date,
T2.DocNum AS 'WorkOrderNo',
b.DocNum as 'Issue Doc No',
ISNULL(d.DocNum,'') as 'Receipt Doc No',
b.U_IssPSCName as 'SubContractor Name',
T2.ItemCode as 'FG Item Code',T3.ItemName as 'FG Item Name',T2.PlannedQty as 'FG Planned Qty',T2.U_OD as 'OD',T2.U_ID as 'ID',T2.U_OD/25.4 as 'Inches',(T2.U_OD-T2.U_ID)/2 as 'Width',case when ((T2.U_OD-T2.U_ID)/2) <30 then ((T2.U_OD-T2.U_ID)/2) *0.3 end, 0 as 'FG Pending Qty',0 as 'FG Receipt Qty','' as 'Issue Item Code','' as 'Issue Item Name',Sum(ISNULL(a.Quantity,0)) as 'Total Issue Quantity',0 as 'Issue Item - Return Quantity','' as 'Return Doc No',SUM(ISNULL(a.U_IssPTotWeight,0)) as 'Total Issue Weight',SUM(ISNULL(c.U_Quantity,0)) as 'Total Receipt Weight'from OWOR T2 inner join WOR1 T4 on T2.DocEntry = T4.DocEntryINNER JOIN OITM T1 ON T1.ItemCode = T4.ItemCode inner join OITM T3 on T3.ItemCode = T2.ItemCodeLEFT join IGE1 a on T2.DocNum = a.BaseRef Inner JOIN OIGE b on a.DocEntry = b.DocEntry and T4.ItemCode not in (a.ItemCode)LEFT JOIN IGN1 c ON c.BaseRef = T2.DocNum and T2.ItemCode = c.ItemCode INNER JOIN OIGN d on c.DocEntry = d.DocEntryWHERE b.Series in('101','20') and T2.PostDate >= @FromDate and T2.PostDate <= @ToDate and b.U_IssPSCName = '[%2]'GROUP BY T2.U_STKNO, T2.PostDate, T2.DocNum, b.DocNum, d.DocNum, b.U_IssPSCName,T2.ItemCode,T3.ItemName,T2.PlannedQty,T2.U_OD,T2.U_ID, T2.U_OD/25.4,(T2.U_OD-T2.U_ID)/2UNION ALL SELECT T2.U_STKNO as 'PRN No', T2.PostDate as Date,T2.DocNum AS 'WorkOrderNo',
b.DocNum as 'Issue Doc No',
ISNULL(d.DocNum,'') as 'Receipt Doc No',
b.U_IssPSCName as 'SubContractor Name',
T2.ItemCode as 'Item Code',T3.ItemName as 'Item Name',T2.PlannedQty as 'Planned Qty',T2.U_OD as 'OD',T2.U_ID as 'ID',T2.U_OD/25.4 as 'Inches',(T2.U_OD-T2.U_ID)/2 as 'Width',case when ((T2.U_OD-T2.U_ID)/2) >=30 then ((T2.U_OD-T2.U_ID)/2) *0.37 end, (Select (T2.PlannedQty - (Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum and a1.ItemCode in (b1.itemcode) where b1.DocNum = t2.DocNum))) as 'Pending Qty',(Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum and a1.ItemCode in (b1.itemcode) where b1.DocNum = t2.DocNum) as 'Receipt Qty',
a.ItemCode as 'Issued Item Code',
a.Dscription as 'Issued Item Name',
Sum(ISNULL(a.Quantity,0)) as 'Total Issue Quantity',
(Select (Select ISNULL(sum(a1.Quantity),0) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum inner join WOR1 b2 on b1.DocEntry = b2.DocEntry
where b1.DocNum = t2.DocNum and a1.ItemCode in (b2.itemcode))) as 'Issue Item - Return Quantity',
(ISNULL((Select (Select a2.DocNum from OIGN a2 where a2.DocEntry = a1.DocEntry) from IGN1 a1 inner join OWOR b1 on a1.BaseRef = b1.DocNum inner join WOR1 b2 on b1.DocEntry = b2.DocEntry where b1.DocNum = t2.DocNum and a1.ItemCode in (b2.itemcode)),'')) as 'Return Doc No',
SUM(ISNULL(a.U_IssPTotWeight,0)) as 'Total Issue Weight',
SUM(ISNULL(c.U_Quantity,0)) as 'Total Receipt Weight'
from OWOR T2 inner join WOR1 T4 on T2.DocEntry = T4.DocEntry
INNER JOIN OITM T1 ON T1.ItemCode = T4.ItemCode inner join OITM T3 on T3.ItemCode = T2.ItemCode
LEFT join IGE1 a on T2.DocNum = a.BaseRef Inner JOIN OIGE b on a.DocEntry = b.DocEntry and T4.ItemCode in (a.ItemCode)
LEFT JOIN IGN1 c ON c.BaseRef = T2.DocNum and T2.ItemCode = c.ItemCode LEFT JOIN OIGN d on c.DocEntry = d.DocEntry
WHERE b.Series in('101','20') and T2.PostDate >= @FromDate and T2.PostDate <= @ToDate and b.U_IssPSCName = '[%2]'
GROUP BY T2.U_STKNO, T2.PostDate, T2.DocNum, b.DocNum, d.DocNum, b.U_IssPSCName,T2.ItemCode,T3.ItemName,
T2.PlannedQty,T2.U_OD,
T2.U_ID,T2.U_OD/25.4,(T2.U_OD-T2.U_ID)/2,a.ItemCode,a.Dscription
order by T2.DocNum desc
Thanks & Regards,
Nagarajan

Does anyone know if apple's one-to-one program would be a good way to learn how to use logic pro or am I better off going to school to learn audio engineering or something?

