Offline to online workflow in premiere pro

Can anyone tell me how to do an offline to online workflow in premiere pro similar to final cut pro 7? See this video https://www.youtube.com/watch?v=4xzOqmQq7bo

Let me know if this makes sense.
Not at all, I'm afraid. By that I mean I understand the process you describe, but not your desire to do it.
You can never get better than the original footage, so transcoding to ProRes after editing makes no sense at all. One might do that before editing if their computer couldn't handle the native media, but...you've already done the editing.
Using Direct Link to SpeedGrade, you can easily work with the original media. This is the faster, easier work flow, and will produce identical end results.

Similar Messages

Optimum workflow for Premiere Pro and After Effects

I have been using Premiere Pro CS4 for three or four years. As I take on more ambitious projects, I have begun learning AE as well, since it offers many capabilities that PP alone doesn't.
I am puzzled about how best to use the two programs, since much of their functionality overlaps.
I typically import my raw footage from the camera into PP and do the basic editing and tweaking as required. I record the audio separately, so I import and sync the audio into PP as well.
I generally shoot in front of a green screen, key out the green, drop the background in, then add titles during the stream.
I have done all this in PP up to this point, but I am looking for the most efficient way to integrate the two applications. It seems to me that rendering a PP project that is linked to AE content takes a lot longer than I am accustomed to.
Can anyone shed any light on the best way to take advantage of the strengths of both programs together?
Thanks,
Joe Parsons

If you're happy with the chroma key you get, I wouldn't change a thing. Oh, maybe I'd make an animated lower-third background or some classy-looking backgrounds in AE. But if it ain't broke, don't fix it.

External Monitor for HD workflow in Premiere Pro 5.5 Windows

I´m looking in the Adobe forums for information about previewing HD video from Premiere to an external monitor, and the only options I´ve found is either connect the camera or use SD via 1394.
Some years ago I used to have a Matrox card RT.X2 with breakout box that had a 1440x1080 output with limitations, and then changed to Nvidia Quadro in CS5, much better performance with CUDA, but I lost the possibility of seeing the content of the program monitor in the external Monitor.
I guess there must be somebody selling cards for this purpose, I´ve seen comments (AJA, Matrox, etc) but there all seem to have lots of problems, so I´d like to know if anybody has succeded in joining Quadro 4000 to another piece of hardware that works on Windows
Thanks

If you have one monitor for editing, then you can use the second monitor connection on your video card to steer the second monitor.
If you use a dual monitor setup and need previews on a third monitor, you can use one of the following options:
1. A second video card that uses the same driver as your primary video card.
2. A third party option like Black Magic Intensity or Matrox, but usually their drivers cause some problems.
3. Limit yourself to SD quality and feed the third monitor over firewire.
4. Forget about hardware MPE and use an ATI Eyefinity card.
nVidia cards may have three connectors at the back, but ONLY two can be active at the same time. From that perspective option 1 is the least troublesome.

Premiere Pro / Media Encoder crash during encoding

Afternoon guys, wonder if anyone has any tips on how to solve my issue. It's a new pc that I'm working on, my first project on it, everything working great in terms of the edit, but crashing whilst encoding both through Premiere Pro and Media Encoder with an error message (below). I'm not great with this stuff so please let me know if I need to provide more info and I'll provide much information as I can.
I'm a creative cloud user.
-Premiere Pro cs 6 (6.0.3) - I have tried to re-install the software, and ran all the updates yesterday after the install. Problem still persists.
-Encoder cs6 (6.0.3.1)
-Windows 7 Professional service pack 1, 64bit. Whilst I was online re-installing Premiere Pro windows did some updates (I generally keep my editing pc's offline).
-DSLR footage (.mov) for video, up to 3 sources of video (nested for multicam shoot) and running one source of audio (mp3 file). Two of the timelines I'm trying to encode are about 45 minutes long.. I have succesfully encoded other clips (a 5 minute, and a 35 minute previously. Miraculously this morning I encoded a 1h12m clip using the mpeg2-dvd preset with only adjustment of quality bumped from 4 to 5). So this was encoded after all the updates, however since then everything else is not working.
-Initially encoder was either freezing, or giving me an error message. Since re-installing all the software yesterday it now does not freeze, but I get the error message: "Adobe Media Encoder CS6.0 has stopped working... A problem caused the program to stop working correctly. Windows will close the program and notify you if a solution is available." I get the same message when encoding with both AME and Premiere Pro. I click "close" from here and nothing else happens.
-Trying to export to mpeg2-dvd, I have tried the PAL widescreen preset, as well as trying to adjust the settings, doesn't seem to make a difference, the error message pops up different points during encoding.
-The only plugin I have used is magic bullet looks for some grading. It also fails to encode with no plugins used.
-PC     - Intel i7-3770 @ 3.40ghz,
          - 32GB ram
          - Operating system and Adobe Suite on c: (SSD 240gb)
          - Project source footage (video, audio, etc) f: (2tb)
          - Encoding files to e: (SSD 240gb)
          - my case is an Antec 902, with no additional fans. It does sound like it's working harder during encoding, not sure if a heat issue could be causing the software to error?
-I am using the mercury playback engine with a Gefore gtx 680 (2gb).
I have not been able to find any definitive answeres with regard to the crashes. I did also have encoder hanging whilst reading the xmp file. I have tried encoding video only (audio disabled) and whilst it doesn't hang during reading of xmp file, it still stops working with the above error message.
I also run an older PC with i920, 24gig, gtx570 and it never crashes but performs much slower. It is also running windows 7, same setup but different hardware. Not sure if the hardware on my new pc could be causing the issues, if you you guys have any troubleshooting tips it would be much appreciated. At this point i have tried starting a new project, new timelines, nothing seems to work, so I have transferred the data to my old pc for encoding (as I need to deliver the discs to a client), but I need to get this new setup working properly.
Cheers,
Stevan

