PAL - NTSC Prores for DVD authoring

Hi
Ive 100 mins of concert footage shot on Canon t2i. 25fps PROGRESSIVE.
I need to author and duplicate a DVD using DVD studio pro, this will be pressed and released commercially.
Im trying to get the best quality and work method.
After loads of reading, so far, this is my work route.
1. Convert Prores files from PAL - NTSC using Comp 4.
Im keeping the same size, 1920 x 1080, just changing the frame rate to 29.97.
In frame controls I have ..
Resize - BETTER Deinterlace BETTER ( though can this be set to FAST as the footage is PROGRESSIVE)
Rate conversion BETTER
2.Take these NTSC Pro res 1920 x 1080 and convert in COMP 4 to m2v. Using 2 pass VBR. (???????)
It looks OK...just paranoid... just want to know if im missing a trick....????

A couple of thoughts:
If you're sending out this to a replication house, I'd check with them before you do anything in Compressor or DVDSP to make sure you know all their specifications.
Also consider sending your movie to a post house that has the hardware to do standards conversions. You can do it in Compressor (or another compression apps) but hardware doe a conversion better job than software, Asj the replication people for their recommendation.
What you outlined for steps in Compressor seem pretty reasonable. A few recommendations:
For best quality, set the Resize filter to Best. And Compressor will see that your video is progressive so that setting can just be the default.
Yes. Use two pass VBR – unless the replication house says otherwise. (Check with the replication people about optimal bit rate settings.)
For Audio set Dialogue Normalization to -31.
magenta1 wrote:
It looks OK...just paranoid... just want to know if im missing a trick....????
Not paranoid…just smart.
Best of luck.
Russ

Similar Messages

PAL/NTSC conversion for DVDs

Hello All
I recently had some work involving standard conversion of DV PAL material and then burning said material onto DVD. Everybody trying it knows that this is time consuming and doesn't always produce the desired results - for obvious reasons (Methods used by me were the two documented on Dan Slagle's Unofficial iMovie FAQ).
I then had the really "fantastic" idea to tweak the DVD with myDVDedit, by simply setting the IFO parameters to NTSC 720x480. Tested the burned DVD on two different set-top NTSC DVD players - and discarded the whole thing as "silly BS"
Searching through the Net I just found out, that somebody had the same idea using IFOedit (the PC equivalent to myDVDedit) and that the results were mixed, but there were a lot of users that shouted: "great, this works".
Getting a bit confused now, as i had thought this over after my own experiment and had come to the conclusion that it couldn't possibly work.
Any insight would be greatly appreciated
viva la mela

Hi mish,
that is such a .. <searching correct english word> hillarious (?) idea, I give you a star for that ;-)))
changing some flags on a ready-made dvd... wow! nice try...- but as Fred said, NTSC<<>>PAL conversions are no trivial tasks... you run into many problems, e.g. where do you get the additonal 5 frames per second you need for a transfer from PAL to NTSC? how to make the audio fit to these new pictures? and, I HAVE to do this silly joke: NTSC has a very different color concept (Never The Same Color) then PAL.. and for sure a different res...
the name is irritating, but all mighty JES Deinterlacer is doing a fantastic job in converting video standards (ok, for a free software solution...) give that a try!

