IE6 margin difficulties

Hi experts,
I'm using CSS.
I have a table cell with an id name, containing copy. In
Firefox, the space between the top of the page and the header (the
first bit of text) is fine. In IE6, there is no space at all. To
fix it, I tried adding a top margin of 10px. Now it looks ok in
IE6, but is too big in all other browsers I've tested.
Can anyone give me the trick for getting it to be right in
all browsers? I imagine a special CSS statement directed at IE6 and
ignored by other browsers, or a couple of statements that
compensate, or override, depending on the browser.
Any quick hints out there? I'm working against a deadline, so
prompt replies are very much appreciated in advance.
Richard

If you give a margin value for an element and things don't
look the same
across different browsers, there are two common reasons:
1. There is a default padding on the element (or the
cellpadding attribute
of the table is used).
2. The margin and/or padding is actually on an adjacent
element (common with
heading tags, which have default bottom margins, and
<p> tags).
"RTalbott" <[email protected]> wrote in
message
news:e90t7g$db9$[email protected]..
> Hi experts,
>
> I'm using CSS.
>
> I have a table cell with an id name, containing copy. In
Firefox, the
> space
> between the top of the page and the header (the first
bit of text) is
> fine. In
> IE6, there is no space at all. To fix it, I tried adding
a top margin of
> 10px.
> Now it looks ok in IE6, but is too big in all other
browsers I've tested.
>
> Can anyone give me the trick for getting it to be right
in all browsers?
> I
> imagine a special CSS statement directed at IE6 and
ignored by other
> browsers,
> or a couple of statements that compensate, or override,
depending on the
> browser.
>
> Any quick hints out there? I'm working against a
deadline, so prompt
> replies
> are very much appreciated in advance.
>
> Richard
>

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    #sub-section a, #sub-section a:link {
    color: #000066;
    text-decoration: none;
    font-weight: bold;
    #sub-section a.active, #sub-section a:hover {
    color: #6666CC;
    text-decoration: underline;
    background-image: url(/common/images/pointer.gif) no-repeat
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    -->
    </style>
    </head>
    <body>
    <div id="sub-section">
    <ul>
    <li><a href="#">Link 1</a></li>
    <li><a href="#">Link 2
    </a>
    <ul>
    <li><a href="#">Sub Link1</a></li>
    <li><a href="#">Sub Link 2</a></li>
    <li><a href="#">Sub Link 3
    </a>
    <ul>
    <li><a href="#">Sub Sub Link 1
    </a></li>
    </ul>
    </li>
    </ul>
    </li>
    <li><a href="#">Link 3</a></li>
    <li><a href="#">Link 4</a></li>
    <li><a href="#">Link 5</a></li>
    <li><a href="#">Link 6 </a></li>
    </ul>
    </div>
    </body>
    </html>

    DC_Eric escreveu:
    > If you create a page using the code below you will see
    that the left margin is
    > completely different in IE 6 and Firefox.
    > Do I have a coding error or do I need to set the margin
    and then if IE is used
    > set it again with a different value?
    >
    > <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0
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    > "
    http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
    > <html xmlns="
    http://www.w3.org/1999/xhtml">
    > <head>
    > <meta http-equiv="Content-Type" content="text/html;
    charset=iso-8859-1" />
    > <title>Untitled Document</title>
    > <style type="text/css">
    > <!--
    > #sub-section {
    > width: 195px;
    > padding: 3px 2px 0 0;
    > background-color:#CCCCCC;
    > display: block;
    > }
    >
    > #sub-section ul {
    > width: 165px;
    > margin-left: 10px;
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    >
    > #sub-section ul li {
    > font-size: 12px;
    > padding-bottom: 5px;
    > list-style: none;
    > }
    >
    > #sub-section ul li ul li {
    > list-style-image:url(/common/images/pointer.gif);
    > list-style-position: inside;
    > margin-left: 0px;
    > }
    >
    > #sub-section a, #sub-section a:link {
    > color: #000066;
    > text-decoration: none;
    > font-weight: bold;
    > }
    >
    > #sub-section a.active, #sub-section a:hover {
    > color: #6666CC;
    > text-decoration: underline;
    > background-image: url(/common/images/pointer.gif)
    no-repeat left center;
    > }
    > -->
    > </style>
    > </head>
    >
    > <body>
    > <div id="sub-section">
    >
    >
    <a href="#">Link 1</a></li>
    >
    <a href="#">Link 2
    > </a>
    >
    >
    <a href="#">Sub Link1</a></li>
    >
    <a href="#">Sub Link 2</a></li>
    >
    <a href="#">Sub Link 3
    > </a>
    >
    >
    <a href="#">Sub Sub Link 1 </a></li>
    >
    > </li>
    >
    > </li>
    >
    <a href="#">Link 3</a></li>
    >
    <a href="#">Link 4</a></li>
    >
    <a href="#">Link 5</a></li>
    >
    <a href="#">Link 6 </a></li>
    >
    > </div>
    > </body>
    > </html>
    >
    http://www.webcredible.co.uk/user-friendly-resources/css/
    zerof
    http://www.educar.pro.br/
    Apache - PHP - MySQL - Boolean Logics - Project Management
    Você deve, sempre, consultar uma segunda opinião!
    Deixe todos saberem se esta informação foi-lhe
    útil.
    You must hear, always, one second opinion! In all cases.
    Let the people know if this info was useful for you!

