Premiere Pro to Audition | No Stupid Questions with Colin Smith | Adobe TV

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.
http://adobe.ly/xh99v8

When exporting to Premiere, do the Track and Clip FX get rendered along with it, or do you have to do something special first?

Similar Messages

Introduction to SpeedGrade | No Stupid Questions with Colin Smith | Adobe TV

This is a complete walk-through of using SpeedGrade. It was originally posted on the Adobe PreRelease web site and it was so popular that we thought we'd make it available here.
http://adobe.ly/z5O7qc

This by far is the best entry level tutorial for Adobe SpeedGrade. Many thanks for a great tutorial. It was easy to follow yet concise and informative. Just a thought, I have searched high and low for information on how to "round trip" footage out of Adobe Premiere or After Effects and back into that application again. And despite my best efforts I have had no success. I have been able to make color corrections and apply looks in SpeedGrade and through trial and error, mostly the latter, been able to render files. But I don't know how to bring them back into my original timeline. Would you please help with a tutorial on the subject? Specifically, how to export a timeline from Premiere/ After Effects, apply a grade, and import the sequence back into the application with grading. Thanks in advance.

Match Volume | No Stupid Questions with Colin Smith | Adobe TV

In working with a large multi project, it can be time consuming to try to keep all the dialog the same volume. This episode will show you the power of Match Volume which allows you to designate one track as the perfect volume and have all the others match it including a report that tells you how many dB’s (plus or minus) each track was changed.
http://adobe.ly/ycvDnO

This guy is a really great presenter.

Setting a Custom Scale and Measuring in Photoshop CS5 Extended | No Stupid Questions with Colin Smith | Adobe TV

The measurement tool in Photoshop CS5 Extended can accurately measure distance, area and angels in your image but did you know that you can customize the scale that you measure? Colin will show you have to use these tools and accurately measure the height of our stand-in criminal Karl Miller. Also covered will be out to print our 1:1 so that measurements can be taken from printed outputs.
http://adobe.ly/yK4Aa9

Hi,
Where can I find the Analysis Menu in CS6 ?
I try to print an "ortographic" front view of a 3D model in 1:1 scale but I can't use your trick...
Many Thanks

How to Blend Two Exposures in "Photoshop" | No Stupid Questions with Colin Smith | Adobe TV

Many advanced photographers are shooting multiple exposures these days in an attempt to blend them together and achieve the perfect composition. In this episode, Colin will reveal a simple one-click feature that will do all the work for you and the result looks like the same as if you took hours to paint a complex Layer Mask.
http://adobe.ly/Pnrsm5

Is there a way to do this in photoshop or lightroom easily?

Mocha Eye Tracker | No Stupid Questions with Colin Smith | Adobe TV

No need for expensive contact lenses, we’ll show you how to use the incredible planar tracker in mocha AE to track your eyes, export them as a Mocha shape layer and apply effects in After Effects to create that “white iris of the zombie” look. Another added feature in this episode is how to use Refine Matte to control the feather, spread and choke of the mocha shape layer. This effect gives you control of how much of the original iris shows around the edge stopping the new white iris from blending into the rest of the eye.
http://adobe.ly/xSgWSR

So I've just spent 4 hours trying to figure out how you pasted the Mocha shapes into After Effects. It doesn't work for me like it did for you in the vid. One step must have been missed.
Do you highlight the relevant layer in After Effects and simply paste (edit > Paste)? Or do you "Paste mocha mask"? Perhaps you create a duplicate layer first? When do you do the ctrlshiftc precompositing? Before of after you paste?
It looks like you weren't doing things in real time (you had already done the steps) so you must have glossed over something that noobs like me would miss.
I would really appreciate it if someone please tell me the exact steps to paste the Mocha shape data into After Effects? Thanks!!!

Suites containing Premiere Pro and Audition

Hi folks
Sorry for the odd question. I'm curious to know exactly which suites Adobe offers that include Premiere Pro and Audition. Is it only the Master Collection or are there others where fewer apps are included?
I'm trying to configure a PC with just what I need on it and acquiring Master Collection is simply overkill and a bit like swatting a fly with a bazooka.
Cheers... Rick

Master Collection, Production Premium and Creative Cloud should include both PP and Audition.

