10.1.3 export for dubbing mix

HI there, I'm working my first project in FCP 10.1.3 with a dubbing mixer. Used to be able to export an OMF file and send to him - what do I do now?
Any suggestions gratefully received.
Thanks.

GGoogle X2Pro.

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OMF export for protools mix questions

Hi, first post ...
Been using logic pro for about a year, so excuse me if this is redundant. I did a search and couldn't come up with all the answers I needed (this place via search has helped many times) I am exporting a project I did in Logic pro 7 to OMF for someone else to mix in P.T. Am I correct in assuming I first need to bounce all midi files to audio and reinsert them in the project via aif into audio tracks?
Also, when you export to OMF I understand that the panning is not transfered, but how are the individual track effects along with Bus and output buss effects treated? I think understand it that the automation is ignored, but will they recieve my tracks processed the same way as say they were bounced to mp3? I am thinking not.... and for the few tracks where the effects are intergal to the part, I need to bounce them and print the effects and then re-insert like I did with midi? Sorry if this confusing post, but I am a newbie to all this, any help greatly appreciated.
G4 Mac OS X (10.4.8)

Forget the OMF deal...
Logic 7 has a feature called "Export All Tracks as Audio Files". Use it.
All MIDI will automatically be bounced as audio files.
All audio regions will be consolidated so that they all start from the same point.
Any plug-ins on your tracks will become part of the bounced audio, so make sure only plug-ins crucial to the sound are left on.
No automation will be written to the exported audio files. They will all bounce at unity gain.
No FX from busses or Auxes will be included. This is generally the preferred result, as a mix engineer will want a "clean slate" from which to work.
Make sure all your audio objects are named properly. On each track, hold down the option key, and double click. Type a relevant track name, such as Kick, snare, kazoo, etc... otherwise, the exported files will have names like "Audio 1, Audio 2", etc... and you'll find a voodoo doll of yourself with pins in it next to the mix engineers console.
By utilizing the "Export All Tracks as Audio" feature, you are creating audio files, that run from bar 1, beat 1, to the end of the song. The PT engineer will then import these into a new PT session. Tell him/her the beats per minute, so they can set it up on a grid (necessary for quick edits, tempo sync'd FX, etc..).
This is the preferred method of handing a song made in one DAW, off to another, to be mixed.

Exporting files for Surround mix... fairly urgent!

hi there... I'm having an advert piece i've written mixed in surround sound which is a first for me. it was all recorded and mixed my end in stereo so I need to know how best to export them for the mix engineer. I am yet to hear from them so I was wandering if anyone could answer the following:
- Should I send split or interleaved files (assuming 48khz 24 bit .aifs are suitable)?
- Where there is corrective or creative compression or EQ, should I keep in bounced versions?
- Where tracks are panned, should I bounce this information or leave centered?
- Where a track is bussed to a reverb for example, should I send the bus as a separate track, or send the original file wet?
- Where more than one SFX appears on a track, should I separate them onto separate tracks?
- I'm assuming I should retain creative volume rides in the bounced information (eg. long fades).
And is there anything I'm overlooking? I'd be VERY grateful for any input (this has to be sent by tomorrow afternoon!).
Thanks

Q: Should I send split or interleaved files (assuming 48khz 24 bit .aifs are suitable)?
A: Interleaved! see down here.
Q: Where there is corrective or creative compression or EQ, should I keep in bounced versions?
A: depends on the media you are going to ship your production.
Q: Where tracks are panned, should I bounce this information or leave centered?
A: Be shure your tracks are surround at the first place. then the pans could have been converted. better check in the Automation screen if it does.
Q: Where a track is bussed to a reverb for example, should I send the bus as a separate track, or send the original file wet?
A: By my knowledge is this your choice. In the bounce all tracks are mixed to the 5+1 (or the 7+1) channels.
Q: Where more than one SFX appears on a track, should I separate them onto separate tracks?
A: Deepends on the effects you have in mind. I see no reason do split it up.
Other thing: if you are going to bounce be shure it is a PCM 48000 (required for replay on standard dvd player) Interleaved (all channels in one file) put the button Surround on.
checking your work on a standard video-dvd-player is only possible if you put the audio files in to a video stream with a black image as video. there is no other option unless you have a DVD-A player in your collection. such a player is hard to find these days.
hope this helps a little,
R

How Can I export Sound Files for Sound mixing?

Can someone please explain me the process of exprting sound sound files for the Sound Mixer & Composer? How do I deliver it to them?

