PE4 - Still images default to 4:3 in widescreen output

I have a 40 min project shot in widescreen with a scattering of still frames in a separate (foreground) video channel.
The still images have been re-sized in PE4 to fill the screen ie in preview and full screen they are OK. Trouble is when I make an .avi they default to 4:3 (with the movie visible around them).
How can I re-size them/change some preference so that they encode as in the preview?
PC
XP Pro
1Mb Ram
3.1 Ghz cpu
E-MU 1920

That's because the photos themselves are 4:3. Denis.
If you want your photos to display widescreen, you're going to have to size them all to 1000x750 pixels and then go to Canvas Resize and trim the height to 560 pixels, effectively chopping off some of the tops and bottoms of your pictures but turning them into 16:9 displays.

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Changing default still image time from 150 frames to timecode option?

I want to change the default duration for still images under Preferences in CS6. It is showing up as 150 frames by default. Is there a way to change this so I can just enter it as timecode 00;00;03;00 instead?
Thanks.

Most of the time, 30 frames per second is a safe way to calculate things on a 29.97 sequence. If you really have a problem with that, and many animators do, since you are using still images, use a custom setting for your sequence. Create one using 30 frames per second and use non-drop frame timecode. Use square pixels and No Fields (Progressive).
Now, if you are turning this over to someone for use in a commercial, for example, where the exact number of frames is required so that 30 seconds is not exceeded, then that is a different story.
Your second question - sorry - but you really want to determine the duration prior to importing the image. Once you have the image in the project, the duration is already set and must be changed for each and every one individually. As far as I know, you can't set one and then copy the duration to the others.

Default duration time for importing still images

Hello all,
Is there an easy way to change the default duration time for imported still images?
I have thousands of images that I want to import to make a time elapsed movie. I would like for these images to have a duration of less than a second. I could do this individually, but it would take forever.
Can the default duration time for imported images be changed?
Thanks,
Adam

Hi
Too long time I made anything serious in iMovie HD6 (altough a a very competent editor)
(Took the FinalCut leap)
As I remember (just tested) it - if photos are imported then it's a tedious labor
to set duration - one at a time. No global function I can induce.
BUT - I would put my photos into a separate folder in iPhoto so that they are easy
to get in iMovie from audio/photo browser.
Then I select (in iMovie) the first photo and double click on it to view it on canvas.
Now I also get a small gray window where I can set size and duration.
I select 01:00 (1 sec) in duration and Apply/Use.
Then I selec the rest of the photos and drag them down to TimeLine after first
photo. And they also get same duration of 01:00.
Yours Bengt W

How do you edit the duration of multiple still images?

FCP X has a default duration for still images when you import them. After importing, how can I edit the duration of multiple clips?
I've tried selecting them all, control-click and change duration, but nothing changes.
BTW I want to make them 5 frames each...
thanks for any help
Craig

Thanks Tom, I've tried that. and nothing happens.
I presume that I type the 5 in the number sequence thing above the timeline?

Change duration of multiple still images in one operation

Hello Folks.
I am trying to change the duration of each image in a sequence of still images.
Program: Adobe Premiere Elements 7
Mode: Standard Definition 4/3 ratio
File types in use: MOD, AVI, PNG
Problem: The product manual states: "To apply the new default length to all still images in your project, delete them from Project view and reimport them into your project."
Question: Is there a way to select a group of still images and then apply a new duration value to all of them in one operation? An Adobe salesperson told me that this is possble before I purchased the program, but I cannot figure out how this is done. I switched to Adobe from another product in order to get this feature. Now that I need it, I cannot figure a way to get it to work. Time Stretch is not available when I select multiple images.
Thank you,
Brian

Brian,
Unfortunately not. PrPro CS4.2 has just added a way to change the Duration of previously Imported stills, but so far PrE does not allow for this, unless it is new to PrE 8, but I have not read of this.
As noted, the method is to set the Edit>Preferences>General>Default Stills, and choose the Duration in Frames. Then Import the stills. If they are in the Project, that setting has already been applied, so one must delete them from the Project Panel and re-Import them with the new Duration.
Now, one can obviously change the Duration on a one-by-one basis in the Timeline, but that can be tedious, if there are many stills. If I were doing this, I would make sure to have the Info Panel open and nearby, Window>Info.
Good luck,
Hunt
PS - if PrE 8 HAS added the post-Import Duration change, I hope someone steps up with that info.

