Moving non-contiguous frames

It appears that you can't move non-contiguous frames in
Flash. What I mean is, say you have seven layers and you want to
move keyframes on the non-contiguous layers 1,3,5, and 7. Now, you
can select the keyframes in each non-contiguous layer by holding
the command key (mac) but when you try to move them you only can
move the keyframe that you click on, the other selected keyframes
instantly become deselected! But, if you select contiguous frames
using SHIFT, then you can move keyframes en masse. I don't get it.
Is this a feature? It seems counterintuitive to me. I hope that
Adobe fixes this in the next version of flash.

Templates would allow you to build your navigation in the template page and propagate that navigation to every child page. To change a link you would edit the template page, save it, and your link edits would then be automatically propagated to all child pages of that template. You would then have to upload all the changed child pages to the remote server for those changes to be visible on the web. It is one of the several likely methods to give you this kind of maintenance leverage.
Another way would be to investigate the use of DW's Library items for your navigation element. Like templates, one change to the Library item would then propagate automatically to all pages containing that Library item. Once again, these changed pages would have to be uploaded.
Finally, server-side includes are the optimal way to handle this (in my opinion). The navigation code fragment is contained in a separate file which is uploaded to the server. The individual pages contain directives that instruct the server to include the file's code in each such page. In this case, you would edit the include file and upload that single file to the server. That one file upload would then express your edits in each page containing it.

Similar Messages

How to tell if video is drop frame or non-drop frame in Encore? Need info to use correct SCC file.

Hi,
Thanks in advance. I am using Encore DVD 2.0 to add closed captions to video. I have both a drop frame SCC file and a non-drop frame SCC file. How can I tell which one to use? Can I tell from the way the timecode looks on the timeline? Do I look at the timeline timecode or the source timecode? For example, in a random area of video the timeline says 00;02;50;24 while the source says 00:02:50:20.
Thanks.

Thanks jbowden and Jim for your help. Although I'm still not real clear how Encore notes DF vs NDF (more on that below), I got my problem solved.
Regarding DF vs NDF in Encore DVD...There doesn't seem to be a real consistent method of identifying which is which. For example, Jim suggested that I look in the Project panel for the colons vs semicolons. There, the video file timecode was shown as xx;xx;xx;xx with semicolons, apparently suggesting that it is DF. However, the timeline and audio file listed in the project panel also showed semicolons in the timecode. Then, down on the timeline, the timeline was shown as xx;xx;xx;xx while right next to that it said "Source xx:xx:xx:xx" with colons! So, if I go by the project panel, the video is DF. If I go by what it says down in the timeline, the video is NDF. As it turns out, subtitles and CC only match up if I use the NDF versions of them, not with the DF versions, which indicates that my file was NDF. So, in the end, I'd say that the way the timecode is represented in the project panel didn't mean anything, at least not in this case.

"Capturing drop-frame media into a non-drop frame clip" error message

I've logged tapes from what will partly be a 3-camera multi-clip project, and have begun to batch capture.
Logged all but one tape some weeks ago, and captured one tape at the time.
Went to batch capture the balance, today. First tape capture went fine. On trying to capture the next tape in the batch I'm getting this message as FCP begins the process:
WARNING: You are about to capture drop-frame media to a non drop-frame clip. If you proceed, you may experience changes in logged in and out points, problems relinking media, or removal of master clip relationships.
In analyzing the situation, the only reason I can think of for the error message is that some of the reels were logged on a DSR-11 that had been set to NON drop-frame, and for which I didn't have the remote control to change the setting.
I haven't run into this while capturing other clips, but those may have been captured via a different deck that does only drop-frame.
So, I'm looking at next steps:
1: Capture anyway and possibly regret that I did that.
(One person on another list reported the same problem, that he had ignored it without any obvious complications.)
2: Relog all the problem clips using my current deck, speeding up the process by using the "go to" window to drive the tape to the existing in and out points and then marking i/o's...
Or...
Suggestions?
Thanks,
Ted.

