Import 1080p h.264 mov to editi with premiere pro?

i am a nikon d800 user , and i like to use adobe premiere pro to edit the 1080p video clips for sharing with my friends, but the compressed H.264 MOV videos from D800 can not be playbacked or edited smoothly on many editing softwares such as Adobe Premiere Pro, Sony Vegas , Windows Moive Maker and so on.
With the help of my friend Tim, i got a top video converter, it works very well .
if you wanna to got the more detailed information , you can refer here:
Nikon 1080P H.264 MOV imported to edit with Adobe Premiere Pro

What version of Premiere Pro are you using? I had no trouble whatsoever importing or editing a video off of my D800 in Premiere Pro CS6. No type of conversion was necessary.
As far as the playback, without NVidia's CUDA hardware acceleration for Adobe's Mercury Playback Engine, software acceleration is not going to keep up at 30 fps. Change the playback resolution to 1/2 (every other frame) for smooth video playback. This is for display purposes only. The video itself will still be fully processed.

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Which of these laptops to buy for editing with premiere pro

Hello guys,
I am looking for a new laptop to replace my dead beloved desktop L
I will be editing mainly with Adobe Premiere CS6 and After Effects CS6 and do some graphic works (PS,ILL…)
After a long research the choice was narrowed to the options mentioned bellow. Which one do you recommend ? Is there any other option in the same price range that I did not consider?
P.S. Please pay attention to the Hard disk variations!!! Would that make a great difference in editing?
Thank you in advance J
ASUS N550JV-CM160P
Intel Core i7-4700HQ (6M Cache, up to 3.40 GHz),
16GB DDR3L 1600 MHz,
750 GB SATA 7200 rpm,
NVIDIA GeForce GT 750M 4096 MB DDR3,
39.624 cm (15.6 ") 16:9 IPS FHD (1920x1080) LED Backlight,
Super-Multi DVD DL,
10/100/1000 Base T, 802.11 b/g/n,
Bluetooth 4.0,
Windows 8 Pro
LENOVO IDEAPAD Y510P
Intel Core i7-4700HQ (6M Cache, up to 3.40 GHz),
16GB DDR3L 1600 MHz,
256 GB Solid State Disc
2x NVIDIA Geforce GT 750M, 2048 MB GDDR5 VRAM
39.624 cm (15.6 ") 16:9 IPS FHD (1920x1080) LED Backlight,
Windows 8 64 Bit
OR same Lenovo with 1024 GB 5400rpm AND 24 GB Solid State Disc!!!!

Sadnakhleh wrote:
That is a 17" right? I am going to buy a 15" I think.
The biggest problem with the Asus in question is that it will be really hard to upgrade it and I still did not find a model with SSD.
I found a comparision review here: http://www.notebookcheck.net/Review-Asus-N550JV-CN201H-Notebook.98311. 0.html
The Asus scores better in the cinebench sector (slightly with OpenGL and much with CPU) and the Lenovo is better in the Pcmark7 and the 3dmark11. What are these tests? and which one is more important when it comes to video editing?
Thank you again for your time and efferts
P.S. I am studying the article about Hard disks, it is really interesting!!! thanks
Correct it is a 17-inch, and of course it weighs and costs slightly more than a 15.6-inch
It is a very simple task to upgrade the unit to an dual SSD system, and memory upgrade is very easy. You undo one screw on the bottom and (below) this is what you see. Two disk drive carriers with my SSD's installed and two 8 GB SODIMM add on RAM modules
Those benchmarks have very little to do with editing with Premiere, there is only one real comperhensive Premiere benchmark it is our PPBM.

