Quality Loss with v24 (Folio Properties)

Hi Guys,
I recently changed the version setting on Folio Properties (InDesign CS6) to v24. Now when I see the quality of my images inside the iPhone app, they are are not sharp anymore. I see the images are pixelated compared the sharp images I had with v20 or 21. I can not go back to v20 anymore. I only have v24 and v25. (fyi, I did not changed any resolution or image quality).
Are you guys having issues like this?
How to I output my app with max quailty? (Where do you determain the quality?)
Thanks

Hi Linda,
When I look at the color numbers in the Optimize panel, before to save in .gif it's 49.
When I look at the color numbers in the Export Preview panel when i,m saving in .gif, it's 49.
If I look at the color numbers in the Optimize panel, when I open the file that I exported in .gif, it's 14.
The loss value is set to 0.

Similar Messages

Serious quality loss with MTS files and iMovie '11

Hello,
I have some issues with my brand new Panasonic HDC SD700 (a full HD camera)
I experience serious quality loss when I use iMovie to create a movie.
I did some tests, but still puzzled int this world of codecs and formats.
Maybe some of you can help.
I have made a short shot of 450 sec with highest mode (1080p 24fps)
It show is finder as a .MTS file size 99MB, I'm very happy with the quality when I play this with VLC.
iMovie turns this file into a .mov file with 635MB size, in Apple Intermediate Codec, Linear PCM, Timecode. This quality is already poor compared to original MTS file.
No wonder that the output file (select 1080p H.264 codecs) results also in unacceptable quality.
I'm running latest imOvie version with all updates etc.
I have no idea were to look to solve this issue. It is quite annoying since I have invested in a top Cam recorder. Not sure is Final cut express will sure the issue either.....

I have made a short shot of 450 sec with highest mode (1080p 24fps)
Have you tried shooting at the PAL standard of 25fps? I checked the specs for your Panasonic but didn't see any mention of a 24fps mode, but most reviews seem to miss mentioning the shooting modes. If you did indeed shoot at 24fps, did you choose this frame rate when importing to iMovie '11?
I export as 1080p (same as original. My output is a bit blurry and colors are a bit pale.
Did you use the 1080p preset under Share to Media Browser, or Export using QuickTime? If the latter, be sure to select an appropriate data rate - if set too low this may result in poor quality output.
And yes you are right I'm using IMovie '11, quite confusing that '11 means version 9.0
Yes - very confusing! In the forums, iMovie versions are generally referred to by their year number, not version number. It's a pity that we have version 9.0 (iMovie '11) and iMovie '09.
Glad you liked the video - it looked very clear on YouTube at 1080p Full Screen, at least to my ageing eyes!
John

IMovie 11 and quality loss with Sony Handycam DCR-SX33e

Hi folks,
I have a Sony Handycam DCR-SX33e (good one!) and iMovie '11 recognizes it, it's able to import movies directly from the cam, creates events, etc... BUT the quality of the movies within iMovie environment is very very poor (i.e. pixels big like a house!) BUT if I look at the movies using QT (from iMovie events, "reveal in Finder" on a movie), the quality is perfect.
Still, if I make a project and finalize it, the exported movies are horribles.
I notice that the cam works with a DV-PAL resolution (720x576), but iMovie works with wide resolutions.
How can I work with iMovie without losing quality on my movies? Can QuickTime MPEG-2 Playback Component for Mac OS X help?
Thank you!
Bye

Geriatra,
Don't judge the imported footage in iMovie11 on the clip area and the monitor area. They are not a true representation of the finalized project. What's the best way to judge if the footage is imported properly is to look at the actual footage itself by clicking the clip and then select reveal in finder. Play the footage and see if it matches the original. If you do not want iMovie to optimize the footage, you can deselect this feature and it will simply either copy or move your original footage.
Personally, I don't know if iMovie 6HD helps because your Mac still needs to read MPEG-2 properly which you said are not having any success. Over here on my Macbook, I have no problems working with MPEG-2 converted files and with iMovie 11. Quality is superb. Albeit, I converted those MPEG-2 files using my faster Quad Core Vista 64 machine and posted them later on my RAID network server before being made available for the Mac.
Hope this helps.

Quality Loss with Filters?

