Why are these basic actions so hard?

I'm new to CS6 but not to video editing tools. I'm shocked that some basic controls are either missing or very hard to find. Can anybody tell me whether there's a convenient way to:
Enter a number (e.g. "00;00;04;00") to specify the duration of a clip or set of clips? I can't find a place to do it in the Effect Controls window.
Widen or narrow the timeline display without using the awkward Ctrl-+ keystrokes or manipulating the tiny slider control below the timeline? Perhaps an easy gesture?
Select a very narrow (short) clip when hovering over clip only produces trim cursors? I don't want to expand and compress the timeline just to do this.
Thank you!

What work process do people follow for creating a film using CS6 that includes animated text? Many other non-linear editors have built-in text and object motion effects but PP apparently doesn't.
I do all complex titles in Ae.
You need to study up on Dynamic Linking.
Premiere Pro / Adobe Dynamic Link
http://help.adobe.com/en_US/premierepro/cs/using/WS318FB3AB-E1D1-40f7-9FD9-BB04A6F6A465.ht ml
Dynamic Link workflows in Premiere Pro
http://tv.adobe.com/watch/adobe-beginner-classes-with-dennis-radeke/episode-41-dynamic-lin k-workflows-in-premiere-pro/
After Effects / Dynamic Link and After Effects
http://help.adobe.com/en_US/aftereffects/cs/using/WS92A6319B-B1EB-4b49-A09A-9FFE83E6CD37.h tml
I thought I could just move these titles screens into AE, create the animated intermediary frames in AE, and then copy the new intermediary frames back into PP. After hours of poking around, I'm coming to the sad conclusion that PP title screens can't be imported into AE. Can this possibly be true?
Yep.
I've got 25+ points in my PP sequence where I'd like to have the text animate. I don't want to re-create all 25 start and end frames again in AE.
Dynamic Linking is the best way.
Unfortunately, you will need to re-create the titles.

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  • Why are these photos blurry?

    I have a Canon Rebel T3i. I have taken a number of group photos w/tripod, w/o tripod, w/flash, w/o flash, various apertures, many on automatic mode. All on autofocus. All of them come out fuzzy, especially the people on the ends. The attached might look ok small on this web page, but if you download it and look at it 100% you will see what I mean. I have two T3i cameras and they both yield the same results. I would probably get a better photo with a phone. Any ideas? 

    Opanda EXIF software tells me that your sample shot was done with T3i and 18-135mm II lens at ISO 400, 1/60 shutter speed, f4 aperture with the lens zoomed to its widest 18mm and the camera doing all the exposure settings in Program mode. Also, the flash fired. All the recommendations about focusing technique are well and good. I'd also use a single AF point, manually selected. Probably the center one. Also I'd use One Shot as the most accurate of the viewfinder-based AF focusing modes. Alternatively, Live View focus could have been used, which is slower but can be even more accurate. It also can help with manual focus, if you do that instead, because you can magnify the Live View image up to 10X on most cameras that have it. In this case, I'd take several shots, refocusing each one. The reason is the lighting, which appears to be common fluorescent, which is notorious for "messing with" focus and metering accuracy. The reason is that fluorescent lamps cycle on and off at a high rate... 120 Hz in the US, 100 Hz in some othre parts of the world. This is so fast the human eye doesn't notice. But our cameras can and do see it... and can be fooled by it. However I think the main problem is that your are using an f4 aperture. Lenses are typically not at their best and sharpest at or very near their largest aperture. Stop down to f5.6 or f8 and I think you'll see a lot of improvement. To do so, you'll have to get out of Program mode and use Av or aperture value exposure mode instead. This still gives you the same auto exposure and flash performance, but will allow you to select the aperture, after which the camera will automatically set the appropriate shutter speed. You may need to set a higher ISO to get adequate shutter speed. Stopping the lens down also would give you more depth of field to work with. That can be very important because another concern is "field curvature". When your subjects are in a straight line and you focus on the one in the very middle, chances are that natural lens field curvature effects toward the edges will cause subjects there to be softer. This is more pronounced the wider angle the lens is... Ideally you would instead line up the people in a slight arc, where the ones on either end are a little closer to you. However, you'd be guessing or basing your posing on experience... because it's hard to see in the viewfinder. An easier solution is stopping down to increase depth of field, which will to some extend offset the field curvature problem. Using a wide angle lens present other possible problems, though. One is that there is inevitable optical distortions with wide lenses, one of which causes subjects nearer the edges to be exaggerated and look larger than they are. You can see some of this occuring in the ceiling light panels (which also show "perspective" distortion). But I'd also bet that the ladies at either end of the row don't have that large an arm, as the one nearest the edge of the image appears in the photo. This is called "anamorphic" distortion and is an optical effect that's unavoidable with wide angle lenses. It's one reason most portraiture is done with standard to short telephotos, instead. The best solution is to back up farther and zoom to the 30mm or 50mm range... i.e. to avoid using wide angles for group shots like this. But to do so will require adequate working space and a stronger flash. Which brings us to yet another consideration.... when shooting a Canon camera and flash in any of the auto-exposure modes, the camera will set exposure according to the ambient light, and then the flash will be fired as FILL.... about 1-2/3 stops underexposure automatically. If you want the flash to be the main or primary light source, you need to set the camera to M or Manual mode. So long as the flash is set to ETTL, the camera then will ignore ambient light for exposure calculations and will fire the flash as strongly as needed for illumination... In other words, you still get auto-exposure even though the camera is set to M. However, now it is being done with FULL flash. Only problem is, if you are using the camera's builit in flash, it may not have enough power for this wide a shot at this distance. Built-in flashes are notoriously wimpy. If using an external 430EX or 580EX or similar flash, you would have ample light for the purpose, as well as better/more even wide angle coverage (using the flash's built in wide angle diffusion panel.) ***********
    Alan Myers
    San Jose, Calif., USA
    "Walk softly and carry a big lens."
    GEAR: 5DII, 7D(x2), 50D(x3), some other cameras, various lenses & accessories
    FLICKR & EXPOSUREMANAGER 

