Photo interlacing issue

Hello, I recently got my wife a iphone 5c. Seems fine in every respect except when you take photos. They end up with an odd interlacing like a bad scan or something. I tried searching for a similar issue but seems everything I saw was about an interlacing problem was with the entire screen. This happens only with the camera app... the screen is fine otherwise. Oddly enough it does not do it with video and also when HDR is on, the 'normal exposure' that it saves looks good but the HDR has the horrible interlacing. If HDR is off the interlacing is there though. Is there a way to fix this so that we just get nice clear photos?

I would recommend restoring the iOS and setting it up as new, at least to test. Use iTunes to restore your iOS device to factory settings
If that doesn't fix it, get it serviced. https://www.apple.com/support/iphone/repair/

Similar Messages

Interlacing issue when zooming in on photo in FCP

Can anyone tell me why this image (picture 1) looks interlaced in FCP's Canvas window and on my NTSC broadcast monitor when in fact it isn't?
I scanned this image at 600dpi planning to zoom in on the photo in FCP, so I know it's not a low resolution issue.
In FCP, when I zoom in on the image it looks totally interlaced:
Please see picture 1 (interlacing issue) here in my web gallery and compare with Picture 2.
http://gallery.me.com/nicholasnatteau#100222
I have no idea what's causing this. Any help would be much appreciated.
Thank you in advance,
- Nicholas
PS: I'm working in an NTSC DV sequence.
Message was edited by: Nicholas Natteau1

Hi David,
Thank you very much for your help. Yes, I did render the timeline. Nothing in the sequence was left unrendered. Is the problem that my resolution is too high? Should I diminish the size of the still by 50%?
Picture 1 was scanned using "descreen" filter and picture 2 using Auto Tone only. I used a Canoscan Cannon 8800F scanner. That's as much as I know. I wonder if I did something wrong scanning the image or is there something I should have done in Photoshop prior to bring the still into FCP?
Did you notice the horizontal line issue in Picture 1? I'm not sure how to describe it, but Picture 1 looks to me like there some interlacing issue going on.

Export sequence of still images (JPGs, TIFFs) from FCP timeline into DVD without interlaced issues using Compressor

Hi,
How to export a sequence with stills (jpg) into a DVD format by using Compressor without having the interlaced issue on the outcome? The stills in the Canvas look crisp but once exported to DVD format, the outcome images look interlaced. How can I best match the crisp look of the high resolution JPGs in time line when exported to DVD?
My Sequence settings match the image settings:
Frame Size: 1024 x 768
Pixel Aspect Ratio: Square
Field Dominance: None
Compressor: Photo JPG
I tried to export the sequence of img as an independent QT movie file by using Apple ProRes 422 output settings. The video file looks great. I then imported it back to time line into new sequence and exported into DVD format trying both: deinterlace and "same as source" setting. Both output DVD files still have the interlaced issue.
I also tried to work with JPGs converted to TIFFs on a different sequence with same as Tiff settings and the issue still persists.
I will appreciate any advices.
Thank you,
Izabela

Dear Nick,
Thank you, I understand now it is the aspect ratio issue.
Are you suggesting that I should use Photoshop or Graphic Converter to convert the 1024 x 768 to 720 x 480 prior to importing them into FCP seqence?
> Give the DVD authoring software the correct size:
I am using FCP 7.0.3 to create the sequence of images (there has to be specific timing and transitions), which I then export to DVD format by using Compressor.
Do you mean that I should set the FCP timeline sequnece settings to 720 x 480?
Please let me know. Thank you,
Izabela

Photo viewer issue in N8

when i opened the photo viewer to view photos, it takes more time to load (the loading symbol is rotating for more than minute).This was not the actual opening time before.If i try to exit the viewer, i couldn't,the display is switched off for a while,then i pressed menu key to minimise the application and closed it.
Also i locked the screen using the slider key.but i couldn't unlock the screen using slider key.
does anyone experience the same issue?
Solved!
Go to Solution.