I'm editing DVC PRO HD footage, 1080p30. When I bring it into the timeline, it doesn't need to be rendered, obviously. When I apply a filter to put bars across the top to make it 2:35 widescreen, it needs to be rendered.
My question is: do you lose quality when you put a filter on and then render it? Or is the quality the same after you render it as it was before applying a filter?

You lose a little quality, yes. But doubtful something you'd notice. Every filter...every render causes slight loss in quality, but in most cases it needs to be done. COlor Correction for example.
Shane

Themes in 8.0.1--Will they create quality loss with DV and HDV

I asked this question somewhere else, but didn't get a response. Maybe I wasn't clear. In Steve's book, he states what to stay away from, but he never really mentions themes. He says maps and backgrounds, but nothing about the themes.

I would expect it to be widescreen on all the television sets.
You don't have to do this in two projects. You can do it in one project in separate sequences, just change the settings before you capture the media and make a new sequence in that setting. You could combine the HD material into the DV anamorphic sequence to make a single sequence. Export that. Fix it in QT and then make one iDVD movie if you wanted.

Folio Orientation on iOS 7 with v24

Hi,
on IOS 7 older single edition apps (in my case built with v24 of the app builder), only portrait orientation is displayed, even when the device is rotated to landscape. The folio supports both orientations and iPad is not set to lock orientation.
Does anyone have similar issues?
Greetings, Philip

You need to update that app. Adobe has been warning about it for weeks.

Best bitrate settings with no quality loss from MPEG2?

I currently use Elgato's EyeHome to watch MPEG2 (DVD) files on my TV (thus no quality loss).
I have just ordered an AppleTV and would like any advice as to the best bit-rate settings for transcoding MPEG2 to H.264?
1280 by 720, 24 fps, Progressive Main Profile... which bit rate for no quality loss / minimal quality loss?
Many thanks
Rick

Many thanks for your helpful comments.
First, I curently use EyeHome: this is a forerunner to AppleTV and very good. I stream 100% quality MPEG2 (converted from .vob files): so the quality is just as watching a DVD.
Second, the Export to AppleTV preset in Quicktime results in much worse quality. For example, taking a 5 minute sample from a DVD results in MPEG2 file size of 188MB. Export to AppleTV squashes this file to 77MB and a resulting drop in quality.
Third, although h.264 does compress file size better than MPEG2, for the AppleTV, the only (published) setting that does not result in drop of quality in terms of resolution, is to rescale upwards to 720i.
Through experimenting, so far using MPEG Streamclip and bit rate of 4MB/ps results in file size that is slightly larger than MPEG2 (as would be expected due to larger screen resolution) with no noticeable reduction in quality. Bitrate of 3MB/ps results in obvious quality drop. 5MB/ps obviously even better, but not noticeably greater than 4MB/ps.
Thanks for all your help again,
Rick

Convert VOB files with mininal quality loss

I have a media player called WD TV. It does not support playback of VOB files. What format should I convert this to so that it mininizes any quality loss? The player supports raw mpeg2.

There are several programs and workflows that allow one to rip the MPEG-2 contained in the VOB. Depending on the full structure of the VOB and also if the MPEG-2 spans more than one, often the simple renaming of the file from .VOB to .MPEG will work. Remember, this can depend on many factors. See this ARTICLE for some background on VOB's. See this ARTICLE for some suggestions on ripping workflows.
Good luck,
Hunt