This is about the still image size changing from what I see on the computer monitor and what the burned DVD shows on the TV

I have Prem.El 12 and have used PE4 for years. I have a new PC that runs Win7Pro. The still images on the computer monitor are within the "safe margins". The still images after the movie has been burned to a disk are MUCH smaller on the TV screen. Is this an issue of 16:9 vs 4:3 ratios? My TV is 4:3. Can I tell PE12 to make the movie a 4:3?

retchemteach
Although I have seen your post of today in my Inbox Email Notifications, that post has not yet appears in this thread. It will probably will sooner or later. But, to keep things moving along....this is a copy of what I am seeing as your message of today in my Indox Email Notifications
Thank you for your patience in the time it is taking me to get back to you.
I am still trying to buy some DVD-RW discs and will hopefully do that in a
bit. Meanwhile, I have more info for you and some simple (I hope)
questions. If you want to insert your answers, that would be fine.
My camera (for stills and video) is set to the 4:3 ratio. It is capable of
being set to a 16:9 ratio if I wanted to do that. I looked in its TOOLS
menu and saw this info.
My TV is definitely a 4:3 TV. (I measured it with my tape measure and
divided W/L to get 1.33) The TV can show a 16:9 movie and just adds the
black bars on the top and bottom. Question: What will my old 4:3 movies
look like on a 16:9 TV whenever we buy one of those?
It seems to me that I want to set PE12 to the NTSC DV Standard you
mentioned.
I do NOT know how to “size your photos so that each has a 4:3 aspect”,
unless you mean doing that in Photoshop Elements, which I know how to do
(*see below)
I had NOT considered that I would need to watch the preset for the
‘Publish+Share’ step; so that’s good to know (I copied and pasted your info
for later use).
BTW, years ago when I had difficulties with my XP computer working on PE4
(had only 2 GB RAM), an Adobe tech told me to resize my photos * to have a
720 pixel width (the height would be automatically adjusted) to lower the
file size to something my computer could handle without crashing. (That
was back in the good ol’ days when Adobe support would actually talk with
their customers and try to help them in the first month)
My new computer has 16GB RAM. Do you think I still need to reduce file
size? One does lose some sharpness in the resizing process…..however,
these videos I’m making are travelogues and are for a fun way to view pics
and videos of a trip…nothing Earth shattering….and just a hobby to keep me
off the streets.
I truly appreciate the time you take to help me (and others). I was even
tempted to try to install my old PE4 on my new computer just to be able to
enjoy my hobby again.
My reply to the above....
1. If you camera is giving you 4:3 photos and your Premiere Elements 12/12.1 is running on Windows 7, 8, or 8.1 64 bit, then leave
the photos as is unless you have a lot of photos and each has pixel dimensions sizes way over 1920 x 1080 pixels that are giving your computer resource issues. If you have to down size them because of computer resources, then copy the photos to a computer desktop folder and also create an empty folder on the computer desktop.
a. Photoshop Elements Editor, File Menu/Process Multiple Files.
Process Files form Folder
Source - browse to and select the computer desktop folder with photos to be resized
Destination - browse to and select the empty computer desktop folder
Image Size
             Check Mark Next To Resize Images
            (no check mark next to Constrain Proportions)
            Type in Width = 1000 (set units for pixels)
            Type in Height = 750 (set unites for pixels)
File Size
           Check Mark Next to Convert Files To
           Set for JPEG High Quality
The above should work fine for a NTSC DV Standard project with a burn to DVD disc with preset NTSC_Dolby DVD (4:3 video).
2. With regard to the TV Set and 16:9 video....when you have the DVD-player attached to the TV, do you have the opportunity to bring up a display of menus with
controls for Picture and Aspect Ratio? From what you have written so far, it looks like the answer is no. I am not sure how your TV DVD
player will handle 16:9.
Best do a mini test run
1. Project preset set manually to NTSC DV Widescreen (please refer to post 1 link)
A few photos sized for 1600 x 1200
In the Premiere Elements project, use the Safety Margins inner rectangle for text placement
Publish+Share/Disc/DVD disc with preset = NTSC_Widescreen_Dolby DVD.
See what that looks like on your TV DVD player.
If you discovered that your current TV DVD player can be set for a 16:9 display, then I have a preferred workflow for
NTSC DV Widescreen which typically gives best possible results. Hints of things to come.
Please review and consider. Thanks for the follow ups.
ATR