Laptop editing with Premiere Pro CS4: what are the most important specs

Laptop Editing: What are the MOST important specs?
Hello everybody, I have been a long time lurker, but I decided to join in and share my voice.
I've been editing, for a while now, various projects of various lenghts shot on my HV20, on an IMac using Adobe Premiere Pro. Actually, I bought the CS4 Extended Production Suite last year thinking that it made sense to be able to edit, do the coloring and effects+ sound all within the same suite.
AND, it came with OnLocation, wich is, I think, a fantastic tool. I really want to be able to record and monitor my future shoots using OnLocation. I've seen how useful monitors and scopes are on set, and the idea of being able to shoot in HD and actually checking the focus on something larger than a few inches is very appealling!
So a laptop is in my future. Now, what are the most important specs?
I could buy 1) a barely used Macbook pro early 08- 17" HD led display ,4g Ram ddr2 ,nvidia 8600M GT 512 VRAM ,800Mhz BUS, 200G 7200HD
and have enough money left to buy an Apple Display 30" refurb
OR 2) a new Macbook pro 17, 4 g Ram ddr3, 512 VRAm, 4g Ram ddr3, double procsessors 9400M+9600M GT 512 VRAM, 1066 BUS, 500G 7200HD
and wait for a second display!
Plus, of course, a portable External Scratch Drive on the Express Card. Now, if that fast drive is handling the footage, could'nt I settle for a 5400HD in the laptop,, they seem much less prone to problems-clicking noise, heat-than the 7200, especially in the new unibody model. Is 800 versus 1066 BUS a terrible trade-off? In terms of secondary displays , I've heard less than lukewarm things about the new Apple 24 LED (glossy is no-no for me).
My intentions are to make documentaries and short fictions as well. I make a living as an actor so I don't need to be performing as a director/editor business wise!
I do want to explore that side of the craft, in a professional and enjoyable way though. I know that, in addition to the laptop, I will get a MacPro in a few years.
Thanks a lot for the inputs!

Successful video editing (as compared to tear your hair out video editing) requires at least two hard drives... one for all software and one for all data... some people use 3 drives, with data on one and scratch files on the 3rd drive
I'm not sure about software, but everything I've ever read in this forum says 5400 is NOT fast enough for the data drive
If you want to edit video... you have to buy the hardware that works

What is the best way to organise remote collaborative editing with Premiere Pro CC

I am writing to enquire about a solution for a collaborative project between two filmmakers in different countries. Ideally, we would be able to have a cloud media library that could be referenced by both of us as well as a project folder with work in progress that would allow one of us to review the other’s progress or pick up editing where the other left off.
It is a relatively small scale project and I’m not sure what would be the best platform on which to base it. We are currently both using Adobe Premiere Pro CC but it is the cloud library aspect which concerns me. We would need approximately 2TB of space in order to accommodate all of the footage and work in progress sequences.
My immediate thought was to use the cloud storage integrated with CC, but as far as I'm aware there is not an option to increase storage size to the amount we would need. My second thought was to use something like Google Drive or Dropbox, but someone has told me that it is not suitable due to issues in Premiere Pro referencing the files? I'm not sure I completely understand the issue, hence the reason for writing.
Thanks

Adobe sells the Adobe Anywhere platform for collaborative editing, but it's not a realistic option for small-scale projects due to the huge investment in hardware required for the servers. Premiere in desktop mode isn't designed for parallel editing - two people cannot have the same PRPROJ file open at the same time, and you cannot merge changes from two separate copies - so if you're sharing the project file on a cloud service you will have to ensure that only one editor is working at any moment. Without active file locking, that has to be done through a manual process (phoning to confirm handover, etc.).
Sharing your original source footage on a cloud service isn't necessary as Premiere won't be changing those files - so the inexpensive option is to distribute copies on hard drives to both editors, and/or for the primary editor to set up a proxy workflow so the project files are much smaller. Both editors then work of locally-saved copies of the footage and download the updated PRPROJ file from the cloud service when the work hands over. Premiere can rebuild its preview/cache files provided it has the source material and the project file in the same place, so both editors would set up the same absolute folder names - don't work from a My Documents or ~library folder!

Import of Shot Marks / Essence Mark possible with Premiere Pro CC?