My Personal Workflow for DVD Authoring in Encore

This is being posted, due to requests for workflow recs. from a few other threads. It is separate from those threads, but I will try to link to his post in those.
The DVD Specs. are quite strict on what is allowed, and in what exact form, in a DVD to be compliant with the standards set forth. However, there are some differences, other than image sizes, between NTSC and PAL. Depending on where you are, and where your DVD will be played, these can, and will, be different. Rather than type out a list of the specifications, Ill point you to: http://www.dvd-replica.com/DVD/dvdprimer-1.php for some reading and references.
That said, Adobe Encore can handle, on Import, more formats and sizes, than are allowed, by the DVD specs. In most cases, it will fit the Assets to DVD, but not in all cases. Also, some Assets are more likely to work, without problems, than are others. Rather than list all of the file formats, etc., that Encore can work with, Im only going to list a potential workflow, that has been known to work, with the least effort, for me. My suggestion is that if you have Assets that are different, you look into getting them into perfect compliance, BEFORE you bring them into Encore. This allows Encore to do, what it does best, create DVD Spec. DVDs for play on a television set through a set-top player, or on a computer through a DVD software player. This article will not address a lot of other possible inclusions, such as ROM content, interactive DVD, multiple Audio Tracks, Closed Captioning, or Subtitles. It also assumes that one is burning to a DVD and not to Blu-ray Disc, or another medium.
Most of the thoughts here come from a few sources, the prime one being Jeff Bellunes book, The Focal Easy Guide to Adobe Encore DVD 2.0, by Focal Press, ISBN 0-240-52004-1. Other sources are Adobe Press Classroom in a Book for Encore, and various articles and discussions from the Adobe User-to-User Forums, for Encore and Premiere Pro.*
There are many possible ways to acquire Assets (the actual Audio and Video files that you will use), and I will not cover all of these, nor will I go into great detail on preparing your Assets for Encore, other than to say that its best to Export from your Non-Linear Editor (NLE), or convert with third-party programs, your Assets so that they are most likely to work in Encore. Your choice of NLE, or conversion program is totally up to you. There are freeware, shareware and commercial ware programs for all of this. Reading the various Adobe forums and other video production forums, plus a healthy dose of Google, should yield a whole toolbox of utilities. No one utility, from $50,000 authoring programs to freeware file converters can do it all. Like a good mechanic, you need the best tools for the exact job. Also, there are other DVD authoring programs, and some are less strict, than is Encore, about what they will and will not accept. Your final DVD may play perfectly, or it may not. Encore tries to assure that you will get perfect playback on as many different machines, as is possible.
Ill step you through my personal workflow, but you have to understand that this is not the ONLY way to do it. You also must realize that your exact needs might dictate that you do it otherwise. All Im giving you, is what has worked for me in hundreds of successful DVD Projects. It is based on trial-and-error, a lot of help from the regulars in the Adobe forums, Jeff Bellunes book and other resources. How you adapt this to your personal workflow, or your particular Project is up to you.
[Go to Page 2 for the rest]

