REALLY Dark prints on HP B9180

Whenever I print an image from Aperture to my HP Photosmart Pro B9180 the image appears really really dark. Even turning the exposure up (so the image is pretty much all white) results in a black print. Currently, when I print an image I need to export a jpg to my desktop, open it in Photoshop CS3, and print from that. Anyone know how I can fix this?

I still don't understand why Apple can't allow this in the Aperture print dialogue box - all it would need is like in Photoshop - an option to allow the printer to manage the colour.
Technically, PostScript does not support the ICC file format. PostScript has its own file format for colour matching, Color Space Arrays for device to CIE and Color Rendering Dictionaries for CIE to device.
Therefore, Apple ColorSync has the ability to do one of two things,
- keep the ICC file format for the colour matching tables and convert the colourants in the operating system, or
- convert the ICC file format for the colour matching into the PostScript file format and convert the colourants in the computer that runs the PostScript interpreter.
These commands are part of Apple ColorSync. They appear in the system as part of the printing path, File > Print > from Copies & Pages scroll down to ColorSync > Color Conversion: Standard (meaning in the system) and In Printer (meaning in the PostScript interpreter.
Adobe Photoshop has similar commands. If you choose PostScript Color Management, you are converting the ICC file format for colour matching into the PostScript file format for colour matching, and sending the PS file format plus colourants to the RIP for conversion.
The PostScript file format for colour matching was developed for PostScript language level 2, published in December 1990 in PostScript Language Reference Manual, Second Edition, and provided in October 1992 as product to Adobe OEM partners.
In 1991, Microsoft told Seybold Publications that TrueImage would not be compatible with Adobe PostScript language level 2 because PSL2 "does not support the screen." This is correct in the sense that a Color Rendering Dictionary is CIE to device data only.
A Color Rendering Dictiory is not invertible, that is, it does not support CIE to device data and device data to CIE. Therefore, unlike an ICC type PRTR Printer profile a PostScript CRD cannot support simuluation on the screen, cannot be embedded as OutputIntent in PDF/X-3, and so forth.
David Hayward on the ColorSync team described how this is fixed in the ICC architecture in 1995 when the ICC Specification was finalised for release at DRUPA Druck und Papier in Düsseldorf.
"There is much that an application can do with ColorSync that will help the user work with color. For starters, an application could do the following: Include a print preview mode that shows a "soft proof" of the matched output on the display. The application accomplishes this by building a color world with CWConcatColorWorld that matches through three profiles: from the source profile (which is embedded in the document) to the printer's profile (which you allow the user to pick from a list of installed printer profiles) and back to the screen profile (which is the current system profile)."
/hh

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  • Dark prints with B9180 printer

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  • Elements 10, windows 8, 64 bit, epson artisan 835 printer: prints are really dark even after using enhancements like adjusting lighting. Prints are darker than photoshop edit screen. Prints are acceptable using paint, windows photo viewer, or gallery.

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  • [FIX] Darker prints and color shifts when printing from Lightroom 2

    Hi,
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    Patrick Philippot
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    www.mainsoft.fr

    A sincere thank you for your reply, Michael. Sorry about the "it just doesn't make sense" shortcut. I have been trying to solve this issue since LR 1.1, spending dozens of hours on different trials and digesting everything written on this forum and the B9180 forum about color management and double profiling. My shortcut was a summation of my experience (and my frustration) but doesn't really advance the conversation. Here are some data that should be more useful in diagnosing the problem.
    I am running Windows XP SP2. I calibrate my monitor monthly with the Spyder. The reason I suspect this may be an issue of double profiling is because the results (moderately strong magenta overlay plus an increase in contrast) match what more knowledgeable people than I on this forum describe when double profiling occurs. Perhaps I shouldn't presume it is double profiling, and follow Patrick Philippot's lead in naming the problem "color shifts." Patrick does refer in post #2 of this thread, however, to obvious double profiling.
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  • Dark prints using CS5 & Epson R2400 ongoing problem, now new PC and magenta cast

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    Am retired and not very technically minded!  Serious amateur photographer.

    I have an Epson 1280 printer, and I have the same problem with prints. Part of the problem are the different color profiles in the monitor and the printer. The other problem to deal with is the type of photo paper used. While looking at web sites, I found that the ICC Color Profiles for the printer are on the install disc and are not automatically installed. One of the links describes which folder to install the profiles on both Mac & Windows computers.
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    http://dpexperience.com/2009/12/18/calibrating-your-monitor-to-your-printer/
    The next link is for printer tips
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    http://www.digitaldog.net/tips/
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    It is not an excellent solution, but until I can figure out more, I am in the same boat as you.
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    Abery-
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