Shooting news is a matter of time! I shot outside by using the button "shot mark" on my Sony PMW 320
It would be very helpful to see this marks in Premiere Pro to find the important frames quickly like Sony Vegas or AVID does.
I do have made a feature request.
Any hints or workarounds?

I am having the same issue.
Your best bet is to logon to Adobe website and go to customer support. If you chat with someone they can go on your computer and trash all your preferences. Your computer will be stable again. It worked great for me, but I just imported an XML from Resolve and it is crashing the system again.
Good luck.

Is it normal for Compressor and FCP to analyse an imported progressive H.264 movie as interlaced?file

I am worried my programs are corrupt, because FCP tells me my progressive H.264 file is interlaced (upper first) and Compressor analyses the same movie as bottom first. It should be progressive! Why are they not telling me it's progressive, and why both different to each other? Is it because theyn can't analyse a H.264 file correctly?! Please someone tell me what's going on!
Thanks, Syd

Hi Shane, thanks for replying.
The reason I imported the H.264 movie into FCP was to add a short logo clip to the end of it, which was requested after I had exported a self-contained movie from my timeline and already started converting in Compressor... it took 60 hours to deinterlace (set to Best) and convert to H.264 all in one Batch (using only a single target...I did everything in one target, rather than chaining). I know you can't edit in H.264, but I thought adding something to the end and then re-exporting to H.264 might work...
anyway, that's why I imported it, and then noticed that FCP analysed it as being still interlaced... So it occurred to me to check the movie Compressor had exported by importing it back into Compressor to look at what the A/V attributes tab of the inspector said... and it said there it was progressive. So now I was worried my programs were disagreeing, so I went back to square one, converted my original footage to Pro Res in Compressor, then ran that Pro Res footage through Compressor to de-interlace, then reconnected media in my FCP timeline, so that all the clips in the timeline were now progressive. Then I exported that as a self-contained movie and imported into Compressor to convert to H.264. Finally, knowing no other way to analyse the footage, and also wanting to see what FCP would make of it, I imported the movie into FCP, and found the result I put in the first post of this thread... so tried analysing in Compressor again, and found that Compressor thinks it is as I wrote in the first post above.
So now Compressor tells me the file it previously converted to progressive isn't progressive, and thinks it has a different dominant field to the one FCP thinks it has, even though the first time I ran this movie through Compressor it analysed its own result as progressive... so I feel these incompatible analyses are possibly a symptom of something wrong?
How can I analyse a H.264 file if neither FCP or Compressor can do it?

Can't import MTS with Premiere Pro CC (2014)

I have the problem with Premiere Pro CC (2014) and Media Encoder CC (2014) ! "Compression of media is not supported" (or something like that, it's in german...)
In After Effects CC (2014) and Prelude CC (2014) there is no problem importing these files.
MTS from a Panasonic HC-V550, files from a AVCHD folder structure, 1080p 50 fps.
I did already a project with theses file in Premiere Pro CC a few month ago!

Hi Das Modular,
Move the media to another directory, drive, or merely change the name of the folder where your media resides. You should be able to import the files after that.
Thanks,
Kevin

