Audio track questions

Hello, I filmed a few interviews with two microphones for each interview (one mic for each xlr) I did not have the mics setup correctly, so one mic wrote to one track while the other mic wrote to the other audio track. How do I copy a single audio track (ex. a2A2) and paste it again in A4 so that i can have that track play on both speaker sides?

Set the pan state on the two tracks to center. Select them in the timeline and press Control-period.

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Question about multiple audio tracks

Hello,
I see that imovie has only 2 audio tracks available when creating a movie. I need more than two since I will be working with a voiceover track, a soundtrack and at least one background/environment track all at one time. I won't be able to use the sound recorded with the video so that "track" is not an option.
My question is; Am I out of luck here and need to spend the 1K for studio pro to add more multiple audio tracks?
Also, I tried working with garageband but since all of my audio tracks import in at a minimum of 40 beats per minute, the voiceovers are all sped up and sound chipmunky.
Thanks for any help!

Well I didn't mean to irritate you...LOL And yes, I realize that this is the iM 6 forum but the gist of my question was related to multiple audio tracks in iM and thought I would ask about it in the forum pertaining to the latest release.
I had already posted a question in the GB forum regarding the bpm problem and found no answers so I was pretty much about to shelve that idea and forgo the whole garageband thing; this without knowing about the new "swap" features. I just updated to iM 6 yesterday.
As far as the "on-tape" raw audios: I was working on my movie in iM4. I wanted to add more audio bits but I don't have a proper mic for my G5 so I recorded the audio bits on dv8 tape through my camcorder. I imported the video (the image was the inside of my lens cap!), extracted the audio, took those audio files and imported them into GarageBand. That's when I noticed the bpm problem.
I'm sorry about the lack of info I originally gave but like I said, I had pretty much gave up on the idea of using GarageBand. I'm pretty new at this and I'm trying to decide what I need in terms of software to get what I want out of my movie. I'd be willing to pay for FCxp but still looking into whether I need to do just that or whether I can get by by using imovie and now it looks like GarageBand too.
ah, thanks for that
what irritates me, Prince wrote:
The audio tracks were voiceovers that came from my
dv8tape, imported into imovie4.
... ehm, but this is the iM 6(six) section, as said,
iM 6 allows now "swapping" files with GB3... (I'm way
back in the 90ies.... see my specs... )
so, video is in some iM, and he wants to use the
actual "on-tape" raw audios...
I thnik we need a little more detail...

Beginner question: Two audio tracks become one - how to undo?

I know this surely is a beginners' problem, i hope for a quick reply anyway. I've imported material I had before logged with AVID Liquid, into Premiere CS4. In order to get video and audio together I had to put video and audio in a new sequence by hand. I then loaded this seqeunce into the source monitor to be able to cut my material (one video track, two audio tracks (one from a directional mic, which I don't always want)) from there. But when I paste a clip in my editing sequence I only get video plus ONE audio track in the stereo track. But I need both audio tracks because sometimes I'm going to delete one of them. So my question: How do I get video and BOTH audio tracks from one sequence to the other?
Thank you very much, you've had much patience with me with similiar questions.
Niklas

To do what you want, you won't be able to work with the media as a single clip. You'd have to go into the sequence with the video and two audio tracks, and pick out what you want from there instead of the Source monitor. Make your cuts, laso the clips you're using, then do a Cut/Paste from the main sequence into the edit sequence. Make sense?

Two questions about Audio Tracks

I need to make several adjustments to an audio track of an interview to remove the voice of the interviewer who would give the occasional "uh-huh" etc., sometimes overlapping (though usually not) with the interviewee.
The way I've been doing this is to pull down the db level at those points in the timeline.
My questions:
1. Is this the best way to do it?
2. Regardless of the answer to question 1, why is it that sometimes when I use the pen tool in one stereo track, it will automatically affect the other at the same time, and other times I need to do each stereo track separately?
Thanks a lot.

