Resolution problems exporting to DVD

I am brand new to FCP 5 and everything I have learned has been within the past two weeks. I have read MANY posts on resolution settings, square pixels vs. retangular pixels, iDVD problems, exporting problems, etc. However I have not found an answer to my problem, but many helped.
I am currently trying to project video from a DVD. The projection needs to be an EXACT size. After exporting and viewing with projection in QT Fullscreen, the video is exactly what I want.
However, when I burn a DVD using iDVD and project it from a DVD player, the projection is slightly stretched horizontally. Why is that?
The sequence is originally from HD and the export settings are -
-Frame Size: 640x480 (4:3)
-Pixel Aspect Ratio: 1440x1080
-Exported using QT Conversion NO COMPRESSION
(There are many other combinations of frame size and pixel aspect ratio's that also work initially, but they project with the same problem.)
I had to have missed something.
ANY suggestions are greatly appreciated.
Eric
Power MAC G5   Mac OS X (10.4.7)  

The footage did come from an HDV from Sony.
I use QT Conversion because if I export it as an QT Movie, the video is distorted. However, when exported through Quicktime conversion/quicktime movie/no compression, the movie is exported in the correct dimensions, though the DVD play back issue still persists.
I am running off of iDVD v 5.0.1 and could not find a place where I could choose a 16:9 option, if that is what you meant.
The sequence does include a PSD mask which was imported as a Layered Graphic Sequence. That shouldn't have any impact on the burning issue though.

Similar Messages

  • Big problems exporting to DVD

    Hi
    I have a 55 min sequence that I'm trying to export using the DVD settings in compressor. I have tried all the options but keep getting the same problem. Either DVD studio pro tells me the format is incompatible or the movie file is incomplete. I have tried all the options in compressor but keep having problems and I really need to get this project completed.
    The sequence is pretty normal, the same as I have done before without any problems so not sure where I am going wrong. Is there a work around? Perhaps exporting as a QT movie then re-compressing for DVD.
    Any help would be grateful, I've posted on Compressor forum and it was suggested to double check settings.
    Many Thanks
    Adrian.

    Hi David
    Thanks again for replying. I've been using the DVD preset settings of best quality 90min. (Mpeg 2 6.2mbps 2-pass, Dolby digital professional 2.00) Although I have tried the fastest encode preset resulting in the same problem.
    Incidentally, I have used magic bullet filters for the first time on the sequence, would that contribute to the problem?
    Also, if I go down the exporting to Quicktime route and then re-import, do I then use the same DVD preset settings and will there be a drop in quality?
    Thanks, in anticipation
    Adrian

  • LOSING  Resolution when exporting to DVD!!! NEED  TO KEEP QUALITY

    Hey guys,
    I used compressor to compress some HD (1920x1080 29.97 fps Apple Pro Res422 (HQ) footage to transfer to DVD Studio Pro.
    I compressed it at MPEG-2 /Audio AC3. Reason is because i don't want to make an HD DVD. I want greatest quality on SD DVD.
    Looks great on simulate, but looks horror on the disc. With 3 trail and error attempts, i failed. is there a setting i must go through in dvd studio to keep the res...
    What do I need to do?

    Hi,
    You're going to need to recapture the show from the HDCAM tape to a 10 bit uncompressed Quicktime file. Then encode directly to Mpeg 2 from that file. It will only take a little while to encode with an 8 core machine.
    If you were capturing raw footage for editing from the HDCAM tapes, then you'll need to recapture and reedit the show, or otherwise replace your Pro Res codec sequence clips with the 10 bit uncompressed versions. And then, with the right Compressor settings upon export, your show will look just like a high quality standard def version of the HD movie.
    Basically, the Prores Codec is heavily compressed already, and not intended for final distribution, and certainly not to be encoded to Mpeg 2 from. You know what they say - "you only get one compression pass to keep quality"; you are compressing heavily twice.
    I was involved with the proofing of the Baraka DVD (MPI Home Video release) - the highest resolution movie ever created for standard and hi def DVD (8000 X 8000 pixels per frame, shot on custom iMax cameras; took them over a month to capture all the frames to hard drive). They too, encoded directly from the uncompressed source; and the standard def version DVD looks like HD on my big screen.
    Take care,
    Trai
    TFDVD Research Labs

  • Screen resolution problems - Keynote to iMovie HD to Quicktime to DVD

    I'm not getting quality screen resolution when exporting slides with builds from Keynote, to Quicktime, import to iMovie, then back to Quicktime.
    I notice it mainly with the text content because it's very pixelated.
    The final Quicktime movie will be burned to DVD and then viewed on other's computer screens, which of course I realize will all be different.
    How can I best trouble shoot this problem?