Significant quality loss and jagged diagonal lines when exporting from FCP

I've been working on this problem for several days and I'm going insane! Every time I export my movie from Final Cut, there is a significant quality loss. It is most noticeable in two ways: diagonal lines become very jagged (looking somewhat like diagonal lines in an older video game -- more a diagonal sequence of blocks); also, in some areas such as faces, the colors get a little blurry and there seems to some "pooling" of colors around the edges of the face.
I'm pretty sure the problem's not in capture: the Quicktime clips that I captured from the camera are all pristine. When I play them in Quicktime, I can blow them up several times their original size, and they maintain their sharp lines. (I also Reverse Telecined them all with Cinema Tools, if that's relevant.) I also know the problem's not just my computer monitor; when I play these movies on my external monitor and TV, they look bad too. The clips look bad after I bring them into Final Cut, and while I'm editing, but at first I figured that was because Final Cut sometimes doesn't show full resolution in the timeline. Still, when I export, the quality of the original captures just isn't there.
Some details:
Captured from 24A progressive, Sony HVR V1U HDV.
Using Final Cut 6.0.1, Compressor 3.0.1, Quicktime 7.2.0, OS 10.4.10 (all the most recent versions I believe).
I've exported in many different ways: using Compressor (and have tried a number of different settings: the DVD Best Quality 90 Minutes default Setting, as well as using a variety of bit rates from 3.0-8.0, One pass CBR, Two pass CBR, Two pass VBR, Two pass VBR best; Video Formats NTSC, HD 1440x1080...I have tried many combinations. Regardless of the size of the m2v created, the files seem to have the same problem over and over. I've also tried exporting from Final Cut as a Quicktime Movie and with Quicktime Conversion. Same result. I also tried using different compressors with my Final Cut sequence: Apple Intermediate Codec (which I used when capturing -- you have to with the Sony HVR), HDV 1080p24, HDV 1080i60, Apple Pro Res 422, H.264...
What's happening? Why is Final Cut turning my nice pristine captures into jagged foulness? What can I try that I haven't yet?

Welcome to the forums!
Unfortunately, you seem to have tried everything I can think of, and I don't have the latest versions of FCP to know if it is a bug. However, in the off chance that you haven't given this a shot:
Take a problematic 10 second section of your timeline (set in and out points) and the Export -> Quicktime (not QT Conversion) and make sure that you have it on Quality settings that you captured, and select the "Make Self Contained" box.
Look at that in Quicktime and see if it's bad. If it's not problematic, use that video file in Compressor for your render.
Hope that helps!
~Luke

Import quality issue with AVC/H.264 and workaround

When I import from my Sanyo Xacti HD700 using "Import from Camera..." the import quality has significant blocking / compression artifacts. However, if I copy the same file off the SD card from the camera and play it back in QTplayer it does not have this same blocking / compression artifacts.
The file is a .MP4 container using H.264 codec for video and AAC for audio. The resolution is 1280x720p and framerate 30fps.
After spending a significant portion of time messing around with iMovie 08 trying to get it to import without the quality loss I have discovered that "Import from Camera..." and "Import Movies..." have different behavior (in terms of video quality) on the SAME FILE.
*To reproduce*:
1) Record a video with Sanyo Xacti HD700 camera. (One with a nice color gradient is good because it will make the compression artifacts more obvious).
2) Import the video from the camera using "Import from Camera..." (Name the event "Import from Camera" so you can remember which is which)
3) Copy the .MP4 file from the mounted drive onto your local harddrive. (Not sure if this step is actually necessary, but haven't tried without)
4) Import the video from the .MP4 on your desktop using "Import Movies..." (Name the event "Import Movies") Notice that this completes much quicker than step 2.
5) Find the two imported movies in your "iMovie Events" folder. You will notice that both movies are different sizes when you would expect them to be identical. (In my case the movie from "Import from Camera" was 47.4MB while the movie from "import movies" was 33.1MB, and the file on the SD card was 33.1 MB)
6) At this point you will also notice that the movie imported from camera will have a custom name like clip-2007-12-26 14;41;44.mov while the movie from "import movies" will have the same filename as it did on the camera i.e SANY0025.MP4.
7) Now open both files in QTplayer and arrange them side by side showing the same frame. You will see that the quality is much worse in the file from "Import from Camera".
Hypothesis:
My guess is that when you select "Import from Camera" it does some transcoding on these files that it doesn't do when you select "Import Movies". (Maybe Import from Camera always transcodes, whereas Import Movies checks to see if it needs to transcode or not?) I believe this because it takes significantly longer using the "Import from Camera" during which time it would appear to be performing some type of transformation on the movie. Also, because the file name in the folder is different.
I believe that either this transcoding is flawed or of poor quality which leads to the poor quality video when importing.
*Work around*:
Use "Import Movies..." instead of "Import from Camera..."
Note that I have not yet taken this through the export process to know how this will impact the final output.
Finally, for the skeptics, here is a screengrab of the two movies side by side in QTplayer on the same frame. The one on the left was imported with "Import from Camera" and the one on the right with "Import Movies". Look at the right side of the yellow playset and also at the hair. In motion it looks quite bad.
Thoughts?