We've been seeing this stupid error message since v3 and it's never mattered in the slightest. It is always incorrect, anyway. The clips are always drop and the sequences are always drop. It's an FCP programming glitch/bug/screwup. Someday they may or may not fix the mechanism that triggers the warning.
bogiesan

Edit to tape confusing drop frame and non drop frame

This is a re-creation of a dead thread I found from June 6, 2006. This is the exact problem this other user was having.
OS 10.4.7
FCP 5.0.4
Dual G5 2.5
4.5 GB RAM
KONALH
Trying to edit to a Sony DVW-A500 (Digibeta) in Drop Frame mode.
Read Below for deets.
Problem: When working with a drop-frame sequence, and editing to tape, the program is edited to the tape with an offset of 3 seconds and 18 frames at the end of one hour.
Reproducible: Yes.
Steps to Reproduce:
1. Create a drop-frame sequence.
2. Edit the sequence in step 1.
3. Perform an edit to tape with the sequence edited in step 2.
What should happen: The sequence should be edited to tape at the time it occurs in the timeline.
What does happen: The sequence is edited to the tape 3 seconds and 18 frames after it should be!
Other observations: 3 seconds and 18 frames is exactly how much time is not in an hour of drop-frame time when compared to non-drop frame time. If you drop two (2) frames in every minute that does not end in zero, the math works out to 2*54=108 dropped frames in an hour. For the sake of simple mathematics, lets say there are 30 frames in a second. So 108/30= 3 with a remainder of 18, or 3 seconds and 18 frames.
It's as if FCP is getting confused about drop and non-drop timecode when the sequence is drop-frame. If anyone can offer any insights, confirmation, or resolutions for what I am seeing, it would be appreciated.
Thanks for reading!

So is the timeline a drop frame timeline, starting at 1:00:00:00?
And then is the DBeta tape prestriped (at least enough to do an assemble edit) to start the program at 01:00:00:00?
In other words, is the FCP timeline timecode matching the Dbeta tape timecode in a 1:1 relationship before you attempt to Edit to Tape?
Thinking further: FCP can't really confuse the two timecodes, it's dependent on the operator to tell it what to do. When it outputs it's not outputing timecode or looking even really looking for timecode. It's looking for your IN point in the Edit to Tape tool.
Message was edited by: loyed256

AV output and non-standard frame sizes

I usually work in non-standard frame size for my FCP projects because my final output will be in a 2:35:1 ratio. I use a Blackmagic Ultrastudio Mini Monitor as an HDMI output to a client monitor. Up until a few months ago the AV output of FCPX would allow the Mini Monitor to accept a frame size of 1920x818 and letterbox the output to 16x9 on this consumer grade LCD. One day, this just stopped working... I've reached out to Blackmagic and they have no solution or reason why this happened, and are not willing to offer support since what I was achieving wasn't an "officially supported" feature. Now, the AV output will distort the image vertically to fill a 16x9 frame. At this point I am stuck having to use either a matte layer or a widescreen effect on individual clips to output correctly to my monitor which increases edit time having to re-render any edits underneath the matte and having to re-order the letterbox effect after apply color correction etc. It was also very easy to adjust the frame offset with this wide angle project size.
Is anyone editing in 2:35:1 (or other cinema standard) projects and getting successful conversion on output? What are you using?
Cheers,
Matt

Thanks Tom, you clarified it ....... or at least something clicked in my brain.
I was trying to set "Custom" when I created the new project.
I didn't know, or had forgotten, that in the "error" window I could select "Custom".
All is now well and FCP X 10.1.1 is pretty clever after all!
There is one weird thing I'd like to mention.
When I clicked on "Custom" the 960 x 600 frame dimensions appeared but the frame rate was listed as 23.98p as shown in the screenshot below.
So what's wrong with that?
Well the clip is 30p and I naturally thought I was going to end up with a project with an incorrect frame rate.
Now here's the funny thing ......... when I selected the project and viewed it in the Inspector it was the correct 30p
So why was I given that worrying piece of misinformation.

Poor video quality, pixelation, flickering on moving subjects in frame

I made a quicktime movie using File>Export>Quicktime Conversion... in FCP using H.264 compression codec with best video quality and 16-bit audio. video was originally captured in miniDV. Self contianed movie was made and looked pretty good in Quicktime, though the edges of moving subjects in frame did have small wavy lines (I assume from interpolation of DV?). Anyway it was acceptable to me (but if there is a fix please advise as I figured this was endemic to miniDV itself.)
Then I created a DVD in iDVD 6.0.3 with several slide shows and two relatively short movies (12-14 minutes in length each). The edges of moving subjects in frame (i.e. persons walking into the frame) now have large square pixelations sort of like this --->( |-|_|-|). At anyrate, the fine wavy lines from the QT movie have become much worse when there is movement, and I'm not talking speed, just any movement like a hand moving in the frame, etc. Otherwise the quality of the video is comparible to the exported movie from FCP.
Does anyone have suggestions for how to eliminate this problem?
thanks!
imac intel core duo 2.16GHz, Superdrive 8x Mac OS X (10.4.9) 3 GB ram

the edges of moving subjects in frame did have small wavy lines
That's normal interlacing. You usually want to preserve those comb lines if your target is TV display which will hide them and use them to make smoother motion.
http://www.sjoki.uta.fi/~shmhav/SVCDon_aMacintosh.html#interlacing
But if your target is a computer display, then you usually want to deinterlace them off because they look ugly on a PC monitor.
originally captured in miniDV ... H.264 ... Then I created a DVD in iDVD 6.0.3
No! You should not convert the original DV to H.264 if your final target is a video-DVD!
Just keep it as DV. And take care that your FCP export to DV is bottom field first field dominance because otherwise you get terrible zigzag movement artifacts! ...I don't have FCP so I can't give you more advice on that (mini-DV ->iMovie ->iDVD handle all this automatically).