    I'm not getting quality screen resolution when exporting slides with builds from Keynote, to Quicktime, import to iMovie, then back to Quicktime.
    I notice it mainly with the text content because it's very pixelated.
    The final Quicktime movie will be burned to DVD and then viewed on other's computer screens, which of course I realize will all be different.
    How can I best trouble shoot this problem?

  • Problems exporting and playback the MPEG2-DVD videos, from .MP4 file!

    I have PremiereProCS4 v.4.2.1 installed on this PC:
    OS:WindowsXPProx64Bit; CPU:IntelCore2Quad Q9650; RAM:4GB DDR2 PC2-6400 Kingston; HDD:3x500GB WestrnDigital Caviar Green; VGA: Sparkle GeForce 9400GT 512MB.
    I have downloaded an AVCHD file .MTS 1920x1080p 25p, made by Canon HF100 AVCHD camcorder, from this source (.rar file):
    http://www.megaupload.com/?d=RWR5MNYHhttp://www.megaupload.com/?d=B9ZDX2RZ
    The videos in question called: "25pf_1.25_f1.8.MTS" playback and export from Premiere as MPEG2-DVD very well.
    I playbacked it on Premiere on the second Monitor as "OutputDevice". All Ok.
    I playbacked also the DVD made with EncoreCS4, on the external DVD set-top-box-player. All OK.
    I downloaded also another clip 1080p 25p, converted as .mp4, from the same author, imported then in Premiere with Preset "XDCAM EX 1080p 25p" (470MB) :
    http://www.megaupload.com/?d=B9ZDX2RZ
    No problems with playback.
    Exported as MPEG2-DVD PAL "Lower Field First".
    Opened in NeroShowTime Player: the video have a serious interruptions of the playback, some moments plays back-and-forward, and it isn't fluid at all!
    I tried to create a DVD with EncoreCS4 and played it with DVD Player set-top-box, and the result is bad, and is the same as the playback on my PC with NeroShowTime Player. It present the back-and-forwars interruptions.
    I tried also to create an AVCHD Project 1080p 25p and import the .MP4 file, but the problem persists !
    After exporting them, and played-back on NeroShowTime and on Set-Top-Box Player, the video have strange behavior, and plays back-and-forward!
    1) What Preset in Premiere should I use to editing, for this .MP4 file format, (filmed with Canon HF100 AVCHD and converted from original .MTS format to .MP4 format)?
    2) Is this a transcoding problem?
    3) Is this an exporting MPEG2-DVD PAL field-order issue?
    This is my bad exported MPEG2-DVD converted file, available for downloading:
    http://rapidshare.com/files/337858976/Canon_HF100_1920x1080p_25p_01_AVCHD25p.m2v.html
    Strange! With .MTS files I haven't any exporting problems at all!
    Please response me hurry!
    Many Thanks!
    Horsepower.

    OK! Sanyo use a bad format.
    But about JVC GY-HM100 Professional:
    I know this model very well!
    It records to .MP4 XDCAM_EX at the same manner of Professionals Sony Camcorder such this: Sony XDCAM_EX model "PMW-EX1" price €6.478,80.
    This JVC GY-HM100 camcorder is not tha same as Consumer JVC camcorders.
    It doesn't record MOD or TOD files.
    It records .MP4 files editables in Premiere with XDCAM_EX "Preset"!
    See those details:
    http://pro.jvc.com/pro/attributes/HDTV/manual/editing1.html
    http://pro.jvc.com/pro/hm100/content.jsp?model_id=MDL101845&attributeId=2&feature_id=02
    See also this page:
    http://pro.jvc.com/pro/hm100/content.jsp?model_id=MDL101845&attributeId=12&feature_id=12
    The first Brochure called "A Guide to the Most Efficient Workflow with ProHD
    (6 pg brochure)" explain very well the .MP4 - XDCAM_EX format and the Editing process that should be with Adobe PremiereProCS4.
    I have inspected the downloaded .mp4 file in question, and GSPOT v.2.70a reading this:
    -CONTAINER:
         isom: MP4  Base Media v1 [IS0 14496-12:2003]
    -VIDEO:
         CODEC:avc1
         NAME: H.264/MPEG-4 AVC
    -AUDIO:
          CODEC: mp4a: MPEG-4 AAC LC
    1c) Is this an AVCHD video codec?