If you recorded with two mikes, which it sounds like you did, you really recorded two distinct tracks, and you ought to bring them in as dual mono tracks, rather than stereo. (A capture setting.) Go to the Modify pulldown and uncheck "stereo pair." Then you should be able to adjust to your heart's content.
Did you record any room tone? It's very useful to fill in the gaps you create by eliminating words. Nothing detracts from an otherwise compelling show like bad audio! If you don't have any room tone, look for a section where no one is saying anything and there is no clothing rustle, etc, FROM THE TRACK where you are making deletions. Use that to fill the holes.

Questions on sending audio tracks from a short film into Audition for mastering

Ok so basically I have a 4 minute film in which i need to master the audio. I have a few quesions as to how to best go about this.
1: Some of the clips came with 2 tracks off the camera yet they are both labeled channel 1 on the beginning of the clip on the timeline. Their properties are listed as follows:
Type: Windows WAVE audio file
File Size: 16.0 MB
Source Audio Format: 48000 Hz - 24 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:58:09344
Why are there 2 tracks?
2: Some other audio tracks are just labeled on the timeline as L and R. Both these and the other ones labeled Ch 1 are synced with Pluraleyes from an H4N Zoom recorder so i have no clue why they are labeled different. These one have properties labeled as such:
Type: MPEG Movie
File Size: 69.5 MB
Image Size: 1920 x 1080
Frame Rate: 23.976
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:14:20
Pixel Aspect Ratio: 1.0 (1.0)
Yes those are audio files on the timeline.
3: What is the general scoops with these multi track audio files? Do I need both tracks?
4: What would be the best workflow to export all the audio clips into Audition and get them back in the timeline? I heard about importing then in Premiere clicking Undo so you don't have the audio track clips as "Audio Extracted" and you retain the originals, but then just replace them with the Audition audio.
Working with sound is not yet a strong point of mine, i am just a video editor but need to get a grasp on properly handling this.

Cameras although they can record stereo audio often only use a small mono gun mic mounted on the camera. The audio menus on the camera give you the option to record either the mono mic to both tracks (ie. Ch1 input to the camrea is fed to both) or as stereo tracks from a stereo mic or as split tracks with onboard mic via Ch1 to track 1 and, say, a radio mic fed via Ch2 to track 2.
Your first files sound as if they came from the first of those options from an onboard mono mic. You don't necessarily need both trakc as they are identical mono tracks in this case.
The second set of tracks were recorded as a stereo pair on the Zoom, hence L and R. They could be stereo or more likely again are double mono tracks where you will only need one of them.
However, depending on the project, it may be more convenient to keep both tracks if any stereo music or effects are going to be mixed in on the multitrack. The final edited video will probably have two tracks on it anyway even if all the audio content is mono.

Questions on normalizing thousands of audio tracks.

So I have a lot of audio tracks in my iTunes library. AAC, MP3, etc., Ripped from Vinyl, CD, mic. About 5,000 tracks.
I am considering normalizing them through Soundbooth CS4. But, has anyone tried to process so many tracks? And what of the quality? Will it degrade the sound?
I have the latest MACPRO Quad Core and I also have Soundbooth CS4 on a PC Pentium Dual Core. So I am considering splitting the chore to these two machines. Is this a bad idea?
Any advice would be appreciated.
Victor

I would suggest using a different application to normalize 5000 audio files. Soundbooth has a very good normalization algorithm, but is not at all ideal for batch processing that many files.
For the most part, normalizing and resaving already-compressed audio files is going to cause a bit of quality loss as you recompress the files when saving them. There are a few applications around that claim to offer lossless normalization, and while I'm not necessarily convinced of that claim, the few times I've tried them out there was not a noticable loss of quality.
Check out http://www.downloadsquad.com/2007/01/04/how-to-normalize-your-mp3-volume-levels-the-right- way/ for some tips and links for Windows. I'm not aware of any similar tools for Mac, but would advise against letting iTunes do it.

