HD WMV best settings for HDTV playback?

Hi All,
I have been recording in HD for a couple of years now but have never made use of the high quality, preferring to work with SD as I never had a HD player. I now have an Xbox 360 which allows the HD WMV file format to be played. Superb!
I have captured video on a Sony HD HC3 which at 1080i has a resolution of 1440x1080.
I would like to create HD versions of my tapes in the HD WMV format (or possibly another preffered HD format that can be encoded in premiere pro 2.0?) and also create DVD versions for family who do not have a HD player.
So, without further ado the questions: -
1) What is the best video/audio options to use when encoding the HD WMV considering the playback will be on a 42" HDTV via HDMI cable?
2) I have seen the Dan Isaacs HD to SD conversion. I was going to use that workflow to create an SD version of the video. I'd just like confirmation that there are no unforseen issues with that...?
Looking forward to watching my vids in HD!
Cheers,
MJ

Getting your stuff out on TV or DVD or whatever means you need to experiment and see what works best.
Make misstakes, encounter unforseen issues, these are the best learning school.
Oh and get yourselve some dvd-rw´s for testing.
For the HDwmv 720P wil do just fine (i am not sure Pro2 can do this). I use them to. I have my pc hooked up to a HD projector via hdmi. Looks great on a big screen.

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HD WMV best settings for HDTV

Hi All,
I thought I'd post this here as well as the Pr Pro 2.0 + older forum. I may get some responses
I have been recording in HD for a couple of years now but have never made use of the high quality, preferring to work with SD as I never had a HD player. I now have an Xbox 360 which allows the HD WMV file format to be played. Superb!
I have captured video on a Sony HD HC3 which at 1080i has a resolution of 1440x1080.
I would like to create HD versions of my tapes in the HD WMV format (or possibly another preffered HD format that can be encoded in premiere pro 2.0?) and also create DVD versions for family who do not have a HD player.
So, without further ado the questions: -
1) What is the best video/audio options to use when encoding the HD WMV considering the playback will be on a 42" HDTV via HDMI cable?
2) I have seen the Dan Isaacs HD to SD conversion. I was going to use that workflow to create an SD version of the video. I'd just like confirmation that there are no unforseen issues with that...?
Looking forward to watching my vids in HD!
Cheers,
MJ

Getting your stuff out on TV or DVD or whatever means you need to experiment and see what works best.
Make misstakes, encounter unforseen issues, these are the best learning school.
Oh and get yourselve some dvd-rw´s for testing.
For the HDwmv 720P wil do just fine (i am not sure Pro2 can do this). I use them to. I have my pc hooked up to a HD projector via hdmi. Looks great on a big screen.

Best flash movie settings for HDTV playback

I am creating a flash video for a trade show for my company
for the first time, and we are bringing a large HDTV to play to
movie. Do I need specific settings in flash in order for it play
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Getting your stuff out on TV or DVD or whatever means you need to experiment and see what works best.
Make misstakes, encounter unforseen issues, these are the best learning school.
Oh and get yourselve some dvd-rw´s for testing.
For the HDwmv 720P wil do just fine (i am not sure Pro2 can do this). I use them to. I have my pc hooked up to a HD projector via hdmi. Looks great on a big screen.

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Quality.
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Best thing is to use the Adobe Media Encoder bundled with Flash CS4. Play with the settings until you get the optimum settings and the import the .flv to the stage. Then publish the movie "best".
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http://www.toshiedo.com.au

Best settings for 4k video in Premiere Pro CS6

I am trying to nail this down. I have an (Asus G20AJ Series) ASUS i7 3.6 Ghz with 16GB RAM 64 bit. I now have a drone that uses 4k video. I am pretty sure I have the rendering down but I wanted to ask if you guys can suggest options for all the best settings for setup, playback and export of the video. My drone does video of 4096x2160 @23 fps. When I went to render the 6 minute file, wow, it was going to take more than 4 hours! Is this right? Any info you can suggest would be greatly appreciated!
Thank you!
Jeff
https://farm9.staticflickr.com/8805/17142255269_0702f8b8b0_k.jpg

4 hours sounds about right for this source material on such a system. Better hardware may be needed to reduce the exporting time or you have to convert the source material to a less demanding format.

