Time lapse problems CS5

I've been having a go at a few time lapse movies using Photoshop CS5 on the Mac.
I have kind of 2 linked queries:
1) The easy way to make a movie is to use file>open and choose a batch of photos while ticking Image Sequence. However this doesn't seem to offer the option to reverse the frames which is quite important.
2) The other way I found on the web is to use a stack. I'm not entirely clear what the benefits are this way although it does allow me to reverse.
However if I go to Document Settings and change the frame rate, it doesn't seem to affect the length of the movie, whereas method 1) does invite you to set the frame rate at startup and this affects the overall length of the movie.
Thanks in advance for any comments.

Welcome to the forum.
When Still Images show as black, the first things that I investigate is the pixel x pixel dimensions of the images. With many Stills, even if they are within the allowed pixel x pixel range, one's computer's resources can be used up, and an alternate workflow might be useful - Scale the Images to match the Frame Size of the Sequence, prior to Import, in a program, like Photoshop. This ARTICLE might be helpful.
The second thought is that the video driver is no longer performing properly, and needs to be updated. What is make/model of your graphics card, and what is the current number/date of your installed video driver?
Good luck,
Hunt

Similar Messages

  • IMovie '11, still images as frames for time lapse problem

    As strange as this may seem, I cannot find a way to change the stills I import to just be 1 frame each in iMovie '11.  That is, I have 30 still images (a time lapse) that I want to put together for a 1 second sequence (i.e. 30 frames per second).  The slowest I can seem to get is down to is 1 frame per second which gives me a total time of 30 seconds, which makes it useless.
    Are still images able to be set to 1 image per frame? Am I missing something?
    Thanks for any help you can provide.
    -Matt

    You can do this in iMovie but it is quite cumbersome.
    Long-time contributor Jon Walker created this Video Tutorial to show how to do this.
    The Tutorial is for iMovie 08, but I verified that it still works for iMovie 11.
    There are better tools for Stop Motion, including iStopMotion and QuickTime Pro. After doing it in iMovie, you may see why.

  • Time-lapse app Bricked my A7M2

    I begrudgingly put my $10 down to buy the PlayMemories Time-lapse app (v. 3.12), which should have been incuded for free anyways, but it immediately bricked my relatively new A7M2 today. I first updated the body to the latest firmware (1.2) using a fresh battery, and all worked well.  Then added the free Smart Remote Control App (v. 3.30) which also worked quite well. Then I added the free My Best Portrait app (v. 1.4) which also worked fine, although it's more of a gimmick. Then I purchased and installed Time-lapse and then immediately my camera won't work. It looks like it's trying to start up briefly a couple times then the screen goes blank, and it's totally unresponsive to all buttons, including the Menu and shutter buttons. I have installed a fresh battery and no change. Is there a way to remove this app and reset the camera? Remember, the screen is blank, so I won't be able to do it in the menus.

    I see an old article on the Forum, “Time lapse freeze,” at http://community.sony.com/t5/Alpha-NEX-Cameras/Time-lapse-freeze/m-p/49781#M524 that might be related to the Time Lapse problem I encountered. In that earlier case, the freeze was attributed to having a conflict with the Soft Skin Effect setting (Menu -> Camera -> Soft Skin Effect).  In my case, I installed “My Best Portrait” app and tested it with a few shots just moments before installing the “Time Lapse” app, so I bet this Portrait app uses the Soft Skin Effect, which could still have been “on” when I installed Time Lapse.  Which then froze up my camera for a couple days.  Just a guess.  I enjoy being able to shoot photos again so I don’t plan trying to test my theory!  Still, if you want to install Time Lapse and play it safe, you may want to avoid installing the “My Best Portrait” app or using the Soft Skin Effect.  Also, start with a fully-charged genuine Sony battery before installing each app, just to be sure that’s not a factor. I plan to re-install Time-Lapse on a later date once I get past some critical shooting that I need to do.  If I have any further problems with it, I’ll report back!