Hi Axel,
Thanks for your suggestions, I just tried cleaning out the media cache and also rendered out a wav file of the audio and placed it in the timeline and deleted the mp3 version.. Tried once again to encode an mpeg2-dvd file.
1st attempt encoding through Media Encoder, pal widescreen with variable bit rate set to 6, 7 and 8 = everything froze, had to restart via button.
2nd attempt encoding through Media Encoder = this time tried video only same settings just no audio = same error (Adobe Media Encoder cs6.0 has stopped working...)
3rd attempt encoding through Premiere Pro, same settings with audio = same error message.
4th attempt encoding through Media Encoder, pal wide preset as standard with no change = same error message.
5th attempt encoding through Media Encoder, h264 preset for vimeo, 720p = same error message.
6th attempt encoding through Media Encoder, AVI (Uncompressed) 720 x 480 preset. 1m40s in the dreaded blue screen appeared. "A problem has been detected and windows has been shut down to prevent damage to your computer. A clock interrupt was not received on a secondary processor within the allocated time interval. " Bla bla bla.
In all instances the encoding is absolutely flying, but always ends up crashing.

How do I enable a track to record in Premiere Pro CS4?

I'm on a macbook. I have a SM57 mic plugged in via an XLR to USB cable. I have tested this mic via garage band, and it works and records fine.
In Premiere Pro preferences I have chosen C-media USB Audio Device.
In mac's Audio MIDI setup, I have chosen C-media USB Audio Device as Default Input.
In Premiere Pro, I have clicked on Audio 1 to highlight that's the track I want to record to.
Yet when I click on the Mic picture in the Audio Mixer to enable track for recording, it does nothing, no drop down box, no indication that I clicked it (other than highlighting itself in yellow for a brief moment).
Then I click the record button, it starts flashing, waiting for me to click play.
Then I click play and a message comes up "You cannont record without enabling at least one track for recording"
Where am I going wrong?
Any help is much appreciated.

ASIO4All - that's for Windows only, right? I'm on a mac.
I've been looking into using Soundbooth, which does recognise my USB connection.
Any tips for workflow between Premiere Pro and Soundbooth?
At the moment it looks like I'll have to edit my video footage first (it has no audio track),
then having watched the rough cut, record my voiceover in Soundbooth, adjust levels etc.
then import those voiceover files into Premiere Pro and edit them in timeline to match my video.
Not exactly ideal.
Is there any way of watching the rough cut while recording the voiceover?
Or am I better off recording the voiceover in Premiere Pro with my rubbish Line in connection, then taking it into Soundbooth to boost/clean up?
Thanks

How can I capture video on a dvd disc in Adobe Premiere Pro Cs5?

Hi! I'm an amateur, I'm trying to restore a video on a vhs tape into Premiere Pro Cs5. I have Pinnacle Studio Pro 14 software, Moviebox Plus USB hardware ,Sony dvd player, and a Panasonic vcr player. I captured the vhs video to Pinnacle Studio Pro 14 and burned it on a dvd. I connected the Moviebox Plus to my computer via usb, and connected the input and output to my Sony dvd player. I opened Premiere Pro Cs5 and went to file and clicked on capture. I push play on the dvd player and nothing happened in the capture window. I noticed at the top of the capture window were some info. The info stated, "Capture device is offline". I went into Premiere Pro Cs5 to Edit and Preferences. I changed the Device Brand to Sony and the Device Type to Standard. So far, nothing has been captured. I would like to know how can I fix this problem. I know this is a lot of information, but that's the only way to state my setup and what was done. Thanks.
Gerald Sr.