Really? You don't see the difference?
Ok, well here is it blown up to 2X to make it more obvious:
and here it is blown up to 2X and with the contrast increased to make it even more apparent:
I perhaps didn't pick the best frame as an example, but it is very obvious in motion. If necessary I suppose I could post a small movie clip to show.
Message was edited by: Richard_

Tif export quality loss

hi,
i exported a tif sequence from a mp4 in premiere (cs6) to do some compositing on it. the exported images look the same but when doing some color correction on it the tif sequence reveals that it's in lower quality.
the left side is the tif export with significant less detail.
i also tried ae with color management but i always had the same problem.
rendering with 'use max depth' and 'use max quality' did not solve the problem.
did i miss something or is premiere processing some colors wrong internally?
(as a sidenote, quicktime player, nuke, vegas12 worked just fine)

hi,
it looks like the problem is related to mpeg 4. i did not have time to do further testing. here is the file info:
Format                         : MPEG-4 Visual
Format profile                 : Advanced Simple@L3
Format settings, BVOP          : Yes
Format settings, QPel          : No
Format settings, GMC           : No warppoints
Format settings, Matrix        : Default (H.263)
it did not occur with other videos.
the interesting thing is that the quality is fine within the timeline. but upon output there is a quality loss.
no, output is 8bit. as mentioned in the first post 'use max depth' did not solve the problem.
quicktime based applications did not have the issue.
as for the color shift problem i thought it is related to the same issue but it was something different and is fixed now. i was unable to edit the post to remove it.

Sound Quality Loss

When I create a track on an audio instrument track using the Vienna Symphonic Library Special Edition, the sounds are great. But then, when I export it to an audio track in order to save room, the sound quality goes way down. Is this because I am using the built-in audio on my macbook pro? 16 and 24 bit exporting doesn't seem to make a difference.

Colin, theorectically, there should be no difference.
theory sometimes lets us down.
it does here.
i find the same thing: everything sounds like a million bucks then you press bounce or export and the resulting file sounds like a quarter of a million.
some things you can do to keep up the dub quality are: get the instrument to peak at no more than -6 on logics meter.
keep the playback tracks level down, especially if you have a full orchestra going (25-40 tracks). mine end up somewhere around -18.
a frozen track results in a 32bit file. 24bit is the max for export and bounce.
i can hear a difference there too.
this is nothing compared to the quality loss, as in Waveburner, when dropping to 16bit for CDs...... THAT is very noticable.
let's not mention CD to mp3(:
maybe things will change in a future edition of logic where 32bit files may be used anywhere.
make sure you are listening to the playback at the same level (spl) as before dubbing.
The built in audio has nothing to do with the quality of a bounce, it only outputs the result.
apples conversion is not top grade, never has been.
it might be time to invest in a pro D/A. Benchmark make a beauty.
if you don't need 8in/8out, just go for a 2in/2out. at the same price point, the 2/2 should be of better quality.
the loss with digital is nowhere near as bad as with analog, if that makes you feel any better.
best, david r.

Quality Loss When Importing Video into Timeline...Any Ideas??

Hey all -
I'm fairly new to CS4, so excuse me if this question is a little dumb.
I've offered to edit a friend's actor showreel to familiarize myself with CS4. He gave me a bunch of HD clips: they're .MOV files, and are 1920x1080 and 23.976fps.
I can import a clip and drag it into the preview screen in the middle: it looks fine. However, when I drag it onto the timeline, it suddenly looks faded and blurred. It's not horrible, but it loses the vibrancy of color, the sharpness and the contrast of the original clip. A lot of the quality is gone.
I've tried opening the project with a number of different settings, no difference. I thought it might look OK when I exported it, but it looks just like it does on the timeline monitor: a little washed-out, blurred, just not as nice as the original.....
I'd hate to present it to my pal looking like this, can anyone suggest a solution? I tried everything I could think of already....
Thanks!!
B

