Another iMovie - AVCHD/mts query?

I've been asking a few questions on the Final Cut Pro forum about the lack of mts support, or rather the lack of the software's ability to recognize mts files stored on the hard drive, it can only import mts files direct from a camera/camcorder. The reason I was looking at FCP was because I was told that iMovie 11 doesn't support AVCHD/mts. But having done more research I'm starting to think that it does but it needs to be imported direct from a camera and cannot be retrieved from the hard disc, is this right? If you can use mts does it keep the quality or does it convert the format and lose quality?
One workaround I was given in the FCP forum to retrieve files stored on the hard drive was to convert them to QuickTime files, this way the software would recognize them, and there would be no loss of quality. Does iMovie work with QuickTime files and would it keep the quality? I'd like to use iMovie rather than FCP and save myself £200.
I can't try any of this myself yet as my MBP doesn't arrive until next week.

Some people drag their .mts files off the card and store them on the Mac. They find that iMovie does not know how to handle them without the context of all the folders on the card. In this case, they must be converted.
So the best way to do it is to import directly from the card, or alternatively, to use the import screen to Create a Camera Archive. This will make a copy of the contents of the card, but will preserve the folder structure, so iMovie can import it.

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You can import video in AVCHD (MTS) on iMovie for iPad2?

You can import video in AVCHD (MTS) on iMovie for iPad2?

Pad2, the new iPad Supported Video Formats & Movie Formats
    •    H.264 video up to 1080p, 30 frames per second, High Profile level 4.1 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    •    MPEG-4 video up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps per channel, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    •    Motion JPEG (M-JPEG) up to 35 Mbps, 1280 by 720 pixels, 30 frames per second, audio in ulaw, PCM stereo audio in .avi file format
 Cheers, Tom

Does iMovie 11 support native AVCHD (.mts) files?

Native AVCHD file support is the first thing I expected for the new iMovie. Does iMovie 11 support native AVCHD (.mts) files? Or it has the same painful way of importing and converting AVCHD files to the other format like iMovie 09?
Is there any improvements for AVCHD file supports in iMovie 11?

I don't think it does. I picked up a copy this afternoon after the keynote (I like the way that Apple stores have them in stock right away - and at $49 it wasn't really a painful experiment) hoping this would be the case, but it does not appear to be so.
After installing, I tried to import some loose .mts files, but they are greyed out. Some brief exploring turned up nothing to help.
This is really too bad. It would be so nice to be able to save the individual .mts file on my hard drive, and access them when necessary. I'm fine with the intermediate encoding iMovie does before editing, but forcing me to use the silly file structure of my camera's hard drive, or an iMovie archive (basically the same thing) is frustrating.
Allowing the import of naked .mts files would be a huge step forward.
Assuming I'm not wrong about this, what is the best way to work around this? What is the best way to bring loose .mts files into iMovie? (And I hope I'm not hijacking the thread by asking this.)

What software do i need to convert AVCHD mts/mts2 files to import to iMovie

What software do i need to convert AVCHD mts/mts2 files to import to iMovie

As Kirk says, if you have your camera, you can attach it directly.
Further, if you preserved the entire file structure of your camera (not just the .mts files, but also the folders on the camera), then you can import from that via FILE/IMPORT FROM CAMERA ARCHIVE.
When you import from a camera, it is recommended that you keep a camera archive so you always have the originals available.
If you have the .mts files out of context, you will need a third party app to convert. Two that I know of are ClipWrap and Voltaic HD. You should convert the files to Apple Intermediate Codec. And then use FILE/IMPORT/MOVIE.