The easy way is with the DVD in your PC's optic drive use Explorer to navigate into the Video_ts folder and there you will find the VOB file
If you cannot see the file extension highlight the folder and right click, select properties and from the Tools menu select folder options then in View uncheck Hide extensions for known file types.
Then you will see the .VOB file extensions.
Copy the large VOB onto your hard drive then click on it and select re-name.
Rename the .VOB to .mpg and use this file.
There is some free software VOB2MPG which does the same job but far easier.
As for learning PP go to the Creative Cow website and search there for video tutorials, there are plenty from absolute novice to full on expert.
Enjoy PP

Premiere Pro CC hanging on export media

Hello,
I've a project shot on P2 cards with a couple of MP3 audio tracks. Never been a problem before. Went to export media (Queue to Media Encoder) and as it's processing the request the application stops responding. (also realized at this time the auto-save wasn't so I lost 2hrs work)
After recreating and saving - same issue - hang on export media
Updated to Premiere Pro CC 2014 - managed to get to Media Encoder and then it failed with an unspecified H.264 error (I'm trying to save to the H.264 YouTube 720p 29.97 compression) When I tried again, it hung up on the export process as originally happening.
Trashed preferences (of both versions of PPCC) - tried again - same results
Removed MP3s and tried again - same results
Went back to Premiere Pro CC and opened another project shot with a Canon 7D and was able to export media.
I've done at least ten projects with my Panasonic Camera's and the P2 workflow in Premiere Pro CC and have not had any problems.
Any suggestions on how to troubleshoot further would be greatly appreciated.
Mark
MacPro

OK, So to be more specific it's hanging when I send it to Media Encoder Queue. I was just able to just do a direct export.
I found the article on permissions and that was not the issue.
I've made no changes to hardware and have done three projects with the same codecs, type footage, duration (1 hour range) with no problems.

Unable to install Premiere Pro update 7.1

I've been unable to install Premiere Pro update 7.1 on a Mac running Mavericks. I've made three attempts over as many days.
For what it may reveal, here is the install log. Any ideas?
[Please don't post full longs to the user forum.]

Try using the "adobe cleaner tool" (you'll find it online) to uninstall Premiere Pro. Reboot. Install Premiere Pro with the creative cloud panel from the apps list. It should work fine

Dynamic link between Premiere pro and After effects versions?

I was wondering if it was possible to use the dynamic link between different version of the products like preimere pro cs5.5 and after effects cs5.0, I downloaded the trial of premiere cs5.5 while I already have bought and installed after effects 5.0 a while ago. when I tried using dynamic link with premiere 5.5 with my current after effects cs5, the "replace with after effects composition" in premiere was greyed out. I didnt know if this was just a limitation of the trial, or if the two different versions (PR cs5.5 with AE cs5) were incompatable with dynamic link. hope you guys understand the question, and any answers would be helpful!

Ok so just to get this straight, in order to use dynamic link between adobe premiere pro and after effects you have to have the complete suite? or just the same version installed? all I want to be able to do is have a good workflow between premiere pro to after effects to get my vfx done, and then send them back to premiere seemlesly without spending $2000 dollars on the entire suite just to use those 2 programs and because the suite is way over my budget. is that the only possible way (other than cs6, because I dont have the $$ to update either)

Offline to online in ProRes

I have to edit a movie from HDV tapes, and i have to end up with an online in ProRes 422 (because i'm combining it with tapeless footage). Since I have a space problem, my plan is to capture the tapes both as HDV and as ProRes 422 proxy and edit the offli

HDV from tape can only be captured on of two ways: HDV or ProRes 422. You cannot capture as Proxy, unless you have a capture card, and an HDV deck with deck control.
Best thing to do, what I'd do...is capture HDV as native HDV...that's 13.2GB/hour, and just edit in a ProRes sequence.
Hmmmm....but you are adding Tapeless. So you want a mixed tape and tapeless, offline and online workflow. That'll be VERY tricky to pull off. I've done it, but it's tricky. For the tapeless, you MUST use Log and Transfer, and this workflow:
http://library.creativecow.net/ross_shane/tapeless_online/1
If you convert your tapeless by any other means to a proxy format, FCP cannot Media Manage and only capture what is in the cut. And what you'll have to do with the tape, is cut it in as HDV...ProRes proxy has a higher date than HDV...nearly twice as much! So I'd mix native HDV and offlined tapeless, but then when you online, you'll need to separate the full res HDV from the Proxy footage, so you can do a MAKE OFFLINE and Batch Capture.
It's tricky...

Very Good Premiere Pro Color Correction Tutorial

Hello Everyone.
This video Tutorial is By Mr. Jeff Sengstack from Lynda.com
He Is an excellent Instructor. Very good Video Tutorial..
Watch the Online Video Course Premiere Pro: Color Correction and Enhancement

Have to pay to view them, so not much use.