  • IE margin doubling problem

    I am working on a site. I have a floated horizontal list of items at the very top of the header. It looks fine in Firefox and Safari but in IE 8 it forces the last item on to a second line. I have read about the margin doubling problem with IE and I've tried all sorts of ways to keep this from happening but can't seem to figure it out.
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    markf12 wrote
    The problem is with the line of text (address, phone, etc) at the very top of the header, not the nav. It looks fine in Firefox and Safari but not in IE. I believe it's because of the IE margin doubling that I have learned about. I've got the string of text/ bullet list so it fills the space with 20 px space on each end. When IE adds extra margin it forces the last item (email address) down onto a second line. 
    I'm thinking of replacing all but the email address with a jpg image. Leaving the email address as a link that can be clicked. I was hoping to find a fix for this IE problem so I could keep it all as text which is a better practice as I understand it.
    Oh ok I didnt see that because in Adobe Browser lab the text is showing all on one line in IE7, IE8 and IE9 so it would be difficult for me to diagnose.
    I can tell you though it has nothing to do with double margin bug as IE8 and IE9 corrected that. It was only present in IE7 maybe and certainly in IE6. However having said that the IE double margin bug only occurred when you had a floated element which had a margin applied to it in the same direction as the float, i.e. if you floated an element left and then attached a left margin to that element also the margin would double. The solution was to add display: inline; to the elements css selector BUT you have no left margin set on the <li> tag.
    It is most likely as Nancy points out an engine difference in the way IE browsers size the text. Does this occur if you use px instead of em? If not use px....I never use em myself as I've found it does cause issues ocassionally. Also its not good practice to fill a whole horizontal line with text information where you want its visual appearence maintained, very bad. Horizontal menus never work and lines of text never do either. The art of designing a webpage is allowing enough space so the text can 'grow' into in the case when a browser interprets the text size slightly differently. Obviously that's difficult if you are re-creating this webpage build for some designer who has little knowledge of good web design practices.
    In cases where a client is absolutely definitive that they want too many links in a horizontal menu or a line of text, which must remain on one line, I would have no hestitaion about using an image. Just give the image an 'alt' and if the image is surrounded by an anchor tag give that a 'title' tag. That will keep your page 'user' friendly for those who have a disabilities.

  • IE6 CSS rendering joy (or lack thereof)

    Hi
    Having been without the irksome IE6 browser for the last18
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    aarbie wrote:
    > Hi
    > Having been without the irksome IE6 browser for the
    last18 months or so, I was
    > dismayed to hear from an IE6 user (still 25% of our user
    base) that the layout
    > for
    http://careers.theentertainer.com
    of the left and central div elements were
    > not horizontally aligned. It works fine in IE7, FF2,
    Safari 3, Opera etc.
    >
    > I am sure it is a simple hack or obvious CSS omission on
    my part - without
    > visibility to IE6 it is very difficult to troubleshoot
    what I have done wrong
    >
    > thanks
    >
    > RB
    >
    Hi,
    Try replacing yours for mine.....
    .twoColHybLtHdr #mainContent {
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    font-size: 1.15em;
    line-height: normal;
    float: left;
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    HTH
    chin chin
    Sinclair