Of course going to school would be a good option, but I want to know if one-to-one is also a good way to learn how to use logic pro. Has anyone been through the one-to-one program for logic pro and can say that they learned how to use logic pro well because of it?

For sure, one to one training, if given by a tutor who is capable, will hand you the means to build up self-confidence and will therefore let you operate the hard/software in an intelligent manner, instead of going for the trial and error method which has its pro's and con's too. Once you've passed this beginners phase you will make your own decisions intelligently and then you will also start to get experience and learn even from your mistakes. Something like that in theory and the rest is up to you!
Have a nice day

Script logic - how to use a selection variable within an allocation logic

Hi,
I want to implement a simple top-down distribution to distribute values from a yearly budget (Y20xx.TOTAL) to a quarter budget (Q20xx.Q1, ... Q20xx.Q4) using the actuals of the previous year as reference.
If we hard code the members it works fine:
*RUNALLOCATION
*FACTOR=USING/TOTAL
*DIM ACCOUNT WHAT=ACC_NOT_ASSIGNED; WHERE=BAS(FIN); USING=<<<; TOTAL=<<<
*DIM TIME WHAT=Y2009.TOTAL; WHERE=BAS(Q2009.TOTAL); USING=BAS(Q2008.TOTAL); TOTAL=<<<
*DIM CATEGORY WHAT=SBO; WHERE=<<<; USING=ACTUAL; TOTAL=<<<
*ENDALLOCATION
Of course, we want to make this dynamic, using the values inputted in the selection screen of the package: time, entity and category.
So if we start with write the following logic, it does not work anymore:
*RUNALLOCATION
*FACTOR=USING/TOTAL
*DIM ACCOUNT WHAT=ACC_NOT_ASSIGNED; WHERE=BAS(FIN); USING=<<<; TOTAL=<<<
*DIM TIME WHAT=%TIME_DIM%; WHERE=BAS(Q2009.TOTAL); USING=BAS(Q2008.TOTAL); TOTAL=<<<
*DIM CATEGORY WHAT=%CATEGORY_DIM%; WHERE=<<<; USING=ACTUAL; TOTAL=<<<
*ENDALLOCATION
So, how to use the selection variables in this allocation logic? %TIME%, %CATEGORY% also did not work ...
regards
Dries
solved it ...
Edited by: Dries Paesmans on Feb 22, 2009 8:31 PM

Hi Dries,
Looks like you solved this, but if I can just add a small point -- when you use syntax like this:
*DIM ACCOUNT WHAT=ACC_NOT_ASSIGNED; WHERE=BAS(FIN);
*DIM TIME WHAT=Y2009.TOTAL; WHERE=BAS(Q2009.TOTAL);
each time the logic runs, it will scan through the dimension from the FIN and Q2009.TOTAL members, one level at a time, until it reaches the base members (where calc = 'n'). This may happen very quickly, if the dimension has very few levels, but could take a bit of extra time if it's a particularly deep dimension. (By which I mean many levels of hierarchy -- not some 1970's Pink Floyd musical reference.)
You may speed things up by using a member property instead of the BAS(xyz). Flag all the base members using a specific property value, and that way the logic engine can pick up the complete list of members in the WHERE clause, in a single query.
*DIM Account What=ACC_NOT_ASSIGNED; Where=[FloydProperty]="DarkSideOfTheMoon"; ...
This adds some maitenance work in the dimension, which may be problematic if your admins are changing it regularly (and will cause problems if they forget to update this particular property).
I can't predict how much time this will save you (maybe not much at all), but anyway I figure you'd want to know exactly what work you're asking the system to perform.
Regards,
Tim

To test how can we use the opt 'logical file name' to name the file based

Hi Sir/Madam,
to test how can we use the opt 'logical file name' to name the file based on the selection made in the dtp run for extracting data as flat file.

Hi Vishali,
In the DTP select the file location as application server and give the logical file path. The actual file and logical path can be created using transaction "FILE" and "AL11".
Rest of the process is same as that of extraction from local file.
Regards,
Durgesh.

How to use pianoteq sounds in logic pro?

How to use pianoteq sounds in logic pro? I've got an iMac 3.6 Ghz., intel core i5, OS 10.8.5. I want to be able to use my Bluthner piano sound (which is an add-on in pianoteq) in Logic Pro X (10.0.4).
Thanks,
Peter.

Hi
Try this in a new empty project:
In the New Tracks box select a software instrument track, and un-check the Open Library box
You will see a track plus the channel in the Mixer
Click on the Input "Inst" button, and you will see a menu like this
Correctly installed 3rd party 64bit AU plugins will be in the AU Instruments sub-menu.
CCT

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