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To start, plan your Project from beginning to the finished product in this case, a DVD that can play on a TV, or on a computer, that is compliant with the DVD specs. I usually have edited all of my Video and Audio Assets, using Adobe Premiere Pro (PP), and Adobe Audition (AA). Any still Assets have usually come from Adobe Photoshop (PS), whether they are Menus, or Graphics of some sort. This allows me great flexibility in the creation and Export of my Assets. In a parallel universe, one might have a client, who hands them Assets, that have to be manipulated. One then has to find the right tools to get the Assets into a format that will work.
I plan each Project, and usually draw out a flowchart (not unlike the Flowchart Panel in Encore) in Adobe Illustrator (AI). This gives me the layout and navigation of the DVD, and lists all of my Assets, showing all of the links from Menus to Assets, often by way of Playlists, or Chapter Playlists. From this flowchart, I then create a list of all of my Assets, noting what form they are in, and also which ones will, or might, need some additional work.
Next, I gather these Assets from their location on my systems hard drive (HDD). There, I have built a folder hierarchy that differentiates the Assets type, Still, Menu, Music, Audio (associated with the Video) and Video. All are below my main Projects folder. As I have created these Assets, I have control over their form and format. All of my Video is an elemental stream (Video only no Audio, not muxed) in the DV-AVI format. All of my Audio is an elemental stream (Audio only no Video, not muxed) in the AC3 (Dolby Digital) format and is usually DD 5.1 Surround Sound. All of my Music (for Menus, etc.) is in AC3 format. All of my Menus are PSDs, and are either built FROM the template Menus in Encore, adapted for my needs, or are constructed in PS using the exact same conventions as the template Menus in Encore.
I have created a template Project in Encore, that has my normal structure in place. It is empty, except for a Bin structure, which lists my Assets: Video, Timelines, Audio, Music, Menus, etc.. This template has been saved from Encore (remember, its otherwise empty), and I Open it in Encore, and immediately Save_As, to my Project folder, with that Projects name. I use Save_As for two reasons, it leaves my template Project untouched and then locates my Project in the proper folder and is still in Encore on my screen. If I were to use Save_As_a_Copy, Id then have to Exit and Open that copy. My way automatically gets me to where I need to be, with my new Project (named appropriately) open in Encore. Im ready to get started.
With my Assets list in hand, I Import these into the pre-made Bins. First, I Import my Videos, as Timelines into my Timelines Bin. This brings in my DV-AVI Video files and creates a Timeline for each. When done, I split out the Video, into the Video Bin leaving the Timelines alone in the Timelines Bin. If I have any Video for my Motion Menus, I Import, as Asset, into the Video Bin, along with the Videos that were used to automatically create my Timelines. Next, I Import, as Asset, my Audio AC3 files into the Audio Bin. Same for Menus, as Menus, into my Menus Bin. Music AC3's are Imported as an Asset into the Music Bin. Should there be any Stills, that are not Menus (highly unlikely), they are Imported into a Stills Bin. Now its time for some drag-n-drop. Each Timeline has its Video on it, and I go to the Audio Bin, and drag the appropriate Audio file to its respective Timeline. Because I edited and Exported these files as elemental streams (non-multiplexed, or muxed), I know that they are EXACTLY the same Duration. Now, I set the appropriate Poster Frame for each Chapter/Timeline. To step back a bit here, I need to point out that I always edit my movies in PP, my NLE of choice, and keep each Chapter on its own Sequence. I Export each Sequence as a separate file (one Audio and one Video). I almost never use Chapter Markers, as each Chapter will be a separate set of Audio and Video files, and will have it own Timeline in Encore. The only times that I use Chapter Markers, is when I need some additional navigation within a Timeline, but that is not often. This is just how I edit. I will not cover other methods, but there are books and articles that discuss other ways. None is right vs wrong. They are just different, and this one is mine.
From my Flowchart Panel, I know if I will have a Video (with Audio) lead-in as my First Play. I also know exactly what my Menu structure will be. Most of my Projects have a Main Menu with sub-Menus for Scene selection, or other features navigation. I also know how many Playlists I will need, and create these. There is usually a Play All Playlist, as my Chapters are all on a separate Timeline. I seldom use a Chapter Playlist (similar name, but different than a Playlist). These are all stored in my Playlist Bin. Now, I can now start Linking my Assets.
In PS, I will have named my Buttons to correspond to the names of my Chapters (remember mine will be each on a separate Timeline, which have also been named appropriately). I leave the Button numbering, which is different than a Buttons name, in the same hierarchal order, #1 is the lowest on the Button Layer Set palette, with higher numbers in ascending order. Because my Buttons are already named, Ill take each Menu into the Menu Monitor and do a Ctrl-a (Select all) and makes sure that Sync Button Name is unchecked in the Menu Properties Panel. I do this for all of my Menu Buttons - heck, I have already spent the time in PS to create the proper Text Layer, and have changed the Buttons names to what I want them to be, why mess that up now.
With the Buttons, in all of my Menus and sub-Menus named appropriately, I can look in the Flowchart Panel and know exactly where I need to Link. One could almost do this blindfolded. Its here that I make sure that the End Actions get me exactly where I wish to go. Also, by using Playlists for things like Play All, I can set the End Action there.
Last, I address my Menus, regarding Motion. About half of my Menus have some form of animated Background. These are always non-muxed DV-AVIs (stored in the Video Bin). Almost all of my Menus will have Audio, in the form of an AC3 (stored in the Audio Bin).
Everything has been Linked, all End Actions have been set, nothing is left in the Orphanage, and it is time to Check Project. Oh, if I do have animations on my Menus, Ill Render Motion Menus and Preview them. I always leave all functions checked in Check Project and run it. I note any warnings, or errors, and go about fixing these. Ninety percent of the time, I only get the occasional warning, and it will be about End Actions. As these are only warnings, I note them to make sure that, in Preview, things function as I wish. There are almost never any errors, but if there are, I begin fixing them. Note: the Check Project function really only checks the navigation, as per the DVD specs. It does not check that your Assets are compliant. Since mine are, before they are Imported, this is never a problem.
Now, I Preview, and Preview, and Preview. Normally, I am able to leave Button Routing to Automatically Route Buttons, so I seldom have to worry about that. Also, since I either built my Menus FROM the Encore Menu Templates, or created them PER the Encore Menu Templates, I seldom have any Button overlaps.
[Go to Page 3]