A conclusion to ALL the AVCHD/.mts Log and Transfer Final Cut Pro 7 issues

Hey all! Happy 2011!
So this is my first post here and hopefully when this thread concludes with all your help we should be able to help a lot of people and save them the heartache that I have recently had to endure by stating these things in plain English. I have some questions at the end which I think could be answered very easily! Please, no gobbledygook!
It would be great if people in the know can confirm/deny or comment on my points so those that are in a similar position to me can save their time and just get on with it.
1) I have a Panasonic HDC-TM300 and it records in AVCHD/.mts files
2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
3) Log and Transfer _*DOES NOT WORK*_ if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
4) What is required from the folder structure that makes FCP act this way?
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do! Im sure that many people have done the same thing as me please correct me if i’m wrong
After a lot of research on the internet I have come up with the following solutions and in brackets my thoughts on them. If anyone has any experience with them please please let me and other people know so I can get on with my life and editing these files.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight. (This could take a while but i think we should do it for the sake of future generations)
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why? (Least desirable option due to requirement for extra program so extra faffing and extra cost).
Thanks y’all and keep up the awesome work!!
K*

2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
Yes.
3) Log and Transfer DOES NOT WORK if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
This is true of ANY tapeless format.
4) What is required from the folder structure that makes FCP act this way?
This is due to the fact that most of them have files in those other folders in that structure that FCP needs to access in order to get all the proper components assembled properly. Sure, there are formats that have folders with nothing in them. Doesn't matter, FCP is designed to look at the full structure and work from that.
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do!
The most natural thing in the world is to NOT backup everything? Well, that might be the case, since this comes up so darn often. But, it is wrong. The full structure must be maintained. This is true of many tapeless formats and more than just FCP. Avid and Premiere need this for certain tapeless formats too.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight.
It isn't an oversight. It is designed like this on purpose. You need to learn how to do things right. You obviously know what that is now...keep the full card structure. So now it is up to you to continue to do things properly. Instead of insisting that an NLE conform the way it works to suit your needs.
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
Easy. Shoot a small bit on another card. Look at the folder structure. Recreate that structure in your backed up footage. Often this will mean making folders with exact names, even if they are empty. But if they have files in them, even small ones, then the first backup you did might not work....because those might be some of the small files FCP needs in order to do the L&T process properly. Always worth trying though.
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why?
I highly recommend Clipwrap. Mainly because I haven't tried the others. But also because the author is always following the latest formats, and works hard to make sure his software works with them. It solved an importing issue I had with the Sony NXCam camera...within a week of me moaning about the issue.
Want a tutorial to walk you through the tapeless workflow in FCP? I have one. Tapeless Workflow for FCP 7 Tutorial You might know most of this, but watch it for other tips.
Shane

The best Mac MTS Splitter-Editing/splitting AVCHD MTS/M2TS videos successfully on Mac

I have recorded a long video with Sony HDR-CX700 Camcorder, but there are some parts I would like to cut off. I once thought a video converter is a must for cutting videos.But I search for a long time , found may spliter and converter just for windows, no MAC. Yesterday, my friend recommended me try Aunsoft Final Mate for Mac. Not only can help me frame by frame cutting/splitting AVCHD without re-encoding, but also can help me convert mts to Apple ProRes and AIC codec for Final Cut Pro/ iMovie.
I think should have many users need a program that allows for (frame by frame) cut AVCHD MTS/M2TS videos files.If you are looking for any frame accuracy solution to do with the AVCHD videos encoded in MTS format on Mac, Aunsoft Final Mate for Mac is the best choice for you. This is the first Mac software which can help HD camcorders users to realize frame by frame editing/splitting AVCHD MTS/M2TS videos successfully on Mac.
Here I would like to demonstrate the simple steps to cut AVCHD MTS/M2TS videos files without re-encoding on Mac.
Step 1. Load AVCHD MTS videos to Aunsoft Final Mate for Mac.
- To load AVCHD videos from camcorder
Connect camcorder to computer with USB cable, and run Aunsoft Final Mate for Mac, you will be asked to follow the wizard. Otherwise, click the Camcorder button to load camcorder videos.
You can choose to backup the videos to computer or just import videos. Here we just select Import to add videos from camcorder to the program.
Step 2. Add MTS files for split with no recompression.
Click the Add movie button, and a movie for lossless output will be created by default. Select the MTS files you would like to cut mts from the Camcorder tab, drag and drop to the movie.
Step 3. Split/Cut AVCHD video.
From the timeline, you may notice the vernier, which is used as time pointer. Click on the Vernier, and move to the timeline you want to cut, and click the "Split" button to cut the video. You may also click the Split button when the video plays to the point you want to cut.
Then click on segment you want to cut off from the timeline, and then click the Delete button next to the Split button to remove the unwanted part.
Step 4. Export videos without conversion.
Choose Export in the main interface, and click the OK button to get videos without recompression. You will get the cutted/splitted AVCHD without quality lost in a few minutes.
read more
mxf products comparison
Ultimate Software Solution for MXF, P2 MXF
TransMXF Pro for Mac
Archive/Edit Panasonic SDT750 1080p AVCHD in iMovie/FCP
Final Mate for Mac
CX150 AVCHD MTS to Apple ProRes for Final Cut Pro

