What's the Best Audio Format?

I have been recording audio tracks as aiff format.
What's the best audio format... .aiff - .wav sdII or the newer .caf?
Considering:
- sound quality
- portablilty to other app's and platforms (protools - PC's etc.)
- other stuff.....

mp3...lol.
okay, well, it will really depend on what you're looking to interoperate with.
only logic, pt and dp support sdII...it's basically old school, and most likely on its way out.
caf is apple's new audio file format, which looks pretty intriguing. however, afaik, noone else supports it yet, and wintel machines probably never will. it's new, so i'm not sure of the ins and outs, really.
bwav is pretty much the standard on pc's now...and i think just about everything but dp supports this natively (you can import them into dp as of v5.1x, i believe. bwavs contain timestamps, so that when imported into a project, they can go where they are supposed to on the timeline.
for completely universal compatibility though, aiff is still the way to go. it is supported on both wintel and mac, and afaik, pretty much every daw can handle these.
kell

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What is the best audio format?

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Steven Sokulski

It's not so much the extension that counts. In many cases this extension is just the same or a differently named wrapper for the real content: an encoded audio channel. For an iPad, the encoding ("codec') can be AAC, which is recently offered as an "open" standard by Apple, or the widely popular MP3. For other devices it's better to stick to MP3, since they don't necessarily support the AAC already.

What format is the best audio format to use in iPod touch?

I want to know the difference between MP3, AAC and Apple Loose-less audio formats and I want to know as soon as possible. I knew that AAC and Apple Loose-less formats use more size than MP3. That's fine with me. I just want to listen my songs with the best possible quality. What is the best audio format?

Apple Lossless would give you quality identical to that of the original CD, but the files will be very large. A 3-minute song in Apple Lossless will be around 18 megabytes, versus about 6 megabytes for the same song compressed with AAC at 256 kbps. For an iPod, Apple Lossless is probably not an optimal format, since unless you have very high quality earphones or connect your iPod to a good stereo playback system, you won't really take advantage of the quality of Apple Lossless.
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What is the best video format/codec?

Greeting Video Producers
Please tell me what is the best video format/codec overall? And please list them from best to worse.
MPEG 4
MPEG 2
AVI
DVI
QUICKTIME MOV
WMV
THANK YOU

DVI isn't a format or codec; it is a digital signal protocol used for video display. DVI = Digital Video Interface.
Please define what "best" means in your context ... "best" for what?
WMV is one of the best in terms of viewer compatibility for web video, but it is not any good for DVD delivery.
MPEG-2 is one of the best for broadcast server-based playback and is required for DVD-Video delivery, but it is one of the worst for editing.
MPEG-4 is a more efficient codec than MPEG-2, but isn't as compatible for web delivery as WMV or Flash.
AVI is a container.
MOV is a container.
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For iPhone and Android, what is the best file format for watching videos?

For iPhone and Android, what is the best file format for watching videos?

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What is the best video format to use with Dreamweaver CS5.5

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In the chapter on video in Dive Into HTML5 it says this:
There is no single combination of containers and codecs that works in all HTML5 browsers.
This is not likely to change in the near future.
To make your video watchable across all of these devices and platforms, you’re going to need to encode your video more than once.
And a suggested workflow:
For maximum compatibility, here’s what your video workflow will look like:
Make one version that uses WebM (VP8 + Vorbis).
Make another version that uses H.264 baseline video and AAC “low complexity” audio in an MP4 container.
Make another version that uses Theora video and Vorbis audio in an Ogg container.
Link to all three video files from a single <video> element, and fall back to a Flash-based video player.
I think that your starting point is to consider your target audience.
Martin
http://diveintohtml5.info/video.html

What are the best asset formats to optimise DVD quality?

