Slightly distorted aspect-ratio (and missing alpha channel) when copy/paste from Photoshop

Maybe this is an old topic (but I didn't find anything on google or this forum):
When I copy images from Photoshop to Flash, the aspect ratio of the bitmap gets distorted. A 728x90 Bitmap becomes 727.6x90 (and so on...). The dpi is set on exactly 72 on both programs. Is there any way to JUST get a 1:1 pixel copy? (except using another program like Irfanview as a "man-in-the-middle")
Although I selected "32 bit color w/alpha" in the clipboard settings of Flash, the alpha channel seems to get discarded when copying from Photoshop. Shouldn't it at least work with Photoshop? I mean, it's an Adobe product after all and maybe the most commonly used together with Flash.
Would just be nice if a copy-paste between PS and FL was an easier thing.
I know there can also be a pixel-aspect somewhere (like used for video productions and wide-screen), but I didn't find settings for that anywhere.
I still use Flash Professional CS5.0

I'm on windows7 with CS5.5 and transparency and size are copied over just fine. You answered what would be my first question, 72dpi. How about the image mode. Are you using RGB 8bit?
I've had lots of issues with the OS not handling transparency very well also, such right-click on an image on a website that you know is a PNG and has transparency, then paste it into photoshop, the transparency isn't saved.
The route that always works (but is a PITA) is of course to save it as a PNG with transparency and just import it.

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Premiere Pro CS6 won't recognize alpha channel in .tiff file from photoshop

Hey Everyone,
I'm new to Premiere Pro, but I have used Final Cut Pro 6-7. Anyway, I created a 3D text design in Photoshop to use on top of another photo in a video in Premiere. In Photoshop, the alpha channel appears fine. In Premiere Pro it is not recognized. Instead, a white background appears where the alpha channel should be. When I layered the 3D text on top of a photo (in Premiere Pro), the white still appears around the 3D text design. After I imported the file, I did click on the .tiff file and clicked on modify---->interpret footage----->alpha channel (where I deselected ignore alpha channel). Premiere Pro still does not recognize the alpha channel. Should I convert the Photoshop file to another format or is there something I'm not doing? I'm spending more time trying to figure this out than I am on putting this short video/photo slide show together. I would greatly appreciate any help anyone can offer.

Thanks Ann!!! Seriously, you just saved me hours of aggravation. I didn't know I had to select that in Photoshop. I was under the impression that Adobe product files were seamless.

Pixel Aspect Ratio and ciphering type of footage-CS6

CS6- updated 12\18\13 V-11.03
Hi All,
A few questions about:
Pixel Aspect Ratio and ciphering type of footage. Bare with me as I touch on two different aspects of what I feel are related:
1. Setting up a Comp-
Having AE decide on the correct footage being used- Via >Import footage,.(to Folder) then drag it on, or into the 'make comp icon' where AE is supposed to do a 'best guess' for the comp settings. Be it square pix or otherwise. What are the second value in brackets ? See pic
2. Interpolation-
When using two diff footage sources- If using two different source footages in a comp. Is this where I should interplolate my footage to match the existing footage and the comp settings (If I have choosen NOT to pre-comp that secondary footage?)
3. Seperating fields-
How come footage that a camera manufacturer claims to be shooting in Progressive 30 or 24p is showing up as interlaced in my comp's CP? The manual to the cam says 30p or 24p or 60i The footage was shot at 30p (for sure)
Here is a screen grab of AE's 'best guess' of that footage, showing it with an UPPER field render; indicative of HD Interlaced footage and then in the inerpolate settings - 'kinda confirming it.
Now for the way out- Render:
4. If that is in fact Interlaced and I then want to reduce the size of that 1920 footage to 66% size... Do I need to do anything in particular at this point?
For some reason I am getting an error on my end when trying to export as an AVI and reducing size to 1280
5. Is this from the Field render of interlaced challenge?
I ended up with a couple of errors and then aborted the whole file and re-imported to start over with this error. Which happend again after a redoux
So I sent it over to Prem Pro to export those MTS Files as a movie and noted AGAIN the reference to Interlaced video. "upper and lower" Prem Pro was able to use the same MTS files and export a working movie. (so those files were not corrupt BTW) Yet Note PP's output reference to that footage again as Interlaced would be...
Thanks for any clarity on those "5" questions... NC