I hear good things about ClipWrap. The other good one is Voltaic HD from Shedworx.
I suggest that you read their websites and choose the best one for you.
I think they have demo versions.
If you import directly from your camera, you don't need these.
Also, for future reference, you can use the Create Camera Archive feature on the Import screen. This will save your AVCHD files exactly as they are on your camera, but it will also preserve the metadata from your camera so that iMovie can import it later. It is a good way to save the contents of your camera at its original size and full quality.
When you import AVCHD into iMovie it is converted into Apple Intermediate Codec for better performance, but it will be a larger file size because it is less compressed.
With ClipWrap, you have the option to keep the file at its original size, but I would not recommend this for performance reasons. (But you can try it if you have a powerful Mac).

HT3775 How do I import AVCHD (.mts) files to iphoto and quicktime

How do I import,save, and play AVCHD (.mts) files to iphoto '11 and/or Quicktime?

First thing I'd try is deleting the iMovie Preferences. In the Finder, hold down the Option key and select Library from the Go menu. Navigate to the Preferences folder and find the com.apple.imovie.plist file and delete it.
Try opening iMovie.
If that doesn't work, restart holding down the shift key. It will run some disk checks (progress bar displayed), and then boot to the login window. It will say it is in safe mode on the login screen. Log in and check if iMovie works in safe mode.
From there, I'm not sure. Maybe boot into recovery hd and repair the disk.

Importing AVCHD .MTS Files - HELP

Since having kids, I have quickly become technologically-challenged and am looking for some help.
I have a Canon HG10 videocamera that is AVCHD and all the files are in .MTS format. I haven't been able to use this in years because the hard drive is full. Back in 2008, we were told that we could use FC Express to import the files, so we shelled out good money for it, but we quickly found out that we were given bad information. So since then, the camera has pretty much sat unused and is full of videos of my son as a baby. And now he's 6 and I have also had two baby girls since then. So I would LOVE to empty the camera and put it to some good use.
WHAT DO I DO FIRST???
I have a iMac running OS Lion 10.7.5 and iMovie '11. I'm trying to scour the forums for information, but since having kids I am completely ADD and don't have the patience for reading through outdated threads.
Questions:
1) Is iMovie '10 actually a newer version than iMovie '11?
2) Is it true that iMovie '10 will allow me to import the AVCHD/.MTS files directly off my camera?
3) If yes, is this the best way to retain the quality of the files? (Clearly I'm becoming computer illiterate, so I'm not trying to produce any award-winning documentaries, but I'd like to ensure the best quality possible.
4) I think I have external hard drives full of other .MTS files - not sure how I even got them on the external hard drives. I think I remember this being a problem before because I didn't keep the folder structure or something. Will I no longer have this problem?
THANKS IN ADVANCE!!!

since version 08, iMovie imports AVCHD
just select Import from Camera...
What's new in iMovie 13 aka v10 (which is newer than iMovie11, which was v09 ... no, this silly number scheme is not my fault!!!) is the ability to import mts without it's normal 'packing' as a AVCHD-structure.
It's no good idea to 'strip off' this AVCHD-structure - for future use, just copy the whole SDcard/cam hard-drive content into some folder onto some harddrive ...