Need still image export in QT Pro 7.7 that opens in Photoshop CS6

Using Quicktime 7.7 Pro I export a still image from an .avi movie file and choose movie to picture. In options, I am given a choice of various formats including jpeg and png. But, the file extension still says .pct no matter what format option is chosen.
I discovered today when I upgraded my old photoshop CS3 to CS6 that .pct format is no longer supported in the new version of Photoshop CS6. ( Ouch. )
How can I export a still image in Quicktime Pro 7.7 so that it is readable in the Photoshop CS6?
Thanks in advance for any solutions.
Thomas

How can I export a still image in Quicktime Pro 7.7 so that it is readable in the Photoshop CS6?
Basically you can't. As you noted above, the QT 7 Pro option only exports a PCT file (the legacy system image file format) using your choice of compression.
You could, however, try any of a number of other options:
1) You can drag the current frame in your QT 7 Pro player to the desktop which should create a single-frame "Movie Clipping" file in the same format as your video video file. This file may or may not open directly in your updated version Photoshop as it does in my older version.
2) Another possibility would be to use the Command-C keyboard shortcut to copy the current image in the QT 7 Pro player to the clipboard and then open Photoshop and create "New" file in Photoshop using the clipboard image dimensions. When the new empty file window opens, you can use the Command-V shortcut to paste the clipboard image to the window. On my system this creates a default PSD image. The major disadvantage of this approach is that if the original file was encoded anamorphically, then the image is created using the encode dimensions and you have to manually adjust the aspect ratio. (I.e., as opposed to using the work flow described above which recognizes anamorphic files and gives you the option of opening the file automatically in the correct apect.)
2) If the "Movie Clipping" will not open in your version of Photoshop, then it will open in the free MPEG Streamclip app if you have it installed. This app can then export the video frame as a JPEG, TIFF, or PNG image.
3) Another option would be to open the AVI video directly in the MPEG Streamclip, locate the frame you want and export the frame directly from the video file to a JPEG, TIFF, or PNG file as described above.
4) Probably the most used work flow for compatible video is to open the file in the QT X Player, locate the frame you want, use the Command-C shortcut to copy the image to the clipboard as a PNG image which can the be opened from the clipboard in Preview and exported to a desired image file format. Of course, AVI files are frequently "iffy" with QT X depending on the specific video compression format used to create them.
5) You can also use the Finder image capture option to capture the entire QT 7 Player image (or a portion thereof) as a PNG image (with or without a drop shadow) and then open it Photoshop where you can crop the image before performing whatever you want to do in this app.
The are probably other options but this should be enough for you play with at this time.

Export length of still image not adjustable?

I'm trying to export a bunch of still images as .psd files that I will archive and use repeaedly in future projects. The files will always be 2.5 seconds when used in the future.
The problem is that the images don't want to export as 2.5 seconds.
I adjust the length to 2.5 seconds and Export As QT Conversion > Still Image > PSD. However, when I import the file is always 10 seconds.
Alternatively, I load the clip into the viewer. Adjust the time to 2.5 seconds and Export As QT Conversion > Still Image > PSD. But still the file is 10 seconds upon import.
Any ideas?
Is there a default setting somewhere I'm not seeing?
Cheers,
Curtis

Perhaps you're overlooking the setting in your User Preferences for Still Image Duration?

Still images blurred

Why are all my still images blurred?
I am new to video editing.
I set up CS3PP to default Pal and placed the images on the time line and set to 'scale to frame" size.
I can see that the images have lost their quality in the Program Monitor screen but the images are clear in the Source Monitor screen
I viewed the images in Windows Media Player and they're blurred.
I made a test CD and the images are blurred on the TV "standard pal TV".

If your source images have a significantly greater frame size than your PAL project, then considerable loss of quality is inevitable when you convert to video. Interlacing further reduces the vertical resolution for DVD video.
That's the price you pay for using video to show stills. Maybe you should consider an alternative way to publish your stills if you want to retain quality. For example, a program like Irfan View (or one of the many others) that offer a slide show of full-resolution images on a computer screen.