Welcome to the forum.
First, what version of PrE are you using, and then, on what OS version?
In general (specifics can come, with the above info), one would Share/Publish+Share (or Export in older versions) the Timeline as an intermediate Audio-only file. That would be Imported, or Opened in the audio-editor program.
In PrE 11, or 12, one would go to Publish+Share, and then Computer. There, they would scroll down the list, to Audio. Note: the scroll bars are not easy to see, but easy to miss. Look to the far right of the Panel. With Audio selected, choose PCM/WAV @ 48KHz 16-bit. That will get you the best file to edit further with your DAW. When that editing is complete, use PCM/WAV @ 48KHz 16-bit, then Import the resultant edited Audio file into the PrE Project, placing it on an empty Audio Track, say Audio 2, or 3. To maintain its position, I would place the CTI (Current Time Indicator) at exactly the point that you want that edited Audio file to be, perhaps at the start of the Timeline. Then, with Snap turned ON, the edited Audio file should snap to the CTI.
When it is in place, you can Delete the other Audio (that which you exported for additional editing), or just go to the Audio Mixer, and check Mute for any Tracks, that contain that original material.
Hope that helps, and if you can let us know a bit more, then someone can step you through any "gray areas," for your specific version.
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I want to send G.B. song to 3rd party for pro-mixing

I want to send my G.B. song to a 3rd party for pro-mixing.
They need all the single tracks, but in a manner which is in perfect order as the song flows.
Is there a way? In wav files

1. Solo each track? How?
click the headphone icon to solo a track
Will it end up in order?
there is no order, per se, you export each track one at a time
2. Export ? It only says export to CD or send to itunes or iweb.
use send to iTunes, and after each export, rename the song in iTunes to whatever you want (likely the track number to make things easy for yourself later)
3. without compression? Where is compression found?
sending to iTunes will send it uncompressed
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I'm using FCE HD, 3.5.1. I've edited my sequence and want to export for Soundtrack to do a better mix of dialogue and music, etc. So, I select "Export>For Soundtrack". I then select to include audio and video, as well as All Markers. I've tried to do this both by selecting "Make Movie Self-Contained" and not selecting that. Everytime, I get a "Final Cut Express Movie" in the folder that I've selected. However, Soundtrack won't let me open the file. I've tried both opening through the "Open File" dialogue, as well as dragging the file from the finder over the Soundtrack icon on the doc. It will allow me to open it in Livetype, but not Soundtrack.
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The few times I've used SoundTrack, I've just located the movie exported from FCE in SoundTrack's Browser window and dragged it into the Video window. What happens when you try that?

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I have problem with exporting tables and data from MS Access to XML with Exporter for MS Access 2000.
This error ocurr: 'Error #5 - XML Exporter'
When I use Exporter for MS Access 2002 this error ocurr: 'Error #3478 - XML Exporter'
Any leads how to solve this problem ?

Thread moved to Forum Home » Database » SQL Developer
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Edit Color Sync for Exports for Web Sites