Audio component not apearing when importing AVCHD .MTS files

When importing AVCHD .MTS files into Premiere Pro the Audio component is not available (also in After Effects and Media Encoder)
What am I doing wrong :/

You could most likely convert them using a program like 5DTORGB, and then pull them back into Premiere. Although there is a chance this won't work, however in most cases I find it usually does work. Just be prepared to lose your metadata.
If your on a PC I'd recommend downloading their beta version it will allow you to transcode your AVCHD to ProRes HQ.
http://rarevision.com/5dtorgb/
All you have to is provide them a correct email address and they'll send you a download link. When you transcode though keep in mind that it's going to make your file sizes much much larger, however this because ProRes is much less compressed than AVCHD video is. You do need to keep in mind though that ProRes HQ is visually lossless. If you chose to use another free converter program you'll most likely get stuck chosing a lossy format. Another nice thing though, is that it works on MAC too. Your shooter needs to know not to do this again though, because as you already know at this point. It can cause big issues...

Transcode sony CX700V AVCHD MTS to Mac without compression with a few simple steps

As one of the hottest products from Sony Hanycam line in 2011, Sony HDR-CX700V offers Full HD 60p and 28Mbps recording, as well as a traditional 60i record mode. With the camcorder's 96GB of internal flash memory, you are able to record long-time high definition videos. If you have recorded videos with your new Sony HDR- X700V for the special events like wedding receptions of your friends or relatives, birthday party of your little daughter or your holiday videos, you may want to make great home movies for enjoying high definition memories in big TV with your family & friends. So the question is how to transcode sony CX700V AVCHD MTS to Mac at best?
Bundled software from Sony Picture Motion Browser may be able to help merge your video footage into one but it’s only limited to windows version. If you use a Mac,Final Mate for Mac is highly recommended for dealing with camcorder footage. Actually, it’s one of rare products on market that is capable of merging AVCHD videos without any conversion or re-encoding, which can preserve your original quality and enable you to enjoy your high definition memories on big TV.
This guide introduces how to merge/combine 1080/60p 28Mbps mts video files from Sony CX700V to one single file without transcoding on Mac computer with featured product Aunsoft Final Mate for Mac nearly released by Aunsoft Studio.
1.Capture/Import Sony CX700V AVCHD files to the program.
There are two ways to import CX700V mts videos to Aunsoft Final Mate for Mac: you can directly capture/copy/extract MTS clips from camcorder to the program o you can browser videos from your computer.
Capture Sony CX700V AVCHD videos from camcorder.
Connect CX700V camcorder to computer via USB cable, and launch Aunsoft Final Mate for Mac from Application folder. With built-in wizard, you can easily to capture mts video files from CX700V to the program. Select “Import” instead of Backup to quickly capture videos from camcorder. You can find imported videos under “Camcorder Tab” in the main interface of Final Mate.
Import AVCHD videos from computer.
If you have already backup all your video recordings from Sony CX700V to your computer, you can browse your video path and the software will automatically show your AVCHD clips in “Resource Tab”.
2.Merge CX700V MTS files into one movie for lossless output
Click the drop-down button of “Add Movie” icon and choose “For Lossless Output” to create a blank movie.
Then drag and drop video clips from Camcorder Tab (imported from Sony CX700V) or Resource Tab (imported from computer) to this new movie. In this way, all your clips have been merged together as a whole complete movie for lossless output which means no re-encoding is involved.
3.Lossless output combined AVCHD movie without re-encoding
Click Export button to start output your movie. You can find combined Sony CX700V MTS videos in output folder of your Mac machine without any quality loss. Plus as no decoding or re-encoding is involved, so the whole process of lossless output will be finished in only a few seconds or minutes.
The guide can be also applied to other AVCHD, TOD, MOD camcorders from Sony, Panasonic, JVC, Canon camcorder brands. Aunsoft Final Mate for Mac could be an ideal companion for you to enjoy real HD experience on TV.
Tip: you may also interested to know how to convert Sony AVCHD files to Apple ProRes for editing in Final Cut Pro orconvert AVCHD to Apple Intermediate Codec(AIC) for editing in FCE/iMovie.