  • Export Resolution Problem In Photoshop CS-2

    I am having a problem exporting a Nikon NEF file (raw) from Aperture to Photoshop CS-2. The problem is that after the file is exported it is only at 72 dpi when I need at least 300 dpi for print. Can anyone help me out here as I have spent hours trying to figure this out? I have checked my settings in the preferences menu and have the export settings set to psd. I have also tried the tiff setting as well with no such luck. I have not cropped the image at all. I am exporting it as a full size raw file.
    Also where can you manage the color profile settings in Aperture I assume it is using the profile that the camera gave the image?
    I am also having some issues with the quality of the image after I bring it back into Aperture from Photoshop. It seems that some pixels are very muddy and blotchy looking. I can view the image in Photoshop and Aperture side by side and the Aperture version is not the same.
    Anyone’s comments and help would be much appreciated.
    Robert

    Thanks for the reply Robert. Wow that was a good hours worth of reading. I found it somewhat helpful but looks as though I am confused about the topic as many others are. All I know is that one time I cropped an image in Photoshop to a 5x7 image size at 72 dpi and had it printed and it defiantly showed the pixels being jagged on the edges of my text and subject. I then reprinted the image and cropping from the original raw cropped it to the same 5x7 but set the dpi to 300 and the results were much better. My camera is a Nikon D2H at 4.1 mega pixels. The images are 1632 x 2464 and are usually about 3.1 MB in size. I have had outstanding results printing images up to 16 x 24 using a professional lab and setting the ppi at 300 in Photoshop. So I guess my real test will be to have one printed out that I cropped from Aperture at a 16 x 24 size and compare the results to my old way of doing things in Photoshop. I hate to say this but I really don’t care about the tech side of printing. I just need to know what works and what doesn’t. I see a lot of great qualities in Aperture but there is a learning curve as in any new product.
    For the record in the past I always used Nikon capture to perform the raw file edits before moving them to Photoshop for further editing if needed. Such as adding a watermark or some text to the image and had great results. The reason for my change is that I switched from a PC a few weeks ago to this new G-5 Quad and have found out that Nikon View does not run at all on the OSX operating system. Nikon Capture works well but without View there is no way to organize your files. So I spent the 499.00 and bought Aperture, which is great for file organizing. So off to the lab I go to see what happens when I print a 16 X 24 image with Aperture. I will let everyone know what the results are.
    Happy Computing,
    Robert Morehead

  • Still images exported to DVD look deinterlaced and flicker on TV monitor

    Hi,
    I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
    My FCP Timeline Sequence settings match the image resolution:
    Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
    Pixel Aspect Ratio: Square
    Field Dominance: None
    Compressor: Photo JPG (also tried, DVCPRO-NTSC)
    I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
    Final output of DVD will be on this monitor:
    Specifications:
    Ikegami
    Model: VCM-2101
    Resolution: 450 TV Lines (Horizontal)
    Should I crop the images to 450 horizontal pixels or the double of that 900?
    How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
    Compressor:
    I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
    In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
    I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
    Thanks a lot..
    Re: Poor Quality Stills
    Dec 19, 2006 4:08 PM (in response to Steve Braker)
    Things to try (In increasing order of image degradation)
    - (in FCP) field order>none
    - (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
    - (in FCP) flicker filter - minimum
    - (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
    - (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
    - (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

    Dear Russ,
    Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
    make a progressive sequence with  square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
    Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
    Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
    If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
    The images are not interlaced after  I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
    Please help and thank you for your comments.

  • Losing resolution when exporting...

    I have made a few movies using photos and video clips set to music. When I export them, either using Quicktime or sharing them with iDVD, they lose a lot of resolution. Is there a way to burn these movies to DVD without losing quality?