Hi,
Perhaps this has been covered, but I've not found the thread. Most of the export color sync questions seem to revolve around printing or displaying on one's own monitor. Neither is an issue for me. However, I note that my RAW images exported from Aperture 2.0 as jpg's and then uploaded to web sites such as Jalbum and Orkut are washed out. Some forums have suggested this is due to those websites being optimized for sRGB. I understand that Aperture uses a proprietary color sync profile; however, my default EXIF - Expanded shows "Color Model" as simply "RGB", and "Profile Name" is Adobe RGB (1998) (my Canon 50D is set to sRGB). Again, I have seen suggestions on this forum that one can change these settings, but the process appears to be only for printers and monitors. Where/how can I change the export for uploading jpg's to the web.
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I understand that Aperture uses a proprietary color sync profile
If the profile were proprietary, it would be an illegal profile under the ICC Specification.
However, I note that my RAW images exported from Aperture 2.0 as jpg's and then uploaded to web sites such as Jalbum and Orkut are washed out.
If you did not disable embedding of an ICC source colour space in Aperture, if you did not use a non-ICC enabled browser, the OS X system level services will set up a ColorWorld and convert the pixels in your JPEGs matching from the ICC source colour space to the ICC destination colour space of your display. Thus you will get what you uploaded in the first place.
I have seen suggestions on this forum that one can change these settings, but the process appears to be only for printers and monitors.
The idea is that each and every colour device is calibrated and that calibration is captured in a colourimetric colour characterisation from which an ICC colour device profile is computed. Colourants that form certain colours one one colour device at one calibration will form other colours in the same colour device at another calibration and in other colour devices at yet other calibrations. By means of device profiles, the COLOURS can be kept constant while the COLOURANTS are recomputed to compel the device to paint the closest possible match it is capable of.
Some forums have suggested this is due to those websites being optimized for sRGB.
The issue is whether people who post pictures do or do not embed ICC source colour spaces into their pictures and whether they pick browsers that are ICC-enabled or pick colour blind browsers.
To determine if there is an embedded ICC source colour space in a picture, download the picture to disk, open iApple Preview and select Tools > Get Info > Summary.
Colour Model: This defines the format or model of the colourants, e.g. three component RGB, four component CMYK.
ColorSync Profile: This defines the ICC source colour space. If there is none in the image file, the system level service assigns the Generic RGB Profile for model RGB, the Generic CMYK Profile for model CMYK and so forth. Therefore, any ICC source colour space than a Generic Profile source colour space is embedded in the image file itself.
In technical terms, the rule is that to construct a ColourWorld that does a colour space conversion through the PCS Profile Connection Space, you have to have an ICC source colour space and an ICC destination colour space (typically your display profile). It follows that the system level service ASSIGNS an ICC source colour space automatically where is none embedded. The ICC source colour space that is assigned when there is none embedded is the Generic RGB Profile for colourant model RGB, as explained.
/hh

Mail export for OS 10.8.5

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How to export your mailbox?
Press Option button (keyboard) AND select "Go" folder using your mouse at the top of the window in Finder.
Look for "Library" on the menu bar. After you select the Library, you will see Mail folder.
Open that Mail folder.
There is only one folder that shows you "V2." I do not know why it is created. Go look inside that folder.
Now, you see your created mail folder such as Mailboxes, MailData, POP- ... folders, and RSS. Please becareful.
Please go back two times (arrow left) where you found Mail folder.
Finally, you drag that specific folder manually - Mail folder into your external hard disk drive. That's what you wanted for your backup.
Hope that help!

Mail export for OS 10.8.5 (OS Mountain Lion):
How to export your mailbox?
Press Option button (keyboard) AND select "Go" folder using your mouse at the top of the window in Finder.
Look for "Library" on the menu bar. After you select the Library, you will see Mail folder.
Open that Mail folder.
There is only one folder that shows you "V2." I do not know why it is created. Go look inside that folder.
Now, you see your created mail folder such as Mailboxes, MailData, POP- ... folders, and RSS. Please becareful.
Please go back two times (arrow left) where you found Mail folder.
Finally, you drag that specific folder manually - Mail folder into your external hard disk drive. That's what you wanted for your backup.
Hope that help!

Export for web doesn't work (X and 7).

I use the export for web feature a lot. I find that I have to bounce back and forth between Quicktime 7 and X because sometime this feature will work and sometimes it doesn't. There's no consistent reason I can figure out why the applications will or will not work properly. On some occasions I get some small 8Kb file. On other occasions, I only get the audio.
Any ideas?

Uhh, the system requirements for Photoshop CC state you need 2 GB RAM, 8 GB recommended. This is likely your problem.
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Strokes on appearance is getting cut off when exporting for web & Devices

I'm a screen print artist using Adobe Illustrator CS5 in windows 7(blah!) to export images of our customers' artwork into a huge folder of images on a server. The images are then loaded into a program so that they can be viewed company-wide and by the customer.
Occasionally, when there is an appearance applied to text it seems to cut off the tops and/or bottoms of the outermost stroke.This seems to be only happening to text, and happens randomly and is very annoying. See the image attached.
it does this with both JPEG and PNG images, and whats more, changes when you adjust the image size. it either gets better or worse. I have to change the image size on every export so that they are all within our size requirements.
I have found that if you put the art into an envelope with all the settings at 0 and then export for web it prevents this from happening. However, that isn't very efficient as i need to be moving a ton of artwork a day, and I am not the only person who may be working on the Illustrator file.
Is there any setting either in illustrator or windows that may be causing this anomaly?

Try adding:
Effect >> Path >> Outline Object
So your type will still be editable
If that does not work you may want to:
Type: Create Outline
I only had this problem once before, on some snickerdoodle cookies package, and that was a script font. Might be related to the font you use.