Speaker buzz and interference in Premiere Pro and Audition CS5.5

Several months ago I upgraded to an Asus G10AC PC for my editing. When I first started using the Asus I was using a basic 5.1 computer speaker system plugged in using the 3.5mm headphone jack for sound. I noticed right away that when I opened Premiere Pro or Audition I would hear some interference similar to when you put a cell phone too close to a wireless transmitter (buzzing and beeps). I assume it is picking up something from the hard drive(s) or MoBo. The noises didn't show up in my exported files so I lived with it.
Recently I added a Behringer Q802USB mixer and some PreSonus monitors for more accurate audio editing. So now all of my audio is more defined and easier to hear accurately. The beeps and buzzing don't seem to be an issue but what I hear now is a constant high pitch sound from both speakers but more from the left than the right.
But what is strange is that the high pitch sound is only there when either of the 2 Adobe windows (Pp or Au) are active. I can use windows explorer, QuickTime and windows movie maker to play audio and video files and they are clean. As soon as I click away from the Adobe windows the high pitch sound disappears. I can even RAM preview clips in After Effects and the sound is clean. When I plug in headphones to the PC I constantly hear the buzzes and beeps no matter what is open, but the high pitch sound isn't there or it is at least not as noticeable. I also tried disconnecting the USB cable from the mixer and reconnected using a 1/8" male from the headphone that splits the signal out to 2 1/4" male outputs to connect to an input on the mixer. Same noise issue all around so from what I can tell the issue isn't the USB connection or the mixer.
To double check that it wasn't a mixer issue I connected it to my Sager laptop using the USB and everything is crystal clear no matter what I play the audio on (Pp, Au, windows explorer, YouTube, QT, etc). This laptop is usually connected to the same mixer but using one of the headphone cables that splits to the 2 1/4" males.
This sounds like an issue with my PC but I wanted to check here since the issue only occurs when Pp or Au are open. Is there something that these 2 programs gain access to that the other sound producing programs do not? And to clarify, it isn't only when playing audio in these 2 programs. The noise begins as either program begins loading and is constant until I click to a different window. Sometime I actually have to close out of Pp to get it to stop. Could it have something to do with these 2 programs having access to the microphone function? And I am not tech savvy enough to understand if the 2 Adobe programs use the same drivers as the other programs that do not have the sound issue.
I briefly attempted trouble shooting the audio drivers but the computer says that I my driver is up to date. I tried manually replacing it and switching to ASIO but couldn't get it to accept it so I went back to the original driver and setting.
Any insight would be greatly appreciated.
Cole

Thanks for the fast response Richard.
I thought that too but what is causing it to only happen when engaging these 2 programs? It seems if it was a grounding problem it would be universal for all programs that produce sound. It is only when these 2 programs begin loading and while they are selected.
Do you have any theory about what component they are accessing that brings this interference into play? At first I figured it must be sound card related but wouldn't the other programs that produce sound also call upon the same hardware and drivers when playing audio?

Installing Premiere Pro 1,5 on a PC with windows 8. How do I solve it?

Installing Premiere Pro 1,5 on a PC with windows 8 failed. How do I solve it?
I should mention it is about 10 years old and Adobe cannot help they say!
Regards
Lars-Erik Eriksson/ Rydöbruk Sweden

You will not be able to install your original, read below
CS2 (and earlier) Activation Server replacement software
http://helpx.adobe.com/x-productkb/policy-pricing/creative-suite-2-activation-end-life.htm l
When you install the special version of PPro2 on a Win7 or Win8 computer, you MAY need to right click the program icon and select WinXP compatibility from the option popup... AND Vista problems https://forums.adobe.com/thread/416347

Premiere Pro to Audition Export (CS6)

I'm trying to edit an audio clip from to Premiere Pro in Audition. I am able to open the clip in Audition and edit it, but when I try to select "Export to Premiere Pro" from the Multitrack menu option, it won't allow me to click on it. I've watched numerous videos and in all of them, there is a window that pops up asking Export options before the clip even opens in Audition. That window never pops up for me, it just opens straight into Audition. I'm sure this has the be the cause of the problem. Has anyone else experienced this problem? And how would you go about solving it? Thank you.

I might be wrong, but I thought you could only do what you're asking when you send the entire sequence over to Audition, not just a clip.