  • Problems with time lapse in Premiere Pro cs5.5

    About a month ago I tried to make a time lapse with my Canon 7D.
    I imported the pictures to Lightroom and exported them as JPG. Than in Premiere Pro I clicked on import, selected the first image and checked the "numbered stills" box. It all worked as it should.
    Yesterday I tried to do this again. The only different thing is the cameras but I don't think that's the problem (it's the 5D mk2).
    When I import the photos as numbered stills in premiere pro it and drop it in the sequence all seems ok. When I move the slider in the sequence forward and backward it also seemed ok at first but now it shows no pictures but only a black screen with some noise (like tv noise). If I export it there is no movie, just black screen with noise.
    Where seems to be the problem?
    When I drop it into the sequence I can also change the scale of the image to fit the screen and that all seems ok... :/
    I can even play a preview inside the premiere pro and it's almost ok (it's not a smooth playback, but it plays as it should...tough it drops some frames).

    Welcome to the forum.
    When Still Images show as black, the first things that I investigate is the pixel x pixel dimensions of the images. With many Stills, even if they are within the allowed pixel x pixel range, one's computer's resources can be used up, and an alternate workflow might be useful - Scale the Images to match the Frame Size of the Sequence, prior to Import, in a program, like Photoshop. This ARTICLE might be helpful.
    The second thought is that the video driver is no longer performing properly, and needs to be updated. What is make/model of your graphics card, and what is the current number/date of your installed video driver?
    Good luck,
    Hunt

  • Problem to create a time-lapse video

    Hello all,
    I'm encountering a problem with my CS5.1 , let me explain . I want to create a time-lapse video from many pictures i've taken,  But when i go to File------Automate------Batch , then I'm supposed to find in Actions something called "Time-Lapse processing " or something like this, but it's not there !!
    Can you help me in how i can get this work,please ? much appreciated.

    Welcome to the forum.
    It appears that you are looking to process your Still Images in Photoshop, with an Action, and then via Automate to Batch. Is that correct?
    Premiere Pro does not use Actions, and has no Automate>Batch.
    However, if one is doing Time-Lapse Video, PrPro can do that nicely.
    First, will you have any Video, or only Still Images?
    If ONLY Still Images, then you must address your intended delivery, say DVD-Video, or BD, or streaming media. That will determine your Project/Sequence Preset.
    Let's say that you intend to create a BD (Blu-ray Disc), in full-HD, then you can choose a 1920 x 1080 Project, at a FPS for where you are, such as NTSC = 29.97 FPS.
    After you have perhaps Scaled your Still Images in Photoshop, and named them in sequence, such as ____00001 through ____0000x, all in one folder, you can then Import that Numbered Still Sequence into PrPro, and even add a Transition, if needed.
    For most true Time-Lapse, one would choose a Duration of 1 Frame, but for a bit of a Stop-Motion "look," then 3 - 5 Frame Duration might be better. You can always experiment with a few of your Images, to see what suits your tastes and desires. For most of what I do, the Stop-Motion look is my choice, and I will usually choose a Duration of 3 Frames, with a tiny Cross-Dissolve between those Frames. This is your artistic choice. There is no right, or wrong choice.
    Hope that helps, and for the Photoshop aspect, you might want to post the question here: http://forums.adobe.com/community/photoshop/general
    Good luck,
    Hunt

  • I am having problems exporting my time lapses from quick time pro i need to save my files as photo jpegs but the standard video compression window will not open fully,

    i am having problems exporting my time lapses from quick time pro i need to save my files as photo jpegs but the standard video compression window will not open fully, it just keeps my mac (old 1.6Ghz 2.5 GB sdram G5 still good for most stuff i need) spinning for ever but i can see compression type H.264 selected and the other setting but i can not select any other options as it still thinking but never opens! why is this happening how do i get round it?
    my work flow is: 300 images shot on a 5d mark II medium jpegs opened in Light Room cropped to 16:9 then exported and opened in quick time i can save a .mov H264 giving me files sizes of 14 mb for a 16 second time lapse, mp4 9 mb. the only way i can get large files is saving as a self contained movie then i get 300mb files.
    i need to save my files 1920 x 1080 photo jpeg codec as i want HD quality.
    i am sure there is a simple way round this?
    thanks guys!