  • Help with XHTML columns in IE6

    I'm having some problems with my columns in IE6. The math is
    all correct and it lays out perfectly fine in firefox as expected.
    For some reason IE6 seems to be doubling the numbers I assign as my
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    Its an IE6 float/margin bug. If you add a margin in the same
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    #right { margin: 0 15px 0 0; width: 455px; height: 100px;
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    background: #666; display: inline; }
    quovadimus02 wrote:
    > I'm having some problems with my columns in IE6. The
    math is all correct and
    > it lays out perfectly fine in firefox as expected. For
    some reason IE6 seems
    > to be doubling the numbers I assign as my margins. Can
    anyone give me a tip as
    > to what's wrong here before I trash this whole idea and
    go with a old fashioned
    > table.
    >
    > 2 columns.
    > 15px left and right margins on the "left" column, 470px
    wide
    > 15px right margin on the "right"column, 455px wide
    >
    >
    >
    > <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0
    Transitional//EN"
    > "
    http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
    > <html xmlns="
    http://www.w3.org/1999/xhtml">
    > <head>
    > <meta http-equiv="Content-Type" content="text/html;
    charset=iso-8859-1" />
    > <title>Untitled Document</title>
    > <style type="text/css">
    > body { margin: 0; padding: 0; width: 970px; background:
    #e1e1e1; }
    > #wrap { padding: 10px 0; background: #fff; }
    > #left { margin: 0 15px; width: 470px; height: 100px;
    float: left; background:
    > #f00; }
    > #right { margin: 0 15px 0 0; width: 455px; height:
    100px; float: right;
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    > </style>
    > </head>
    > <body>
    > <div id="wrap">
    > <div id="right"></div>
    > <div id="left"></div>
    > <div style="clear: both;"></div>
    > </div>
    > </body>
    > </html>
    >

  • How do i reposition the timeline to the left margin?

    I dip into FCP Pro X when I have a new project to edit - in between doing other things.  The interface reminds me of the dash on my old Merc A160.  It has very few buttons and they have multiple functions, but to change the time on the clock I always have to consult the manual.  Less is not always more - something Apple struggle to understand sometimes.  If I was using FCP all the time (heaven would be not having several different jobs) I would probably figure it out - but, because there is nothing intuitive about the interface, I have to relearn how to use it every time I come back to it.  Just like the buttons on my Merc.  I have completed a couple of editing projects in FCP.  But I haven't looked at it for some months.  In between I have been using Resolve (because a lot of my footage is shot in Log mode - something FCP doesn't handle at all - and I have to use a LUT to make the clips usable in the editing process).
    I have a wedding to edit.  Three cameras, three audio tracks on the cameras plus the church PA audio and a Roderick recording from a mic work by the groom.  I would like to choose an audio track and sync the video to that - but I learned last time that is not possible (or not easy).
    I looked at multicam sync clips but I can't see how I can use this to fit my workflow - it requires too many decisions up front and I don't have small clips - I have two 1hr "clips" and some smaller ones from the handheld camera.  I don't want to chop up the "master" clip and I can't see how to easily sync everything together in such a way that I can see it all.   Yes I see that I can choose different angles in a different editor, but I don't want to get into that at this stage - I just want to see all my material in a timeline so I can make major edit decisions first.  Oh I wish I had not thrown out FCP 10...
    So what I want to do this morning is just drop clips into the timeline from the main camera, chop it up and remove the bits of the ceremony that I don't want in the final video and then choose clips from the other cameras to replace the main camera. 
    So, I drop a clip in the timeline.  Its the warmup to the wedding.  People are sitting down.  The organ is playing.  I don't want this in this timelines.  So I trim the clip from left to where I want it to start.  Great.  Except...
    ... the timeline now starts halfway across the display and I have a blank black box to the left.  I cannot, for the life of me, see how to move the start of the clip back to the left margin.  Nor can I imagine why anyone at Apple thinks this is a useful thing to do?
    In between all of this I have the usual Yosemite instability issues and, for whatever reason, Preview keeps crashing so using the FCP User Guide is more or less impossible.
    Any clues?
    And don't say use Resolve on Windows instead.  I don't need much persuasion, and I hate Windows.