Cutting two audio tracks in synchrony with video, question

I had to chop my movie in two because it did not fit on one DVD. This forum suggested that you make a complete second copy and delete the second half of one, and the first half of the other copy and burn your DVD with the respective halves. No problem with the first half, I deleted the video and had to go back and individually delete the audio tracks and everything stayed in synchrony. The problem arises when trying to delete the first half of the movie and not being able to use the play head to delete audio and video simultaneously. The audio of the first half of the movie is preserved, and if I delete the audio one track at a time it will shift the audio in relation to the video. I thought there would be a way of chopping off the video and audio tracks at the same point without the tedious task of trying to put everything back in sync "by hand". I have two audio tracks so it might be tricky to cut at the end of one audio track, without getting the other out of sync. Thanks for suggestions.
Mike

Hi Mike:
Perhaps the easiest way is to export the entire movie back to DV tape and then re-importing to imovie. That way, the entire movie is now combined into a "flattened" version. Meaning the audio and video are combined together into one video track, making it possible to split the final version in two.
Pain in the neck, but much easier that doing it one clip at a time.
Sue

Newbie Question - Creating DVD from Premiere to Encore with 2 audio tracks

Hello and thanks for your time,
I'm pretty new to all this but seem to be getting the hang of things pretty well but one problem I'm having I can't seem to find an answer to.
In Premiere I am creating a dvd of a football game, i have the video with an audio track of the crowd and another audio track of the commentary. These are all edited together fine and work well. I then use the dynamic link to send the sequence to Encore and that's where the problem occurs.
I can't seem to get both audio tracks to appear in Encore? Any suggetions or tips on where I might find an answer?
cheers for the help and time
Ian

Ian,
This is not a cure to the issue, but is a workaround. It's the "old-fashioned" way that things were done before DL.
Export your Sequence as elemental streams, i.e. video-only and audio-only. Import your video-only file into Encore as a Timeline, and teh audio-only file as an Asset. From Project Panel, drag the audio to the appropriate timeline. Done.
Now, exactly what you choose for your Export and even how you do this will depend on your Project in PrPro and also your source Assets. For SD material, I'd choose DV-AVI Type II video-only (no multiplexing), and for the Audio 48KHz 16-bit PCM/WAV. If you have a version of PrPro prior to CS4, just Export Movie (settings above) for the Video and Export>Movie (or AME) for the Audio (settings above). Just make sure that the Export Video is checked for the DV-AVI, but the Export Audio is not. Change these two checkboxes for the Audio.
Now, for DL not working, as it should, what is the format of your source Audio? Do you have any Channel-mapping used? Does your Audio Mixer Panel show everything right there? Do you have one Audio Track either Muted, or Bypassed. Look in Audio Mixer, to make sure you do not have one Track Solo'ed.
Also, what version are you using, CS3, or CS4? Note: for CS4, you will use AME for the Exporting in the first part of the post.
Good luck,
Hunt
PS - welcome to the forum

Vocoder (EVOC 20) question: Must audio track be prerecorded?

I've been playing with the EVOC 20 vocoder, and it works great with a prerecorded audio track. But I want to be able to speak the words and play the keyboard simultaneously -- is this possible? I tried setting the side chain to be a new audio track and talking into it while playing, but no sound comes out of the vocoder. Can this be done? TIA... Mark

Hi Eric, and thanks for the suggestions.
It turns out that what I needed to do was record the audio and software tracks with the side chain of the software track set, not to the audio track, but to the same input as the audio track. This lets me sing and play and hear the "vocoderized" vocal live.
Then, for playback, I set the side chain of the software track to the newly recorded audio track and all is well. Latency didn't seem to be a problem, either, so I'm all set!
Thanks again,
Mark

Multiclip - mutliple audio tracks

This question has been asked before, but I'll reiterate it. If the support doesn't exist, hopefully apple dev will take it into consideration.
I shoot a lot of weddings and events. FCP's 5.0.x multiclip feature has been a lifesaver. I know the short answer to the following question is "get a mixer and do it in the field right the first time," which I'm working on. BUT, in the meanwhile...
Setup: 3-camera live shoots. We run three different mics: one cam has a wireless lapel mic on the groom; another has a wireless with a directional mic placed at readers' podium/spot; last is an on-camera mic.
Throughout the event the different mics are better for different sound: lapel mic for vows, directional mic for speakers, on-camera mic for organ and songs.
My FCP workflow so far has been this (and it could be the problem): export audio to .aiff, tweak it in STP, bring back into FCP, and link it with clip.
Here's the issue (finally!): Whenever I make these clips a "multiclip," the audio tracks (six in this case) are all automatically mixed together into two tracks in the multi-clip. All my hard work tweaking sound in STP is lost. (Again, might be a workflow issue.)
Does anyone know how to import the audio tracks, while still linked to the video, into a multiclip (and avoid manual synching in FCP timeline)?
I know one solution is to bring the separate audio files in and synch them manually in the timeline. But here's hoping someone can suggest something a bit less time-consuming...
Thanks for any help!
-aps
G5 dual 2.7 Mac OS X (10.4.4)