Settings for HDTV

I have a 32 inch LED hooked up to my mac via DVI>HDMI. The image is pretty solid at 1900x1080 overscan slected. But using the TV's remote I found a setting called dot-dot and it looks WAY clearer however, it extends the image beyond the screen so I cannot see the menu bar or dock. Any suggestions on the proper settings? I used SwitchResX to get 1900x1080 is there somehting else I should try? Thanks

dross333 wrote:
Hi, I just got an HDTV and am a little confused as to what are the "best" settings for video. When I go into the FIOS video menu I'm a little confused.
Any tips or suggestions would be appreciated.
Thanks
David
The "best" settings are what looks best to you. That being said, it also depends on the TV you are hooking up to. Ideally it should be set to the aspect ratio of your TV (I'm assuming that would be 16:9 for an HDTV) and the native resolution for HD (1080i or 720p - depends on your TV and I am assuming you have a flat panel and not a CRT set).
Now comes the trickiest one the SD override. Some sets don't accept 480i over HDMI so be careful here. Setting this to "OFF" causes the FiOS box to output SD (4:3) at whatever resolution you have selected for HD(the box upconverts the resolution). The best bet is to try the different options for the SD Override and select whatever works best with your TV and looks best to your eye (some TV sets do a better job of converting SD to their native resolution than the box will). The other option is whether you want SD in 4:3 (black side bars) or stretched to fill the 16:9 screen (personal choice is to never stretch, YMMV). As always, the best setting is what looks best to you
If a forum member gives an answer you like, give them the Kudos they deserve. If a member gives you the answer to your question, mark the answer as Accepted Solution so others can see the solution to the problem.

Best settings for PP mov's?

Got a few videos SD 720x486 I need to export from FCP 7 (uncompressed timeline) for use in a Powerpoint - what's best settings for PP? mov, h264, audio at 44 or 48k, what? Should we keep them at full 720 size, probably?
Thanks
K

ON a Mac or a PC?
WMV for the PC but learning how to embed is a function of learning how to use Ppoerpoint, not FCP's tools.
H.264? Dunno, what does the manual for PP say about compatible movie filetypes?
If you are handing these movies off to an experience PP producer, they will be able to give precise specs. If your'e doing this yourself, give yourself some extra time to work out the screwups. We have two wiseguys who insist on doing their own PP instead of letting our PP wonks do the jobs. They have never been able to figure out how to embed or link to movies and they do not understand why we tell them to have the movines in the same folder as the PP files.
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What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

function(){return A.apply(null,[this].concat($A(arguments)))}
bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

Which are the best settings for exporting comps before edditing in Premiere Pro

Hello everyone!
As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
Let me explain: I have two comps in AE (intro and outro) and want to export them in Pr.Pro for edditing along with a fottage i shot.
When i render them the size of the files are huge (30 sec= 7GB).
Which is the best method (and settings) i can export the intro and outro to a 'normal' file size and then put them in Pr.Pro without loosing any quality??
[Comp settings: HDTV 1080 29.97 (1920x1080)]
AE and Premiere Pro both CS4

If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
"FAQ: Why is my output file huge...?"
"FAQ: What is the best format for rendering and exporting from After Effects?"
By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

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There's a fair amount of useful information online regarding the best settings for film based NTSC footage export etc but I'm unable to find anything regarding the best Compressor settings for the export of MPEG2 from PAL video from a 25 frames per second film sourced master.
Can anybody help?

Okay, so after reading heaps of stuff on interlacing and progressive, my head is hurting. Since my 1080i50 Pal footage captures into Final cut interlaced and setting field dominance to NONE doesn't do much, I realise I need to de-interlace in an another application. Ken Stone has a great example of what to do in compressor though I dont have the current version (3) and am not sure how to reinterpret this for Compressor 2. I had a go without much luck. I am in the process of trying to use MPEG Streamclip to deinterlace and trying getting the right settings. Will see how that goes. I also have tried using JES deinterlacer but also wasnt sure about settings etc with this application either.
Which is the best to use and what settings should I set. I wish to use my footage for watching on our macs primarily and also from our mac server which is hooked up to our hdtv. I can then convert to other formats for iphones and web etc. But my main problem is this interlacing issue. I have a nice new HDV camera but it certainly isnt looking too much better atm than my old dv footage.
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Best settings for Panasonic DVX100B

Hey all. I shot footage in 24pAdvanced on my Panasonic DVX100b. Now I am stuck trying to figure out the most optimal capture, sequence, and export presets. I want to get good clear 720p video out of the footage, but when I export it looks grainy and low quality.
Can you guys post your workflows for the DVX?
As of now I have:
L/C: DV NTSC 48 kHz Advanced (2:3:3:2) Pulldown Removal preset wit Firewire NTSC NDF
Sequence: NTSC DV - 48kHz 23.98
Export: Current Settings
ANy help?