Thanks for the details Rick.
Thanks for the insight on #1
Ref #2, You should never change the interpretation of Pixel aspect ratio on footage unless you know for a certainty that it is wrong. For example, open Photoshop or Illustrator and create a new document that is 720 X 480 pixels and AE will always interpret the image as rectangular pixels because that is a standard rectangular pixel frame size.
Unless you specifically created the image in Photoshop with rectangular pixels it is square pixels so the interpretation must be changed to avoid distortion.
--Did you mean to write:
Unless you specifically created the image in Photoshop with SQUARE pixels using a rectangle layout? I am not trying to bust your blz here, I am trying to understand the unknown. (for me)
So it may very well be AE mis-guessing the footage and the Upper first is a mistake on AE's part and I need to test it to find out? On that note...
Ref#3, Separating fields must be done right. Some 1080P footage is interpreted as having fields. This may be incorrect and if there is a question you MUST test the footage. Test the footage by making sure that the fields are being separated
How do I make sure the fields are being seperated? Does the window as in pic two from the top of my post confirm that or is there another test?
Then I do the following:
then selecting the footage in the project panel and choosing Create Composition from Selection, then opening the Composition settings, doubling the frame rate and stepping through the footage a frame at a time. If the footage is really interlaced then each of the frames will be different. (IE: 29.94 to 59.94fps) OK
If the field order is reversed then motion will be in the right direction then reverse, then go back to the right direction. ---I did not understand? Are you referring to Upper and Lower reverse? Direction, as in fwd and back in Time line? Sorry unlclear on my end...
Oh and HFR footage? HFR? High frame rate??
One last thing, Do all cameras shoot anamorphic, or could they as AE is showing my MTS files; are Square? (1.00) Pic #1
@Dave- You -
At 1080, a lot of footage is interlaced, and evidently your camera made interlaced footage
Me- How do you know? because of the 2nd pic and upper field first indication?
You-Even if you know for a fact that it was shot 30p, the camera captures the entire frame... but it records it as two fields. They give it a fancy name: Progressive Segmented Frame.
Me- Is this typical false advertisement of the sales divison of brands like not telling you what CMOS or CCD is in a cam just slapping HD 1080p on the side of the box?
You-AE will treat it as an entire frame if you interpret it as having a field order of None.
Me- Won't that be a problem mis leading AE on an interpret?
Thanks Gents for the precise details.
Best
NC

Captivate videos - aspect ratio and skin

1. When I import video into captivate, it correctly keeps the same width and height of the source video IF I do not use the haloSkin. If I use the haloSkin (which is always visible and creates a frame around the video), the video itself shrinks to put the skin around it, but it also loses its aspect ratio and becomes squished vertically. There's no easy way to adjust the video so it uses the proper aspect ratio or even width and height without manually eyeballing it. Am I missing something?
2. Are the video skins customizable? If I wanted to do something simple like change the haloSkin to be colored black instead of white, is that possible?
Thanks,
Keith

1) The haloSkin subtracts 20 px from the width and 50 px from the height of event videos, which is not only counter-intuitive but obnoxious because it does indeed mess up the aspect ratio of your video as you noted. So a 640x480 video object with the skin applied has a video area of 620x430. Fortunately the 20 and 50 are absolute, and don't change with the size of the video object. This means that you can just add 20 to the width and 50 to the height of the video object to get your video back to the correct size. (a video object with dimensions 660x530 and the haloSkin applied has a video area of 640x480)
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Aspect ratio and render line issue

When I overwrite the video from the source (top left) window to the timeline, it is changing the aspect ratio and a red 'render' line is appearing on the time line.
The video is now zoomed in and pixelated.
I have not had this issue while editing with my other files and the settings seem to be correct. Am I missing something super obvious?

The PPro tutorial list in message #3 http://forums.adobe.com/message/2276578 may help, with more help in message #5
Look for the NEW ITEM information on page 5