Hi Guys
Some of my clients have been complaining about the DVD quality they received from me, and I wondered to myself how can I improve in future.
I just want to confirm if these are the best formats for each asset:
1) Video - AVI format (as opposed to MPEG2)? The major irritation I find about AVI is that it eats up lots of disc space, and it takes a lot of time as far as transcoding in encore is concerned.
2) Photos - TIFF format (as opposed to JPEG)? Same story as above regarding disc space.
3) Audio - AIFF format (as opposed to MP3)? Same space problem as the first 2. Furthermore, my major annoyance with WAV files is that you have to know which version of WAV files are the best quality.
Now, I do not what TVs most of my past and future clients own, i.e. a normal 4:3 TV like mine or the 16:9 plasma ones (although the trend these days seem to be LCD TVs). What is the best aspect ratio to use that will work on most TVs?
Also, I use a Sony 30g HDD video camera to record events. I like it since these is no hassle about carrying tapes or DVDs around. But, the problem with the camera is that MPEG2 is the "highest quality" it can record events; my still camera can take jpeg's as the highest quality. And the photos on the DVD look - most of the time - OK in terms of quality. It's only in my last DVD that I built that I saw some of the photos having some sort of problem in the slideshow (something like a water effect on the blazers and shirts of some of the audience - definitely unwanted).
To edit my assets, I use:
1) Power director 6 (for my video). I know you are going to say I should use Premiere Pro. I'm still reading the manual for PPro2 and Ppro doesn't have SVRT like PD6 does.
2) Photoshop elements or Fireworks (for my photos). Photoshop CS2 looks very complex for me at the moment - will learn later.
3) Adobe Audition (for my audio).
All I want is to have the highest quality possible. What's the best advice?
Thanks for all your help guys.

Since you raised the question of Hi8 versus DV tape formats, here are a few thoughts intended partly for you and partly for those who (unlike you) may be planning to get their first camcorder and are wondering about the different formats available.
Hi8 is a second-generation analog format that was marketed starting about 1988 to permit better resolution than the original VHS and Video8 camcorder formats. It was superseded about 1995 by the digital video, or DV, format.
Hi8 produced video of decent quality and was a good capture medium for material that was going to be distributed on VHS or SVHS tape. But the quality of DV is better, and DV has enormous advantages for editing and distribution. In particular, DV has absolutely no "generation loss" when transferring from tape to computer, from tape to tape, or from computer to tape, and it permits sophisticated editing using any one of many "nonlinear editing" applications that are available on PC's or Macs. Once you have edited your video using one of these applications, you may proceed to "author" your DVD's (i.e. add menus, etc.) and they will be of surprisingly high quality.
In mentioning Hi8 you may actually have been thinking of the Digital8 format. This is a format developed by Sony as a bridge between the older Video8/Hi8 world and the DV world. It is logically identical to DV but it uses the same physical tape as Hi8. This tape is now customarily labelled "Hi8/Digital8" to emphasize this fact. Hi8/Digital8 tape is less expensive and reportedly more robust than DV tape.
In principle Digital8 is just as good a format as DV. However, Digital8 has been targeted at a lower end of the market than DV, so even the best Digital8 camcorders may not have as good optics, as good sensors, or as many features as the better DV camcorders.
A few years ago, many people would recommend Digital8 as a very practical format for someone just getting started in video, since it was available at lower price points than DV, was identical in quality as regards format and perhaps better in value as regards camcorders, i.e. Digital8 camcorders were less expensive than DV camcorders of the same quality. Above all, Digital8 was ideal for someone who had previously used Video8 or Hi8, since the early Digital 8 camcorders would play back analog tapes and so could bridge the transition to digital. In fact, by buying or borrowing a second Digital8 camcorder, you could play back your analog tapes from one camcorder and record them as digital tapes using the other camcorder, forever after enjoying the advantages of the digital format.
At the present time, however, DV would be a much better choice than Digital8. Most (or all?) recent Digital8 camcorders have abandoned the ability to play back analog tapes. Only one or two manufacturers are making Digital8, and their offerings have dropped to a handful in recent years. This hardware will quite likely cease to be available in the near future, though the tapes will probably be marketed for years. When your present equipment wears out you would not want to be left with a library of family videos in an unsupported physical format.
In the last few years the DV format itself has been superseded by various high-definition formats, especially by HDV, a format that records to the same physical tapes as DV, at the same bitrates as DV, but, thanks to much greater compression, with twice the horizontal and more than twice the vertical resolution of DV.
Another format using even greater and more sophisticated compression, AVCHD, promises similar quality as HDV with even greater horizontal resolution, although the implementations of AVCHD available now are probably not as high in quality as the best HDV, and are certainly much harder to edit.
Despite the emergence of high-definition formats, there are good reasons for some people to prefer standard-definition DV at this time. One reason is cost. A good HDV camcorder -- the Canon HV20 is probably the best consumer model right now -- is likely to cost $1,000 or a bit more, while good DV models cost a few hundred. A second reason is low-light capability. The imaging chips for high-definition have many more pixels than the chips for DV. If the lenses are the same size, then these pixels must be crowded into a sensor about the same size as that of a DV camera, meaning that each pixel must be smaller and therefore less responsive to low-light conditions. So a good DV camera may be much better in low light than even the best high-definition camcorder of the same size.
Camcorders are now available that record direct to DVD (NOT advisable as John Smith said: the DVD medium is not robust for long-term storage and the necessary MPEG2 compression robs your source video of the quality it would have on tape and is much harder to edit).
Camcorders are also available that record directly to hard disk. Depending on the implementation, and your handiness with computers, thes might be just right FOR SOME USES. In particular they permit much more rapid turnaround between shooting and editing, so they might be right for something that is needed quickly but where archiving is not important (for example, shots of a football team at practice). But (as you have undoubtedly discovered with your 30gig Sony) you must download the material from camera to hard drive when the camera fills up, and this is not as easy as putting in a new tape. Also, the file may not be stored on disk in the relatively uncompressed, and easily edited, DV format. Finally, no hard drive is as safe a storage medium as a tape. With a hard drive and especially with a DVD, you risk losing everything to a crash or scratch; with a tape, you risk at most losing a few frames to a dropout caused by imperfections in the media.
Only you can balance all these factors knowing the type of things you will be shooting, how you will view or share your videos, and what you plan to do with them in the future. Note that DV can be edited together with HDV by many editing programs, though either the quality or the size on screen or both will be noticeably different. Also note that the high-definition formats are all in the widescreen 16:9 aspect ratio, like the newer TV's, while DV was originally 4:3 and may be available in 16:9 but with the additional width achieved by stretching the same number of pixels and possibly by using a smaller fraction of the imaging chip.
I would recommend that you search for articles and forums about camcorders to learn what is available. There is a lot of information out there. As for me, I would certainly not recommend Hi8, or even Digital8, at this time. Choose DV if you have a pressing reason for it, such as cost or the need to get good images in low light; otherwise make yourself more future proof with HDV or AVCHD. They will produce high-quality DVD's when "downconverted" when capturing them into the computer or when exporting them from the nonlinear editor or authoring program (experiment to find which method is best). Unless you are using AVCHD, which is not a tape-based format, stick with tape (for now) if you are concerned with long-term storage.
Best wishes!