Output to NTSC format for DVD

Hi,
I am from the UK, I filmed some DVCAM footage in PAL format, but bringing it into FCP to output onto NTSC and onto DVD for a Canadian conference / Broadcast.
Can i simply change my project and capturing settings to
get the footage to run at NTSC (even though it was filmed in PAL?)
And if i want a UK edit of the film do I need to recapture all my clips at PAL settings or can this be done via the DVD output???
cheers
Chris

Sadly no its not that simple not so much because the image sizes differ but more because of the difference in frame rates.
Your options after you input edit and master in PAL
Convert to NTSC using a transfer house
Convert to NTSC using Compressor (can be slow)
Convert to NTSC using Nattress' plug-ins (will cost you money but they work)
http://www.nattress.com/Products/standardsconversion/standardsconversion.htm
Convert to NTSC using JES Deinterlacer (free and works)
http://www.xs4all.nl/~jeschot/home.html#DEI
This will give you an NTSC Master to compress for DVD

Audio standard for DVD authoring?

Hello,
I'm currently very close to the finish line of a project I'm working on, its a 6 minutes commercials that will go on a DVD and distributed along with their brochure.
Now, my client specifically wants 5.1 channel surround sound and placing all voices in the center channel, this is actually my first time authroing 5.1 channel surround and I really don't have much idea on what the normal workflow should be.
In FCP I assigned channel 1&2 (left and right) to be the soundtrack for the commercial, while channel 3 (center) is all the voices, channel 5&6 (rear left&right) is just copy of channel 1&2 but play at lower volume.
When I tried to play the DVD, however, it seems like all the bass is missing, I originally thought the DVD player should take the low frequency out of all other channel and mix them into LFE, but apparently its not doing that.
So I exported all the audios from FCP into just a stereo pair, and in SoundTrack Pro, combined the stereo into a mono. then import that mono audio back into FCP project at channel 4 (LFE) and then applied a graphicalEQ to it, turn any frequency above 500Hz all the way down.
I've managed to get what I wanted, but its just a hassle having to work it like this. I'm wondering is what I'm doing anywhere near "correct"?
If someone don't mind sharing your experience about creating contents in 5.1 surround sound, I'd really appreciate it!
Thanks!

In addition to Ian's suggestion, go and have a look at the DVInfo forums (www.dvinfo.net/conf).
You'll have to register to post, but there's a good Final Cut section there.

Export settings for DVD authoring playing in Canada from Europe.

I have edited a wedding which is 720p in 50fps.
What should be done in order to author a DVD in Adobe Encore and sending it to Canada in order to play correctly in a DVD player there?
Should i edit in 720p, 50fps and export to 720p 30fps?
Please, i need some quick and correct answer!
thank you all, in advance

I have edited a wedding which is 720p in 50fps.
What should be done in order to author a DVD in Adobe Encore and sending it to Canada in order to play correctly in a DVD player there?
Should i edit in 720p, 50fps and export to 720p 30fps?
Please, i need some quick and correct answer!
thank you all, in advance

Problems with audio in quicktime file for dvd authoring

i have converted sequence into quicktime file for burning into dvd. i have am experiencing some problems with voice over which disappers and comes back later in the quicktime file when i play it. this quicktime file is made as self contained movie. I have traced this back to the original sequence in the timeline to a white line or series of line in at the top of the time line. one is for video and the other is for audio. when the first line appears the voice over gets interrupted and audio stops in the quicktime file but its ok in the timeline. when the white line shows again the voice over can be heard again in the quicktime file and audio stops again at the start of another white line. there is no loss of audio in the sequence in the timeline. so please can someone help me understand what the problem is.

thanks tom. i am refering to render bar in the timeline, upper for video and lower for audio. May be i shoud describe them as white line gaps between dark grey or steel grey bar color.
what do you mean by down mixing? please advise

Recommendations for DVD authoring beyond iDVD

I understand that DVD Studio Pro will not be made available to users of FCP X. I'm wondering, beyond iDVD what are some prefered alternatvies to creating DVD masters for reproduction.

This has been rock-solid for me:
Onecall.com: Sony DVPNS90V $165,
I buy quite a bit from Onecall.com. They even call and send cards, thanking me for the orders.

Using Adobe CC... How do I get Encore for DVD authoring?

Needing some help getting Premiere CS6/Encore through the CC subscription.
There used to be an option to download CS6 on Adobes website but with the new layout, it seems to be missing.
Can anyone help?