How do you copy the entire folder structure? I normally go to my computer (on a PC, my mac's not arrived yet) and the camera appears as a drive. If I open this up I find a folder with all my images/movie clips in. I just lterally drag and drop these files from the camera 'drive' onto my hard drive. Obviously I'm just dragging a whole heap of individual files though, not an entire folder structure.
I do still find it strange though that my old PC running old software can do this simple task ot reading/using mts, yet a brand new all singing all dancing mac with new software can't. Why is it that PC doesn't need these metadata files and the Mac does? Or I should really ask, why doesn't the Mac have the capability of reading/using files without this data when an old PC can?

Optimal Settings for Converting Sony AVCHD .MTS Footage for DVD Delivery

I am starting with footage from a Sony HDR-SR7 camcorder. Since iMovie is still kind of wonky with this, I am going to batch convert all my clips using the VeggieTools plug-in scripting for *Sony Vegas Pro* (under my Windows partition of my MacBook Pro). I can convert over each file into a new clip in a lot of different formats.
My goal is to *bring the footage over to Mac and edit it in Final Cut Express.* Eventually, I will be mastering and delivering on DVD (most likely through iDVD). And I am looking for guidance.
First, I have a lot of choices for the conversion format. But I am not sure what to use. I know that the original is upper field dominant and HD in size (16:9). I will eventually be going to standard DVD NTSC (with letterboxing top and bottom to fill up the format space of the 4:3 aspect ratio). And I assume that is lower field dominant.
Do I need to find some setting that lets me convert the footage to double the 29.97 fps rate while interpolating the fields? Or do I not have to worry about this? I am worried that bringing the size of the footage down will create some weird artifacts if this isn't taken care of first.
I guess the main question is, since I am looking to pretty much just edit these clips together and won't be doing much in the way of special effects, what's the best way or format to choose to *turn the HD footage into high quality SD footage* that I can quickly trim and string together *in Final Cut Express*...
Not sure if I gave enough info. I will be checking often in anyone wishes to try and tackle this one and needs more details...
And thanks for listening!!

OK my fault for not being clear on an extremely important point: I don't need anamorphic widescreen. Sorry to waste your brainpower on my lack of clarity. Mea culpa.
I intend to show this only on a standard definition TV from a standard definition DVD player. The "letterboxing" I spoke of is intentional on my part inside the standard def 4:3 frame. I will just let there be black bars at the top and the bottom.
So I don't need full super high resolution during this transfer (IF iMovie hadn't stopped recognizing my Sony AVCHD MTS camera after the first batch of video I collected, this wouldn't even be an issue. Been spending days on the forums trying all the solutions for the rest of my footage...).
But now that I have a workaround, I am just mostly confused about what to do about the field order (and thus, the frame rate) and the resizing (for convenience in size and playback speed). The original is upper first, and I am pretty sure that the QuickTime Movie I eventually make for iDVD should be lower field first (haven't tried tackling the can of worms of ideal MOV settings for an iDVD standard def disc yet).

How can I get the background music from iMovie trailer, "Romance"to be used in another imovie?

Is there any way to download the background music from the iMovie trailer template "Romance" to be used in another iMovie of greater length than that of a trailer?

In addition to Tom's good advice, another method is to access the audio file in iMovie's package contents folder.
In Finder, in the Applications folder, right-click (or control-click) on iMovie.app and select Show Package Contents from the pop-up menu. Open the folder Contents>Resources. In that folder you will find components for each Trailer, including the soundtrack. The file you are seeking is named "SoundTrack - Romance.m4a".
Copy then paste the file to your Desktop (don't otherwise mess with items in package contents folders!). Open the file in QuickTime - it is titled "Love Story FC2". Opening the Inspector in QuickTime (Window>Show Movie Inspector) reveals it as AAC format. If you wish, as Tom indicated, you can Export the file from QuickTime in other sound formats, such as AIFF. If preferred, you can import either the AAC file or the converted file to iTunes (or other audio apps) for use as required.
John