Importing MPEG-2 .MOV from JVC into Premiere Pro CC

hi all, first post on this forum, i am josh.
down to business. i have been having trouble with premiere pro, i am tasked with editing footage for a promotional video for a college. the footage was recorded on two seperate cameras, first was a JVC HM100, second is a Canon 1100D.
now we have most of our footage, and i have looked through it when i was on a mac, but then we i went home to do it at home on my PC running Windows 8.1 and Premiere Pro CC, i tried to import the JVC footage and it says the Codec is missing. but when i import the footage from the Canon, it works fine, so i have to right codec to play mov. but as far as i know, it is todo with the JVC recording with MPEG-2. now converting the footage works, but it is extremely time staking and i think it is reducing the qaulity a bit. i just want to know if there is another way for me to fix the file and import it into Premiere Pro CC. or a different conversion method. i am using handbrake currently as i know the programme and i can change a lot of quality settings. i have a lot of little files to convert, it isnt a case of a few big files, its over 30 little files, so i would like a working queueing feature if i convert file.
to summarise.
i can import MOV files that were filmed on a JVC camera but i can import files that were filmed on Canon camera, and i beleive it is todo with MPEG-2, that is what i gathered from other posts and forums.
thanks in advance for any help, i hope i gave you all the info you need.
System stuff:
OS: Windows 8.1 Pro 64-Bit
Premiere Pro CC, latest, i have some other adobe programs such as AE, PS, and AI, as well as media encoder(which doesnt accept the file either)
System Spec:
CPU: 4670k
MOBO: MSI G45 Z87 Gaming
Ram: G-Skill RipJaw 8Gb (2x4Gb) 1600Mhz
PSU: Corsair CX 600
GPU: GTX 760

MOV is a wrapper (just like the plastic wrapper on a loaf of bread) so you need to determine what is inside the wrapper (white, whole wheat... ???)
Codec & Format information, read both links in reply #1 http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download

Looking to buy new MacBook Pro for editing with Premiere/After Effects, but wondering about trade-off between Processor Speed and Graphics Card

I'm a professional video editor (using Premiere and After Effects) looking to buy a new MacBook Pro and am deciding between two models. The slightly older model has a 2.8GHZ i7 (3rd generation) Quad Core processor with a 1GB SDRAM of NVIDIA GE FORCE GT 650M Graphics Card. Then newer model has a 2.3GHZ i7 (4th generation) Quad Core preocessor with 2GB SDRAM of NVIDIA GE FORCE 750M/Intel Iris Pro Graphics Card.
Which makes the most difference (processor speed vs. graphics card) with editing with Premiere and After Effects?
Any help/guidance would be greatly appreciated.
Thanks!
mike

Poikkeus wrote:
1. Your MBP will be somewhat slower than your iMac, as reflected in the general speed; desktop Macs have more RAM and storage.
You recon? If he get's the 17", he would have up to 8x more RAM, 4 x more GPU,, and a bit faster CPU;.
2. Be aware of the advantages and disadvantages of extra RAM. Loading up the slot will make juggling multiple applications easier, like Photoshop, VLC, and Safari. However, more than 4gigs of RAM will make loading your MBP on startup twice as slow - at least a minute, probably longer. That's why a MBP user with extra RAM should sleep their machine nearly always when not in use, rather than powering off.
I did not know this, I just upgraded from 4gb to 8gb the other day. Have not noticed it being slower, but I don't often shut it down. It's nice to not even have to bother with ifreemem.
3. Additional storage and RAM will maximize the basic capabilities of your MBP, but you won't be able to make a 2.3ghz machine any faster than it already is.
SSD
4. I still feel that your iMac will be faster than your prospective MBP. The only way to dramatically increase the speed would be the installation of a SSD drive (like the lauded OWC series). But they're not cheap.
I don't want to rain on your parade, but want you to get a more realistic idea of your performance.
I chose a macbook pro, 17" of cause. I use it for gaming. Yes a iMac is better for gaming. But, it's nice to be able to move around. Set up a man cave in the lounge 1 week, or in the bedroom, the next. But you fork out a lot more dosh for that luxury. And yes, not as much power as Poikkeus has said.

