Archive the project with the capture?

When the project is done, how can we migrate the original footage
off for storage with the project attached.  Right now, all my footage
is on one drive, and the projects are all on another.  I'd like to archive
them together and keep the linkage in tact.
Thanks !
Steve Z

It depends on the arrangement of your assets, but you will be asked to locate an item when you open the project and be presented with a window to navigate to locate it.
Make sure to check the box to make the required asset the only one that shows - this makes life much easier.  The program will then locate as  many assets as it can, but may ask you to locate another asset.
You can minimise the number of stages here if you do not re-organise the files after the Collect and Copy process.

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    Ok the job is done and now i would like to move the project with files from my laptop to a backup hard disk.
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    Thanks

    ok I just did it, I also moved the preview files in a new folder inside the customer folder and pointed it when launching the copied project file and it works.
    So it's all manual or a new clean full copy with project manager.. I wish there was an option that backup in the destination harddrive just the missing files but I can just do it manually.
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  • Archive a FCP Project to DVD (with used captures only)

    Is there a way to backup a project with USED Captures only.
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    Would be a great option to use or make correction in the future!

    Backing up to DVD is probably the worst type of archive, not just because of the limited data space available but because the disks do deteriorate as a vastly increased speed compared to tape.
    Even hard drives, if used for archiving and just left on a shelf can fail because they are not used!
    Tape is still the best and most reliable.
    We've been experimenting with Bluray data backups but of course, always have a tape back up on top of that!

  • What is the BEST WAY TO ARCHIVE OLD PROJECTS and related media?

    Hi,
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    In the past - ie. at my old employers - I've archived the tapes in a storage room, and deleted all the captured footage. Then I'd burn the project file to a DVD or BLU-RAY depending on the job.
    Now that everything is Digital, is there a good way to archive the footage without buying a million TB's of Hard Drive space (then considering keeping multiple copies for safety)???
    I'm not concerned about needing to return to make changes to the projects at a later stage - these Weddings are locked and will never be changed.
    Any help, suggestions, or an example of what you do would be greatly appreciated!
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    Well that depends, if you only keep the exported copy and not the raw footage then if someone request some sort of edit change you'd be screwed if you didn't keep all the raw footage and simply kept the exported copy. However if you know that they aren't going to request some sort of change or you let them know up front they won't be able to make anymore changes after a certian point.(For exampel after you give the finished product and it's been approved by them) you can save TONS of space by simply only archiving the exported copy for them incase they need to make them another copy for some reason.
    Where I work we always backup EVERYTHING, because we have had clients call back and request raw footage (meaning un-edited footage) almost 2 years after they filmed before. So if  this happens to you will probably be happy you didn't keep only a exported edited copy and that you held on to all your source media. So really unless you're just 100 percent positive that this won't ever happen or it just hasn't happened to you as of yet then you can just export the project from premiere and keep only that.
    Blu-rays are a good backup option overall and like you mentioned for the amount of space you're currently using it won't be very expensive to just use hard disk. Just remember that you'll need to hook the HD's up at least 1 time per month. The reason is that it's good for them to spin every once in awhile. However in all honesty if you go with a RAID 1 setup or just simply buy two disk you won't run into to many occaisions where both disk fail at once... It hasn't ever happned to me at my job or in my personal business.
    One option though that in some ways would give you the best of both worlds would be to use the project mananger feature in Premiere to save everything that is in your timeline to a project folder. (It basically saves all your footage that's in your time-line. It excludes un-used things from the bin unelss you say different) Anyways it will save you space in the end while still saving the entire project to a single folder of your chosing. Then you could export your finished program from Premiere and then burn your disc from the finished file you got and only backup your finished file to say a blu-ray disc and then backup your finished file and your saved project to your hard disc you have to archive stuff on. What used to be 150GB would now probably only be like 25-40GB max. But like I said if someone requested a major change and not something minor you'd be out in the cold... I don't use encore much though so someone else would have to answer your question about backing up a encore project... But I'd assume if you had the backed up premiere exported digital file you could just import it into encore and be ready to roll so you wouldn't really need to backup the encore project unless you make a crazy cool customized menu or something. Then if someone needed only a minor change such as graphics or something you could use your backed up project folder from premiere to make the change and then send it to encore to re-export the product with the requested minor changes.
    It all really comes down to what you want to do. I'd recommend at the very least you backup your premiere project the way I described and also save the exported copy of your final project.

  • How can I back up project with just the used part of the clips?

    Hello all... I have a FCPX project that I would like to back up.
    Duplicate project is copying all of the event and all of the original clips...
    In my case the original clips are 1-2 hour interviews... I use about 2-3 minutes of about 30 of them...
    Back up is ridiculous...
    I'm looking for more of a media manager type of back up where it just backs up the clips from the timeline and gives me maybe  a bit of a handle on each clip...
    Make sense?
    I hope so... cause I've spent about 3 days trying to get this project on an external drive...
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    SOS
    Thanks!

    I'm fairly sure Apple assumes most people want to keep their original footage... "forever." Media management in FCPX has received quite a lot of praise from professionals.
    Everything comes down to prep and organization.
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    Deleting Event clips will kill a project no matter what. Archiving a project without the associated Event media is pointless. Best advice is to always keep your original media. That way you can reconstruct an Event later for the clips your project requires. As far as I know, there is no way to  delete (to the trash) Event clip ranges.
    If you know that you won't be using 90% of your footage and want to delete the extraneous original footage, I would recommend using Quicktime 7 Pro and selecting the ranges you think you'll need beforehand. This is easily accomplished by opening your original clips, setting an In and Out point (just like in FCPX) -- select Copy, then File > New and Paste. Save as a Self-Contained clip and import it into FCPX. QT7Pro does not alter the original footage (as much as possible, I imagine it has to occasionally build an intitial i-frame if your original is something like H.264, but other than that, you can't tell the difference.)
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    You could also simply Export your (trimmed) project as H.264 (FCPX uses the highest quality settings) without titles, effects, generators or transitions to retain the portions of clips you want to save/archive and delete all the original media — and forego everything stated above. You will still have an exceptional quality source for any subsequent projects using the same material and it would be compact enough. I wouldn't archive with ProRes (except maybe Proxy... it's about the same bitrate as the H.264 generated, except I think the H.264 would still be a better choice.) Using ProRes kind of defeats the purpose of archiving.

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    Is it possible to get an older version of Captivate (demo maybe) to upgrade very old projects with the *.cp extensions to the new one so it opens in the newer Captivate. (PC version) Thanks

    Hello KDLadage
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    Perhaps a compromise would be to create an Archive tab under My Files. Previous versions and retired project files could then be automatically moved into this holding area when a new version is published, thus preserving the files in a separate area that is still accessible to the author.
    I will submit this suggestion to our product management team to consider as a future enhancement.

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         p_msg_data                  => l_msg_data,
         p_return_status         => l_return_status,
         p_pm_project_code       => l_pm_product_code,
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    I run it and get
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    PLS-00306: wrong number or types of arguments in call to 'DELETE_PROJECT'
    ORA-06550: line 48, column 3:
    PL/SQL: Statement ignored
    Please make your comment on the structure (the logic)  of the delete project before providing the advice on the debug.
    I would like to make sure the logic is correct first.
    TIA

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