LZW won't stick in export preset

When I set up a TIFF Export preset, I cannot get LZW compression to stick. It's always Compression = None.
Building a new preset or updating an existing one -- doesn't matter.
Is this a Lightroom bug or just me?
MacPro, latest Leopard, LR 2.4, tons o' RAM etc etc.

I get the same thing. Looks like a bug to me.

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Image Export Presets won't save

Hey folks, since I've upgraded to Aperture 2.1, I hadn't setup any new export presets since using Aperture 1.5 and noticed that my export behaviour is all messed up.
Specifically - if I try to add my own preset, upon hitting the OK button and revisiting the image export preset screen, my added presets do not persist!
Even more surprisingly, if I delete many of the existing presets (say all the TIFF presets) when I come back to the Image export presets the deleted presets have returned from the dead.
Can anyone provide some insight on this? I can't find any other place in Aperure or the OS that governs the preset settings.

Fyi - if you run into this problem completely un-installing and re-installing Aperture seems to have fixed it.
I'm not clear on what lead up to the issue tho.

[CS5] Using PDF Export Preset from Distiller with InDesign, doesn't work the same?

Hello,
We are in the process of reworking one of our workflows in which we would manually use Distiller to create a PDF. Now we are trying to automate this with InDesign. My first thought was that I could try using the same PDF Export Preset (.joboptions file) used in Distiller, load it into InDesign, and export my book as a PDF using this preset.
For my current testing example, there are about 115 pages in this PDF document. The PDF that Distiller created is of pretty good quality, and is about 34MB. When I used the same .joboptions file to export an InDesign book of the same original documents as a PDF, the result is equal in quality, but is about 119MB.
Does anyone know why they aren't even close in file size? Is InDesign packing more stuff (maybe related to the actual InDesign documents, or the book itself) into the final PDF? If so, is there anyway to get InDesign to give a similar PDF (in terms of both size and quality) using the .joboptions file from Distiller?
Thanks in advance!

Thanks for the reply!
I won't be able to use Acrobat Pro, and my hope is to continue using InDesign/InDesign Server. Since my goal is to match what Distiller produces, is there a way (with InDesign) to export PDFs but to strip out the layers/interactivity/transparency that Distiller does not support? The output PDF will be used for archive purposes only.
Thanks again for any advice!
-Lloyd

Boldface won't "stick" in database document

I'm using a large database document in AppleWorks in which some text is boldfaced. Boldface won't "stick" in those fields now -- if I boldface some text, it returns to lightface as soon as I move out of the field. If I enter a field where the text is already boldfaced, it immediately returns to lightface. I've tried closing the document, restarting AppleWorks and restarting the computer, and the problem continues.
I'm running a MacBook with OSX v. 10.4.11 and AppleWorks 6.2.9.
Thanks for any help.

"Is there a way to export all of the data in the file to a new file without copying and pasting pieces of it or carrying over the corrupt data?"
Create a new DB document with the same fields in the same order as the old one.
Open the old one, show all records in "List" view.
Go file > Save as... ASCII Text (or Text, whichever is available in the list of Save as choices).
Switch to the new DB
Click on the single (empty) record in the DB to select it, then go Edit > Clear to delete the record.
Go file >Insert... to open the Open dialogue.
Navigate to and select the Text file you saved above. Click Open.
Check to see that the imported data has gone into the correct fields. If it has, you're done. If it hasn't, then the Tab order of the fields in the two DBs does not match. Revise the tab order of one so that they are the same in both DBs, then repeat the process above.
Regards,
Barry

Aperture 3 Export Presets wont change

I recently upgraded iPhoto to Aperture 3. I followed the apple instructions on how to transfer your library permanently into Aperture which involved pressing the "Consolidating masters to Library" option. Whenever i tried the consolidation button however an error message came up saying "No referenced files found". This isn't however a major issue for me as i can still see all my iphoto photos in Aperture.
My main issue is that i have imported new RAW images into my aperture library and i've been trying to export the edited versions to a memory stick. Whenever i try to export a version however a the JPEG file reduces to c 300kb compared to the original which is 4mb. I have read previous threads about this issue and people have said i should change the export presets. I have subsequently tried changing the export presets (quality, size, pixels, DPI) and the exported version always ends up being a very small 300kb version of the photo. No change i make to the presets changes the size/quality of the photo i export.
I feel like i've run out of options as nothing i change seems to allow me to change this export issue.
Does anyone have any ideas? Does anyone think this is to do with original point about not being able to consolidate the master files and Aperture saying it can't find the referenced files?