    It is very difficult to offer troubleshooting suggestions when the "os version" you are using is unknown as each os has their own troubleshooting solutions. 
    How large is your hard drive and how much hard drive space do you have left? 

  • How do you set up a TIME-LAPSE movie "before" putting into CS5 ??

    Is there a way to put together a time-lapse sequence shot with a DSLR (comprised of many stills) into a movie at 30fps, BEFORE putting it into the Adobe Premiere Pro CS5 timeline?
    QuickTime does NOT work because the images I need to use are TIFFs of much too high a quality for it to handle.  I know, I've tried.
    I know I can put the stills into CS5 as a series of shots lasting 1/30sec each to make a sequence, but that does not allow me to control the finished sequence "as a whole" for further altering like duration or other effects.  Otherwise, I would have to make alterartions one frame at a time, which is ridiculously time prohibitive and not precise.
    I'm using a Windows7 PC, and a Nikon D2X DSLR camera shooting in RAW.
    Any advise and help is greatly appreciated.
    Thanks.

    First of all, Pr won't import the RAW images, so you'll need to pre-process them and convert them to a more "standard" image file format, such as TIF or JPG. I think you already realize this, but thought I'd just mention it.
    When you want to import as a timelapse clip, check the "Numbered Stills" checkbox in the Import dialog, and select just the first image in the numbered sequence and click Open. This will create a clip using each image as a frame of the clip; you can select this clip, right-click, and select Modify > Interpret Footage to set the frame rate you like. There is also a check-option in the flyout menu of the Media Browser called "Import Numbered Stills as a Sequence" that does the same thing; just select that, import the first image, and the rest of the images will be imported as part of the clip.
    Once this is done, the images will act as one clip, so a single effect will affect all frames in the clip.

  • I need help using Premier Pro CS5 to create a short time-lapse video . . .

    Hello I am new to Prremier Pro and need help creating a short time-lapse video. I have a Sony CyberShot TSC-70 and a Canon ZR930 to capture images and video but none do time-lapse automatically (I think). I also have Premier Elements 9 and Photoshop CS5 if needed.
    I am late completely this project and need help. Suggestions urgently needed.
    Thanks,
    billy

    Nice to know Elements has that function! I don't have elements, and did a one hour into 15 seconds timelapse in Premiere by importing my one hour clip into the timeline, then using the time tool within the effects panel to speed the file up by 1000% (maximum allowable in a timeline, apparently...) Then I nested that sped up sequence within a new sequence, and did it again... I think I had to do it twice, but I got a nice  15 second sunset timelapse out of a one-hour shoot by using that route.

  • Problem with importing images into time lapse

    Hi
    I am having problems with importing still images into a time lapse sequence in photoshop and would appreciate any suggestions!
    I want to create a time lapse using a sequence of still photographs.  All file names are sequentially name/numbered. 
    I am using the Motion workspace, and have followed all of the instructions available. 
    Create correct sized new document (film & video).
    Create video timeline.
    Set frame rate.
    Choose 'create new video layer from file'.
    Point to first image in the folder where the images are stored.
    At this point, no matter what I have tried, I receive this error:
    I have tried different sized new documents; tried jpegs and tiffs; tried different frame rates, tried different qualities and sizes of images; tried selecting the last image instead of the first (one recommendation).
    If I use the 'Place' command from the file menu (and check the 'image sequence' box) instead of selecting 'Create new video layer' from the layers panel, it loads fine and I can still render the video.
    It took me most of a day to discover this workaround, but every other reasonable 'how-to' that I can find says that I should be able to do it by opening files into a new video layer and it seems as though the new video layer option may give me more alternatives.
    Anyone have any idea why I could be having these problems?
    I have reset Photoshop, deleted the settings file, even reinstalled it.  I use 64-bit on windows 7 and even installed the 32-bit to try that, but all with the same result.
    Stuart