Thanks for the reply.
Yes, the audio is set up with six total audio tracks (two per video feed). I'm viewing the clips with "Video & Audio" selected as you described.
I'm synching clips I've cleaned up in STP manually ... but that's not the issue.
Here's the issue:
Pre multiclip files:
V1 - A1, A2
V2 - A3, A4
V3 - A5, A6
--->convert to multiclip<---
Post multiclip files:
Viewer Window: V1, V2, V3 in multiclip config
Timeline Video: whichever angle I select
*Timeline Audio* - A1*, A2*
Going to item properties for the audio tracks shows that A1* is comprised of A1, A3, A5 and A2* is comprised of A2, A4, A6. All the original audio tracks are there in the new multclip audio, just mixed together.
I want to know if there's a way to separate those audio tracks in the timeline on the mutliclip. I'd like to work with the separate tracks for the best sound rather than the "mixed" audio that multiclip seems to do automatically.
G4, Quicksilver Mac OS X (10.3.6)
G5 dual 2.7 Mac OS X (10.4.4)

Pros Res linking audio tracks

When I capture HD footage using either ProRes or Intermediate Codec, I'm unable to adjust the audio channels independently. If I capture the same footage using the regular old HDV 720p30 or 60 preset, the tracks are independent.
I'm loving the video quality with ProRes, but if I can't separate the audio track (e.g. potting down the camera mic for an interview it's pretty worthless.
There's got to be a way to do this, right?

One other question: is there a way to log individual clips using ProRes, or does one always end up with
"Project 1, Project 2," etc?

Importing a project into PE 12 trial version, not all audio tracks play back!

I'm trying the trial vesion of PE 12. Imported a project that I had created with PE 9. Everything appears to have been imported, including all the audio tracks. But when i play it back, some of the audio tracks are completely muted, while others, are fine and I can hear it.
Any idea what can cause this?

With "muted" Audio Tracks, I would look at a few possibilities, and especailly with a Project created in an earlier version of PrE:
Open Audio Mixer, and look to see if any Tracks are Muted.
Play the Timeline, and observe the Levels in Audio Mixer, and also whether there is any movement of the "sliders" in Audio Mixer.
Observe which Audio Tracks your Audio Clips are, in the Timeline, and report those please.
Making sure that Keyframe Display is set to Volume in your Audio Clips, are there any Volume Keyframes?
I am sure that others will have a few more ideas, and questions.
Good luck,
Hunt

Adding Menue Audio Track selection and soubtitles on/off

Hi,
with some help from replies to other questions I managed to get a working DVD/BR with cool 2.0 / 5.1 sound and subtitles.
But for now I do have to select the audio track manually and also I do have to enable subtitles from the DVD/BR players menu.
So I wanted to add a DVD/BR menu where you can choose the audio track which should be played and to switch on and of subtitles.
I edited a nice PS PSD File with some buttons and they show up in Encore and I can do some "encore" editig like moving tham arrond or link to some other elements.
My question: How do I get e.g. the Button "2.0 Stereo" to select the stereo track and the button "5.1 Surround" to select the 5.1 track. An other button should switch on/off the right subtitle
Than I'd like to have a button which starts the video with the selected audio and if selected subtitle on.
At the end of the movie I like to be back in the menu.
I bet thats simple
I thought to create different timelines and add the audio/video/subtitle, but that i have a lot of timelines in all sort of combinations; e.g. video ON, 5.1 sound ON, subtitle OFF ..... video ON, 2.0 sound ON, subtitle ON etc ....
Thansk for any suggestion . and BIG thanks. Götz

