Workflow for converting english titles to french in livetype and motion

Hi everyone,
I am about to embark on a french version of a 20 minute video and I'm looking for some advice.
In the english version, I created titles in both motion and livetype. I'm still a bit of a novice with these programs so I admit that I relied on Final Cut Pro to further manipulate the titles in terms of sizing and placement with a touch a slow motion to get the timing right. It was exciting to discover that any text changes in these programs would automatically update in the timeline in Final Cut Pro as long as I didn't change the file name.
So, that got me thinking.... I'd like to change the english titles to a french version and take advantage of the automatic updating in FCP. But how do I protect my english master?
My backup plan is to create new file names for the french titles and try the " copy content" approach but I have some reservations.
As always, I look forward to your feedback.
Cheers and Happy Holidays.
Chris

Hi Everyone,
I want to provide an update on my progress for those who might be interested.
I have some 50 english titles in this project, some motion and some livetype and some boris.
To prepare for the french version, I did a "save project as" to create a french version of the project as suggested. Then, I did a "save as" on each title file, adding "french" to each one and saving the new version in a new file folder for my french stuff.
I've made a duplicate of my english master timeline and here's where it gets interesting.
I'm finding that if I "right click" on the title in the timeline to open it in the Editor to make changes, it opens the original english title, thus putting my english version in jeopardy! I'm guessing because I simply made a copy of the english version.
Here's my plan of action... Control Click each title in the french version timeline and use reconnect media to connect the title to the new version that I've saved in my french stuff file folder. Change the english text to french.. place in oven to bake at 350 degrees for 25 minutes, let stand for 2 and voila - one french version ready for voice over.
Can someone let me know if I'm on the right track?
Cheers,
Chris

Similar Messages

  • Hello! I used QuickTime for watch any videos on OS X Mountain Lion, but now, I'm passed to OS X Mavericks and QuickTime, when I open an .avi file, convert this in a .mov file. I'm sorry for my English, I'm French and I don't know speak English very well,

    Hello! I used QuickTime for watch any videos on OS X Mountain Lion, but now, I'm passed to OS X Mavericks and QuickTime, when I open an .avi file, convert this in a .mov file. I'm sorry for my English, I'm French and I don't know speak English very well, but what can I do for QuickTime opens on .avi and doesn't convert to .mov?

    HI GalaxieMusique,
    I'm french too, but I'm going to write this post in english so that everyone may understand it
    I have the same problem in Mavericks, but I'd say, more important, with QuickLook.
    Indeed Quicklook can't read avi movies anymore. Actually it always been the case, but with Perian we were able to fix it. The problem is that Perian is no longer available for Mac OS 10.9....
    I'd assume that our only hope is Apple themselves... It would be nice from Apple to creat an add-on for quicklook to be able to preview the avi movies.
    In regards with quicktime, you can download QuickTime 7 here:
    http://www.01net.com/telecharger/windows/Multimedia/lecteurs_video_dvd/fiches/10 0.html
    and ask all the .avi movies to be played by QuickTime 7 and not QuickTime X (included into Mac OS).
    Sorry for the english, we french people can make mistakes sometimes
    If anyone has a solution for QuickLook, please do not hesitate. This topic is becoming a real mess....

  • Workflow for converting SonyHD Cam footage via KonaLHe to DVCPro HD?

    Hi,
    I've got a project starting tomorrow and the producer had to switch cameras the day before the shoot! They are now brining in Sony HDCam 1080psf 23.98 (don't know the camera). I've rented an HD Cam deck with SDI out (no FW). I have the Kona LHe so SDI input will be fine. The project is destined for digibeta 29.97 SD so I'm trying to figure out a good workflow for capture and editing. To keep file bandwidth down, I think DVCPro HD is a good solution, but I'm not sure where or how the conversion takes place using the Kona LHe and FCP. Do I set the Kona frame buffer to DVCPro HD 720p @ 23.98 and set capture settings the same in Final Cut? Or, as I have the internal RAID space, just capture native 1080, edit native, then convert the program to 29.97 window 16x9 at the end of the edit? Clarifications, recommendations and comments welcomed! Tnanks!