I have found the best settings for any user using the Panasonic DVX AG-100b shooting with 24pA
These settings get rid of issues like Pulldown Cadence Errors, Dropped Frames, Horrible Quality, and so on.
USER PREFERENCES
TAB: "Timeline Options"
Starting Timecode: "Drop Frame" Option should be unchecked
SYSTEM SETTINGS
TAB: "Playback Control"
RT: Unlimited
Video Quality: Dynamic
Frame Rate: Full or Dynamic
Pulldown Pattern: 2:3:3:2
Gamma Correction: Accurate
Frame Offset: 4
Record: Full Quality
(I have all options checked except "Play Base Layer Only")
EASY SETUP (CUSTOM)
AUDIO/VIDEO SETTINGS
TAB: Summary
Sequence Preset: DV NTSC 48kHz - 23.98
Capture Preset: DV NTSC 48 kHz Advanced (2:3:3:2) Pulldown Removal
Device Control Preset: FireWire NTSC NDF
Tab: Sequence Presets
Edit: DV NTSC 48kHz - 23.98
Aspect Ratio: NTSC DV (3:2)
Anamorphic 16:9 CHECKED (If you shot with widescreen)
Editing Timebase: 23.98fps
Timecode Rate: Same as Editing Timebase
QuickTime Video Settings
DV/DVCPRO - NTSC
(Under Advanced)
Compression Type: DV/DVCPRO - NTSC
Frames Per Second: Custom 23.976
Quality: BEST
Scan Mode: Progressive
Aspect Ratio 4:3
Audio Settings: Leave alone
TAB: Video Processing:
I have this set to Render ALL YUV material, but you can set that to your preference.
Now back to AV settings under tha CAPTURE PRESETS tab:
Edit/Duplicate DV NTSC 48kHz Advanced (2:3:3:2) Pulldown
Frame Size: NTSC DV (3:2) Anamorphic 16:9 CHECKED
Digitizer; DV Video
Input: AG-DVX100B
Compressor DV/DVCPRO - NTSC
Quality 100%
FPS: 29.97
QuickTime Audio Settings:
Device: DV Audio
Input: First 2 Channels (If that's what you used)
Format 48.000 kHz 16-bit 2-chan
(Don't change this unless you know for a fact another setting woks, b/c the DVX doesn't go higher than that setting)
Capture Card Support Simultaneous Play Through and Capture (CHECKED)
Remove Advanced Pulldown and/or Duplicate Frames from FireWire sources (CHECKED)
High-Quality Video Play Through (UNCHECKED)
Back to AV Settings under the Device Control Presets tab:
Edit FireWire NTSC NDF
Protocol: Apple FireWire
Time Source: DV Time
Frame Rate: 29.97
Default Timecode: Non-Drop Frame
I changed my Pre-roll to 2 seconds.
And when you're done editing, EXPORT USING COMPRESSOR and find the best settings.
Hope this helped. Wish I had this when I was figuring out how to do this.
My advice, SAVE ALL OF THESE to an easy setup and copy this post just incase you lose the settings.

Best settings for highest quality results, Blu-Ray vs DVD

I am shooting AVCHD 1080p 60fps with a JVC GC-PX100, using a Windows 7, i7-2600 3.40Ghz., 8Gb.RAM, 1 TB HDD with PE11 and a Pioneer Blu-Ray writer drive.
I'm looking to find the best settings for replay on a 55" HDTV. I have tested both BD and DVD without seeing very much difference between the two as far as video quality is concerned,
but I want to make sure I'm using the right settings for the best quality on both drives. Can someone please offer a step by step settings procedure for both BD and DVD, also which do you
think is the better route to take between the two?
Also, I have noticed there is a ghosting image after letters/numbers on faster moving content (like railroad cars) on my video even before transferring it, can anyone give some insight to what that might be and if there may be a solution ??
Many thanks for your anticipated help.

