ACR 5.2 too blue when reading CR2 files

I shot raw files at a fashion shoot with a white balance of 2900. In camera they look fine. In Canon's DPP software they are also good. When loaded into Adobe Brigde they are too blue. Is there a setting I have missed in Bridge, or would a white balance in DPP of 2900 be naturally warmer than in ACR 5.2? Thanks for your advice. John

>In fact, to arrive at Canon's white balance kelvin reading of 2900, I have to move the ACR slider to read somewhere around 3900-4200 depending. CS2 didn't have this problem when I did similar shoots under the same lighting conditions. Any thoughts?
The white balance is profile dependent. ACR translates the camera reading to its own system in order to keep the neutrals neutral. You should not put too much weight in the numbers being different they are supposed to. If you set the profile to camera standard and leave the white balance as shot you will get identical rendering as in DPP using default in-camera settings.

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