    I don't agree with you here.  Resolve is much easier to use - I don't have to try and get into the heads of the developers and its is easy to see how my material slots into the editor.
    I am still trying to get my head around the way FCP organises the material.  Events/Projects?  What are they thinking here?  How does this fit into a wedding video?  I can create meaningful "events" (wedding/photoshoot/reception) etc but why would I?.  Is a "project" just a timeline - a "sequence" in normal film editors?  Why not call it that then?  I cannot figure out what kind of environment Apple were imagining when they came up with this way of organising things?  They must have had some kind of job in mind where events and projects make sense.  The manual is silent on where the clips actually go - are they organised within events?  within projects"  or within both?  Whatever it is, it might be easier to understand what FCP is doing if Apple explained what this structure means and why they have adopted it.  I am left to guess.
    What I can't seem to get rid of is the groups (I have no idea what else to call them) which are just a date and under which my clips appear.  I don't want this hierarchy but I can't see how to get rid of it...   Clips that should be together, but were filmed on different dates, are in different places - and I cannot see how to group them together without these dates imposing another level of hierarchy,  I struggled through the last couple of videos not really understanding where my clips were and ended up with multiple copies all over the place.  Right now I don't know if I have all my footage in the library or not - its so hard to construct a meaningful organisation in this crazy interface.  I just deleted 8 copies of a lapel mic audio track - I have no idea how I got 8 copies of that into this library.  Does FCP just import duplicates without warning?  Its so hard to correlate what is in the library with my folder structure on disk...
    To my mind, this is one project - a wedding video.  And this video will include multiple sequences.  But my clips need to be ordered in such a away that makes sense to me - I am not sure how to do that in FCP, but its easy in file manager.  The clips were shot in various locations on multiple occasions.  But this has nothing to do with the finished product, which will have its own order of things, not necessarily related to the order of shooting.  In FCP (or Resolve) I would have the clips in bins and my various sequences which I could then assemble.   Now I guess these are projects?  They aren't "projects" at all - at least to in my mind.  I don't like having to think about this project (the wedding video) in some weird way which only makes sense to the FCP developers.  Maybe they never filmed a wedding!
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    I don't want to see my footage an in iMovie layout with no tracks either.  Especially my audio tracks, so I always have to unpack them.  I miss the little buttons to turn off different audio tracks - yes I know there is another way to do this, but its not obvious (as with everything else in this software) and means fumbling around in the interface to find how to do it - and its slower if you want to flip between audio tracks to decide which one to use at any given point.  Its the same with synchronising clips.  You expect to select the clip, right click and get a sync option.  But its in a separate menu under Clip.  Why?  If you want to copy a clip to another library its not under a clip menu - but under the file menu?  Why?  I think its a terrible mess - and I think that Apple introduced a level of complexity to this interface with little to show for it.  I am new to Resolve.  It looks complicated with all its colour wheels and stuff, but actually its very intuitive and easy to use.  And its very easy to structure clips and sequences without having to spend hours trying to figure out how Apple think you should do things.  if you use FCP all the time then fine - you get used to it.  But is it truly a better way to work?   I like structure - it helps me to understand my material - but FCP is anti-structure and forces a virtual schema on its users.  If you like that, well and good - but it shouldn't be compulsory.
    I got my head around using keywords - but I hate it - its just extra work for me and I hate the loss of the direct relationship with my material.  Its very hard to see whether I have used all the material or not and how it all fits together.  Now I have duplicated stuff everywhere and lots of things missing - but no real organisation.  And I have to remember how I keyworded clips to find them - not easy in a big project.  And since I have lots of big clips I have to remember not to change the I/O points without first saving the subclip and assigning a keyword.  Extra work and easy to stuff up.  Its a problem too if you edit a subclass without realising it is just a virtual clip so every instance will be edited.  Sometimes thats a good thing, but not always.  The issue is that this happens invisibly so you have to be very careful working with these virtual clips.  Subclips are safer - you always know whats happening - and that's increasingly difficult when you have lots of subclips which are really the same material but grouped separately.
    Its much the same with all Apple's software today - its all written from some other planet.  I have had to take out a subscription to Office 365, use Dropbox and oneDrive instead if iCloud and download Resolve to deal with my Blackmagic camera.  Its a consumer world at Apple now - and an iMovie view of the world.  Apple like to hide half the functionality because they think it makes things look easy.  Their manuals are useless and their online Help worse.
    And yes, thanks for the Shift-Z.  That works, though finding it in the manual is another matter.  But why this behaviour in the first place?  Is there any reason why you would want your timeline to start halfway across the screen?  Why doesn't the clip just snap back to the left as it would in any other editor?  Its little quirks like this that make this a very frustrating experience.  I am not editing all the time - I am just as likely to be in Dreamweaver, Indesign, Illustrator or Photoshop - or working on business projects.  I don't feel I should have to wade through a badly written user guide or ask basic questions in this forum every time I come back to FCP Pro X - that was never the case with the old FCP.  Its just like the clock on my car - daylight saving happens here twice every year and the time has to be changed.  I always need to refer to the manual.  To my mind that is a crap user interface.
    FCP Pro X has some nice new features.  But its hard to justify this when everything else is so hard to use.  Its like connected tracks.  Why is that an improvement?  I always start with an audio track from my master camera - because its on tape and runs for the whole take - but its impossible (or very difficult) to do this in FCP Pro X.  If I have a jumble of clips and its not clear where they fit, I can't assemble them, in sequence on a separate track - I have to connect them, arbitrarily, to an existing track.  And then undo that connection later.  I have to rethink my workflow every time to try and fit in with FCP Pro X.
    In an earlier life I was a software developer.  The golden rule of applications in business was that you built your application to suit the workflow of the user.  You could streamline it, but not change the sequence unless the business had made a decision to do that already.  I wrote quite a few large applications for various areas of the business - I used them to make sure they worked, and I used the existing workflow.  A user could come back from holidays and know immediately how to use the app to do their job.  A new user could use the app without weeks of training.  Its not hard to write intuitive software - but its impossible if you set out to impose a new workflow or method of organisation on a user.
    Apple seem to have missed this altogether.  FCP will always be a dog, for that reason alone.  I have never used Avid or Premiere Pro, but I imagine no-one else has adopted Apple's upside-down way of doing things.  That spells lots of training issues for anyone adopting FCP Pro X.  And now since you have to work with  colour grading apps, like Resolve, users have to work backwards for Apple and forwards for everyone else, in the same project.
    After this project I am going to look seriously at Premiere Pro - but only if I decide I can't use Resolve on its own for everything.  I have been an Apple diehard for 12 years after being a Windows guru for a decade before that.  I am close to giving up on Apple.  Having to buy Office was very difficult - but the Apple apps have been dumbed down (Pages) or were never up to the mark (Numbers).  I can't use iCloud because it doesn't support half my material so I have Microsoft oneDrive which also goes against the grain.  And I am running Yosemite which means crashes at regular intervals and reboots several times a day.
    I am an Apple shareholder too.  But I beginning to think they have lost the plot.  I hope not.