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Hey,
New here so sorry if I'm a little slow with everything. We shot some concert footage using 4 cameras, 3 cameras shot in 1440X1080 HDV 1080i60 and the other camera shot in AVCHD but was imported as 1440X1080 ProRes 422. I edited the video in a sequence with settings of 1440X1080, field dominance of Upper (odd), and compressor HDV 1080i60. I was trying to find a way to export for SD DVD in the best quality I could and found Ken Stone's site,
http://www.kenstone.net/fcp_homepage/hdv_timeline_to_sd_dvd.html
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Thanks,
Matt

Thanks a lot, this did the trick.
Yeah I'm doing a dual layer dvd, but I'm sending it off for replication so from what I've read it sounds like I have to build and format the dvd, then burn each Layer to it's own dvd. Do you have any experience with this? The break point is kind of confusing me right now because it sounds like just a lot of trial and error.
Thanks again
Matt

Using Quicktime's "Export for Web" feature in iWeb?

Greetings,
Does anyone know if this is possible within iWeb, that is, to use movies created using Quicktime's "Export to Web" feature, which really seems to deliver superior movie quality?
Much appreciated,
DaveB

Thanks, good stuff, though I'm still having a small problem with this. I'm getting a gray line around the top and left of my movie and the right side of the player is getting cut off. When I try to make the width larger, it just moves the gray line further to the left.
Any ideas?
http://www.brianderr.com/brianderr/copythis3.html
*This is the script that I added to the html snippet in iWeb.* I changed the height to 505px because it was cutting off the bottom of the player at 496.
<iframe src="http://idisk.me.com/brianderr/Public/KANYE%20PT%201/kanye1.html"
style="width:720px; height:505px";
scrolling="no">
</iframe>
*This is the script from my read me file that I kept:*
<?xml version="1.0" encoding="utf-8" ?>
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html>
<head>
<title>QuickTime Pro - Export for Web - KANYE PT 1</title>
<script src="http://www.apple.com/library/quicktime/scripts/ac_quicktime.js" language="JavaScript" type="text/javascript"></script>
<script src="http://www.apple.com/library/quicktime/scripts/qtp_library.js" language="JavaScript" type="text/javascript"></script>
<link href="http://www.apple.com/library/quicktime/stylesheets/qtp_library.css" rel="StyleSheet" type="text/css" />
</head>
<body><script type="text/javascript">
</script>
<noscript></body>
</html>

HELP! QT file deteriorates around halfway when exporting for web

I have an iMovie project that I have regularly exported to DVDs or other quicktime files: only when I export "for the web" this file (a 1G file that gets compressed to about 18MB for the web) deteriorates, starts to blur as if losing sync with the codec. When I work in iMovie the file is perfect, when I tried to export it into one (or two) small .mov it deteriorates. I tried everything, including re-exporting to a new original and re-importing, splitting the file in shorter segments etc. At a specific point in the movie, it just falls apart.
I was wondering if any of you had some suggestion.

You could try duplicating the iMovie project, replacing the video clip which plays at the point that the movie deteriorates with -anything else- and then export again to see if the problem is related specifically to that one video clip.
If not, then perhaps trying the export from another user account or on another computer would help determine if settings or software versions are an issue.
If it is the one particular clip, try converting that clip to some other format prior to importing to iMovie and then exporting again ?

More trouble with exporting for web

Alright,
Sorry to say but I am still having trouble converting/exporting my film trailer to the website for PC users to be able to access it.
I converted it to a quicktime movie film from FCP, which plays beautifully but apparently PC users can't see it still.
I have tried exporting to Compressor and tried every format there (mobile devices, web and so on...) they all came out pretty blurry.
Does anybody have a full proof plan for converting/exporting for website viewing (PC and Mac compatible)?????
P.S. It may help some of you to see the problem on the page http://www.inthelandofsmiles.com/Site/Film_Trailer.html
THANKS IN ADVANCE!

I will second the Flash suggestion. Great a .flv file and play it on your site with a flv player. Some are more difficult than others to use.
NOTHING is fool proof with this kind of stuff. Flash has the highest install rate on all computers and is as close as you can get to fool proof. You can also put a link on you site to download the latest flash player. The other plus is that it tends to have the best results with low file sizes. This is what YouTube and similar sites use to play their video.
PS. I highly suggest this flv player... It's free for non-commercial use and almost free for other uses...
http://www.jeroenwijering.com/?item=JWFLVPlayer

10.1.3 export for dubbing mix

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