The odd tale of Quickmask and the alpha channel

I'm posting this in hope rather than expectation - as I keep requesting this is fixed, but I seem to be a lone voice.
I understand that this code was written back in the 90's - and I get the impression (from a senior Photoshop engineer no less) that no one really understands it...
The odd tale of Quickmask and the alpha channel
Try this:
With Quickmask set to it's defaults (double click the quickmask icon and ensure it's set to 'colour indicates : masked areas'), paint in black to create a 'red' quickmask area. Hit Q to return to the selection border. You should see two selection borders - one at the edge of the image defining the outer edge of the selected area, and one defining the inner edge of the masked area that you painted.
Now hit the 'save selection as channel' button at the bottom of the channel palette to create an alpha channel.Everything's as expected - the alpha is black ('unselected') where you painted.
Now repeat the process, but with the Quickmask mode set to 'colour indicates : selected areas'.
In this case where you paint in QM mode should be selected. Paint a patch and hit the Q key - it is. You have a single selected area. Now hit the 'save selection as channel' button at the bottom of the channel palette to create another alpha channel.
This time the alpha is incorrect - it's the inverse of what it should be.
And it gets worse:
Ctrl / Cmd click on the alpha thumbnail to load the alpha as a selection -
notice that it even loads the black area as a selection.
It's been like this as long as I can remember... and I really wish it was fixed.
I'm a Photoshop ACI. QM is a tool I'd like to get my students to use more, but this behaviour makes it 'difficult' to teach Quickmask to users, particularly in conjunction with alpha channels. In my experience it seems that most users find it more natural to 'paint on' a selection, rather than than 'paint off' a mask.
So most users would prefer to set 'colour indicates : selected areas'
I've been around long enough to know the rubylith heritage upon which Quickmask is modelled, however I now think it's time that baggage was left behind. I wonder what proportion of current Photoshop users even know what rubylith was?
There are two points here:
1. There should be NO connection between the QM paint state and the subsequent creation (or loading) of an alpha channel.
Whether you choose to label it a feature or a bug, it's clearly wrong to toggle out of QM mode, see a selection on screen, make an alpha channel - and find your alpha is reversed.
And in addition to that - it's a 'freak' alpha that subsequently loads reversed...
2. I think it's time to drop the rubylith baggage and set the QM paint mode to a default of set 'colour indicates : selected areas'.

Charles,
Thanks to your replies I've now discovered another twist to this tale...
When I'm saving a selection, I typically use the 'save selection as alpha' button in the channels panel. That shows the issue I'm referring to.
However, I've just discovered - thanks to your comments - that if instead you use the 'Select > Save selection' menu command you get a 'correct' alpha.
If you care to try that second example again you'll find you can get two different alpha's from the same selection - depending upon which saving option you choose!
This is now getting so complex, I'll have to put a pdf together explaining it and send it to our fiends at Adobe.

Cropping in PS while Maintaining Aspect Ratio and DPI

I shoot the Nikon D3, RAW (.NEF) and convert through ACR. Through ACR, the DPI is set to 300 DPI; the DPI caries over to Photoshop.
I crop in Photoshop using the crop tool (not marquee). To maintain 2:3 or 3:2 aspect ratios, the crop tool requires the width and height in inches or pixels. If specifying resolution, the document size will crop to that DPI, if not; the DPI is derived from pixel dimensions.
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Just to summarize:
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There is no way to specify a ratio with the crop tool, specifically, as the OP has requested, though in a future version perhaps specifying simple numbers there without any units might be a way Adobe could facilitate this. It would be a nice addition and with little downside.
I guess what I don't understand, though, is why the OP cares about the "high" resulting dpi value? It's just a number.
Expanding on this, the Resolution is nothing but a metadata value that can be changed at will (e.g., through Image - Image Size... - uncheck Resample) at any time in the future. There is ALWAYS a Resolution value associated with the image, both before and after the crop (though the crop tool may end up changing it; so what?). In short, the Resolution is just an arbitrary figure until such time as the user wants to use the image for a purpose (e.g. printing).
Always think in terms of pixel dimensions (number of pixels horizontally and vertically) while editing, then think about dpi right before publishing. It's hard to go wrong this way.
-Noel

How do I control aspect ratio and pixel dimension in iMovie 10

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What is aspect ratio and how can you change it?

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I'm having the same trouble. Zapplications will upload only 1920x1920 photos. With iPhoto I can't get past the automatic ratio of 1920x1440!!! There MUST be some way to customize photo size on iPhoto!! Please help!! I've tried cropping the photo to a square and still can't get past this ratio thing.

Aspect Ratio and Pixel Aspect Ratio

I am importing P2 footage and wondering what my sequence settings should be? As in Aspect Ratio and Pixel Aspect Ratio would need to be? Do I need to ask the DOP what settings on the P2 have been used when filming?

If you have FCP 6 then when you drop a clip into the timeline it will ask you if you want to configure the sequence to match...just click YES.
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I have coverage with mixed formats - some with PAL ( we think 4:3 ratio) and some HD. When I chose

I have coverage with mixed formats - some with PAL ( we think 4:3 ratio) and some HD. When I chose our sequence settings to begin with, is there a way of preventing some shots with bars either at left and right or top and bottom?