  • Css problem in spry gallery demo, ie "doubled margin" for thumbnails

    http://labs.adobe.com/technologies/spry/demos/gallery/
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    Thanks Donna! The fix will appear in the next drop.
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  • CSS layout and IE6 suddenly gone wrong

    Hi
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    andy_forbes wrote:
    > Hi
    > I have been working on a site, unfortunately I diont
    have a copy of IE6 but
    > looked great in IE7 and FF, checked through development
    in IE6 when i had the
    > opportunity, suddenly at the last hurdle it seems to
    have gone terribly wrong
    > and I have no idea why I have been trouble shooting for
    some time now and I
    > cant seem tio come up with an answer.
    > So if anyone can help I would be very grateful. The url
    >
    http://www.blanc-wall.co.uk/sitefiles/index.htm
    > The left hand div seems to be the source of all errors I
    dont know why, as is
    > pretty much the same as the right hand div and that
    renders fine.
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  • Need help with IE6 box drop problem DW CS4

    Having a problem with this page: http://www.recoverings.com/tarzan.html in IE6. Maincontent drops below the sidebar menu. Looks fine in FF, Safari, IE7.
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    IE bug Float Drop is fairly common.  Make sure your page wrapper division is wider than the combined width of left sidebar + main content + left & right borders if any.  If that doesn't help, add an overflow: hidden rule to your floated container and make sure you have cleared both floats.
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    Alt-Web Design & Publishing
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    www.alt-web.com/
    www.twitter.com/altweb