JPEGS will always be smaller then the size of the original RAW file no matter the quality setting you use. The correct question to be asking yourself is how do the exported picture look? If they look good for the use you are going to be using them for then the size of the JPEG file isn't an issue.
If you select presets of 'Original Size' quality 12 and 300dpi you should get a file size close the the original RAW master. But then again its quality not size that you should be focusing on.
If you can't get the quality you need out of JPEG then you should take a look at TIFF's. The have a higher quality and a corresponding bigger file size.

Deafult Printer won't "stick" XEROX Phaser 7760GX

When I set the XEROX Phaser 7760GX IP networked printer as default in system settings, it has reverted to "last used" next time I i look. I have downloaded and installed new printdriver since upgrading to Leopard and it prints fine but won't stick.
It might be the same problem but in the Adobe CS3 InDesign Print Presets [Deafult] I'm unable to select the Default Printer (Greyed out)

I have another idea on how to use the old driver. NO guarantees.
For all who may be reading this -- this is for Yosemite -- it reduces security by relaxing sandboxing. It is a workaround, not a permanent fix.
Use the Terminal utility to run the two commands below -
sudo sh -c 'echo "Sandboxing Relaxed" >> /etc/cups/cups-files.conf'
sudo launchctl stop org.cups.cupsd
(sudo means superuser do - this is your admin user on OS X. It asks for your password - but it hides it from you when you type - for security)

LR 3.6 stopped showing/updating my export presets

LR 3.6, Win 7 ultimate 64 bit. Yes, I am so afraid of all the talk I hear about LR 4 being slow (it DID slowed down from 2 to 3) that I still work in 3.6
It is no longer showing/updating my export presets (see left column). Whether I add folders from the OS or from withing LR, they are not visible. If I select them in FOLDER CHOOSE (see right side of the screen shot), then it will export them properly to the right folder but I have no way to UPDATE FOLDER WITH CURRENT SETTINGS.
Help, I am working on a project with deadline
THanks you so much in advance
Oliver
Message was edited by: [email protected]

Apparently the thread opener solved his problem since the discussion stopped here.
I have a similar problem and I can't think of a solution.
WIN 7 64 bit
LR 3.6
After setting up my system on a new C:/ Drive (SSD), I successfully restored LR and all Settings and continued working.
Then I noticed that there was a strange problem with the export settings.
I have a large number of export setting groups and settings and they have all been restored. All but their paths!
No matter which setting I am selecting, it won't choose the export path I originally saved with the setting, but rather it will have remembered the path I used with the last export - in any of the saved export settings!
If I change a setting and right click to "save with current settings", it will save any new settings but the path!!?
It's not too critical but very annoying.
Can anyone help?`
Thank you!

Is there a way of setting up one more than one export preset to a funcion key?

Hi
is there a way of setting up Lightroom to export images in using more than one export preset at one time? When I have edited my photos I very often want to create a full res JPEG to upload to Zenfolio with no watermark, a medium res JPEG to go to Flickr and a 1500px image with a watermark for Facebook (I normally upload these last). I'm hoping Lightroom would also have a an option to set Function keys to trigger export presets for example.
I'd like to be able to stack export presets to help with my workflow.
Thanks
Jon

robcole.com - ExportManager
does what you want, as long as you don't need post-process actions in your export preset(s).
plugin | free | I wrote it..

I still use Aperture 2.1.4. I need to export an image file with a CMYK profile. Whereas a generic CMYK profile is listed in ColorSync Utility, it does not appear on the list of profiles in the edit portion of the export preset dialogue. Help?