IMPORT ISSUES WITH PREMIERE PRO CC

Ok so i open up premiere pro.....
i double click the project folder to import a file, it does it without a problem...
On my 2nd attempt when i double click the software stalls.. So the mouse moves but nothing in premiere pro is clickable, everything is kind of frozen.
I went to task manager and end process. Then tried again this time through file > import same thing does the first one , stalls on the 2nd.
I had problems sending to encore with the latest update 7.2.2 so i went back to the december update 7.2.1 everything has been fine for two weeks, now this just out of the blue. Not sure how something can stop working overnight !
Im thinking if i go to to newest update it might work but then i wont be able to export via the queue in AME.
So i either choose not to import or export..... what a great software premiere pro has become.... I use to praise it to all proffesionals in the industry now having the most pettiest of problems... !!!
Some assistance would be great

I dont understand why you
double click the project folder to import a file
I import footage to a Bin in the Project Window by selecting the media (clips) in the Media Browser.
I dont understand this...
Im thinking if i go to to newest update it might work but then i wont be able to export via the queue in AME.

Editing 4K 50p with Premiere Pro / Aftereffects on a Notebook (Windows 8)

Dear Ladys and Gentlemen,
as a freelance cameraman and editor I eventually plan to work with Adobe Premiere Pro and possibly After Effects.
I need to edit content in 4K (50p / MP4) and FullHD (50P / MP4 or MOV), filmed with the camera Panasonic HC-X1000.
Can s.o. tell me if Premiere Pro and After Effects are compatible with these formats and the camera?
Because I need a mobil editing system I plan to buy a strong notebook (windows 8 / at least 17" monitor).
The laptop is suppost to ba a future-orientated choice, means rather overpeformed than just good enough at the time.
Can anyone suggest a certain 17"-notebook for editing 4K 50p with Premiere Pro and After Effects?
Thank you very much
Ralph

Dear Ladys and Gentlemen,
as a freelance cameraman and editor I eventually plan to work with Adobe Premiere Pro and possibly After Effects.
I need to edit content in 4K (50p / MP4) and FullHD (50P / MP4 or MOV), filmed with the camera Panasonic HC-X1000.
Can s.o. tell me if Premiere Pro and After Effects are compatible with these formats and the camera?
Because I need a mobil editing system I plan to buy a strong notebook (windows 8 / at least 17" monitor).
The laptop is suppost to ba a future-orientated choice, means rather overpeformed than just good enough at the time.
Can anyone suggest a certain 17"-notebook for editing 4K 50p with Premiere Pro and After Effects?
Thank you very much
Ralph

I work with Premiere Pro on a mac and export quicktime movies to be played on pc's or mac's

I work with Premiere Pro on a mac and export quicktime movies to be played on pc's or mac's. When I export a qt from Premiere with audio it will not play on a pc only a mac. After extensive research I have narrowed down the problem to this: if you use the inspector in quicktime it looks like this
DV, 720 x 480 (640 x 480), Millions
16-bit Integer (Little Endian), Stereo (L R), 48.000 kHz
I have to run it thru AE to make it look like this....then it plays
DV, 720 x 480 (640 x 480), Millions
16-bit Integer (Big Endian), Stereo, 48.000 kHz
SOOOO the problem is the Little/Big Endian. I googled that and it looks like a file/bit structure....anyone know how/why to change it in Premiere? Because everytime I make a movie in Prem I have to drag the sequence into AE and render it there so the sounds works.....
thanks

Two questions:
1. What CODEC are you choosing when exporting on the Mac?
2. Do you have any Blackmagic hardware/software installed?
Cheers
Eddie
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IF I RUN A EDITING WITH PREMIERE ELEMENTS TEST VERSION, WILL BE POSSIBLE TO SAVE THE WORK WITHOUT THE MARK AFTER THAT I BUY THE LICENCE? THANKS

IF I RUN A EDITING WITH PREMIERE ELEMENTS TEST VERSION, WILL BE POSSIBLE TO SAVE THE WORK WITHOUT THE MARK AFTER THAT I BUY THE LICENCE? THANKS