Premiere Pro CS3 - Preset & Media File Questions

Volunteered to create a high school football highlight video using Premiere Pro CS3 on a Mac. The video will be shown in a banquet hall using a NEC projector attached to the ceiling. The hall owner doesn't have any info on the projector, so I don't know its native resolution or any other specs. The screen is standard size.
I'm being given a potpourri of media:
1) The team's game DVDs shot from the press box. MPEG Streamclip shows the VOBs have these properties: 720 × 480, 4:3, 29.97 fps, 9.30 Mbps, upper field first - 128 AC3 2/0, 48 kHz, 256 kbps. Right or wrong, I converted the VOBs to dv files for import into PP with these properties: DV/DVCPRO - NTSC, 720 × 480, 4:3, 29.97 fps, 28.77 Mbps - DV stereo, 48 kHz, 28.77 Mbps.
2) Field level video taken with a Canon HV30 (HD, wide screen). The files I've been given are: Apple Intermediate Codec, 960 × 540, 29.97 fps, 30.09 Mbps - 16-bit Big Endian stereo, 48 kHz, 1.54 Mbps. I could ask to have these files recaptured as SD files.
3) Many side line photos (TIFFs) taken with a Canon 30D.
After editing the project, I was planning on exporting the final video/audio as a mov file to be played from my lap top hard drive rather than from a DVD. Not sure about the export settings to do this for best quality.
But first, which PP preset should I use for this project, or should I use custom settings? If so, what should they be?
Have I converted the VOBs to the proper format?
Should I recapture the HV30 footage or convert it to another format?
I have the photos in Lightroom and can export them as TIFFs, JPEGs, PSDs or DNGs and can resize them down if necessary. Any suggestions?
Finally, I was thinking of converting the background music from mp3s to aif files at 48 kHz, 16-bit to be consistent across the different audio files. Any suggestions with the audio?
Any thoughts or suggestions on these issues would be most appreciated. If the answers to these questions hinge on the projector type, I may have to wing it....or buy my own projector. Ouch.
Sorry for the length of this post.

I recommend setting up a 720x480 4:3 project. At the very least, have
them recapture the #2 video files as widescreen SD. (I'll refrain from
making any comments about the usefulness of AIC at half-HD) The
recaptured widescreen SD files will end up letterboxed in your 4:3
timeline. Your other choice would be to set up a 720x480 16:9 project,
but that would end up pillarboxing the 4:3 footage. Your choice.
I think you did a fine job converting the VOBs.
Resize the images in Photoshop. Get them as close to 720x480 as you
can, adjusting that upward to account for any panning and zooming that
you might want to do. But don't increase the size any more than you
have to. You definitely want to avoid working with huge frame-size
images in Pr.
48k 16-bit stereo audio should work just fine.
You should find out the native resolution of the projector, and whether
or not it has an internal scaler.
-Jeff

Premiere Pro CC Mac - Yellow preview bar with ProRes clips?

Hello:
Even though I've made sure that my sequence settings are exactly matching my clip settings (ProRes4444 or 422HQ) I'm getting a yellow bar over my sequence.
I'm working on a 2012 Mac Pro running OS 10.7.5. I downloaded Premiere Pro CC earlier today; I thought I'd play around with it to see how it compares to FCP7. Most of my NLE usage is very simple, just assembling sections of motion graphics and 3D animations rendered out of After Effects in the ProRes 4444 codec.
The "New Sequence from Clip" function isn't behaving as I'd expect. The comparable feature in FCP creates a sequence that matches all aspects of the selected clip (size, framerate, codec, etc.). The Premiere implementation appears to only match the sequence size and framerate to the selected clip.
If I create a new sequence from a ProRes clip, or tell the sequence to match the clip, I'd expect that clip to be sitting in my timeline with no bar of any color. But I get a yellow bar. When I go to Sequence Settings I see that the editing mode is Arri Camera, and the Video Preview is greyed out on an MPEG format. I have to go to Custom and manually select Quicktime, then specifiy the matching ProRes codec. Shouldn't those wrapper and codec settings be matched automatically too when I've specified that function?
That said, if I go in and manually match the codec settings to my clip I still get the yellow bar. If I select another sequence and click back on the new sequence the yellow bar is gone.
I'm assuming that this yellow bar issue is a display error of some sort, because if I export the sequence with "Match Sequence Settings" selected the export happens very quickly as I would expect with a Smart Render-compatible sequence.
Is this a bug?
Thanks.
Shawn Marshall
Marshall Arts Motion Graphics

Sandeep:
Thanks for the reply, but did you read the body of my question or just send me off to this blog post based on only the title of my post? Believe me, I read that post, plus several others regarding the color of the preview bars, and I spent an hour meticulously troubleshooting the issue.
Unless I'm missing something, nothing in that post to which you link explains why I'd be getting a yellow bar on a sequence that exactly matches the clip's settings, or why that yellow bar would disappear when I select another sequence and then click back on the original one.
Also, is the behavior of "New Sequence from Clip" I'm observing correct, in that that function won't conform the sequence to the wrapper or codec of the selected clip?
Cheers.
Shawn Marshall
Marshall Arts Motion Graphics

