Okay to convert to profile only at the end when generating PDF?

My final color profile has to be iso coated v2 for Europe. This means that most if not all of my placed images have to be converted either from RGB or SWOP CMYK. I've been reading about this issue in this forum but am not sure I got it right.
As I understand it, it's perfectly okay to let InDesign do the conversion at the end when I'm generating the final PDF (Convert to Destination). I used to go through the laborious process of converting each image from rgb or other cmyk to the iso coated cmyk. Then select Convert to Destination again in the pdf process.
Is there a difference -- other than tons of additional work -- b/w doing it one way or another? To be sure, I also want to maintain the original color tones as much as possible in the process.
I'd be grateful if someone could confirm this for me. I'm about to send a huge job off to the printers.
Many thanks,
Scarlett

The default option seems to be: Use color settings intent. I have no idea what this means. The other options are: perceptual, sauration, relative colometric, absolute colometric.
I usually use the Relative Colometric in Photoshop, as recommended by the press we use in Europe. Would it be safe to select this option for the 3 settings above?
If you leave it at the default, the rendering intent you have currently set under Color Settings>Conversion Options will be used.
The rendering intent handles how colors that are out of the CMYK gamut are brought into gamut. It's like trying to put 1.5 gallons of water into a 1 gallon bucket something has to spill—the intent is your preference as to what spills. Search for rendering intent in IDs help for an explanation of the 4 intents.
I doubt the intents really come into play when you are converting CMYK to CMYK—not much would be out-of gamut. I would leave everything at Relative.

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I'd like to know the sequence of events when a PDF is generated from InDesign CS4 using the Adobe PDF 7.0 printer. Postscript is somehow involved before the PDF is generated and I'd like to have a better understanding of what is going on.
Acrobat's Help states:
In an authoring application such as Adobe InDesign, use the Print command with the Adobe PDF printer to convert your file to Adobe PDF. Your source document is converted to PostScript and fed directly to Distiller for conversion to PDF, without manually starting Distiller. The current Distiller preference settings and Adobe PDF settings are used to convert the file.
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Peter's right -- even I need a map to navigate this project. But anyone else trying to follow it would need a map and a GPS -- or my PDF. For future reference, I will be generating a detailed PDF on the process of getting from InDesign to iGen print, covering all the issues raised in my various posts, plus likely costs, and other aspects of the process. And that's quite a stack of info. I'll make the document freely available via this forum, and I'm hoping that Peter (anyone else?) is going to offer to check it for technical accuracy.
It's a bit worrying to hear from Harbs that maybe I should have printed to PDF. I've just generated PDFs for the smaller 4 books by exporting and using Quite Imposing to impose. They've given me a one-month license, and I must say QI works beautifully, generating an imposed 32-page signature in 10-20 seconds. Transparency has been retained, the images are unsliced, and the PDFs are a joy to look at. And so they should be after 3 years in the making. But will they print correctly on the iGen?
I've left the 800-page monstrosity till last, and maybe I will use the Adobe PDF 7.0 printer for that one, and impose with Print Booklet. But maybe I won't have to change the process. I have just sent the printer an 6-page test print (20 MB), which I hope will cover all the transparency issues, and I'm hoping there are no printing problems. It can be downloaded from:
http://www.mediafire.com/?mwxxdhdnnow
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Let me summarise (correct me if I'm wrong):
1. When generating a PDF to print from, there are different considerations than when generating a PDF to look at (I didn't realize that). When printing for example, slicing of images is not important (assuming they will print correctly), but it could be an issue in a "looked at" PDF because someone might want to copy images from the PDF. And that's not much chop if they're in five sections.
2. Exporting to PDF: retains layers, transparency, and "whole" images. There may be an issue with transparency, but if text is on the top layer, transparency should not be an issue -- supposedly. The problem is: when you impose a PDF using third-party software (such as Quite Imposing), or when you move/delete/add pages using Acrobat, layers are lost anyway. So, if having layers in a PDF minimizes transparency issues, the benefit is lost when you shuffle pages around. So maybe, as per Harbs comment, printing to PDF is the better solution.
3. Printing to PDF: using Adobe PDF 7.0 (or a later version) and imposing using Print Booklet has the advantage that there will be no transparency issues, because everything is flattened; and with the flattening comes correct printing -- except that images may be sliced and that could become an issue.
So it appears to me it comes down to this: is there any quality difference between printing and exporting to PDF? If there is no discernible difference, and if the document contains overlapping transparent areas:
• Print to PDF when the PDF is to be imposed and printed;
• Export to PDF when the PDF is to be "looked at" only.

Okay to convert to profile only at the end when generating PDF?

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