Digitizing Pre-Logged Clips: Drop Frame/Non-Drop Frame Discrepency

I have about 100hrs of DV NTSC footage that has been logged and now I need to capture it.
Everything seemed good to go:
• I ctrl+click the clip intended to capture
• Select 'batch capture' (it initializes)
• Settings are (apple setting) DV NTSC 48kHz
• I click okay and I get an error message that reads:
"WARNING: You are about to capture drop-frame media to a non-drop frame clip. If you proceed, you may experience changes in logged in and out points, problems relinking media, or removal of master clip relationships."
Now, the setting noted above is set at 29.97 not 30.
I tried to see if there was anything I could select/deselect in the logged clips and came up dry.
I made duplicated the apple setting and changed the fps to 30. This yielded no error message but did on the second clip I tried.
Does anyone have any idea on how I should be troubleshooting this?
Due to the high volume of footage, and workflow schedule, I'd really rather not screw this up.
I turn to you my faithful FCP gurus.
Thanks.
Ian
p.s. I'm running FCP v.5.1.4

Just check your timecode accuracy before you get any further... i.e. does the timecode in the captured clip match the code that's on the tape. If so, you're good to go on... if not, I'd recapture using the proper TC... it's pretty easy if you do it from the tape in the Log and Capture window.
Jerry

Moving to a frame in Movieclip timeline from the main timeline

I am in the learning process. Working with FlashCS5 and AS3.
Please bear with me if the issue appears to be too simple for you. Placed a movieclip(mcassessJohn) on the main timeline and moved to the frame labelled "johnFeedback" in the movieclip timeline using the following actionscript code.
mcassessJohn.addEventListener(MouseEvent.CLICK, onJohnClick);
function onJohnClick(evt:MouseEvent):void {
mcassessJohn.gotoAndPlay("johnFeedback");
This works fine. However problem starts when I place a button "questionJohn" in the movieclip(mcassessJohn) time line at frame "johnFeedback" and try to move to another frame by clicking the button and using the following actionscript code;
questionJohn.addEventListener(MouseEventClick,onClick);
function onClick(evt:MouseEvent):void {
gotoAnd Play("johnFeedback");
Placed the above code in actions layer in the movieclip timeline at frame "johnFeedback". I had placed the button also in the movieclip timeline at Frame "johnFeedback in layer buttons. No compiler error.No runtime error. Just nothing happens when I click on the button "questionJohn".
Would appreciate if you can let me know where I am going wrong.

Thats because if u assign the listeners to a parent movieclip it will not pickup listener assigned to its child.
A work around is put a invisible btn inside mcassessJohn movieclip on frame 1 and assign onJohnClick function to that.
And one more thing, i think u r trying to perform same operation on both the btns
http://www.darshanrane.com

Non Drop frame capture causing out of sync clip?

Hi, All,
I've been having trouble with sync issues on an hour long tape capture.
The material was captured from a Canon consumer DV cam (z80) using firewire into my powerbook g4. (The material on the dv tape was originally recorded in Video 8mm and transfered to the Canon via firewire from a modern Sony Digital 8 camera.)
The sync on the DV tape looks fine when I play it back through the Canon camera. So I'm guessing that I might be losing sync because the camera is dropping frames that don't want to be dropped. I tried to change the video capture settings to non drop frame (in the device control tab of FCP5's audio video settings preference window,) but as soon as I start the capture from the canon, the settings on my log capture window automatically revert back to drop frame. (I don't know this for a fact, but I do notice that the ":" in the timecode box turns back to ";" every time I start the capture.
Does this sound like it is, in fact, a drop frame problem? And if so, is there any hope of getting a canon consumer camcorder to capture at non drop frame rates?