  • Error Code 88 with Pixma Pro9500, even when art margins are set correctly

    I'm getting error code 88 (from the CanonPro9500 series print monitor window) when attempting to print on an A3Plus art paper (Hahnemuehle William Turner), even though I have the paper size set correctly (in the Photoshop Print Dialog, Print Settings) to "Art A3+(Margin 35)". 
    (Furthermore – though most of the following options probably have nothing to do with the problem, and are probably the correct or allowable settings anyway – I'm using Canon Color Matching; MediaType: "Fine Art Museum Etching"; Paper Source: Front Tray; PrintQuality: High; and am printing in color, not grayscale.  Color Options are all left set at zero.)
    I’m printing from Photoshop CS5 Extended,Version 12.0 x64, using an iMac with MacOSX10.6.8.  The Canon Printer Driver is “Pro9500 Driver – CUPS Version10.51.2.0”, recently installed (or re-installed) just the other day when I wastrying to deal with this problem (I didn’t check the CUPS version beforereinstalling the driver, so I don’t know if this could be relevant).
    (I also attempted to print by setting, in Paper Handling, "Scale to fit paper size", with Destination PaperSize set also to the suggested Art A3+ (Margin 35), although I never had to do this in the past, and so I don't suppose it matters. Still, this did not help.)
    I had the same problem attempting to print on an A4 art paper, as one is supposed to do, using front loading and the paper size set to Art A4 (Margin 35), with Media Type set to "Fine Art PremiumMatte" (it was a matte art paper). No go; I got error 88.  Iwas able to print on the same sheet by setting "Matte Photo Paper"(while still using Front Loading), but this is not the media type one shoulduse for such a paper.
    In the past few years I have printed 8-bit files, in both AdobeRGB and sRGB, on A4 and A3Plus art papers, in both color and grayscale, always using the art margin settings, without any such difficulties.  Typically I use Color Management by Printer, or “Canon Color Matching” (though I experimented with the use of dedicated paper profiles and Color Management by Photoshop).  Lately I’m trying to print 16-bit files, generally Photoshop PSD or TIFF, with a document profiles of sRGB, AdobeRGB, or ProPhotoRGB. Of course I tried several times to print from an 8-bit file, and once using Color Management by Photoshop, but got error 88 just the same.
    Does anyone know how to resolve this problem?  Sure hope so!  Thanks in advance, AlienAl

    Remember that  you can set all your paddings in a single setting for a div. It's like a clock, starting in the 12:00 oClock setting, going clock wise.
    #myDiv     {
         padding:5px 0 5px 0;
    You don't specify a unit with 0 so the above would be the same as:
    #myDiv     {
         padding-top:5px;
         padding-right:0;
         padding-bottom:5px;
         padding-left:0;
    It works with margins also, etc...
    Jim

  • Error Code 88 with Pixma Pro9500 even with art margins set correctly

    I'm getting error code 88 (from the Canon Pro9500 series print monitor window) when attempting to print on an A3Plus art paper (Hahnemuehle William Turner), even though I have the paper size set correctly (in the Photoshop Print Dialog, Print Settings) to "Art A3+ (Margin 35)". 
    (Furthermore – though most of the following options probably have nothing to do with the problem, and are probably the correct or allowable settings anyway – I'm using Canon Color Matching; Media Type: "Fine Art Museum Etching"; Paper Source: Front Tray; Print Quality: High; and am printing in color, not grayscale.  Color Options are all left set at zero.)
    I’m printing from Photoshop CS5 Extended, Version 12.0 x64, using an iMac with MacOSX10.6.8.  The Canon Printer Driver is “Pro9500 Driver – CUPS Version 10.51.2.0”, recently installed (or re-installed) just the other day when I was trying to deal with this problem (I didn’t check the CUPS version before reinstalling the driver, so I don’t know if this could be relevant).
    (I also attempted to print by setting, in Paper Handling, "Scale to fit paper size", with Destination Paper Size set also to the suggested Art A3+ (Margin 35), although I never had to do this in the past, and so I don't suppose it matters. Still, this did not help.)
    I had the same problem attempting to print on an A4 art paper, as one is supposed to do, using front loading and the paper size set to Art A4 (Margin 35), with Media Type set to "Fine Art Premium Matte" (it was a matte art paper).  No go; I got error 88.  I was able to print on the same sheet by setting "Matte Photo Paper" (while still using Front Loading), but this is not the media type one should use for such a paper.
    In the past few years I have printed 8-bit files, in both AdobeRGB and sRGB, on A4 and A3Plus art papers, in both color and grayscale, always using the art margin settings, without any such difficulties.  Typically I use Color Management by Printer, or “Canon Color Matching” (though I experimented with the use of dedicated paper profiles and Color Management by Photoshop).  Lately I’m trying to print 16-bit files, generally Photoshop PSD or TIFF, with a document profiles of sRGB, AdobeRGB, or ProPhotoRGB.  Of course I tried several times to print from an 8-bit file, and once using Color Management by Photoshop, but got error 88 just the same.
    Does anyone know how to resolve this problem? 