    Unfortunately, yes--I've tried it that way over and over, and every other way I could think of.  The files are all in one folder, and I've converted the raw files to both tiffs and jpegs.  I even tried converting them to jpegs at the final pixel dimensions.  Each folder that I have used only contains one type of file, and they are all part of the same sequence and sequentially numbered.  I have even tried renumbering the files with numbers first, numbers last, numbers only, moving underscores.  I moved the files from my external hard-drive to the desktop ... I have a lot less hair than I had only a few days ago!
    I've looked at a few other tutorials that outline the same sequence of steps, and tried them over and over, and then changing one step at a time to make sure that it was not a single step that caused the problem.
    The thing that is really bugging me is that it works fine if I use the different approach of using the place command instead. 
    Anyway, thanks for all of your time.  It's going to be a lot simpler to just stick with 'place' command and I will likely do that, but I tend take things like this as a challenge.  I like to know WHY it won't work for me.  Sometimes it seems that there is just no logical explanation!
    Stuart

  • HDR Time Lapse .mov flicker problems

    Using Lightroom 2.3 trying to create an HDR Time Lapse .mov with quicktimepro. I have slight shutter adjustments (flickers) to correct in many images. I was unable to use manual exposure as time was an issue so auto exp. and manual focus was my only option. This was a scene over water of an amusement park and the waves are crashing, which I did not think of, so the ocean highlights created in camera slight speed adjustments...
    Is there a way to match the sky exposure evenly in all the frames (240 of them) using an auto batch eye dropper action in Lightroom or PS3?
    To add to my problem I have a single jpeg and need to convert to an HDR using Photomatix. I know raw would of been easier but was not thinking....
    I have already tried to tweak each image seperately so I am half way there but still have flickers. Can anyone offer advice that won't take me all day.
    Thanks for your help....
    David

    Thanks Sean,
    I was hoping lightroom or PS3 could batch correct the exposures to match each other....Jao gave me "match total exposures" from the settings menu and this helped but still have to correct some by eye. You are right about the shutter drift. I used a Nikon D200 and that has issues. Looking to buy the D700 soon.
    My other problem was the HDR conversion of a single Raw frame.....I am going to try and "match total exposures" before doing the HDR and see if that works....

  • HT4681 Problem exporting time lapse with FCPX 10.0.6

    I have been trying to export my time lapse and it processes for a bit, then this message comes up:
    The operation couldn’t be completed. (com.apple.Compressor.CompressorKit.ErrorDomain error -1.)
    Before updating to version 6, I had no problems exporting dozens of time lapses.  As far as I know, I'm not doing anything differently than my previous ones. This is not even the biggest file I've processed.
    I have Compressor 4, and that fails as well. 
    Thanks for any help

    See if it will export with other settings, like Master File, Pro Res. If it does, you can then do your h.264 encode in Compressor.
    Whether that works or not, try the usual troubleshooting steps of trashing preferences and repairing permissions.
    (I'm also assuming that you followed Tom's advice to make sure both FCP and Compressor were updated to their latest versions.)
    Russ

  • Aperture 3 (or plug-in?) and Time Lapse Photo Question

    I have tried to find the answer to this with my google-fu and have had no luck as of yet ... so here goes my question to you mac gurus:
    I am planning on shaving my head/face and then growing my beard and hair untrimmed for several years and doing daily photos to create a time lapse series that can also be added to a slideshow etc. My problem is I want the eyes in the daily photos to line up perfectly for the final resulting slideshow/video. Other this doing this manually hundreds of times I am hoping I can use my mac to help. I have aperture 3 (which I love - great program!). My google searches only come back with cs5 AfterEffects method of doing this. I really do not wish to throw $600+ for this functionality if I can help it.
    Is there a way to do this in Aperture 3? Or Aperture 3 plug-in?
    See youtube link that I found as an example of what I am wanting to do (except on a much, much longer timeline): http://www.youtube.com/watch?v=xbKKsx2xC64
    Thanks!