NUNU
Media cache files are not involved in the removal of the Adobe watermark from the project.prel file from a tryout.
Just a re-enforcement mention...you cannot remove the Adobe watermark from a tryout "saved" exported product; whereas, you can from a saved/closed project file (project.prel).
By exported product, I mean a burn to disc in the tryout or the Timeline of the tryout exported to a file saved to the computer hard drive.
In the case of removing the Adobe watermark from the tryout project.prel, classically you delete the rendered files (Timeline Menu/Delete Rendered Files) in the purchased program. In no way is media cache involved in this. Some of us have found that there was an automatic removal of the Adobe watermark resulting from just opening the tryout project.prel file in the purchased program.
Please review and consider.
Thank you.
ATR

Remote Editing with Premier Pro CS6

Has anyone tried remote editing with Premiere ProCS6? I have a good rig at home and I would like to use my laptop while away to edit on the rig. If this is possible, what programs did you use? Thank you.
Robert
Premiere Pro CS6
After Effects CS6

John's answer being true, if you want to use the currently exported file in some authoring software, you would ask that question of the authoring software, not the exporting software. Meaning go to the iDVD forums (or read it's Help file) to find out how that program works.

Mov files in Adobe Premiere Pro CS5 - XDCAM (MPEG) resp MPEG 1/2 (xdvc)

Problem description:
I got a bunch of MOV files on a HFS+ formated disk for editing on Premiere Pro CS5 (5.0.3). When I import to Premiere, Premiere says "Codec missing or unavailable". Paragon HFS+ is used to handle the HFS+ formated disk. I copied the data to a NTFS formated disk before using.
The reseach I did give the following indications:
I did try to play in Quicktime and Quicktime told that I would need additional software to play the .mov file. But I could execute show movie inspector and it shows "XDCAM EX 1080i 50 (35Mb/s VBR)".
VLC plays (!) and tells that it is a "Mpeg 1/2 Video (xdvc)"
MediaInfo says "MPEG Video (XDCAM)"
Sound is (L)PCM according to the mov inspector programs.
The MPEG2 format seems to be supported by Premiere (also in HD), forum entries tell me I should be at version 5.0.2 as there Adobe supports the MOV container. So now my question: What am I missing?
I have no idea on the Camera used to film, but it could be a JVC, as it is told that the JVC writes mov files.

Hi Colin,
The explanation is quite simple and it appeared to me sometime during the weekend when executing completly different tasks.
The video source is different! The small clips (and your test clip) are what came from the camera and was transcoded to mov, my test clip was the edit out of FCP! It was by chance the only mov-file left, all others have been deleted after transforming to mp4, not to keep the data in double and fill up the disks with unnessecary data. So I tested this clip, which was the mistake!
Testing one of the original input files confirmed your result!
The difference between the files is having indeed 2 mono audio streams (input mov) vs one stereo stream (edit mov), all 3 obviously PCM.
Input MOV
Audio #1
ID                               : 2
Format                           : PCM
Codec ID                         : lpcm
Duration                         : 2s 760ms
Bit rate mode                    : Constant
Bit rate                         : 768 Kbps
Channel(s)                       : 1 channel
Sampling rate                    : 48.0 KHz
Bit depth                        : 16 bits
Delay relative to video          : 4h 14mn
Stream size                      : 259 KiB (2%)
Audio #2
ID                               : 3
Format                           : PCM
Codec ID                         : lpcm
Duration                         : 2s 760ms
Bit rate mode                    : Constant
Bit rate                         : 768 Kbps
Channel(s)                       : 1 channel
Sampling rate                    : 48.0 KHz
Bit depth                        : 16 bits
Delay relative to video          : 4h 14mn
Stream size                      : 259 KiB (2%)
Edit MOV:
Audio
ID                               : 2
Format                           : PCM
Format settings, Endianness      : Little
Format settings, Sign            : Signed
Codec ID                         : sowt
Duration                         : 9mn 26s
Bit rate mode                    : Constant
Bit rate                         : 1 536 Kbps
Channel(s)                       : 2 channels
Sampling rate                    : 48.0 KHz
Bit depth                        : 16 bits
Stream size                      : 104 MiB (4%)
Thanks,
Lucien.

Import 1080p h.264 mov to editi with premiere pro?

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