    I used the Ken Burns feature on every photo (70 total). Some of the photos are 3264x2448(8MP), most are 2592x1944(5MP), and a few are scanned photos size app. 2711x2033.
    Okay. Would assume the still are being stored in your project as 1920x1440 frames. (You can check this out for yourself and I don't know if working in PAL mode would be different that NTSC.) In any case, the stored image resolution will be the limiting factor for export resolution.
    When finished, I exported the video in Large size 720x576. At this resolution the quality was very deteriorated.
    Just finished making a dozen runs duplicating your work flow in Compressor Native PAL, Compressor Native NTSC, 768x576, 640x480, etc. and cannot duplicate you problem without doing something like using a filter to overdrive the contrast like this:
    Preview in iMovie '08
    Output in QT Player
    Output w/Overdriven Contrast in QT Player
    Apple Care recommended that I share with iDVD, but I got the same results. Then I started experimenting with Quicktime, which is where I am now. I have tried several different sizes, including my own concoctions with the custom function (1382x1036 is what I'm exporting at now, I want to keep a 4:3 aspect ratio).
    As indicated above, you can open your project folder and check the "Still Images" QT file which contains your stored photos to see their resolution. Max resolution depends on your project import settings (e.g., 1920x1080, 960x540, etc.) and their orientation. In any case, this is the max height resolution to which you can export your project at optimum quality for its aspect ratio. Remember, however, that whatever resolution you export your project to will later be re-scaled in iDVD down to 720x576 (PAL) or 720x480 (NTSC) for burning to DVD. If you think the increased processing time is worth whatever increase in quality you may achieve, then go for it.
    The resolution looks acceptable (once I shrink the movie down to fit on the screen), but as I mentioned the color saturation is too high. In the quicktime filters, I adjusted the saturation down to 80 percent, and reduced the red by 5. Still waiting on the results...
    Still haven't a clue here.

  • Im having problem with the dvd quality, I'm using compressor to convert the video fils from apple prores to mpeg2 .It doesn't matter how long my video is even if its just 5 minutes  I'm getting cut edges in the video , does anyone have any idea ?

    Im having a problem with the dvd quality, I'm using compressor to convert the video fils from apple prores to mpeg2 .It doesn't matter how long my video is even if its just 5 minutes  I'm getting cut edges/lines  in the video specialy if i have titles it comes up really bad , I took the same video to a friend of mine who have PC and he uses Encore , did the encoding there and it was just fine no problems! BTW I tried using doferent setings in compressor from CBR and VBR I even pushed up the setings to 8 or 9 BR and still no luck !
    does anyone have any idea ?
    Thanks in advence ...

    Let's focus attention on just the Sony. (What model and what resolution are you shooting?)
    For now, I'll assume you're shooting 1080i.
    Take a representaive clip  into a new sequence. Add a title.
    In your sequence, make sure field dominance is set to Upper.
    Set render settings to Pro Res 422.
    After rendering, export QT self contained.
    Import into Compressor (I'm now referring to v3.5).
    Select the 90 minute Best quality DVD preset.
    Open frame controls and turn on (click the gear icon). Set Resize filter to Best.
    Submit burn and check quality on TV.
    Good luck.

  • Exporting to dvd studio pro

    What is the best way to export sequences to DVD Studio Pro for output to DVD Video (PAL), just for television viewing? Currently using quicktime movie, but are finding artifacts on both menus and footage. Pixel type flashs, not always in the same places (seems to alter each time I do a new build).
    I have been told to experiment with Compressor, but there are so many options where do I begin? Also how does the sound work with Compressor, whats the best sound file to use, does it matter?
    I'm using FCStudio5 (upgraded recently from FCPHD4.5. Everything used to work fine on old version, now seem to have continual problems.

    The best way to export to DVD Studio Pro is using Compressor - it's also the fastest way!
    If your footage orriginated in NTSC, export it directly to PAL. It will take a little longer as PAL (720 x 576 @ 25 fps) has higher resolution than NTSC.
    It doesn't really matter what sound setting you use, as long as it is 192 Mbit/s or higher.
    Then create a DVD Studio Pro using the PAL settings and bear in mind that the picture frame (including menus) is 720 x 576.
    If you regularly send/sell matherial to Europe, it's much better to shoot it in PAL!