    If you want to stick to Aperture for this work, you'll have to do it manually. (Aperture is for photo's not for movies and time-lapse is a movie type)

  • Time Lapse photos all appear the same - what's going on?

    Hi folks,
    This used to work for me, but for some reason, Premiere CS5 is now having problems.  I take a bunch of time lapse photos and add them to premiere.  I then select and drag them into the Video timeline, and change their duration.  This used to work.
    Now, however, when I select the different photos or play the video in premiere, all the photos seem to be the same as the first photo.  Of course, I've checked and they're not the same.  This is happening with all my time lapse projects now.
    Any ideas?
    thanks!

    Thanks Joe.  If it's just the headers, I wonder if there's a quicker way than using photoshop?
    Ps is quick... I just don't know the batch procedure.
    Also, any idea if this is fixed in CS6?
    Not sure... I am running CS6 and have never had this problem.
    But, I never had this occur in CS5 either.
    edit:
    I found this, but I've never done it:
    Processing a batch of files
    http://help.adobe.com/en_US/photoshop/cs/using/WSfd1234e1c4b69f30ea53e41001031ab64-7427a.h tml

  • Finite pulse-trai​n generation with variable time lapses with NiDAQmx

    Being a newby in Labview and NiDAQmx, I find it tedious to program the application I need to drive my experiment : I want to generate a finite pulse train, with variable delays between two consecutive pulses. These delays are known before the experiment starts, summurized in a table (element 0 decribes the time lapse between pulse 0 and 1, element 1 between pulse 1 and 2 ...). I would like to use NiDAQmx to program this. I had in mind the following scheme : two counters, first one counting time between pulses, the second one generating the pulse once "counter one" has finished his job. What I don't figure out is how to reprogram "counter one"'s register, without introducing unwanted delays in the time
    sequence of my finite pulse train. I am using a 6052E DAQ, and I want to generate delays in a same pulse train ranging from 1 microsecond up to 20 seconds.
    Thank you for ANY help :-)

    Hello !
    Well, I will try to be more precise while answering your questions. But first let me thank you very much for your help : your comments, questions and remarks are very helpful to help me shape my project, as you shed light on particular problems I strictly had no idea before !
    1) I can certainly get on well with digital output as my flash device is triggered by TTL signals.
    2) The lighting device is home-made, and I think it will be better for my needs to produce light throughout the duration of the input at the “on” level. In any case it will be driven by TTL-like signals. The intensity is manually set, so no analog control is required.
    3) I will use Labview to collect the experimental data. The signal will be sampled during the light pulse : the rising edge of the TTL-like output signal will trigger both the lighting device and the data acquisition, the latter being stopped on the falling edge. The light emitted by the lighting device is called a “probe” for the following reasons : the photons are absorbed by the photosynthetic sample and “immediately” re-emitted at a longer wavelength. A photodiode acts as a signal transducer, and I monitor the intensity of this fluorescence. Knowing precisely when light pulses occurred after the initial start excitation (which is also a brief pulse of light but of a much greater intensity than the “probe” light) and the intensity of light emitted during theses pulses, I can reconstruct the kinetic of fluorescence decay. This kinetic reflects the behaviour of my biological sample. Thus no continuous acquisition is required as between two light pulses there is nothing to monitor. And all the half-time reaction are timed relative to the same “start” excitation as they reflect a jump sequence of an electron extracted by the “start” excitation : first jumps are quick ones (half-time in the 10 �s range) and last jumps are slow ones (half-time in the 1 s range). With respect to these kinetics, I would like a 1 �s precision. If not achievable, I could skip the quickest jump (but it would be a pity) and focus on the second one which has a 10 ms half-time reaction and a 100 �s precision would then be enough. But as we say in French : “Qui peut le plus, peut le moins !” (roughly meaning that when you can achieve the best, you easily can do the least). This precision relates to the position of one flash with respect to the others. I don’t need to be very precise on the duration of each individual light pulse : a typical value is 100 �s duration, but I can get on well with 90 �s or 110 �s, my data being an average of the light intensity emitted during the light pulse). All I want to know precisely is when it is fired.
    4) Concerning the hardware, I already have a NI 6052E DAQ board, and unfortunately my laboratory cannot allow me to spend more money on this. I also have a fast acquisition board (IMTEC T3012) I intended to use to acquire my photodiode signal in place of the 6052E A/D converter. It has an old Labview driver, and I managed to upgrade it to suit my needs. It has an onboard segmented memory and can keep track precisely (it has a 60 MHz sample clock) of a trigger event. I am wondering if I can overcome the timing precision issue with this board, knowing that I strictly don’t care that flash n�1 is triggered at (t0 + 10 �s) or (t0 + 11 �s), provided that I know it, allowing me to place precisely my data point on the time scale. I can program the number of memory segments (i.e. the number of light pulses) and each one is filled with data coming from the photodiode upon receiving the rising edge triggering the light pulse. The precise date at which each triggered is received is stored in the board memory, allowing time reconstruction.
    I do hope this is much clearer than my previous attempts ! Believe me, it is quite hard to leave biology for a while and enter the cryptic world of data acquisition !
    Gritche