For all those having that "black screen" problem, here's an excerpt from the PR 1.1 changelog:
Images and Camera
* 4053 Confusing behaviour when saving to a file that matches an existing directory
* 6194 Shutter release button does not always work
* 6372 Sometimes photos are not deleted if you delete directly after taking them
* 7060 Sometimes photos are very green
* 7160 Camera app hardcodes and requires FAT partition
* 7394 Some photos are missing EXIF DateTimeOriginal data
* 7758 Daily image counter in photo filenames not incrementing in some cases
* 8087 Photo autorotation issue
* 8310 Image Viewer shows only black screen
* 8698 camera does not have the night mode function
* 8877 Volume buttons should work in camera window when lens cover is not opened
So try PR 1.1.

Plasma Screen OK to test interlacing issues?

Having interlacing issues with my 24P footage and IMac monitor. If I output to my plasma screen, is this the same as any NTSC monitor in regard to checking/monitoring interlace issues?

Just to aid in the direction you're taking this.
This is an extract from the "Key Features" of the Panasonic standard definition video camera I'm assuming he's been using based on his profile:
Panasonic AG-DVX100B 3CCD 24p/30p/60i Mini-DV Camcorder
• You may choose from three shooting modes: 24p (24 fps, progressive) for images with the look and motion of film movies, 30p (30 fps, progressive), or standard 60i (60 fps, interlace).
• 24p Advance Mode For 24p Non-Linear Editing
In 24p mode, images from the CCD can be 2:3 pulldown-converted (24p Mode) or 2:3:3:2 pulldown-converted (24p Advance Mode) and recorded onto tape in the standard 60i TV format. The tape can then be played back or edited using an ordinary DV system. True 24p editing can be achieved by uploading 2:3:3:2 pulldown-converted images via an IEEE 1394 DV interface to a compatible non-linear editing system. The 24p Advance Mode allows 60i/24p conversion with minimal picture degradation and on the fly 24 frame extraction.
G5 1.8 DP (PCI-X) Mac OS X (10.4.8) ATI X800 XT, 4GB RAM, 20" & 23" ACDs, M-Audio Revolution 5.1, Fostex D15 DAT

Kona capture card interlacing issues

Anyone have interlacing issues when capturing with a AJA Kona card. I see small horizontal lines when pausing the action and when there's alot of movement (hand waving, mouth moving etc).

What sort of footage are you capturing? There are interlaced tape formats...LOTS of them. When you pause, yes, you will see interlaced lines.
And are you looking at this footage on an external monitor?
Shane

Photo Stream issue. Photo Stream shows 263 photos when viewed on the iMac, 289 when viewed on the iPad and 327 when viewed on the iPhone. How can this be?

Photo Stream issue. Photo Stream shows 263 photos when viewed on the iMac, 289 when viewed on the iPad and 327 when viewed on the iPhone. How can this be? Tried shut down on all devices, reboot and the results are the same.

Photo Stream issue. Photo Stream shows 263 photos when viewed on the iMac, 289 when viewed on the iPad and 327 when viewed on the iPhone. How can this be? Tried shut down on all devices, reboot and the results are the same.

CS5 HDR pro two photos alignment issue

Although I really enjoy the new tool, I'm having trouble aligning two photograph when I open then through the HDR pro tool.
Why is alignment of two photos so bad in HDR pro and perfect if you align the two same photos as two layers? I've even tried reopening the same files over and over and get different results each time in HDR pro.
In view of this, shouldn't there be a realign button in the slider adjustment screen, or options for alignment, such as Use the regular auto-align?
Since alignment works fine with layers, is it possible to have an option to use layers as a starting point for HDR pro instead of opening saved photos only? I realize this probably might not give perfect results as just fixing the automatic alignment issue...
But hey, I'm just trying to find a workflow around this if I didn't have my tripod with me at time of shoot... and I shot only two photos to composite.

Hi Chris,
thanks for looking into this matter. Where do you want me to send the files (over 50 megs zipped).. they're CR2 files...
Date: Fri, 28 May 2010 14:38:51 -0600
From: [email protected]
To: [email protected]
Subject: CS5 HDR pro two photos alignment issue
Don't know what could be going wrong. Can we get the files so we can try to reproduce the problem here at Adobe?
>