    Conversion is done in FCP. But all you have to do is connect it to the Kona via HD SDI and set the capture settings in FCP. The signal coming in from the card is the full signal, you are just telling FCP in which format to save that signal as. And DVCPRO HD 1080p24 would be the setting. I doubt your internal RAID could handle uncompressed 1080p HD.
    Shane

  • Workflow for converting 4X3SD to 16X9 HD?

    I have 4X3 SD material on tape. I'd like to convert it to 16X9 HD.
    Can you give me a basic workflow regarding capture settings, sequence settings, etc? I realize cropping and repositioning will be part of the process.
    Thanks in advance.

    Correct. The HD Capture card will be doing the conversion for you. Far better quality than software conversion. Although I do recommend the AJA Kona 3 over the Decklink cards. It can capture SD to 20p or 1080i, and cross convert 720p to 1080i or the reverse. The Decklink cards cannot cross convert, or capture to 720p. Plus the upconvert process is easier with the Kona, in my experience. The Software is very straight forward.
    By that I mean the 4X3 frame will be cropped at the top and bottom in order to fit the 16X9 HD frame.
    You can either crop off the top and bottom, or capture as "pillar box" leaving black on the sides. I tend to crop off the top and bottom.
    I may want to use the top part for some shots and the bottom for others (which I figured I do by keyframing).
    In that case you will need to look at Compressor for this, or Instant HD...or a Terranex at a post facility.
    Shane

  • Workflow for converting PAL DVD to NTSC

    Hi,
    I have read this thread
    "http://discussions.apple.com/message.jspa?messageID=7387015#7387015"
    but am a little unclear and would appreciate some help.
    I have shot 3 short movies in PAL anamorphic, edited in Final Cut Express HD 3.5, exported using the Quicktime Movie option, altered with QT Pro to put back to anamorphic, then added to an iDVD '08 widescreen project.
    Everything is fine, but I have realised that some of the recipients are in the Bahamas and require NTSC.
    The project is a paid commission so I want to ensure the conversion is as good as possible, without any re-digitising / editing.
    I duplicated my iDVD project and have used the project info pane to change to NTSC format. I deleted the encoded assets and this has set of iDVD to re-encode. Is a re-burn all that is required once encoding is done?
    It seems this is the easiest option, but are you suggesting the conversion can be better if i use the free JES deinterlacer product.
    To integrate this into my workflow I am assuming I could duplicate my asset folder (that contains the quicktime exports from Final Cut) and convert them using JES.
    Modification to these quicktimes (ie. a re-edit and export from Final Cut) would usually result in iDVD updating its content upon open.
    Am I on the right track?
    I have had a quick look at JES. I have added a file to convert and looked at the projects tab.
    Do I just have to choose "Standards conversion" & select "NTSC"? What should I set out of "Blend, Telecine or Minimal Blend" for best quality.
    I am using an Intel iMac with 2gb of memory.
    Thanks
    Eric

    Thanks for responding. I am currently trying a few options in JES but I was wondering if you have any idea of the best options to select.
    I have tried the Export radio button option to DV Stream and Quicktime, but the resulting output is quite a bit smaller than the Final Cut Express Movie File that is the source. I am concerned the quality is reducing.
    I am now using the Direct / DV-NTSC output option to see the file size of that.
    With regards to iDVD, that process took a hour or so for the automatic re-encode of the project assets and then a burn. It seems to play fine on my MacBook, and there appears to be no detectable degradation. The process seems fine. Has Apple caught up with JES Deinterlacer, or is the benefit not appreciable when not using HD footage or better?
    Thanks
    Eric

  • Recommended Workflow for Converting from .avi to .m4v

    I would like to take an edited .avi file and prepare it for playing on both iPods and in QuickTime/iTunes. I downloaded the trial version of PE7 to see if I could use it for this. From what I understand and have tried out, I can create an h.264 (MPEG-4, part 10) .mp4 file using PE7. What is the best way to convert this to the .m4v format? My OS is Windows Vista Ultimate. I tried using iTunes to convert it, but the resulting file did not play smoothly. I also tried downloading MPEG Streamclip and found I could not play the .mp4 file smoothly.
    Am I sacrificing quality by starting with a tool that cannot export to .m4v, namely PE7?