    I'm getting error code 88 (from the Canon Pro9500 series print monitor window) when attempting to print on an A3Plus art paper (Hahnemuehle William Turner), even though I have the paper size set correctly (in the Photoshop Print Dialog, Print Settings) to "Art A3+ (Margin 35)". 
    (Furthermore – though most of the following options probably have nothing to do with the problem, and are probably the correct or allowable settings anyway – I'm using Canon Color Matching; Media Type: "Fine Art Museum Etching"; Paper Source: Front Tray; Print Quality: High; and am printing in color, not grayscale.  Color Options are all left set at zero.)
    I’m printing from Photoshop CS5 Extended, Version 12.0 x64, using an iMac with MacOSX10.6.8.  The Canon Printer Driver is “Pro9500 Driver – CUPS Version 10.51.2.0”, recently installed (or re-installed) just the other day when I was trying to deal with this problem (I didn’t check the CUPS version before reinstalling the driver, so I don’t know if this could be relevant).
    (I also attempted to print by setting, in Paper Handling, "Scale to fit paper size", with Destination Paper Size set also to the suggested Art A3+ (Margin 35), although I never had to do this in the past, and so I don't suppose it matters. Still, this did not help.)
    I had the same problem attempting to print on an A4 art paper, as one is supposed to do, using front loading and the paper size set to Art A4 (Margin 35), with Media Type set to "Fine Art Premium Matte" (it was a matte art paper).  No go; I got error 88.  I was able to print on the same sheet by setting "Matte Photo Paper" (while still using Front Loading), but this is not the media type one should use for such a paper.
    In the past few years I have printed 8-bit files, in both AdobeRGB and sRGB, on A4 and A3Plus art papers, in both color and grayscale, always using the art margin settings, without any such difficulties.  Typically I use Color Management by Printer, or “Canon Color Matching” (though I experimented with the use of dedicated paper profiles and Color Management by Photoshop).  Lately I’m trying to print 16-bit files, generally Photoshop PSD or TIFF, with a document profiles of sRGB, AdobeRGB, or ProPhotoRGB.  Of course I tried several times to print from an 8-bit file, and once using Color Management by Photoshop, but got error 88 just the same.
    Does anyone know how to resolve this problem? 

  • Printing avery labels in address book - margins not right

    I'm using Address Book to print out labels for my Christmas card envelopes.
    I've got Avery J8173 labels form Staples - 2 columns and 5 rows - 10 labels per A4 sheet.
    My 2 problems are:
    I can't print any more than 5 lines per address - no matter what font size I use - this is annoying with a good number of my addresses, but to get round it I put 2 address elements on one line in Address Book - not a big problem.
    The other problem is that the left margin of my addresses is barely 2 mm in from the left edge of the label. This doesn't look very professional. Any ideas? If I try to create a custom label I can indent the addresses in the left column by increasing the margin for the whole page, but I can't do anything about the margin in the right hand column
    Any ideas?
    I downloaded Avery DesignPro for Mac, but the labels I've got (J8173) aren't listed, and there are no labels in their list which match the dimensions I need. Bet the PC version is better ...

    Well it all boils down to the difference between the US and the UK versions of DesignPro. I hadn't realised that I'd downloaded the US version. I trashed this and all associated files and downloaded the UK version, which has all the necessary 'templates' including J8173. Annoyingly the UK version does not have the graphical elements included with the US version. UK Customer Support told me that they were 'working on it' though why that should be such a difficult job when the US version already has this feature is beyond me!
    I've still not fathomed why Address Book ...
    a) makes such a mess of printing these labels - margin way too close to left edge of label
    b) doesn't ley you print any more than 5 lines in an address, even when there's plenty of space
    c) doesn't let you include graphical elements on labels.
    Thanks, Apple for another bit of half-done software! I won't begin to mention how hard it is to print pictures from iPhoto formatted the way you want - that's for a different forum!

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