I still use Aperture 2.1.4. I need to export an image file with a CMYK profile. Whereas a generic CMYK profile is listed in ColorSync Utility, it does not appear on the list of profiles in the edit portion of the export preset dialogue. Help? Is there some way to add the CMYK profile to the list of choices that are available in the export preset dialogue such that I can choose it?

leonieDF
Thanks for your response. My profiles are located within color sync utility as you can see here:
These profiles do not respond to clicking and dragging. Since they are all in one place, more or less, I'm reluctant to make further attempts to relocate them. Accessing the CMYK profile is the first difficult experience I've encountered with this arrangement. I have never needed the CMYK profile until recently, and that need has now past. However, it remains a mystery to me as to why it does not appear with all the others on the menu of export choices in Aperture 2, or on the menu of profile assignment choices in the Preview application (where again all the other profiles are listed as choices). I'm beginning to think my current set up will permit me to view an image that was created in CMYK space, but does not easily assign, or convert to that space. I don't face these restrictions with all the others, so it remains a curious circumstance for me. I anticipate upgrading my computer and software in the near future which might alleviate this issue altogether. Again, many thanks for your attention to this matter. The reach of this community is astounding.

Cannot Save Export Presets PPro CC2014 (also in AME CC2014)

I cannot save any export presets in Premiere CC 2014 (PPro CC 2014) or import any presets. Also applies to Adobe Media Encoder CC 2014 (AME CC 2014).
When I go File > Export > Media (or ⌘E) and set my format and output specs, I cannot save the preset. The preset says "custom" and then I hit the "save preset" icon. Type a name in the "Choose Name" dialog box, then click OK. The "Choose Name" dialog box disappears, but nothing happens. The preset line still says "custom" and there is no preset file available to choose. The preset is not saved. Export works, but the settings must be manually entered each and every time.
I also cannot import any presets. Have .EPR files with presets that I've used in the past and NONE of them will import using the "import preset" icon.
The presets will also not import into AME CC 2014 via any method at all - icons, dragging/dropping, copying to various directories... cannot load them. I cannot add them to the user presets & groups at all, no matter what method I have tried. It's frustrating and becoming infuriating. I can create a "New Group" in the user presets and groups, but nothing can be added to the group. Clicking the + for "create new preset" does nothing - no window opens or appears. Clicking "import presets" opens the "import preset" dialog box and I can choose files and click open, but they do not import or appear anywhere withing AME CC 2014.
3.33 6-Core "Mid-2012" running OSX 10.9.4 with GTX 680 (official version) and 32GB RAM
Also see this discussion:
AME CC 2014: "Adobe Media Encoder has encountered an unexpected error and cannot continue."

This was not directly a permissions issue. Had checked that numerous times previously and applied settings to all enclosed items on every folder that was related. This workaround was attempted several times previously, but had not worked. Now, it's working.
Re: AME CC 2014: "Adobe Media Encoder has encountered an unexpected error and cannot continue."
I will say, what I did differently this time was trying to edit the Adobe Media Encoder CC 2014.app via Show Package Contents before attempting to do any of this. Not sure if that's why it suddenly worked or not, but worth mentioning.

I'm drowning in the sea of HD export presets. Salvation wanted please..