    Thank you so much. I appreciate your time very much. That link is quite interesting and will help me understand what I'm dealing with better.
    I'm doing this for a podcast, so I need to have one file that will work for everyone who has iTunes or an iPod to include in the rss feed as an enclosure. I don't want to maintain two feeds.
    So I think I'm going to try QuickTime Pro and hope that solves my woes.
    I'm wondering now if I should still buy PE7 for editing. I like the product and have spent some time with it now. Of course, I wish I could do everything just in PE7 but don't think that's possible at this point.
    So I still have a question about the workflow if anyone can help. Just to clarify, if I import .avi files into PE7 and do some editing, then can I just export to .avi and then open the new .avi file in QuickTime? Is that the workflow I would use? I'm assuming that QuickTime Pro can de-interlace the video, change the pixel aspect ratio, and allow me to make other adjustments to reduce the file size. I would export from QuickTime as .mp4 and hope that .mp4 files that QuickTime renders will work in the latest version of the QuickTime player. Otherwise, I'll have to export to .m4v, which I don't think can be used by other players???
    Anyway, I think I'm on the road to a solution. Hopefully, QuickTime Pro won't have similar issues.
    Thanks again for your time and advice.

  • Best workflow for converting HD footage for broadcast?

    I've been banging around the forums for a while tonight looking for someone who's been down this road before, but to no avail. Here goes...
    We shoot a weekly "Top 20" show using a Sony XDCAM EX-1 @ 1080p. It's a Top 20 video countdown show, which means that along with my footage (a DJ in a studio as your Top 20 host), I incorporate graphics and music videos ripped from DVD's. The final product from all of this winds up on a local cable channel, which broadcasts SD.
    I use the Sony XDCAM Xfer software to convert the data from the SxS card to QT files. (So far, so good.) I open up FCP and place these files into my project. Once I drag one of these clips into my timeline, I'm asked by FCP if I want to change the sequence settings to match the clip I'm putting onto the timeline. I answer "No" (because I've preset the FCP sequence settings to 720x480, since the cable channel broadcasts in SD. Could this be where I'm screwing up?) I bring everything into the timeline (including the ripped videos) and get everything edited nice and tight. But wait...
    I've been staring at my Mac monitor this whole time. When I play the project back and look at it using the broadcast monitor, well...it looks sorta sick. Certainly not what I would expect from HD-to-SD footage. Everything looks pixelated and sorta blurry. If it looks this way in the studio, you can imagine what it looks like when it airs on TV. It's not pleasing to the eye.
    I would ask about what the best way is to deliver a show like this to a cable channel, but since the stuff on my broadcast monitor looks so crappy, the problem's gotta be home-grown. What am I leaving out?

    If you know you are going SD why film in HD at all?
    Its not like you are going to be re-airing your shows down the road in HD,
    Most likely, the video's you are ripping from DVD are not HD either...
    Depending on the deck you are exporting your show to, some of them have a down convert feature, mine does Sony HVR-M25U.
    I have a weekly show I do, but I do it all in SD until the channels it broadcasts on will take HD footage.
    Though if I am doing a commercial, I usually shoot it HD and leave it HD

  • Best workflow for converting NTSC tv show to PAL?

    The company I work for edits a TV show in DVCPRO HD 1080i60. We distribute it to a station in Europe, and for about a year we've sent them the programs on DVCAM tape, 16:9 letterbox, NTSC, rendered in a 720x480 sequence, 29.97 fps. I figured they took care of the process of switching it PAL since they never asked us to do anything differently.
    Well now they have. Now any tape we send them needs to be in 16:9 anamorphic and PAL.
    In regards to the first issue, changing to 16:9 anamorphic seems as simple as clicking the Anamorphic check box in the sequence settings. But the PAL issue has me stumped. An engineer friend told me that all I should have to do is print the program to a PAL DVCAM deck, and that should do the trick. So my thinking is that I export the program as a DVCPRO HD Quicktime file, put that into a PAL 16:9 anamorphic sequence, and print to tape using a PAL deck.
    Anything I'm missing? Is it as simple as that or more complicated? Any thoughts are welcome.
    jesse.