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Clean install on new 1TB hdd, Yosemite keeps freezing when copying data from an ext drive and also from a usb

Hi all,
I'm trying to figure out why my macbook keeps freezing when I try to drag my data across to it (even small files from a USB).
I've had to force restart over a dozen times today :/
I ran EtreCheck and there are a couple of issues (I've no idea what they mean).
If anybody could share some light into the report below I would be very grateful:
Problem description:
Macbook Pro mid 2010, Yosemite, blank new install on 1 TB hdd, keeps freezing when copying data from an ext drive and also from a usb
EtreCheck version: 2.2 (132)
Report generated 5/2/15, 4:55 PM
Download EtreCheck from http://etresoft.com/etrecheck
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         6%    com.apple.WebKit.WebContent(7)
         4%    Safari
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Hoz

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This has happened about a dozen times.
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I have a 250 gb partition for the OS and the rest is my second partition for data.
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Hoz

Extract All Embedded Files in All Folders and Save Each? Copy/Paste from PDF to Word?

I have most of what I need here, but I’m missing 2 important pieces.
#1) I want to copy/paste from all PDF files in a folder and paste the copied data into a single Word file.
It works fine if I have ONLY Word docs in my folder. When I have PDF files and Word files, the contents of the Word files are copied in fine, but the contents of the PDF files seem to come in as Chinese, and there is no Chinese in
the PDF, so I have no idea where that’s coming from.
#2) I want to extract all embedded files (in all my Word files) and save the extracted/opened file into the folder. Some embedded files are PDFs and some are Excel files.
Here the code that I’m working with now.
Sub Foo()
Dim i As Long
Dim MyName As String, MyPath As String
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Documents.Add
MyPath = "C:\Users\001\Desktop\Test\" ' <= change this as necessary
MyName = Dir$(MyPath & "*.*") ' not *.* if you just want doc files
On Error Resume Next
Do While MyName <> ""
If InStr(MyName, "~") = 0 Then
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FileName:="""" & MyPath & MyName & """", _
ConfirmConversions:=False, Link:=False, _
Attachment:=False
Dim Myshape As InlineShape
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IndexCount = 1
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End If
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Loop
End Sub
If this has to be done using 2 Macros, that’s fine.
If I can do it in 1, that’s great too.
Knowledge is the only thing that I can give you, and still retain, and we are both better off for it.

Hi ryguy72,
>>When I have PDF files and Word files, the contents of the Word files are copied in fine, but the contents of the PDF files seem to come in as Chinese, and there is no Chinese in the PDF, so I have no idea where that’s coming from.<<
Based on the code, you were insert the file via the code Selection.InsertFile. I am trying to reproduce this issue however failed. I suggest that you insert the PDF file manually to see whether this issue relative to the specific file. You can insert PDF
file via Insert->Text->Object->Text from file.
If this issue also could reproduced manually, I would suggest that you reopen a new thread in forum to narrow down whether this issue relative to the specific PDF file or Word application.
>> I want to extract all embedded files (in all my Word files) and save the extracted/opened file into the folder. Some embedded files are PDFs and some are Excel files.<<
We can save the embedded spreadsheet via Excel object model. Here is an example that check the whether the inlineshape is an embedded workbook and save it to the disk for you reference:
If Application.ActiveDocument.InlineShapes(1).OLEFormat.ClassType = "Excel.Sheet.12" Then
Application.ActiveDocument.InlineShapes(1).OLEFormat.DoVerb xlPrimary
Application.ActiveDocument.InlineShapes(1).OLEFormat.Object.SaveAs "C:\workbook1.xlsx"
Application.ActiveDocument.InlineShapes(1).OLEFormat.Object.Close
End If
And since the Word object model doesn't provide API to save the embedded PDF, I would suggest that you get more effective response from PDF support forum to see whether it supports automation. If yes, we can export the PDF as embedded spreadsheet like code
absolve.
Hope it is helpful.
Regards & Fei
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I am looking for an application that would allow me to open a word doc, and take notes in the .doc using a stylus pen. I'd then like to convert those notes to text, and then be able to copy / paste those notes into an email. Does this app exist?

I am looking for an application that would allow me to open a word doc, and take notes in the .doc using a stylus pen. I'd then like to convert those notes to text, and then be able to copy / paste those notes into an email. Does this app exist? It seems like we were doing these same types of things with Palm Pilots years ago, one would think this would work with iPads?

I don't believe it will open a Word document, but Writepad allows for handwritten conversion of notes to text and then to email. Might help you some of the way...

Slightly distorted aspect-ratio (and missing alpha channel) when copy/paste from Photoshop

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