Hello,
I hope the forum proves again its functionality like it did before. Cause my head's getting a little bit blurry now, from all the presets.
So, the big issue is that I want to export a HD project to a format in which I dont get a wrongly cropped/stretched/laggy/wrong-frame-rate/... image. I know it's not that hard, but I just cannot figure it out anymore.
I checked other topics and discussions, and found some concerning more or less the same question but I didn't find the right answer, sorry.
Let's make a list of the settings/info:
     - OS: Windows XP service pack 3, Premiere CS4 (and AE, Photoshop, ...)
     - My captured and imported images are shot with a Canon HV40 HDV camera, and have, according to the title display in the left bottom corner of Premiere the following specs: 1440x1080 (1080p), frame rate 25 fps and PixelAspectRatio 1,3333 (HD anamorphic 1080 i guess?).
To make sure that these are the exact specs of my video files, i tried - following the ever-returning advice of this forum user Bill hunt- importing my video files in Gspot. But, don't ask me why, Gspot only displays that my files are MPEG-2. The file extension is .m2t.
     - The Premiere CS4 preset I used to make my project is -to match the video files specifications- the HDV 1080 p(rogressive) Preset, displaying the same specs as above.
     - I do not want to export my video to youtube, I want to show the video to an audience using a beamer, which is the reason why I want to keep the quality pretty high. I don't know whether I am going to play the movie on a MAC or a Windows computer, so I need to make 2 versions (each one smoothly compatible with the according OS). Also I want a copy of the movie in HD quality to show to someone on a strong computer.
     - I live in Belgium, Europe. Does this matter in this case? I know that NTSC is the standard in the US and and Japan etc, and that PAL is the standard in Europe. But does this still matter up to this day, with the rather, uh.., global economy and quick exporting of products etc... I do not know alot about this, I hope you understand my question. I mean, what are the consequences from these standards? Do they concern your screen/monitor... ?
     - When I want to export - using Adobe Media Encoder, a HDV export preset with 1080 p, 1440x1080, P.A.R. 1,33333 and a 25 fps is NOT AN OPTION?????
There are other export presets available of course, for example the MPEG-2 / HDTV 1080p 25 (fps) High Quality. But in the summary it goes: PAL (??), 1920x1080, 25, p . It is right that the PixelAspectRatio on this exportpreset becomes 1.0 (square), right?
Yes, I know that the eventual size is the same, because both the pixels increase in number, but decrease in size (badly explained i know).
Is this the export format i should use? Will my image not crop, shock, stretch.. ?
I'm sorry, for many of you this must seem a stupid and lazy question but I can't figure out the whole system behind this, I would very much appreciate it if someone could explain.
Thanks in advance;
Sincerly but dazzled,
Jef

Hi,
With the project all done, i'm preparing for the presentation. Managed to get my hands on a HD beamer for the night (Epason TW2000) and planning to do the presentation in HD.
That of course managed to bring up some problems. I posted a thread which i'll repost here . Sorry for the repost, i normally do not intend to do this, but since this thread is actually about the same thing, i'd like to ask the same question to you. The end version is in AfterEffects, but that actually doesn't alter the question. It's about export:
"I want to export my AE project of approx 30 min containing several HD files to a Blu Ray disc. The end goal is to project the video in HD quality using the Epson EMP-TW2000 projector. This projector is HD compatible.
To project the video I need to connect the beamer to a computer capable of playing a heavy HD file (1), OR burn the project to a BRD (2) and play it using a BRplayer.
I prefer option 2, so my question is: which would be the preferred export preset?
Project specs:
                    - 1920x1080 sq pix (16:9)
                    - 25 fps
                    - my imported video files (Prem.Pro sequences) are also 25 fps and are Progressive (!)
To export to a BRD compatible format, do i not encounter a big problem: my projectfiles are 25 fps and progressive, and I believe that the only Bluray preset dispaying 1920x1080 with 25 fps requests an INTERLACED video (I viewed the presets found on this forum, this thread)... There is also a Progr. format, BUT then you need 30 fps (29,...).
So, is there one dimension that can be changed without changing the content of the video, and if yes which one (either the interlacing or the fps).
I'm not very familiar with the whole Blu-ray thing, I hope that someone can help me out."
Please give it a look.
Thanks,
Jef

Final Cut Pro X won't let me export because I worked from an SD card

Hello,
I made the stupid mistake of editing my project from an SD card and now FCPX won't let me export it. I have since exported the original files onto my hard drive and I attempted to relink the files in the project folder but no luck. The option to relink files opens a dialogue box but the computer can't seem to find the files and the option to manually locate the files is greyed out. This is a time sensitive issue and if I can't solve the problem I will have to stay up all night to complete the project again. The video files are AVCHD, does this have something to do with it? I am not very tech savvy so I have no idea what to do. Help??

TTry the reimport from camera function to import from the card.

Video/Movie won't play when exported as a PDF.