This is the link for info re using Encore CS6 with CC, updated for CC 2014 and the cloud desktop install.
http://helpx.adobe.com/encore/kb/encore-cs6-installed-cc.html
It has links for getting the library (which is not installed with Encore) and a workflow with CC versions.
In the cloud desktop, assuming you have PR CC 2014 installed, you are looking for this:

How do I export a 720p 30fps video that is suitable for NTSC DVD authoring?

I have some 720p HD videos, but they are 30fps. I want to encode them (using a separate program) to SD MPEG-2 for authoring an NTSC DVD. How do I conform these files to the 29.97fps frame rate needed for DVD authoring? Do I export the video as is @30fps, but set the MPEG-2 encoder to use 29.97fps during the encode? Will that sync cause problems or stuttering? Or do I need to do something else to the video before it can be encoded to MPEG-2?
I am quite new to using HD video, and never had to work with 30fps material before.

What camera did you shoot this on? Also I thought you said all the clips were 720p, the reason I'm asking what camera you shot this stuff is because with several camera's even though they say 720p they are actually recording as 720PsF which will appear to cs4 as interlaced footage. It also appears as interlaced to FCP and also media info and Gspot.
http://provideocoalition.com/index.php/atepper/story/psf8217s_missing_workflow_em_part_1_b enign_psf_versus_malignant_psf/

Best compression for iDVD authoring and DVD playback?

I have some DV footage that I had captured into MPEG-2 files on my old PC, then recently got a Mac and I want to be able to edit the footage on the Mac software I have and put it onto DVD for standard playback on a TV.
I've got the latest Quicktime Pro with the MPEG-2 playback component, and MPEG Streamline that allows me to convert the MPEG-2 files into MOV files. I want to be able to edit them in iMovie and Final Cut Express, and then I want to drop them into iDVD.
I would like to know what the best compression to use would be in converting the MPEG-2 files into MOV files or other format that's compatible with iMovie and Final Cut Express that will result in the best quality for DVD playback. I don't have Final Cut Pro so I don't have Compressor, which I understand, already has a preset compression optimized for DVD authoring and playback later on.

So you have some already mpg-2 compressed files you want to edit in FCE. Using MPEG Streamclip, I suggest you convert them to DV video (which runs about 13 GB per hour) to work on them in FCE.
As far as recompressing the edited video, I really doubt the mpg-2 encoding mode used will make much difference since you took the real quality hit when you initially mpg-2 compressed to content.
If you want to take the additional time required, you can try the new 'Professional Encoding' option in iDVD 7, but I seriously doubt it will improve anything. (You know the old 'silk purse out of a sow's ear' thing...)

NTSC Set Top DVD Players

Hi,
Here in Europe, it is usual that PAL Set Top players can play both PAL and NTSC disks.
Obviously the region code plays a role here.
I have a region free PAL disk that I wish to send to the US and Latin America.
Will they be able to play it without problems?

Silal wrote:
Drew
AFAIK Apple DVD Player doesn't bother about PAL & NTSC switchs, for sure it does limit the Region Code switchs.
Will go back and test I probably set the Region code and PAL, just trying to remember which opne it was complaining about
OOT
I would like to talk seriuosly with the group of people that decided the region code system.
If not for Region Codes, we would have nothing to worry about LOL just another wrinkle in the fun and games of DVD'Ville

DVD Authoring: How to Make a Menu/Home/Splash Screen

I searched for "DVD menu" and "DVD authoring" but came up empty for what I am trying to do.
I am a newbie to InDesign (CS3), using mostly Premiere Pro. I am a teacher at a High School and for our 4th quarter project we are making a Senior year video. Anyway, one of the groups have the task of designing the cover art, liner notes, DV-disc cover, as well as the menu screens for the DVD itself.
I clearly see that InDesign has some nice templates for most of this stuff, but is this the proper software to be using to create a menu screen to load the chapters, view additional content and things of that sort?
Thanks for the guidance. I'm looking forward to this project but want to make sure I understand the general process first. I'm a quick learner but want to make sure I am studying the right software this weekend!