FAQ: How do I color grade a Premiere Pro sequence in Adobe SpeedGrade?

How to color grade a Premiere Pro sequence in Adobe SpeedGrade
You can color grade (color correct) Premiere Pro sequences directly in Adobe SpeedGrade. The workflow differs between SpeedGrade CS6, SpeedGrade CC (7.0.1), and SpeedGrade (7.1, and later) with its Direct Link workflow.
Please refer to the version you are using.
Color grading a Premiere Pro CS6, CC (7.0.1) in SpeedGrade CS6, CC (7.0.1)
If want to color grade a Premiere Pro sequence prior to SpeedGrade CC (7.2), see the following resources:
Send a sequence to SpeedGrade
Color grading a Premiere Pro CC (7.1, and later) in SpeedGrade CC (7.1, and later)
If want to color grade a Premiere Pro sequence in SpeedGrade CC (7.1, and later) using Direct Link, see the following resources:
Coming Soon to SpeedGrade CC - Direct Link and More
Direct Link workflow from Premiere Pro to SpeedGrade
Getting to know Direct Link
Using Direct Link with color presets

What effects did you apply in Premiere to get your grade? Many effects don't come through when you import a Premiere project into AE.

'create multi-camera source sequence' crashes premiere pro

Hi,
I use 'create multi-camera source sequence' to sync up 2nd system audio with DSLR footage.
If i select more than say 10 clips to sync with an audio file it will crash premiere pro CC 2014 50% of the time.
Does anyone else find this? is it naturally unstable?
syncing by 'audio mixdown'
I'm on a new Mac Pro 6 core, 16gb RAM, Pegasus 2 RAID.
Cheers

You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/
The help page also gives step by step - Adobe Premiere Pro Help | Multi-camera editing workflow. I was talking about step 4. Create a multi-camera target sequence.

"Offline material is present" Premiere Pro CC PluralEyes 3

Hi!
I'm new to both Premiere and to PluralEyes.
I'm editing a multicam concert video.
When trying to export it I get the message "Offline material is present in this export and will be encoded using the offline media graphic". Even though there is no red offline media gaps, and all the files in the Project 'table' are shown as online.
Could someone tell me what I did wrong with my workflow?
What I did:
Added video files into PluralEyes, synced them there, exported Final Cut Pro XML for Premiere to my desktop.
In Premiere Pro CC, imported the XML file, dragged it to the timeline to start the sequence.
Started editing, everything was fine until I decided to check how it exports. When clicked on File>Export>Media the message about the media being offline appears.
After this I imported all the video files one by one to see if it changes anything but it didn't.
HELP

I don't think you will see a red line. A red screen that says 'media offline' yes, but no red line. The clip that is off line shows up in my timeline as red, but not the multicam sequence that one would want to export, but the multicam source sequence.
I do not use PluralEyes because rather manually sync then use that - and then when Premiere CC came along, it is able to do the sync'ing by audio no problems (as long as your audio is good).
I won't be able to tell you what you did wrong with your workflow - only guess.
Guess #1 - did PluralEyes change a file name?
Guess #2 - Finall Cut Pro XML have a file name change?
I don't know, pretty lame guesses as I'm starting to draw blanks in thought because you edited and everything was fine until you go to export.
If you are in Premiere CC have you considered using its own syncronization?

Premiere Pro CS3 to Avis Workflow

Hello I wondered if you could help me...? I am shooting in Digi Beta and want to perform the offline edit in premiere pro cs3 (as i already use/have it) and the client wants to do the online edit afterwards - can anyone tell me the best way to do this?(if possible)do i have to do the simple offline edit in dv res in premiere pro cs3 and then take the master tapes and edl etc to an avid suite to finish? I have never done an offline to online edit before, all our previous edits have just been dv or HDV. Can premiere handle full res beta without compressing down to dv res? Not sure where to go as im a bit confused. If it can all be done in Premiere then that would be great as i have my suite sitting here!
Product Version: premiere pro cs3 3.2.0
Matrox mx tools version 3.6.0.145
matrox rt.x2 capture card
Nvida Quadro fx 3450/4000sdi
dell 3007wfphc display
jvc tm h140 crt preview
DVD Devices Installed:
HL-DT-ST DVD+-RW GSA-H53N (Firmware B104)
Dell Precision PWS490 Intel Xeon Dual 5120 @1.86ghz 3.00gb RAM windows XP SP3 3TB raid storage

Jim is correct. Capture as HD MPEG2 I-frame via component inputs on the RT.X2.
If you need more advice on this, go to the Matrox RT.X2 users' forum.

Offline to online workflow in premiere pro

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