Most efficient way of changing still image frame rates?

I'm using Premiere CS5.5 and have been having issues with the audio/video going out of sync when I upload my video to Vimeo (it's not out of sync prior to uploading it...it only happens after they transcode it). The Vimeo support staff says the problem is that I'm using a variable frame rate, but since there isn't any option (to my knowledge) to choose a constant or variable framerate in Premiere/Adobe Media Encoder, I think I have identified the problem. The primary footage that I shot with is 23.976 fps and that is what my sequence settings and output settings have been, but I also have a lot of still images that I'm using for b-roll, which I finally noticed are 29.97 fps. I changed the Intermediate Media Timebase setting to 23.976 fps in the preferences, but my question now is if there is an efficient way to change the frame rate of all those still images without having to re-import them and re-apply all the various motion effects/key framing that I've already spent a lot of time on?
Any help would be much appreciated. Thanks.

Yeah, I downloaded MediaInfo to explore some of the various versions that I've rendered in my effort to get something that works correctly on Vimeo, and depending on the encoder I saw some of what Ann posted, but I also looked at one on MediaInfo that I had rendered through Adobe Media Encoder and it had a Constant frame rate mode of 23.976, yet I remember watching that one on Vimeo at the time and it was still out of sync--Mediainfo says that version has a variable audio bit rate though, but to my knowledge there isn't an option in AME to choose a constant audio bit rate.
I agree that it's an issue on Vimeo's side, but the chances of them getting their **** together in a timely fashion seem low. The frustrating thing is that I can watch documentary style videos on Vimeo that I know were edited and compressed through Premiere/AME, yet they don't have any audio sync issues. The difference that I noticed between one of those videos and mine is the use of still images in my video. As you can see from an image I uploaded earlier, the default frame rate for still images when I imported them was 29.97 until I changed it yesterday, but it didn't update the images I had already imported. So I'm wondering if there is a way to change the frame rate of those still images without having to re-import the images and make all my edits/key framing all over again.

Trouble with short still image durations

I know this is probably stupid and something simple I'm missing ...
I have a series of digital stills that I can import to the timeline etc etc
but
I cannot find anyway to make the duration of each less than one second. Even if I enter less, it defaults back to one second. I need these to fire one after another really quickly.
TIA

The still image duration is set by whatever you entered in FCP's preferences. Change the preference setting to whatever duration you need, then import the images into your project and drop them on the Timeline.
-DH

Poor rendering quality for still images

I have opened a new project with PAL DSLR settings (1080p, 25fps).
I have added a full res (about 4000px x 3000px) still image to the timeline and added a pan effect to it. When I view the preview in PE it looks fine. However, when I render the clip the quality is very poor in the preview.
I have tried exporting the clip to a file and this plays fine, but the preview does not look good.
Any ideas why the rendering should have this effect?

pickera2
I have a few things for you to consider and tryout if interested.
First, you are taking a 4000 x 3000 4:3 still into a 1920 x 1080 16:9 project (you say project preset = PAL/DSLR/1080p/DSLR 1080p25).
Your problem is confined to the preview of the pan and zoom result using the Pan and Zoom Tool (I am assuming the you are using Premiere Elements 10 or 11 or 12...I do not recall that you said which one).
Edit Menu/Preferences/General includes the preference "Default Scale to Frame Size" and it does just that. It is typically found ON. So, when your 4000 x 3000 pixels still is imported, the program tries to fit it as best possible into the 1920 x 1080 16:9 space set up in the Edit Mode monitor (Magnification = Fit) by the project preset. In your case, you would expect to see the following with black borders:
Is that what you are taking into the Pan and Zoom workspace? Or are you scaling what is seen there so that the image just fills the 1920 x 1080 space? Does it look like the following after scaling, if you do scale to fit?
And important point to remember is that whatever the case, the Pan and Zoom workspace is not referencing what is seen on the Timeline, but is instead referencing back to the original at the hard drive save location.
An alternative to all of this includes
Bringing you image into the project with the Default Scale to Frame Size disabled in preference. Then the 4000 x 3000 will overflow the space in the 1920 x 1080 monitor. You would then ignore what you see in the Premiere Elements workspace, select the Pan and Zoom Tool to open the Pan and Zoom workspace, and do your pans and zooms on the image that you see there. Click Done when finished. Back in the Premiere Elements workspace render the Timeline and scale what you see in the Edit Mode monitor as needed.
You also might want to look at beforehand cropping your 4000 x 3000 4:3 to 2200 x 1238 pixels 16:9 and using that as your source media with or without the Default Scale to Frame Size enabled.
Please view to see if the previews look any better and/or there are improvements in the export.
Thanks.
ATR