Interlacing Issue - DV PAL to Uncompressed**

Hi there,
Please forgive me if this has been covered previously.
I have read the "Sending back to FCP from Color**" post, but it's a slightly different problem I have.
Original FCP timeline is DV PAL Lower Field. Used the Send To Color command and graded. I render out of Color at 10 Bit Uncompressed.
In FCP I change the (from Color) timeline to 10 Bit Uncompressed (Upper Field therefore). So I have Upper Field 10 Bit clips in and Upper Field 10 Bit timeline; no green, yellow or red bars...
But the footage is all jittery when playing back on the broadcast monitor. And no changing of the field settings seems to fix anything.
The only fix is to apply a "Shift Field" plugin, and then it plays back perfectly... So it's definately an interlace issue.
Is anyone else having the same issues ? What am I doing wrong ?
Thanks in advance for your help.
ps.
Original timeline sent to Color was 16.9 Anamorphic

COLOR 1.0, or as it could be referred to: "Final Touch 2.8", seems to prefer progressive streams. Interlacing has been a headache for a long time. The ColorFX room is especially a chamber of horrors.
FT was designed, from the ground up, to grade sequential dpx/cin files. But consumers demanded a Quicktime HD solution. Does that help explain a few things?
If you're aiming for a 10-bit finish...from 8 bit material-- I know it baffles most engineers how so many people expect to get more colour resolution that way, when it never existed in the first place -- you only get so many rungs on a stepladder no matter how closely you try to space them out-- maybe going into COLOR 10-bit would be a better approach than trying to push it up within the app. The sad stories about trying to leverage the render into another codec are legion.
JPO

Interlacing issues when authoring a DVD (PE9)

I have a project on Elements 9 that needs to be put on a DVD, and while I did this before with some success, I am now faced with an output DVD with serious interlacing effects. It shows up on pretty much anything that moves, as shown in this image.
The source video is 1024p at 59.94fps imported as MTS files, and I am trying to burn onto a DVD-RW disc. I have been looking for a solution to no avail, but I will continue searching the forums as this is a somewhat urgent problem. Any help would be appreciated.
Here are my project settings:
Capture format: HDV
Optimize stills
I have set everything to NTSC since this is a Japanese camera and I assume the video is as such. I'm not sure what other information to give, but please let me know if I should include anything else.

Yes, the video is from a DSLR - not sure what qualifies as "high-end", but in my opinion the video is good quality: http://www.panasonic.co.uk/html/en_GB/2129937/index.html
As far as the reviews are concerned, the 1080i has some noticeable interlacing issues, but the 720p looks nice.
I tried burning this straight to DVD through PE9, and I also simply made a DVD folder and tested that. Both were of the same poor quality. As I don't own a TV I can't test it on anything else, but I'm fairly certain that this is not an issue with the playback software (which, in my case, is VLC). This will eventually be presented on a digital projector which at this point in time I can't test the DVD on until shortly before this is made public. Going to bet on the safe side and assume that if it looks bad on my PC then it will look bad everywhere else. (my future prospects with this company are on the line, I should mention)
Since I'm in a bit of a rush (weekend deadline) I've come up with the (hopefully temporary) solution of creating an mpeg, turning that into an ISO and burning that onto a DVD. It adds an unnecessary step in the conversion process, but at this point in terms of quality it is the better option, hands-down. Still looking for a way to burn straight from PE9 to DVD since I do notice a slight resulting choppiness with the mpeg route.

Interlacing issues PLEASE HELP

I've cut together a sequence using material I've ripped from a multitude of store-bought DVDs (the project is strictly for personal use only and will not be distributed).
Though the sequence played down fine throughout the entire editing process on my computer, when I created a DVD (using DVDSP 4) and watched it on a set-top player, certain clips would stutter and sort of tremble, particularly where lateral movement was involved. I am confident that this is due to the fact that my source footage must have varying field dominance.
Is there any way to correct this other than using a de-interlace filter which will further degrade the image quality?
The details of my process are as follows:
I ripped my source media using a shareware program called MacTheRipper, which allowed me to demux the DVD streams and get the individual AC3 and M2V files.
Then I used Compressor (2.0.1) to transcode the M2V files to DV NTSC and imported them into FCP-3.
Once editing was complete, I exported the sequence as a self-contained movie file using current settings (FCP-3 does not permit exporting directly to compressor).
THE SELF-CONTAINED MOVIE FILE PLAYS DOWN FINE. Once I use Compressor to create an M2V file, however, the interlacing issues become apparent.
Thanks in advance for your help.