    Sorry fellow Missoulian, it is NOT that simple. FCP doesn't convert the frames rates properly...the proper pulldown removal, frame rate conversion does not happen well in FCP. If you have Avid 4.0...it would. That version does this VERY well. BUT, we are talking FCP.
    Best option, output NTSC and send to a dub house to have the conversion done on proper machinery. Bill the client for this dub...unless it is part of the deliverable and therefore part of the money they pay you. If they changed the deliverable to require this conversion, then they should be then paying more money so that you can have this conversion done right.
    Second best option, export a self contained QT file, and use Compressor to do the conversion, frame settings set to FULL. The drawback? This takes a LOT of time. And you will have to do tests to see if it looks right, and adjust settings to match.
    ME? I send it out of house to be dubbed. But you are in Missoula where that doesn't exist, and finding someone with a KONA/DECKLINK/MATROX card is a challenge.
    Shane

  • Workflow for converting NTSC to PAL with Premiere/AME

    Hi everyone,
    After searching the forums, I see that to convert NTSC to PAL for  standard def DVD, most recommend using Canopus Procoder software for the  MPEG2 encoding, or using a hardware based solution.  I don't have the  money for those options, so I was hoping you could clear up something  for me.  Which of these options is best?:
    Option #1:  import the NTSC footage into Premiere and edit on a NTSC  timeline with settings matching the original footage.  Then use Adobe  Media Encoder to encode a PAL format MPEG2 file for the standard def  DVD.
    Option #2:  import the NTSC footage into Premiere and edit on a  timeline set up with PAL resolution and framerate settings, and simply  scale up the NTSC footage to match the larger PAL resolution.  Then use  Adobe Media Encoder to encode a PAL format MPEG2 file for the standard  def DVD.
    Thanks for the help!!
    Mike
    Intel i7-930 2.8GHz
    12 GB RAM
    1 GB VRAM
    Adobe CS 5

    pal to ntsc is not quite the same as ntsc to pal.
    pal has more scanlines and there for makes a better end result to ntsc than ntsc to pal.
    Usually ntsc converted to pal does not look very good on a tv.
    That's why i recommend to leave it in ntsc, most pal players can be switched to ntsc.

  • Some Bugs on my Ipod Touch (Sorry for my English, I'm French!)

    Hello everybody,
    I want to ask you some questions!
    I hope that you'll understand, I know that my English is not very good! :-P
    -Remote: once work on 10, most of the time the research for library failed!
    -Shazam: Doesn't work at all: "Sorry, we couldn' t find a match for this music"
    - and finally the most problematic for me which plan to go on a journey next month: impossible to localize me on the application plan or Patch tracker!
    Nevertheless my internet access works correctly, I tried in other place!!
    I hope that someone will help me!
    Thanks for all!
    Damien

    You're right! It's a Ipod Touch! I understand why it doesn't work!
    But for Remote, and especially for the localisation? Do you know why?
    In France, nobody could give me answers!

  • How to search a genre for a specific title in the iTunes Store and have a concise result

    How can I search the iTunes for say:  Title = "Satisfied" and Genre = "Christian & Gospel" and have a result with only tunes that start with "Satisfied" within the Genre "Christian & Gospel"

    Hi Aravinda,
    SharePoint list column (or site column used as a list column), after we create a list item and make sure column has value, and start a full crawl, then a Crawled Property format as ows_thisColumnName (e.g. ows_Description in this case) will be
    generated for this column, you can check the search service application from Central Administration site, find the Crawled Property ows_Description and make sure the option "include values for this property in the search index" is checked, and
    re-start a full crawl, then check results again.
    Thanks
    Daniel Yang
    TechNet Community Support

  • Better Workflow for 20+ "versions" of a design, secure PDFs and Thumbs...