Well, after trying most of the suggestions here, I did find a reasonably hassle free workaround to capturing the hour and fifteen minute footage of 8 bit 32 kHz video to FCP with minimal sync slippage over the length of the footage.
I finally gave up on capturing the material in FCP and instead hooked the canon z80 up to an old version of Toast Platinum 6 I had on my computer. Toast creates a raw quicktime movie file with the extension .dv. Toast then allows you to edit that quicktime file, add chapters, button pictures, etc. thereby making a new file to replace the raw QT it first created. After some experimentation, I discovered that the original raw QT file Toast creates can simply be dragged intact to the FCP browser window, where it becomes a clip with minimal sync problems. I would caution against trying to use the second improved QT file that Toast creates after you've edited your file, as this second QT movie seems less stable than the raw one it first creates.
A final caveat for Toast users. Make sure you set the preferences so that they don't DELETE the original file it creates. There are settings that will tell Toast to do just that either After a Day, After a Week, When You Close the Program or Never. I'd set that to Never, since it can be highly unpleasant to discover that your program has deleted the very file you were planning to work with.
Hope this is of some help.
Thanks to all who pitched in and offered suggestions. Your help has been invaluable!
I now mark this issue Solved. Or at least as Solved as I plan to get it!

Selecting non-contiguous text in Safari

I cannot find a way to select non-contiguous text in Safari.
Select>Command>select does not work (as it does in Text Edit.
I am very surprised that I can't locate any information on this via google, yahoo, etc.
The only item I did find is something called "Safari Magic" but it looks pretty old and costs $19.
So here I am hoping to get "truth" from the source (or any kind person).
I'm in Snow Leopard; Safari 5.1.5.
Thanks.

Carolyn
Thanks. I hadn't explored Safari's Extensions (only Firefox's). Your was a good suggestion. Alas - and to my absolute consternation - nothing for selecting non-contiguous text.
mcbuffy
Thanks. And as I alluded to Carolyn...this is really odd and frustrating. Not just that this functionality does not exist in an Apple application while it does in other Apple apps, but also that there does not appear to be any Extensions directed at this function.
Can I be the only person in the world who selects and copies random or non-contiguous text from web sites?

Is there a way to copy non-contiguous words from a PDF

Is there a way to copy non-contiguous words from a PDF? Is there a way to use a template or mask that will isolate certian areas to be copied with spaces in between the words so that when you go to paste the contents into multiiple fileds, the separate words will pop into the appropriate fileds. The fields will be in a submission form.
Please let me know if this is possible.
Thanks
Linda

No it's not.

What's the deal with Drop-Frame / Non-Drop-Frame Timecode?

I'm having trouble with 30fps Drop-Frame and 30fps Non-Drop-Frame timecode formats! I thought 29.97fps means 30fps Drop-Frame, but now I'm all confused.
I'm working with DSLR footage filmed with a frame rate of 29.97. For example, this one clip is listed as (in Project panel)
Media Start: 11:16:11:23
Media End: 11:22:42:22
Duration: 00:06:31:00
Frame Rate: 29.97fps
If I open this clip directly in Source Monitor, the timecode display (yellow, on lower left corner) says 11:16:11:23 at the beginning and 11:22:42:23 at the end. OK. But if I right-click on the timecode display, the pop-up indicates "Non-Drop-Frame"(!!). If I manually change that to "Drop-Frame", the start and end timecode would become 11:16:52:11 and 11:23:23:23, and the duration display (white, on lower right corner) becomes 6:31:12.
Now I create a new sequence of 1080p30, which has a 29.97fps time base. I right-click the yellow timecode display on the upper left corner of the Timeline, it says "30fps Drop-Frame". I drag the said clip onto the sequence. It occupies a length of 6:31:12. If I double-click the clip to open it in Source Monitor, now the Source Monitor timecode display indicates "Drop-Frame", and the start/end timecodes are 11:16:52:11 and 11:23:23:23. Huh??
Now I apply the "Timecode" effect on the clip. The timecode burn-in says 11:16:51:11 at the first frame and 11:23:23:22 at the last frame. I then go to the Effect Controls tab and look at the Timecode effect. It says
Format: SMPTE
Timecode Source: Media
Time Display: 30 Drop Frame
Just playing around, I switch "Timecode Source" to "Clip" - now the timecode burn-in goes from 00:00:00:00 to 00:06:31:11 - and then I switch it back to "Media". Now the Effect Controls tab says:
Format: SMPTE
Timecode Source: Media
Time Display: 30 Non-Drop Frame
And the timecode burn-in says 11:16:11:23 at the first frame and 11:22:42:22 at the last frame!
HUH??
Just for kickers, I switch "Timecode Source" to "Clip" again... Now "Time Display" stays on "30 Non-Drop Frame", and the timecode burn-in goes from 00:00:00:00 to 00:06:30:29.
What's the REAL length of this clip? Is it drop-frame or non-drop-frame? What are the REAL timecodes for it?
Also in a general sense, since I can change the "Time Display" field in the Timecode effect at any time, and change the Timecode display format of the Timeline at any time... How do I avoid creating mismatching timecodes??
Thanks in advance for any clarification!!