  • Time Lapse in Photoshop elements 10

    If someone could be so kind as to help with doing timelapse in Photoshop elements 10 from step one to finish. I have listened to youtube and researched on internet and still having problems? Help
    Thank you
    Greg
    [email protected]

    Is this Barbara Brundage, if so it is my pleasure to have an email from you. I have just received your book "the missing manual". Thank you for the answer I will look it up in "the missing manual" manual. Greg
    Date: Sat, 16 Jun 2012 13:05:23 -0600
    From: [email protected]
    To: [email protected]
    Subject: Time Lapse in Photoshop elements 10
        Re: Time Lapse in Photoshop elements 10
        created by Barbara B. in Photoshop Elements - View the full discussion
    If you have windows, the easiest way to do this in PSE is to create a flipbook (Create>more options).
         Replies to this message go to everyone subscribed to this thread, not directly to the person who posted the message. To post a reply, either reply to this email or visit the message page: http://forums.adobe.com/message/4498033#4498033
         To unsubscribe from this thread, please visit the message page at http://forums.adobe.com/message/4498033#4498033. In the Actions box on the right, click the Stop Email Notifications link.
         Start a new discussion in Photoshop Elements by email or at Adobe Forums
      For more information about maintaining your forum email notifications please go to http://forums.adobe.com/message/2936746#2936746.

Maybe you are looking for

  • How to download data into a text file format ?

    Hi, all. My situation now is: I have a report pogram which can retrieve data from database, and I would like to export or download those data to outside as a text file (.txt) in my local computer. So, does anyone know how to do it? i mean my report c

  • Missing subclass information...

    Hi, I have a form called ALC1.fmb. It passes parameters to report. It is converting date field to TO_CHAR before assigning to fun_add_param. When i run the report the text field which is subclassed from object_library formats value. Here is the code.

  • Fonts are to small in my Photoshop Elements 10 software.

    When I try to put names or dates on a photograph the fonts are to small.  Even if I increase it to 72 the fonts are so small on the picture the words are not big enough to read.   How do I fix this?

  • "Filter Finder Items" not working properly

    I'm taking my first crack at Automator, and while I've made good progress, one of the built-in actions, "Filter Finder Items", is just not behaving predictably. Basically, I'm doing the following: 1) Get selected finder items - pulls a selected folde

  • Setting Filter on an Alert

    Hi, I am trying to create an alert programatically. When I set a CAML query as the filter condition, it always gives an error The error message says - The filter cannot be parsed. Check the filter syntax, and try again. If I try to add an alert progr