Slideshow: Setting Image Default Image Duration

Howdy All!
I am again attempting to create a slideshow on FCE and it has been almost a year since I last used FCE. I have forgotten if there is a way to set the default duration of still images either as I import them into FCE or as I move them to the timeline.
I will also need to set a default duration for my transitions.
Does anyone know if there is a simple way to calculate how much inserting a transition will affect the duration of images. I know from past experience that if I calculate the duration of my still images so that a section of slide show is a specific length and then add in transitions, they will actually shorten the total duration of that section.
Thanks
HPL

It will only change new images as we said.
Regarding all the transitions, there is a way to streamline the process:-
1. Put all slides in Timeline.
2. Make your transition a Favorite.
3. Click on the first "join" and add the transition.
4. Press the Down Arrow and the playhead will jump to the next "join".
5. Drag the Favorite from the Browser and drop it over the "join".
Keep repeating steps 4 and 5. It is extremely quick taking less than 5 seconds each and getting quicker with practice. You should be able to do the whole lot in well under half an hour.
Message was edited by: Ian R. Brown

Questions on Still Image Export

I shot a wedding where the photog's Hasselblad failed. Only the first two frames of each roll where successful. I need to export around 100 images as stills. Each time I use QT Conversion I have to select "still images" from the format drop down box. Is there a way to set "still" as a default?
Secondly, the exported image looks a bit "wide" compared to the images in FCP's canvas. How do I adjust for this. In FCP? In Photoshop? I'm sure this is remedial but I'm a bit of a novice. Thanks in advance for any help.
Frank, Cranford, NJ

Studio X wrote:
2. When you start with DV material, the highest res
you can get is 720x480 (non-square) or the equivalent
of a really bad quality cheepo still camera.
(~640x480 square pixels)
To avoid the need to deinterlace, (the horrors of
which are described below) find sections in your
video that have VERY LITTLE motion, i.e.
everyone/thing standing/existing absolutely still
with the camera locked down on a tripod. These
sections will yield the very best possible still
images.
If you have motion, the still images will exhibit
'tearing' which comes from the two fields of video
being recorded ~1/60 second apart. The second field
shows elements displaced from the first field - hence
a kind of internal image shifting going on. The only
real way to deal with these kind of images is to
deinterlace them - that is - decide which field you
are going to keep and throw away the other.
When you have deinterlaced the image, you have in
effect reduced it from a 720x480 image to a 720x240
image. The image pixel count REMAINS 720x480 but with
half the vertical information as the remaining lines
are doubled or interpolated to build back to 480
lines.
I take your explanation to mean that when you export a frame from FCE you get both fields. I am confused by the use of the term "de-interlace", since in television displays that term is defined as obtaining a full frame picture either by a) combining the two fields (called "weave"); b) duplicating lines of a single field (called "bob") or c) using some form of interpolation to derive the alternate lines.
From this point of view, the term "de-interlace" as applied to the filter in FCE does not have the same meaning. Exporting without filtering produces what the TV interpretation would be a picture "de-interlaced" according to process a); applying the de-interlace filter produces an image containing one field only, and de-nterlacing that in Photoshop amounts to the application of either b) or c) above.
Am I correct on this?
867 MHz PowerPC G4 Mac OS X (10.3.9)

I want to import still images to make a stop motion animation, but when I try to change the duration of still images, it isn't reflected in the timeline. How can I do this?

I want to import still images to make a stop motion animation, but when I try to change the duration of still images, it isn't reflected in the timeline. How can I do this?

Tonaw,
If you import your still images using iPhoto, then the time you set for each still, using FCPX Perferences works.
You can set the durantion from 1 frame to as long as you want them view.
If you do not use iPhoto to import your stills, the default is 10 sec's.
FYI: This issue was brought up within a month after FCPX was released. They found out by using iPhoto, you had better control of the amount of time your still was viewed.

PE4 - Still images default to 4:3 in widescreen output

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