So obviously, only one of them could be "correct" in terms of reflecting what actually happened. The other one is slightly sped-up or slowed-down. You might say "oh that's a tiny difference, it doesn't matter".
Zooropa75, just for matter of clarification I want to make sure you understand that no matter which you use, it won't actually speed up or slow down your video. TC, wether it is non-drop or drop, is only a counting system. For that reason, it doesn't even matter which you use to reference edits, so long as everyone editing uses the same TC basis.
If you want actual time accurate TC, as was already mentioned, use drop-frame.
I'm going to kill two birds here. The "drag clip to new sequence button" action I was referring to in my earlier post is dragging your clip to the icon seen below. It should create a timeline using your videos format.
Also, remember I recommended looking in the manuel for "actual" time used? You can see below a snapshot I took from your cameras manuel. You're not shooting in whole numbers for anything unless you're using the 50hz system and shooting at 50p. That is the ONLY exception. ...and this is good for everyone to remember. Very few US digital cameras shoot frames per second in whole numbers. If it says you're shooting in 24p, 30p, 60p, etc. ad nauseum, you can bet your biscuits it's actually the multi-decimal NTCS counterparts like you see below And that should be your final answer. *chuckle*

Product wise slow moving / Non-moving

Hi
what is Product wise slow moving / Non-moving?
thanks,
kiran.M

Slow moving is nothing but if i am not using particular Material for last 1 month then i can call this MATNR is Slow Moving MATNR. If i am not using MATNR for last one year it is Non-Moving MATNR.
Regards
Prabhu

Reporting on Slow Moving / Non Moving Stock

Morning,
can anyone help on the above please.
How would i run a report on slow moving / non moving stock?
Regards
P

MC46 you can get the slow moving items.

Logical Volume is non-contiguous

I'm having problems creating database files on a certain logical volume. It is configured non-contiguous. Does this matter?

connect / as SYSDBA
set echo on
spool /u02/app/oracle/admin/mmstus/create/crt_mmstus.log
startup nomount pfile="$ORACLE_HOME/dbs/initMMSTUS.ora";
CREATE DATABASE MMSTUS
MAXINSTANCES 1
MAXLOGHISTORY 1
MAXLOGFILES 255
MAXLOGMEMBERS 5
MAXDATAFILES 1024
DATAFILE '/u03/oradata/MMSTUS/system01.dbf' SIZE 2048M
AUTOEXTEND ON NEXT 1024M MAXSIZE 4096M
EXTENT MANAGEMENT LOCAL
DEFAULT TEMPORARY TABLESPACE TEMP
TEMPFILE '/u03/oradata/MMSTUS/temp01.dbf' SIZE 2048M
AUTOEXTEND ON NEXT 1024M MAXSIZE 4096M
UNDO TABLESPACE "UNDOTBS1"
DATAFILE '/u03/oradata/MMSTUS/undotbs01.dbf' SIZE 2048M
AUTOEXTEND ON NEXT 1024M MAXSIZE 4096M
CHARACTER SET AL32UTF8
NATIONAL CHARACTER SET AL16UTF16
LOGFILE GROUP 1 ('/u02/oralog/MMSTUS/mmstus_redo1_1A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_1B.log') SIZE 100M ,
GROUP 2 ('/u02/oralog/MMSTUS/mmstus_redo1_2A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_2B.log') SIZE 100M ,
GROUP 3 ('/u02/oralog/MMSTUS/mmstus_redo1_3A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_3B.log') SIZE 100M ,
GROUP 4 ('/u02/oralog/MMSTUS/mmstus_redo1_4A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_4B.log') SIZE 100M ,
GROUP 5 ('/u02/oralog/MMSTUS/mmstus_redo1_5A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_5B.log') SIZE 100M ,
GROUP 6 ('/u02/oralog/MMSTUS/mmstus_redo1_6A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_6B.log') SIZE 100M ,
GROUP 7 ('/u02/oralog/MMSTUS/mmstus_redo1_7A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_7B.log') SIZE 100M ,
GROUP 8 ('/u02/oralog/MMSTUS/mmstus_redo1_8A.log',
'/u03/oralog/MMSTUS/mmstus_redo1_8B.log') SIZE 100M ;
spool off
exit;
The init.ora file has db_name=MMSTUS

Moving non-contiguous frames

Similar Messages

Maybe you are looking for