Premiere Pro CC, Project / sequence settings help with GoPro 1080p / 60fps

Hi all,
I have just started using Premiere Pro CC with the GoPro Hero3+ black edition, but my video's, once exported do not look very smooth and clean like HD video should?
The video settings on the GoPro are 1080p / 60fps, narrow view (protune off), I then import these .MP4 video files into PP CC and use these sequence settings:
29.97fps
1920 x 1080 / 16:9
Square pixels (1.0)
No fields (progressive scan)
30 fps drop-frame timecode
Preview file format: I-Frame only MPEG
Maximum bit depth
So, my question is, should my sequence settings be at 60fps to match the 60fps I used to capture the video with? How should I edit 1080p / 60fps video in order to get nice clean, smooth HD video playback on youtube?
My export settings are:
H.264
1920 x 1080
29.94
Progressive
Square pixels (1.0)
NTSC
Profile: Main
Level: 5.1
Render at maximum depth
VBR, 2 pass
Target Mbps: 40
Max Mbps: 50
Keyframe distance box checked and says: 90
Use maximum render quality
Here is the video I uploaded to youtube: Deal Tri Summer Duathlon May 2014 - YouTube
What do you think?
Any help would be very much appreciated!
Kind regards,
Paul

No problem. When you click sequence > sequence settings, what does your editing mode say? I use AVCHD 1080p square pixel. You can change this to 'custom' which will give you more control over the settings if you need to, but if you use the method I described earlier then you shouldn't need to change anything. Maybe if some of your videos are 2.7k or 4k resolution mixed with 1080p videos then you could play with the settings.
Just remember that if you start a new project and have for example, four videos shot at 1080p and one at 4k, if you drag and drop the 4k video to the 'new item' bin then your sequence will match the 4k resolution settings and when you drag the other 1080p videos on the sequence time line, they will not fill the screen and would need to be 'scaled' in to fit the screen, thus making them look terrible. The best way would be to drag n drop the 1080p video(s) and then include the 4k video on the timeline and just 'scale' / 'crop' it to fit the screen.
All the best!
Paul

Premiere Pro 2.0 slows when dealing with larger video files

I'm having issues with Premiere Pro 2.0 slowing to a crawl and taking 60-90 seconds to come back to life when dealing with larger .avi's (8+ mins). When I try to play a clip on the timeline, drag the slider over said clip, or play from a title into said clip on the timeline, Premiere hangs. The clips on question are all rendered, and the peak file has been generated for each different clip has well. This is a new problem; the last time I was working with a larger clip (45+ mins, captured from a Hi-8 cam), I had no problems. Now, I experience this slow down with all longer clips, although I've only dealt with footage captured from a Hi-8 cam and also a mini-DV cam. This problem has made Premiere nearly unusable. I'm desperate at this point.
System:
CPU: P4 HT 2.4ghz
Ram: 2x 1gb DDR
Video: ATI Radeon 9000 Series
Scratch Disk: 250gb WD My Book - USB 2.0 (I suspect this might be part of the problem)
OS: XP Pro SP2
I'm not on my machine right now, and I can definitely provide more information if needed.
Thanks in advance.

Aside from some other issues, I found that USB was just not suited for editing to/from, and on a much faster machine, that you list.
FW-400 was only slightly better. It took FW-800, before I could actually use the externals for anything more than storage, i.e. no editing, just archiving.
eSATA would be even better/faster.
Please see Harm's ARTICLES on hardware, before you begin investing.
Good luck,
Hunt
[Edit] Oops, I see that Harm DID link to his articles. Missed that. Still, it is worth mentioning again.
Also, as an aside, PrPro 2.0 has no problem on my workstation when working with several 2 hour DV-AVI's, even when these are edited to/from FW-800 externals.
Message was edited by: the_wine_snob - [Edit]

Premiere Pro 5.5 timeline timecode question

Does Premiere Pro 5.5 output TC on HD-SDI when using Kona 3. There have been reports by users that when recording the HD-SDI output (like to a Ki Pro Mini) that they are not seeing any Timeline Timcode coming out the spigot. Any Adobe folks or others know if this is true of false?

As a preemptory response...yes I am in touch with AJA engineers as well to try and get an answer to this question

Premiere Pro to Audition | No Stupid Questions with Colin Smith | Adobe TV

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