    This will probably be a long one. Basically, I'm able to complete my tasks, but it is really time consuming and I can't help but feel like there is a better way. I'm hoping someone here can clue me in.
    THE PROJECT:
    I sell digital downloads of a planner. There are several variations (with Holidays, without Holidays, weekly views, month only views etc.). Each variation is offered in several "designs". These are just different BG patterns. Once I've got them saved as a secure PDF (so no one can edit my design or copy/paste my resources) I have to create mockups of several views of each one. So right now, when I make a new background pattern that I want to intoduce to the set, I workflow ike this:
    ►Open 17 Indd files. One for each variation.
    ►Relink the BG image to the new design.
    ►Save 17 Indd files in a new folder with a new name indicating the new BG. (ie: Jan-13_Dec-14_Basic_Monthly_PurpleWeave.Indd)
    ►Export 17 indd files to PDF, going through the menu to change the security settings on each one.
    This is a nightmare. It takes ~3 seconds to choose all the menus (not to mention typing in my security password twice), but then another ~5-10 to actually save the 144pg file. I can do nothing but sit and stare while it does this. I've found a couple of scripts that will export the PDFs from a whole folder for me, but since you can't save security settings in the PDF presets, I have to do it all by hand.
    ►Open 6-10 Photoshop Files for the mockups.
    ►Right Click "Edit Contents" for each smart object containing the PDF. (Usually 2 per PSD)
    In order to allow the Transform>Distort for the placed PDF Smart Object, I have to place it, then "Create Smart Object". This means that the regular "Replace Contents" doesn't work. It does replace the PDF, but it loses the distortion that made it optically match with the perspective in the mock up. So, I am forced to use "Edit Contents" which opens a new window and adds steps.
    ►Wait for PS to open the Edit Contents in new window.
    ►File > Place new PDF.
    ►Save and close, return to Mockup File.
    ►Save As... Mockup File as Jpeg with proper name to reflect new BG.
    I've been looking for a method like InDesign has, where I can easily replace all iterations of one PDF with another in the mockup. This presents a couple problems. Firstly, Photoshop doesn't really have "pages" so I'd still have to open all of the PSDs (since each one is a different view) and change them manually. I tried instead to just do it in InDesign, importing the base mockup PSD with one on each page and placing the PDF on top (So I can use the relink feature). This doesn't work because ID doesn't allow distorting of placed files, so the best I can get is a crappy shear to imitate perspective on the mockup and the mockups look rediculous. I am totally open to suggestions on this.
    I have The Adobe Master Collection CS6. I feel like I must be missing something that will make this easier. Particularly in steps 4, 6, and 10 where I am doing the same repetative task over and over again, I wonder if there is a more efficient use of my time. I've thought about possible PS actions to replace the needed Smart Objects, but as far as I can tell I'd still have to place the new file, so I don't think it would save any time?
    Also, I've searched the forums but haven't found a way to batch export to PDF with security. That alone would be a huge time saver. :/
    Thanks for looking and I appreciate any advice!

    Peter,
    I use styling to turn off Holidays in the month views. But, there are pages in the actual book that detail the year's US Holidays. So, unless I wanted to remove/re-add a page for each save they have to be in different Indd files I think. All of the variations have different content. There is a version with weekly meal planning, one with weekly lesson planning, some with week views, some with only month views. Some of the files are for add ons to the planner as well (activity pages, notes pages, optional covers etc. So, I'm probably stuck with having that many files. But I wish updating/saving as PDF was better.
    [EDIT: Peter S]

  • Specs and workflow for creating opening/closing titles for video

    I'm trying to create specs/workflow for videos that I will be adding opening and closing titles to (black background with colored text), using QuickTime Player 7 (Pro).
    The videos are .mov, AVC coding, 1280x720, millions, 30fps, a sample video had a data rate of 7,463 kbits/second.
    I created 1280x720 300dpi (perhaps I should have used 72dpi?), saved as a .jpg (highest quality), then copied the .jpg contents into a QuickTime Player 7 (Pro) blank document multiple times until I had enough frames for my need. The resultant video was very large; 339,743 kbps/second. I then exported to H.264, which brings the data rate down to only 214 kbits/second (and looks fine) and then copied that into the head of my AVC coding video.
    Questions:
    1) When I exported to H.264, the x pixels increased by 6, to 1286. After pasting that video into the AVC coding (1280x720) video, the resultant movie is 1280x720. Did my graphic get compressed by 6 pixels horizontally?
    2) Does my method of converting the huge graphic movie to H.264, and then pasting it into the AVC coding make sense? The combined video has AVC coding, according to Movie Inspector; does the H.264 of the graphic get converted automatically? Any better way to approach creating my titles?
    Note: these AVC coding videos may get converted to H.264 for some use, but for now, I'm keeping the highest quality (source) video I have to work with.
    Thanks,
    Bob