InDesign is excellent for the printed material, but almost wholly useless for DVD menus. At best, you could create some graphic backgrounds by exporting the layout to JPEG - and that might be an approach to make your printed materials and menus match - but it has no features for creating or editing the menus themselves.
What you want is a DVD authoring tool. There are quite a few around, most of which have flexible titling and menuing functions. Some very limited packages only work with a canned menu; others have some support for user-created menus and titles; others are full-function design and layout tools for those purposes.
I find that Adobe Encore handles most of my needs, but you may be looking for a less expensive alternative. (Encore is about $200 with an academic license, if I remember rightly.)
A general web search for "DVD Authoring" should turn up a selection of tools in all price ranges and with a spectrum of capabilities.

DVD authoring problems since adding external drive-coincidence or problem

I've connected an external drive to home unit to store footage. I feel this external is a little slow compared to my Mac but not sure how to find out.
Anyway, I create mpv files for DVD authoring. Same process as always EXCEPT the external housed footage. Build DVD as always. Now my boss has these DVD locking up or pixelating. Yet, if she plays an older disc it still works fine in her system. Her other DVD player sometimes does not recognize the disc. I've even created the mpv files and went to FT work to build the disc. It eliviated the problem but did no cure it.
This problem does not happen on all discs.
All these problems happened with the very next disc and almost all the discs that have been involving the external. Coincidence or problem.
I intend on getting a LaCie external to use. We use them at FT job and never a problem. But until then:
I'm thinking of creating a QT file on the Mac hardrive and then compress.

AndyPeardrop wrote:
I use the drive to run FCP and DVD Studio Pro.
Do you mean you have the apps on external drive? = BAD
or just using the external as media drive? = good

FCPX - Compressor - DVD Authoring Workflow - Help

What is the best workflow for DVD creation using an iMac.
We are shooting HD video on 2 cameras. We import the AVCHD folders into FCPX. In order to work real time we turn on Proxy. We then send to compressor to create an MOV file with AAC audio as shown below. We then use Sony DVD Architect or about to try Adobe Encore for DVD authoring as we need to create a PLAY all and chapters for all 26 scenes of the video. There are 2 acts and each is about 45 minutes long.
Import of the raw video is about 20 minutes, import into FCPX is long (never actually clocked it). Export from FCPX to compressor is zero. Compressor to MOV is 14 HOURS (7 Hours per act)! Use in DVD authoring program is zero but export is another 3 hours???
(Compressor export settings - video was shot at 1080i 1280x720
File Extension: mov
Estimated size: unknown
Audio Encoder
          AAC, Stereo (L R), 48.000 kHz
Video Encoder
          Width: (100% of source)
          Height: (100% of source)
          Pixel aspect ratio: Default
          Crop: None
          Padding: None
          Frame rate: 30
          Frame Controls: Automatically selected: Off
          Codec Type: H.264
          Multi-pass: On, frame reorder: On
          Pixel depth: 24
          Spatial quality: 53
          Min. Spatial quality: 25
          Key frame interval: 24
          Temporal quality: 50
          Min. temporal quality: 25
          Maximum data rate: 20.972 (Mbps)
Compatible with Mac

First, I need to say that I still do 90% of my work in FCS. Although I'm intrigued by FCPX and using it more and more, I have a whole lot of learning ahead. There are a lot of people on the FCPX boards who are using it as their primary editor…and you may get more informed advice over there.
But to your workflow questions, I think I would see if your system can handle optimized media (Pro Res) rather than Proxy. I just did a two camera shoot and had no trouble cutting in Pro Res – with the media on a FW 800 external drive. Then I followed my usual workflow: after finishing, export as a QT movie with current settings so that I have a Pro Res master that I can bring into Compressor to re-purpose for DVD, Web, Broadcast, Mobile Devices.
As to your specific DVD needs, you probably already know that Compressor can output DVD's with a simple menu that respects chapter markers that are set within Compressor (not FCPX). So there's only one encode: Pro Res > MPEG 2 plus AC3, which processes fairly quickly. Fair warning: there was a recent poster in this forum who had a boatload of trouble with a long video and over 20 chapters. I have not encountered those problems myself, but I don't believe he ever found a fix for his.
If you require a complex menu, then probably Encore is the way to go unless you have access to DVD Studio Pro. I would imagine that Compressor's markers would be recognized by Encore, but I'm not positive. They definitely are recognized by DVD Studio Pr – and for that matter, iDVD.
BTW, you state the video was shot 1080i…what is the significance of 1280X720? You know that all DVDs are 720X480.
Good luck.
Russ

PAL - NTSC Prores for DVD authoring

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