Was all of the footage in your sequence shot with the same camera? With the same settings?
In my project, the problem is occurring because the various clips in my sequence were created with different specs. This is why I am seeing it sporadically throughout. Or so I think.
The De-interlace option is simply a video filter that gives you solid, non-interlaced frames by erasing one field from each frame and interpolating what the now missing information should be. As I understand it, this is used primarily for material that is to be exhibited on the computer. Interlaced media looks pretty bad on a computer monitor, but it's appropriate for a television screen. If you're going to DVD, it's not a good idea to use it.

Interlace issues PLEASE HELP

I've cut together a sequence using material I've ripped from a multitude of store-bought DVDs (the project is strictly for personal use only and will not be distributed).
Though the sequence played down fine throughout the entire editing process on my computer, when I created a DVD (using DVDSP 4) and watched it on a set-top player, certain clips would stutter and sort of tremble, particularly where lateral movement was involved. I am confident that this is due to the fact that my source footage must have varying field dominance.
Is there any way to correct this other than using a de-interlace filter which will further degrade the image quality?
The details of my process are as follows:
I ripped my source media using a shareware program called MacTheRipper, which allowed me to demux the DVD streams and get the individual AC3 and M2V files.
Then I used Compressor (2.0.1) to transcode the M2V files to DV NTSC and imported them into FCP-3.
Once editing was complete, I exported the sequence as a self-contained movie file using current settings (FCP-3 does not permit exporting directly to compressor).
THE SELF-CONTAINED MOVIE FILE PLAYS DOWN FINE. Once I use Compressor to create an M2V file, however, the interlacing issues become apparent.
Thanks in advance for your help.

I think David means put the actual bought DVD in. Talk about it. Put the next DVD in, talk about it. Put the next DVD in, talk about it. This is how I was shown various things. I remember seeing several showreels, animation shorts and so on in a class all on different tapes & DVDs...
Some players (Sony) can be set to auto resume so you could even queue things to some extent!
-Jake

Toon Boom Quicktimes in FCP... Interlacing Issues

Hi,
I've been rendering out Quicktimes out of Toon Boom Studio 4.5 and bringing them into Final Cut Pro for editing.
I'm getting really bad interlacing issues when playing back on moving objects, particularly on the 1080i plasma I'm using for monitoring. However when paused the image looks sharp.
The animation is a 1920 x 1080 project in Toon boom, and I'm bringing it into a 1920 x 1080 60i ProRes Sequence. I've tried exporting from Toon Boom to ProRes HQ and Animation quicktimes (both interlaced and progressive), as well as exporting image sequences and bringing them into after effects to export to ProRes. All with the same results.
Interestingly the quicktimes play in a preview-like quality when played in the viewer in FCP. However when I drop them into a ProRes (non-HQ) timeline and render, they look as they should but with bad interlacing issues on moving objects. Dropping the ProRes HQ quicktimes into a ProRes HQ sequence play in a preview-like mode too.
Anyone had any experience working with animation files from Toon Boom? I've had similar issues with QTs from Anime Studio Pro but they weren't really noticeable once rendered in the timeline.
Thanks in advance

Hi X, sorry for the delay.
If I drop a 30fps ProRes HQ quicktime into a 1030p ProRes HQ sequence, I get the preview-like quality I wrote about earlier.
However if I change the sequence compressor to regular ProRes and render, it displays sharp as it should but still has the bad interlacing. The plasma I'm monitoring with can't display 108030p though so I'm judging this from an apple cinema display.
Exporting from this timeline to 108060i ProRes has the same problem.
Do you think it's possible the characters in the cartoon move too great a distance between frames that it's causing this issue?
Thanks