  • Problem exporting with Premiere Pro/Media Encoder CS4

    Hey there. I've got 15-minute long movie edited in Premiere. Whenver I've tried rendering/exporting to see what the final product looks like, Media Encoder will usually freeze up about halfway through encoding. The time estimated/time elapsed will freeze, and if I cancel the encoding the program freezes up.
    Other times I will get an error that says "encode failed because the source duration is nil". Not sure what that means, but the render arrows in the work area are never set to zero.
    Additionally, I've tried exporting different lengths of the project only to have the same results, with Media Encoder failing each time.
    Any suggestions on how to fix the problem?
    My footage is in .mp4 format, and I'm also exporting to the same format. I've got numerous music and voiceover files as well. Resolution when exporting is 1280x720, and the max bitrate is 7.0mbps.
    It seems more like a software problem than a lack of adaquate hardware, but I'm running a laptop with Windows 7 64-bit with a 2.0 GHz CPU and 8GB of RAM - I'm not sure how to find out what kind of video card I have.
    Thanks for any assistance, it is greatly appreciated!

    Some reading
    Long File Names or odd characters cause problems
    Read http://forums.adobe.com/thread/588273
    And #4 http://forums.adobe.com/thread/666558?tstart=0
    And This Message Thread http://forums.adobe.com/thread/665641?tstart=0
    My 3 hard drives are configured as... (WD = Western Digital)
    1 - 320G WD Win7 64bit Pro and all program installs
    2 - 320G WD Win7 swap file and video project files
    3 - 1T WD all video files... input & output files
    Search Microsoft to find out how to redirect your Windows swap file
    http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
    Trying to use only ONE Hard Drive for Video Editing
    You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
    Now, at the same time and with the same hand... while still using the baton to conduct the orchestra... pick up a bow and play a fiddle... this would be doing something with your video file at the same time as all the other work
    You as a person cannot do both at the same time with the same hand
    A computer is a LITTLE better, in that it can switch from one kind of task to another very quickly... but not quickly enough for EASY video editing
    You need AT LEAST two hard drives (separate drives, never a partition http://forums.adobe.com/thread/650708?tstart=0 for more) with Windows (or Mac OS) and software on your boot drive, and video files on a 2nd drive so the boot drive is not slowed down by trying to do everything
    I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
    Depending on your exact hardware (motherboard brand & model AND USB2 enclosure brand & model AND external hard drive brand & model) AND the type of video file, you may... or may NOT... be able to use an external USB2 hard drive for SD (Standard Definition) video editing
    Steve Grisetti in the Premiere Elements forum http://forums.adobe.com/thread/856208?tstart=0 and Jim Simon in the Premiere Pro forum http://forums.adobe.com/thread/856433?tstart=0 use USB externals for editing
    A USB3 hard drive connected to a motherboard with USB3 is supposed to be fast enough for video editing (I don't have such, so don't know) but eSata DOES have a fast enough data transfer for video editing... I have not used this eSata Dock... for reference only, YMMV and all the usual disclaimers
    http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t

  • Motion blur issue once exported to DVD through Encore

    I have 59.94 HD footage. I edit it, export it through Adobe Media Encoder to Mpeg-2 DVD at 29.97, drop-frame, lower field dominance. I then import that .m2v file into Encore, and then export to DVD, without re-transcoding or encoding anything. The DVD plays back with a 24p-like jitter, or blur to it. I do not understand this. After encoding the .m2v file, I went back and played that on windows media player, and other media players, and the video played back as it should originally, very smooth. Why is it that in between creating the .m2v and exporting the DVD in Encore, I am getting this 24p-like blur/jitter to the video? Does it matter that some of these videos I am putting to DVD-DL and are quite large? Hope someone can help. Thanks. Any other info needed, I will supply for you.

    Matrox, velocity and anyother hardware based NLEs use a 720 x 486 timeline. I've exported countless SD files through AME and the m2v files played fine through a Windows media and VLC, They also imported and burned to DVD with Encore flawlessly. SD is not the issue at all.
    The problem is as stated in the original posting is.
    I export the HD timeline(59.94) through AME as a MPEG2-DVD (29.97 Lower field) and the file plays fine in the WIndows Media Player and VLC. No jitter. Perfect
    It's when I put the m2v encoded from a HD (720 x 1280 59,94 frame rate as a MPEG2-DVD in AME ) in encore ( do not transcode ) and then burn to a DL DVD. When the DVD is played back, the jitter issue arises.