Hi Hunt -
many thanks for your reply. I've spent the last couple of days trying to follow your advice and do more research.....still no luck.
Firstly, I upgraded my OS to Windows 7, thought it might help for some reason. Didn't. I downloaded a bunch of codec packs.
Gspot reports:
Codec: AVC1
Name: H.264
Codec Status: undetermined
So I'm basically running through all the possible output formats, but really it doesn't seem to be an encoding problem: the quality loss happens as soon as I move the file from the preview screen to the timeline.
If you have any othe suggestions I'be very pleased!!
Thanks
Bruce

Another quality loss issue: exporting

I see a lot of people have problems with quality loss.
I am importing an movie of an animated screengrab (using Snapzpro). This movie looks great - nice and sharp when viewed in QT. After importing into iMovie it's slightly blurred, notr a big deal just looks a bit "warm".
However when I export it looks bad, diagonal lines are very jagged. I've tried export at Full quality, I've tried expert settings with DV-PAL and many other codecs.
It's just about OK if I use "none", and then import into QT Pro and export with DV-PAL - what I don't understand is why I can't just use DV-PAL direct from iMovie.
Is this something I just have to put up with? Would it better with Final Cut Express?

Actually I discovered since posting the question, that the dimension is something to due with it, but too small rather than too large. I was capturing at 640 x 480 and I discovered that capturing 768 x 576.
I also think that the nature of the image is crucial. This is large scale musical notation - lots of diagonal black and white straight lines so any jaggedness becomes very obvious.
What I still don't understand is why the export from iMovie using DV PAL is not as good as the export from QT using DV PAL - I have to export from iMovie with no compression, then re export from QT Pro.
Although I,m totally ready to accept this is a human operator error, I've also seen lots of people say iMovie does degrade on importing which is why I wonder if I need final Cut Express or Pro

Huge quality loss in iMove '11

Hello fellow iMovie users.
Yesterday I upgraded to iLife 11 to get the new iMovie and its "new" audio editing capabilities. I could ofcourse just buy it from Mac App Store, but I am principally against App Store and its strict rules, so I choosed to get it the old way.
Anyway, I liked what i saw. Finally the new iMovie was about as good as the five year old one, and had some neat features like chroma key and cropping.
So I decided to start practicing and create a short video based on some old DV-videos filmed with my Canon MV950 DV-PAL camera.
I imported the footage into iMovie, and noticed some significant quality loss after the import.
And it get worse. After I exported the video, it seems like it is heavily compressed, even if I'm exporting to QuickTime and selects the highest quality possible.
I have some screenshots to show you the differences.
This is the original DV-footage.
The imported video. Notice the higher compression and the choppy edges.
And this is the exported video. Notice the insanely bad quality, especially in dark areas.
Is there any way to fix this, or do I have go back to iMovie HD?
PS. Sorry if my post is a bit unreadable. I'm from Norway.

Steve,
While I agree everyone should have owned a HD camera by now, there are a lot of low-end SD cameras that are still being sold today. In this era of our economy, consumers are sensitive to prices; especially low or lower prices.
And unlike the video camcorder boom of the 80s with Sony introducing the Video8 handycam (shoulder mounted camcorder), people today do not video using traditional camcorders. Most either do it through a digital camera, DSLR, iPhone or blogger cameras and are already mostly in an acceptable progressive format. There is nothing wrong with DV style cam. Canon GL-2 and the Panasonic DVX-100 are still commanding such a very high price tag for cameras of older technology and still being repaired goes to show that there are people out there still using it.
If one can convert quality interlaced footage into quality progressive footage, you can use that footage and create good results using iMovie 11. I agree with you and Tom that iMovie 11 captures interlaced footage in full. But what's the use if it can't make a good product in the end that looks like what iMovie 6HD can do and when there are PC software out there including the free Windows Movie Maker that can do this with no problem.
Consumers, unlike some of us, only relate to past software used and are usually benign to the fact of progressive vs interlaced. I have dealt with some mis-informed customers that they believed FULL HD only means 1080p at 60fps; anything else is not. I digress.
With Mac users, they don't necessarily follow the same upgrade frequency as PC users either. Macs generally last a lot longer between upgrades compared to a PC because they don't have to run a barage of virus/spam/anti-malware growing definition files which ultimately slow an otherwise healthy PC down. Macs do not have to worry about this.

Quality Loss with v24 (Folio Properties)

Similar Messages

Maybe you are looking for