Pros Res linking audio tracks
When I capture HD footage using either ProRes or Intermediate Codec, I'm unable to adjust the audio channels independently. If I capture the same footage using the regular old HDV 720p30 or 60 preset, the tracks are independent.
I'm loving the video quality with ProRes, but if I can't separate the audio track (e.g. potting down the camera mic for an interview it's pretty worthless.
There's got to be a way to do this, right?
One other question: is there a way to log individual clips using ProRes, or does one always end up with
"Project 1, Project 2," etc?
Similar Messages
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How do I separate two linked audio tracks?
I film with two tracks of audio, one from a shotgun mic, one from camera mic. When I import vision Final Cut Express counts it as two audio tracks, but they are linked (Stereo a1 and a2) and cannot be edited separately. I really, really need to edit them separately just to fade down the camera sound during grabs, a pretty simple requirement I would have thought. I've just about read the entire 1000 page manual without luck, Can anyone help? How do I edit these audio tracks separately?
ScottSelect the clip in the Timeline and hit Option l (lowercase L).
-DH -
DVD pro 2 - commentary audio / track
Hi all.
I want to add a directors commentary audio track to my DVD 2 project.
I have read the book and bought the T-shirt, but can't see how to add a second audio track and give viewers the option to select audio track 2 as opposed to the one exported with the video.
Any clues?
Cheers.http://www.geocities.com/mypix013/MINMOVIE.zip
Small project and may be all you need. Basically the menu says play the 160 APAC audio or the 256 APAC Audio (BTW both audio has no sound, sorry)
If you press 160 A1 is played, and if 256 A2 is played.
The track has two markers (1 and 2) and has two stories (160 and 256). For the rest open inspector to see what is going on. First press F3 key to set to advanced layout (in the event it does not open like that)
Then click on the 160Stream story, you will see that it has one chapter in it. When you play the story it wwill play until the next chapter (which is 2 and which is NOT in the story. Only include the markers for the parts you want to play)
Then look in the inspector for the story under the general Tab, you will see that Audio Stream 1 is checked and alll others are not for 160, and for 256 Audio Stream 2 is checked, and the others are not.
You can look in the Simulator and see the audio stream in SPRM 2, or (probably better) just bring two different audio files into the tracks so you can here the difference
Let me know if you want some more details or you need something more than this -
Using Slip Edit tool on video and linked audio
Am not able to do a slip edit on a video clip that has a linked audio track w/o the two falling out of sync. After doing a slip edit on the video I have to go back and do a slip edit on the audio track separately, even though it is marked as linked, in order to re-align it w/ the video. Shouldn't I be able to do one slip edit on both the video and audio tracks at the same time and keep them in sync?
JackI understand that they're linked. If they're underlined they're linked. Linked selection is different. It's the behavior that controls what happens when you select a clip in the timeline. Check the linked selection button in the upper right of the timeline or check the Edit menu or use Shift-L.
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Sending transcoded clip to Premiere Pro with Mono audio
Hi there,
I noted that others had asked this question around August 2013 but haven't seen any progress made on this issue, which is that we prefer to edit in Premiere pro with mono audio tracks, but we are unable to make transcoded material come over from Prelude with mono audio.
We need to have total control over our audio tracks and for us in a News/ENG environment that also means fast turnaround production. So we want to choose the part of the XDCAM clip that we want in Prelude, send it to Premiere Pro and put the interview grab (for example) down on track 1 of the Timeline with only talent mike audio (which was recorded on the camera's channel 1) and not have to pan it or worry about doing much else to it. Then we cut the rest of the overlay with sound effects that were recorded on channel 2 going straight to track 2 on the timeline. When we transmit it to head office we send them two discrete channels of audio: talent/VO on Track 1 and effects on Track 2.
We only have a problem when Transcoding is involved. With the audio prefs in PrPro set to "Mono" everything else is fine, its just that when Prelude transcodes a video it makes the audio a hassle for us, because it can only come over to PrPro as a stereo audio track.
Adobe, is there ever going to be the ability to just make a Preference in Prelude to send the clips with Mono audio, as there is in Premiere Pro??
Or has anyone figured this out and I am just missing something?In Adobe Media Encoder, set up a new preset that has the video and audio settings you want to have your source footage transcoded to:
Then name and save that preset. The next time you launch Prelude, the preset will be an option for you to select to use for transcoding your material.
MtD -
When I import my footage, the audio track disappears!
I have footage taken with my Canon vixia hfs11. Footage looks great. However, when I import the footage into Premeire Pro CS6, the audio track disappears. I have used the Media Browser to import and import under file. Nothing works. The file is a MTS. Please help!