  • White lines on movie exported in DVD

    ehi guys. I did just a nice movie with the suggestions of some members of this forum but at the end the quality of a 30minutes movie exported in DVD was not so much principally because of some white lines present in some pieces of the movie. These white lines are not clearly detectable, but still they disturb the vision. I guessed that this effect was  due to the low ram of my laptop (512MB). is that correct?

    It sounds like it *could* be an interlacing issue, especially as it appears on the TV, and not the computer. Chances are that the computer's progressive scan masks this issue, while the TV's internaced display shows it.
    Now, are all of the source Clips on the same Timeline the same? Were they all Captured via PE from a miniDV camera, over a Firewire connection, or are the from mixed sources? Having this problem come in during the play of the DVD indicates that it might be some of the source files, but not all of them.
    More detail on the Clips would help. In the Project Panel, you can get the properties of each of your source Clips. Listing those would be a good start.
    Good luck,
    Hunt
    [Edit] Antonio,
    If it is a Field Reversal interlacing issue, you might get some useful information from this current discussion.

  • Poor DVD Quality when exporting to DVD

    I have an HD timeline with XDCam footage 1080i.  I have been trying to export to DVD and everytime I export I get poor quality video.  The image shows distortion and pixelation.  My client is not very happy with the final product and I'm just running out of asnwers.  I have tried exporting using Dynamic Link, Media Encoder and I get exactly the same result.  I have tried exporting the first 15 min with same results. Jagged edges, etc.
    I just upgraded to CS5 from CS4 hoping to resolve the problem and I get the same result.  I only have the problem while exporting to DVD in MPEG format.  Blu-Ray format works great.
    Any help is greatly appreciated.

    Hi Ann
        Here are the specs of my PC.
         Dell Workstation T7500
         12Gb RAM
         Quad Core Xeon E5520 2.27 CPUs
         Vista 64Bit OS
         Terrabytes and Terrabytes of RAID storage.  Too many to mention.
    I can edit HD content in real time and works great the only issue I'm having at this point is just Encoding HD to SD.  The encoding is normally done fairly fast, except for HD wich takes almost a whole day to encode when delivered in HD. Right now is taking longer because I'm trying to go from interlaced to progressive I guess.
    Question regarding your settings.
    My settings are different than yours on:
         Quality = 5
         Field Order = Lower (Could this be the problem?)
    Thanks

  • My Imovie looks great on mac but it is discolored and grainy after I export to dvd.

    My Imovie looks great on mac but it is discolored and grainy after I export to dvd. I need help, it looks awful when projected even playing from my mac.

    It's my understanding based on what another long time contributor stated that Share to iDVD converts direct to a MPEG-2 format and drops it directly into the iDVD Project for you. Share to Media Browser saves it to .MP4 (actually .m4v which is what apple uses for iTunes video,etc) then that gets converted by iDVD into MPEG-2. So something about the export direct to MPEG-2 when you choose Share to iDVD is introducing the problem. That's why Share to Media Browser seems to get around that limitation, it uses a different encoding path altogether.

Maybe you are looking for

  • OBIEE 11g Writeback Error

    Hi All, I am unable to configure the writeback functionality in OBIEE 11g, i am getting error while pressing Apply button in the report no error message is displayed in the error box only 2 ok buttons. Folder customMessages doesn't exist: "ORACLE_INS

  • Print with Airport Express

    I've just buyed a new printer (HP Laserjet Pro 300 Color m351a) and installed new HP drivers in my Macbook Pro (with OSX 10.9 Mavericks) and when I connect the USB cable to the Airport Express (first model) to use it wireless I'm not able to see her

  • How this to display.

    Hi Guys, I got structure in rows , under that we have quite number of selections with restrictions,Now we want grouping under deferent name. Plz help me. harry

  • Starting full system upgrade... there is nothing to do

    Just finished my Install of Arch and I can't seem to update anything it just gives me "Starting full system upgrade... there is nothing to do" I tried pacman -Syy and it syncs my repos and I've checked and I do have packages that are out of date so t

  • My macbook pro becomes slow

    I bought a macbook pro 13'' last september. It was good during the past one year, however, it becomes very slow recently, and I can't log into the system until i forced shut down the computer.    Once it also become dark when i was using it, and i al