  • Why are these websites blocked?

    Several major websites in China have recently become inaccessible from BT (but not from other networks). E.g.
      news.baidu.com
      tv.sohu.com
    Why is this?
    Thanks in advance.
    tracert news.baidu.com
    Tracing route to news.n.shifen.com [123.125.114.18]
    over a maximum of 30 hops:
      1     1 ms     1 ms     1 ms  192.168.0.1
      2    33 ms    33 ms    33 ms  217.32.141.32
      3    36 ms    36 ms    34 ms  217.32.141.78
      4    36 ms    37 ms    37 ms  213.120.161.50
      5    37 ms    36 ms    37 ms  217.32.26.46
      6    36 ms    36 ms    36 ms  217.32.26.182
      7     *        *        *     Request timed out.
      8     *        *        *     Request timed out.
      9     *        *        *     Request timed out.
    etc.
    Solved!
    Go to Solution.

    BT seems to have fixed the problem, after several days.  Thanks for the advice.
    tracert news.baidu.com
    Tracing route to news.n.shifen.com [123.125.114.18]
    over a maximum of 30 hops:
      1     4 ms     1 ms     2 ms  192.168.0.1
      2    33 ms    34 ms    34 ms  217.32.141.32
      3    35 ms    35 ms    34 ms  217.32.141.78
      4    37 ms    38 ms    37 ms  213.120.161.50
      5    92 ms    91 ms    96 ms  217.32.26.46
      6   104 ms   102 ms   116 ms  217.32.26.182
      7    36 ms    36 ms    37 ms  acc2-10GigE-0-7-0-4.bm.21cn-ipp.bt.net [109.159.248.198]
      8    42 ms    43 ms    43 ms  core2-te0-13-0-4.ealing.ukcore.bt.net [109.159.248.138]
      9    49 ms    40 ms    39 ms  transit1-xe0-1-0.ealing.ukcore.bt.net [194.72.9.234]
     10    40 ms    41 ms    39 ms  t2c3-xe-10-0-0.uk-eal.eu.bt.net [166.49.168.1]
     11    40 ms    53 ms    40 ms  t2c1-ge11-0-0.uk-eal.eu.bt.net [166.49.237.21]
     12   132 ms   129 ms   130 ms  t2c1-p5-0-0.us-ash.eu.bt.net [166.49.164.65]
     13   212 ms   204 ms   204 ms  sl-st31-ash-.sprintlink.net [144.228.205.33]
     14   226 ms   204 ms     *     sl-crs1-dc-0-13-0-0.sprintlink.net [144.232.19.231]
     15   150 ms   150 ms   150 ms  sl-crs1-nsh-0-8-3-0.sprintlink.net [144.232.19.100]
     16   161 ms   160 ms   161 ms  sl-crs1-fw-0-11-3-0.sprintlink.net [144.232.20.18]
     17   196 ms   197 ms   196 ms  sl-crs1-ria-0-4-3-0.sprintlink.net [144.232.18.38]
     18   215 ms   198 ms   209 ms  sl-crs1-ana-0-10-0-0.sprintlink.net [144.232.25.156]
     19   197 ms   197 ms   197 ms  sl-gw29-ana-0-0-0.sprintlink.net [144.232.0.37]
     20   397 ms   401 ms   402 ms  sl-china6-4-0.sprintlink.net [144.232.54.74]
     21   413 ms   409 ms   403 ms  219.158.96.249
     22   396 ms   395 ms   394 ms  219.158.3.77
     23   418 ms   416 ms   417 ms  219.158.8.213
     24   434 ms   438 ms   443 ms  123.126.0.66
     25   428 ms   434 ms   429 ms  61.148.3.34
     26   413 ms   416 ms   417 ms  202.106.43.66
     27     *        *        *     Request timed out.
     28   418 ms   422 ms   426 ms  123.125.114.18

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