Solved! All-in-Ones Misalignment on Costco or Heavy Photo Paper Issue

Hi, after much frustration, I finally came upon a solution to the issue of misalignment when printing heavy (Costco or HP Premium) photo papers. My printer is networked and connected via the router. This fix will probably work with other All-in-Ones as well. (I haven't tried this on business cards yet but will post back when I do). By the way, I'm using Windows 7. This is a very wordy post in order to get all the steps and make it easier to follow. Here goes.
Devices and Printers/Add Printer - this is so your original printer file does not get damaged. Also you might want to create a Restore Point.
Before adding your new printer, check under Devices and Printers/right-click current working printer/Printer Properties (not "Properties")/Ports/. Make note of the port that is current being used and working. You will use this same port on the newly added printer.
Device and Printers/Add Printer/Add Local printer/Under Use Existing Port hold down the arrow at right and select the working port you made note of in step 2.
Select HP on the left/HP OfficeJet 6500 709a on the far right (this is a generic printer driver specially made to fix printer issues like this)/Next/Do not share this printer/Next.
Do a test print on plain paper at the end of install.
Now to print your photo:
Clean the printer rollers(I cleaned the ones on the back door where you clear a jam) with an electronic cleaning wipe (maybe alcohol and paper towel will work, too). This is because I think the printer has a hard time picking up the heavier glossy paper after some years of collecting soil and dust on the rollers so it slips - just my theory.
Select the photo/s you want to print. (I was trying to print a simple photo index/contact sheet. 8.5"x11" using Costco paper. The contact sheet in Explorer is located as you scroll down the options on the side). I was printing directly from Windows Explorer window in the folder where the image was located.)
Print/Select the new printer you just added/paper size 8.5x11/HP Premium Photo Paper/Fit to Picture Frame/Options/Features tab/Borderless unchecked/OK/Print
Result - a beautiful print like the kind HP is known for. Now, whenever you need to print something on heavy photo paper just select this printer. When finished, go back to your default printer.
It is my sincere wishes that this helps somebody who has been as frustrated as I have been not getting this feature to work. Now onto the business cards solution...

Thank you for the information.
Does anyone really think that HP or Avery will print this work around in their documentation?
Does HP OfficeJet 6500 709a printer exist on all software editions from HP? And how did YOU know that "this is a generic printer driver specially made to fix printer issues like this"? No one else figured that one out- who told you?
"Clean the printer rollers(I cleaned the ones on the back door where you clear a jam) with an electronic cleaning wipe (maybe alcohol and paper towel will work, too).This is because I think the printer has a hard time picking up the heavier glossy paper after some years of collecting soil and dust on the rollers so it slips - just my theory." Problem: people have had the HP business card printing problem with brand new printers- certaintly without years of soil or dust on the rollers.
How should a user, unfamilar with those gyrations you described above, go about using the printer? The basic issue is that these printers DO NOT work for Avery and other business cards unless you know how to do the actions described.
"The sheet stock business card printing problem you are having is a well documented process or product defect that newer HP printers seem to have. Others have said that older HP printers did not have this problem. I echo that experience also. There are multiple questions on these forums with various answers (revert to older printer drivers, change paper type chosen in printer setup, change brand of card paper) but the end all is that HP printers or all in ones cannot print Avery business card sheet stock with any type of repeatability or consistency due to the wandering margin issue. It is unknown whether this is a software or hardware issue or or paper issue or combination of these."
The best solution seems to be to consider a printer that feeds almost straight through versus up and around. If HP has this type of printer you could consider it. Otherwise there are alternative printer brands that feed straight through that may be better for printing sheet stock business cards.
avery, business cards, cards, margin error
http://h30434.www3.hp.com/t5/Other-printing-questions/Avery-sheet-business-card-printing-problem/m-p...

Gallery problems and photo export issues with all images JPG Raw damaged.

I'm starting to panic. I trusted Aperture 3 and upgraded entire library from Aperture 2.0.
Yesterday I uploaded new project from a photoshoot. and today is gone. Just like that. I did some export already before from that project so I know that it was there.
Yesterday I had couple crashes. But it should be saved??
Now I have serious problem. I export any Jpegs from Aperture. and when I want to process them in CS4 photomatix etc I get this http://www.flickr.com/photos/procekim/4360611822/
It does it in 32 and 64 bit? What is the problem? I can expot JPG and raw and get same result. entire gallery from 2000 to 2010 same issue.
I'm badly hurt!!!!!!!!!!!! do you have same problem??

this gave me a scare. I deleted preferences + everything in pro applications. I deleted Aperture and reinstall everything from the disk. Updated library and now it works. I even get my lost project back. It remembered my Places, but not faces, strange.
I have no idea what happened. But from now on I double copy files.

Photo interlacing issue

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