Hello,
I am creating an interactive PDF using CS5 to display video work. Unfortunately, the video won't play when exported as an interactive PDF, I am just left with blank space. I find this very odd as it plays in preview and also when exported as a SWF but that file type is unsuitable for the project.
Initially when I exported it I got this message: "One or more of the interactive elements are clipped in ways the pdf files can't reproduce...." Obviously, I have ensured the file is resized correctly and also tried .mov, .mp4 and also .flv file types with no success. I have also checked the simple things like ensuring all the right boxes are ticked when I export.
This is not the first time I have embedded video but it is the first time without success despite following the same pattern. Any ideas as to why this would be and how to fix it?
Thank you,
Laura

Use Flv or f4v format, after you have placed video into your layout, make sure that you don´t scale or crop video frame at all.
(Whren you File > Place a video, you will have a loaded cursor with video icon. Click the empty spot on page with loaded cursor, don´t draw a rectangle or click on the top of some exisiting frame)
It´s important that you have your video in 100% encoded size in your layout. If you need to scale or crop it, load that video into Adobe Media Encoder and do it there, and re-encode the video to the correct size and shape aftrwards.
Adobe Media Encoder ships with InDesign.

Help - i recently made put together a high quality movie for a relative, it has taken me months to complete and it goes for a total of 9 hours and 43 minutes ,however, it won't let me export the video at all! please help - its taken ages to make it!

Help - i recently made put together a high quality movie for a relative, it has taken me months to complete and it goes for a total of 9 hours and 43 minutes ,however, it won't let me export the video at all! please help - its taken ages to make it!

9 hours??!
Twice the length of a cinema epic?
How are you expecting to distribute it?
iDVD encoding settings:
http://docs.info.apple.com/article.html?path=iDVD/7.0/en/11417.html
Short version:
Best Performance is for videos of up to 60 minutes
Best Quality is for videos of up to 120 minutes
Professional Quality is also for up to 120 minutes but even higher quality (and takes much longer)
That was for single-layer DVDs. Double these numbers for dual-layer DVDs.
Professional Quality: The Professional Quality option uses advanced technology to encode your video, resulting in the best quality of video possible on your burned DVD. You can select this option regardless of your project’s duration (up to 2 hours of video for a single-layer disc and 4 hours for a double-layer disc). Because Professional Quality encoding is time-consuming (requiring about twice as much time to encode a project as the High Quality option, for example) choose it only if you are not concerned abo
In both cases the maximum length includes titles, transitions and effects etc. Allow about 15 minutes for these.
You can use the amount of video in your project as a rough determination of which method to choose. If your project has an hour or less of video (for a single-layer disc), choose Best Performance. If it has between 1 and 2 hours of video (for a single-layer disc), choose High Quality. If you want the best possible encoding quality for projects that are up to 2 hours (for a single-layer disc), choose Professional Quality. This option takes about twice as long as the High Quality option, so select it only if time is not an issue for you.
Use the Capacity meter in the Project Info window (choose Project > Project Info) to determine how many minutes of video your project contains.
NOTE: With the Best Performance setting, you can turn background encoding off by choosing Advanced > “Encode in Background.” The checkmark is removed to show it’s no longer selected. Turning off background encoding can help performance if your system seems sluggish.
And whilst checking these settings in iDVD Preferences, make sure that the settings for NTSC/PAL and DV/DV Widescreen are also what you want.
http://support.apple.com/kb/HT1502?viewlocale=en_US

Premiere CS6 does not remember some settings when saving custom export presets.

When I save a custom export preset in the export window, some settings are not remembered, and I need to change them every time again and again! The settings so far I found to not be saved are:
Key frame every ... frames
Limit data rate to ...

Interesting...
When I create and save an a H.264 QT preset
using the Export Settings dialog from within Premiere,
it does not save the key frame interval or max bitrate.
However, when I create a H.264 QT preset from within
Media Encoder and save... the missing settings are saved
and can be recalled from within the Premiere Export Settings dialog.
EDIT:
Re-tested this a bit more, and now the kf interval & max bitrate are
being saved with the presets created in Premiere Export Settings dialog.
Odd... my first 2 tries didn't take?

LZW won't stick in export preset

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