    "First, tell use why you're not using FCP's titling and keying capabilities."
    I don't own FCP.
    "Then, explain why you're doing it this way."
    I'm able to create graphics with plenty of control in a graphics program (PhotoShop in this case).
    "There is no dpi in video, there are only pixels."
    Sorry, I posted my thread then realized I left out a bit of info, but couldn't edit the post. I should have written that I created my graphics file in PhotoShop, hence the dpi reference.
    "A black background for text is not the same as using an alpha channel."
    OK. The portion of my video with titling stands by itself; that is, I'm not overlaying titles on existing video. Is there a use for alpha channel if I'm working up standalone title video frames? Uses less data rate?
    It seems from your inference I would be best served by purchasing FCP, so I'll probably take that advice and buy it.
    From a general video production point of view, I'd still like to learn more about creating titles in a graphics app and bringing them into QT Player; what format to bring them in as (e.g., H.264 into an AVC coding video, as I've done, or ?), and what happens when my graphics video gets converted from 1280x720 to 1286x780 (AVC export to H.264), and then brought into an AVC codec movie, and the movie remains at 1280x720-- does the graphic get horizontally widened, or the vertical compressed? Thanks.
    Bob

  • ECMA script for checking active workflows for an list item

    Hi i am having more than 1 workflow associated with the list if there is any workflow that is active for an item then i need to prevent starting another workflow for the same item. I am using the following code to achieve the same. Can anyone please provide
    me the ECMA object model equivalent for achieving the same.
        //Check for any active workflows for the document
            private void CheckForActiveWorkflows()
                // Parameters 'List' and 'ID' will be null for site workflows.
                if (!String.IsNullOrEmpty(Request.Params["List"]) && !String.IsNullOrEmpty(Request.Params["ID"]))
                    this.workflowList = this.Web.Lists[new Guid(Request.Params["List"])];
                    this.workflowListItem = this.workflowList.GetItemById(Convert.ToInt32(Request.Params["ID"]));
                SPWorkflowManager manager = this.Site.WorkflowManager;
                SPWorkflowCollection workflowCollection = manager.GetItemActiveWorkflows(this.workflowListItem);
                if (workflowCollection.Count > 0)
                    SPUtility.TransferToErrorPage("An workflow is already running for the document. Kindly complete it before starting a new workflow");
            }

    Hi,
    According to your post, my understanding is that you wanted to use ECMA script to check active workflows for an list item.
    You can use the Workflow web service "/_vti_bin/workflow.asmx"
    - GetWorkflowDataForItem operation in particular.
    Here is a great blog for you to take a look at:
    http://jamestsai.net/Blog/post/Using-JavaScript-to-check-SharePoint-list-item-workflow-status-via-Web-Service.aspx
    In addition, you can use
    SPServices. For more information, please refer to:
    http://sharepoint.stackexchange.com/questions/72962/is-there-a-way-to-check-if-a-workflow-is-completed-using-javascript
    Best Regards,
    Linda Li
    Linda Li
    TechNet Community Support

  • Fm for converting char3 to int

    suggest me a function module for converting char of length 3 to int
    and a function module for converting from int to char 3

    Hi ,
    You dont require a FM for that.
    Simply do the following:
    Data : l_temp(3) type c,  " CHar
              l_sum     type i.    " Integer
    * To move char to integer
    L_temp = '1234'.
    move l_temp to l_sum.
    * To move integer to char
    clear : l_temp, l_sum.
    l_sum = '23433'.
    move l_sum to l_temp.
    Best regards,
    Prashant

Maybe you are looking for

  • New browser window without Border

    Hi , How I can achieve of on clicking commandlink need to open a new browser window without a border as a child and having the parent window in background as frozen mode..I need to have it looking similar to popup..Im using Jdeveloper 11.1.1.6 Thanks

  • How to read mp4 video

    Hello I am start working with Labview 8.20 to do a project which have to contain some videos. I already have searched in this forum some information/code examples how to play mp4 videos (or other well-know formats like avi, mpeg...), but I didn't fin

  • How to delete rejected messages backed up in the cue?

    I have been using Vtext to text several people. I currently have hundreds of messages in the cue. They are "rejected" from the phone, and I must delete messages on the phone to allow them through. The problem is I have HUNDREDS of messages in the cue

  • Anomaly Detection Knowledge Base

    the only way to build a anomaley detection knowlege base is put IPS in learning mode for a time like 72 hours or is there any file or resource to download? I mean KB file and put into sensor something like that. Anomaley Detection Knowledge Base page

  • Global Employee Number

    Hi All, Where can we mantain the gloabl emoplyee number if its in 4.6c or other version also. ASAP help woule be apprecaited Thanks and Regards