Thanks for your posting, but there is the higlight Layer.
I opend the menue in photoshot once more and enabled the layers.
For me a button has the following different states:
Normal, no highlight,just "plain" text. e.g. "English Subtitle". in that state, the Subtitle is NOT selected/enabled.
Mouse Over, the highlight shows up, so you can see where you are with your mouse. e.g. "English Subtitle √"
Mouse left click, the highlight "sticks" to the menue item and when moving the mouse avay it is still highlighted, e.g. "English Subtitle √"
So I'd liked to indicate which audio track is enabled/selected and if subtitles are off or on.
I thought, the highlight button states are markend with (=1) & (=3) ....
BTW. in encore menue edit mode, if I click the show selected/activated Subpicture Highlight, the right layer shows up (with my √-symbol)
But in preview mode or on a burned dvd this did not work
Regards . Götz

How can i use original audio track in video editing for iPad 2?

I am struggling to understand how the video editing apps work for iPad 2, and specifically, to understand why all the editing apps I have looked at explain how you can make these terrific video clips by ADDING audio tracks from iTunes, or. From the audio library. I just want to use the original audio on the tape? Is that so strange? Today I took a video clip of my daughter singing with her guitar. I wanted to shorten the length a bit, so I downloaded a couple of Visio editing apps. When I pulled the clip out of my Camera Roll storage into the video editing screen, there was no sound at all,though there were ways to add other sounds ( for .99cents) most frustrating is that nowhere, does Apple explain this. The tutorials just show someone editing a video of their friends ( with no sound) And adding text and music, as if it's normal not to include the actual sound that originally accompanied the video clip. Seems like i wouldn't be the only customer who would prefer to hear my daughters own voice Ina video of her singing, and would like thisexplainedbefore I started downloading editing apps. If it can't be done, couldn't This be posted?

I am not understanding your question, or your complaint, if it is a complaint.
I movies takes a video clip, including its audio track.
You have the option of mutimg it, or of importing some other sound from your music library, or narrating. What other option do you want?

Multiclips and multiple audio tracks playing at the same time

I've only just taken delivery of my first ever mac (only ever used PC) with FCP, and I'm loving it already! Done lots of reading and viewing of video etc etc, and it's not as daunting as I thought it might be. I have one question the books don't seem to answer, and I can only find one reference to this on this site, with no definitive response. FCP5 probably doesn't work this way, but just in case someone knows different......
I film and edit motorsport (karting) programmes for television in the UK, using multiple cameras. I usually lay all the video and audio tracks on the timeline, (synched) lock the audio for each (as it is engine noise, and I want it playing without abrupt changes at cuts as each kart passes each camera, whether in shot or not) then cut the video tracks and delete those video segments not required.
The most exciting aspect of FCP5 for me is the multiclip editing facility, which I have found very easy to learn and is going to save me hours of work! However, I want to know if there is a way of having each audio track from each camera used in the multiclip laid down on the timeline when you import the multiclip to the timeline from the viewer, in order that I can play each audio track from each of the cameras at the same time.
I know how to cut from angle to angle, leaving the audio from the selected angle as the one audio track playing, but I want all of the tracks to appear in the timeline and play at the same time. I know there's a bit of a workaround by locking the video and importing each audio track from each clip independently, but if you do have to re-synch one of the multiclips, this means the audio is not then synched with the original clip, which will have had an in point set before being imported in as part of a multiclip.
I can understand why you might want to keep audio from one camera only playing over the whole multiclip, or to switch between audio from each, but in my case I prefer all audio to play at the same time. The workaround is still do-able for me as I'm only talking about engine notes, which if they are a few frames out is not very noticeable at all, but I would like to know if I'm right in thinking I cannot do it the way I would like to?
Wish I'd used FCP from the start, but glad I've got it now.....especially with the 30 inch screen! It's 4.40am, been going over 19 hours straight and I'm still making comments like...."WOW, that's brilliant"...every half hour!
G5 Mac OS X (10.4.3) Quad, 8gb ram, 2 x G-Media GRaid 500gb Raids, 30 + 20 inch Cinema screens

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Audio track questions

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