Rikko
Thanks for the reply.
Referring back to your post 4.
Additional info: When I published my test video for DVD I chose “Computer” on the Publish+Share drop-down list, then chose MPEG, Presets: HDTV 1080p 29.97 High Quality.
Saved and burned to DVD. I also did the same choosing AVCHD Presets: MP4 – H264 1920x1080p 30. Saved and burned to DVD
Let us clarify. When the end result is "...burned to DVD" in either case, are saying that you take your saved file to DVD-VIDEO on DVD disc or AVCHD on DVD disc, using another Premiere Elements 11 project on Windows 7 64 bit.
My post numbered 1, contained the step by step for taking your 1080p60 Timeline directly to DVD-VIDEO on DVD disc or Blu-ray disc format on Blu-ray disc.
If you are going to introduce intermediates in your workflow (Timeline content saved to file and then burn to disc), then I would offer the following scheme
a. 1080p60 project preset (project 1)
b. 1080p60 Timeline saved to file via
Publish+Share
Computer
AVCHD
with presets = MP4 - H.264 1920 x 1080p30 (and then under the Advanced Button/Video Tab, customize the export settings for 1080p60 instead of 1080p30)
c. Import that back into Premiere Elements 1080p60 project (project 2) and burn to disc DVD-VIDEO on DVD disc, AVCHD on DVD disc, or Blu-ray disc format on Blu-ray disc..
This is another alternative interpretation to your saved and burned to DVD.....in one project, you are doing two different exports...one to a file saved to the hard drive and after than the burn to disc (be it DVD-VIDEO on DVD disc, AVCHD format on DVD disc, or Blu-ray disc format on Blu-ray disc). If this is the case, there is no "intermediate".
There used to be the discussion about HDV to DVD-VIDEO format on DVD disc - whether HDV file should be imported into the project as source or whether the user should downsize the HDV to DV widescreen in the camera before import into a DV Widescreen Premiere Elements project. As we getting into this type of question with your 1080p60 to DV widescreen?
Please review and consider. And, then please let me know if any of the above addresses your considerations.
Thanks.
ATR

Recommended settings for HDTV

Hi, I just got an HDTV and am a little confused as to what are the "best" settings for video. When I go into the FIOS video menu I'm a little confused.
Any tips or suggestions would be appreciated.
Thanks
David

dross333 wrote:
Hi, I just got an HDTV and am a little confused as to what are the "best" settings for video. When I go into the FIOS video menu I'm a little confused.
Any tips or suggestions would be appreciated.
Thanks
David
The "best" settings are what looks best to you. That being said, it also depends on the TV you are hooking up to. Ideally it should be set to the aspect ratio of your TV (I'm assuming that would be 16:9 for an HDTV) and the native resolution for HD (1080i or 720p - depends on your TV and I am assuming you have a flat panel and not a CRT set).
Now comes the trickiest one the SD override. Some sets don't accept 480i over HDMI so be careful here. Setting this to "OFF" causes the FiOS box to output SD (4:3) at whatever resolution you have selected for HD(the box upconverts the resolution). The best bet is to try the different options for the SD Override and select whatever works best with your TV and looks best to your eye (some TV sets do a better job of converting SD to their native resolution than the box will). The other option is whether you want SD in 4:3 (black side bars) or stretched to fill the 16:9 screen (personal choice is to never stretch, YMMV). As always, the best setting is what looks best to you
If a forum member gives an answer you like, give them the Kudos they deserve. If a member gives you the answer to your question, mark the answer as Accepted Solution so others can see the solution to the problem.

Best Settings for Audigy 2 ZS Recording Out to S-VHS or DVD Recor

I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
Or some setting in between...most likely...
Or, is there some other setting I?m not aware of?
I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
Thanks,
Rich

I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
Or some setting in between...most likely...
Or, is there some other setting I?m not aware of?
I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
Thanks,
Rich

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Have a lot of music on my ipod that I have imported at low quality settings. Am going to take some time re-doing this so would like to know the best settings for the best quality sound. Have plenty of room and would prefer a richer sound rather than more quantity.
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(I assume I would put the old track in the recycle bin and then import the new track.

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HD WMV best settings for HDTV playback?

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