What is the best Audio Codec

Hi All
After all the problems with windows users and video codecs, What is the best codec for Audio Files to put on my website, so that everyone can play them.
I have Quicktime Pro, iTunes, Garageband, and Final Cut Studio.
Mike Hooley

iWeb uses the QuickTime plug-in for playback. It supports dozens of formats but still requires that QuickTime be installed.
So. Even if you used a very universal file format like .mp3 the iWeb generated page code will use QuickTime to play back the file.
When you insert non standard (.mov, .mp4. .m4a or .m4v would be standard) iWeb creates page code that uses the qtsrc="" tag that forces the file to be played using the QT plug-in. Non standard extensions would be .mp3, .mpg, .mpeg, .avi and some .swf files plus dozens of image formats.
If your page visitors don't have QuickTime installed they should be re-directed to the download page.

Music Taking Up way more Space than before. What is the best file format?

I just bought a new Mac Book, and have been importing most of my CD collection into I-tunes to put on my Ipod Video. The Default in iTunes seems to be import using AAC Encoder at a setting of High Quality 128kbps.
However, I only have 2800 songs in my library at the moment andit is using 17 gb of Hard drive space on my computer and my Ipod. Also all songs came in as MP4 format.
Before getting this new computer, I had the same amount of songs and it used about half of that.
I have 3 questions.
1.) What is the best format to cut the amount of space used, but still have a high quality sound.
2.) Is there a way to convert what is in the library to another format such as mp3.
3.) is this going to require me to save my Itunes folder to an external drive, delete the library,and then drag all back in to itunes after changing the preference setting? What is the best way to do this?
MacBook Mac OS X (10.4.6)

I only have 2800 songs in my library at the moment andit is using 17 gb of
Maybe a bit high.
I have ~2500 songs at 12 GB. I’m using 160 kbps - AAC.
1.) What is the best format to cut the amount of space used, but still have a high quality sound.
AAC - 128 kbps. This is the default for iTunes and offers a very good compromise between size and quality.
To me, AAC 128 kbps is at least as good as MP3 160 kbps and the AAC would be 1/3 less the size.
2.) Is there a way to convert what is in the library to another format such as mp3.
Yeah, buit you don;t really want to do it that way as you will lose further quality.
AAC is a lossy format and when you converted it the first time, you lose quality. If you reconvert that to MP3, you will lose further quality.
3.) is this going to require me to save my Itunes folder to an external drive, delete the library,and then drag all back in to itunes after changing the preference setting?
No.

What's the Best Audio Format?

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