Streaming AVCHD MTS files to Apple TV

I am still in search of the holy grail I think... I have yet to be able to figure out how to easily grab my MTS files from my Mac and stream them *as is* without transcoding, converting, etc on my TV. I just bought new Apple TV not for that purpose but can't seem to find anywhere here if I can use it to to stream AVCHD MTS files to my HDTV. Does anyone know? thanks

I just bought new Apple TV not for that purpose but can't seem to find anywhere here if I can use it to to stream AVCHD MTS files to my HDTV. Does anyone know?
I hate to point out the obvious, but the normal practice is for the user to purchase the device that supports what he wants to do and not buy a device and the try to force it to do something it was not designed to do.
To begin with, QT does not support Transport Streams such as TS/MTS/M2TS at all and only supports muxed MPEG-2 Program Streams employing specific audio formats... and then not natively. In other words, your file containers are not compatible with the QT player built into the TV/TV2 device. And, even if you place the data in a supported container, the audio and video data may or may not be compatible with the player codecs embedded in the device firmware.
If your primary purpose is to stream content muxed in an MPEG/MPG/MTS/M2TS wrapper, it might be more prudent to purchase a device designed specifically for such content. For instance, I gave my wife, brother-in-law, and son TV2 devices for Christmas. However, my father-in-law insisted on a device the would play the videos from his camcorder and indicated that at 87 years of age, he had no intention of transcoding anything. As a result, I got him the LaCinema Mini HD device. While I cannot confirm that your files would be compatible with this particular device, it or something similar may meet your needs.
Basically, you have three options here:
1) You can convert your content to make it compatible with the TV device,
2 You can "hack" the TV device and modify its capabilities, or
3) You can buy a device that actually does what you originally want it to do.

Sony AVCHD (MTS) shimmering lines issue (moire? aliasing?)

I have just started working with AVCHD / MTS source files (29.997 fps, 1080p) and have been experiencing a problem with shimmering straight horizontal or diagonal lines. The source files look fine, but upon exporting / converting to a common format for veiwing (e.g. H.264, MPEG2, FLV, etc), any detail in frame consisting of high contrast straight lines or sharp edges exhibit shimmering. High contrast horizontal lines and diagonal lines are the most problematic, though even the sharp, high contrast edges of lettering on placecards (panel discussion) have the same shimmering issue. Also, the shimmering appears as a change in brightness, i.e. light to dark, at a frequency of about 2 Hertz, though the frequency can vary slightly. I have tried converting from AVCHD / MTS to nearly every available export format available, tried all of the different frame rates available, and have tried using other available attribute variations, e.g. Profile, Level, Bitrate Encoding, Target Bitrate, Max Bitrate, Render at Max Depth, Max Render Quality, Frame Blending, etc.
Perhaps there is some format selection that needs to be changed in camera in order to avoid this issue in the future?
I will research further, but presently have no idea as to what can be done to solve the issue. :-P
Schuyler Hupp
Austin, Texas
[email protected]

What are your Sequence settings?
Are you certain that they exactly match your footage?
...common format for viewing (e.g. H.264, MPEG2, FLV, etc),
These are all compressed export formats... it might help to
elaborate on exactly what settings you have used in these cases.
Have you tried exporting to something 'lossless'?
If yes, do you still see the artifacts?
How are you viewing your exported video to judge quality?
Have you tried re-importing your exported file into Premiere
for side-by-side comparison with the original footage?
You might post 'before' and 'after' images to illustrate your issue.

Problem with importing a clip from another iMovie project

Hello
I want to import a clip from one iMovie project to another iMovie project.
Both projects are in 16:9, but when I import a clip it's no longer in 16:9.
The clip is croped and I have a black bar on the right and left side.
How can I solve this ?
Jufke

Have you tried Copying the clip in Project A and Pasting it into Project B?
When you Copy and Paste clips, try to Copy and Paste all at the same time. More here:
http://discussions.apple.com/thread.jspa?messageID=2356757&#2356757
Karl

Another iMovie - AVCHD/mts query?

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