As Karsten Schlüter, says MPEG Streamclip is a great way to make sure the video is as compatible as possible. You can also try downloading to multimedia helpers like DivX (in the case of some Xvid/Divx MP4 formats). I have a Flip mino video camera that requires DivX to be installed to play them back. And once I installed it the videos would be editable in iMovie '11. Something to try.
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Premiere Pro CC Audio Track Titles Missing
Since updating to Premiere Pro CC from CS6, I lost the audio titles at the top of each audio track in the timeline. These were important for me to stay organized and for my workflow. Is there a way to get them back?
Hi Brandon163,
Please check on the right top corner you will notice a magnifying glass icon which is spotlight.
Click on it and type Audio midi setup which will populate in the list click on it to open.
Once you open it you will get Premiere Pro 7.0 or 8.0 whichever version you have.
Please check this link.
http://support.apple.com/kb/PH5176
Regards,
Vinay -
OMF CS4 issue - Seperate audio tracks output as identical files on Pro Tools import
OMF issue - seperate audio tracks outputs as identical files
I am having some serious trouble when trying to export an OMF from a p2 DVCPROHD 720p50 project in CS4, and importing it in Pro Tools. The project is complex with over 12 hours of HD-footage and many sequences and titles.
When exporting an OMF from a thirty minute sequence to work with the audio in Pro Tools, all four tracks turn out identically in Pro Tools on import. However, the tracks are different in the Premiere Pro CS4 timeline.
We have tried both encapsulated and separate audio, we have tried importing the timeline/sequence into a new premiere project and exporting an OMF from the new project with no success. However, when we started a new project and simply imported one of our p2-files, and exported an omf, it worked fine, with 4 different audio tracks in Pro Tools.
We also tried exporting 4 different OMF-files (one for each track), while having deleted all the other tracks. This remarkably also resulted in four identical tracks in Pro Tools!
The OMF does not exceed the 2GB limitation.
Can anyone help us? Have a project due on Monday, and need to start working on the audio ASAP.
FMP10SHThe "Source Channel Mapping - Default Track Format:" is set to "Use File". We recorded with a Panasonic HPX301 camera, which has three XLR-inputs, and we used all of them. So two of the tracks are identical recordings (from one of the XLR-inputs), while the two remaining are different, so in total there are three different tracks of oudio, all mono.
When we put a p2-file into a sequence it has four tracks of audio linked to it, with the corresponding sound. So everything seems to be in order in Premiere, but for some reason they end up being four identical tracks in Pro Tools. As mentioned we tried making a new project with the same settings as in the project we are currently working, and we imported a single p2 clip. We exported a sequence with this clip as an omf with all the same settings, and this time it worked. The four tracks were different in Pro Tools when the OMF was imported. So it seems that the complexity of our project, or some setting that we are not aware of but have been altered by a mistake has made this project impossible to export correctly as an omf.
But if there are any solutions to this we would be deeply grateful!
thnx -
When i try to upload a .mts file from my Sony camera to Premiere Pro CC it refuses to play the audio! Ofcourse i could convert every single clip but it takes tons of time. How can i make Pr play audio track properly?
Does it not play at all or cannot you get the audio in the timeline?
Did you copy the entire card to the hdd and then imported the file via the Media Browser?
Did you source patch the audio tracks? -
In logic Pro, when I open up an audio track or software track and load an audio file/loop or software file loop, there is no sound. I will finally get a sound out of one of the audio or software tracks after opening at least 5 of them alternately. Is anyone familiar with this kind of bug? It's really frustrating as this takes much time to complete work.
os x, Mac OS X (10.6)I'm not sure I follow your words Fuzzynormal. You've helped by offering the insight that my issue in Logic Pro 9 is not a bug but a feature. But fell short of enlightenment by being a judge of character and of how one should interact in this forum. You insinuate that I haven't tried to solve the issue on my own when in fact I have. These forums are always my last resort. You further suggest that I am complaining. This is not a complaint. It is a genuine issue that I cannot figure out. Then you think that Brazeca is holding my hand and being a nice guy. Brazeca is helping people like me who might not be as adept at using Logic Pro as probably you are.This community forum was established to raise questions, answers and dicussion to help Apple's customers better undertand their operating systems and related issues. You are doing a disservice by not contributing positively and by trying to make this forum what you want it to be. You may have all the time in the world to try figuring out stuff but we are not all like you. We all have different schedules and different levels of understanding. And that is what this forum is for - to help people move forward. If you can't contribute positively then keep silent. And by the way, you say to "read the words that are printed down to explain to you how that works" what words are you talking about? Why don't you be of some help instead of trying to own this forum.
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Please help. My audio track is too low after exporting movie made with Premiere Pro to YouTube.
Hello. My crew and I recently completed post-production on an independent film. We used Adobe Premiere Pro 5.0 for video and audio editing. We had a very low budget for production, so we didn't have the best audio equipment to record sound with. So in editing, we had to do quite a bit of sound mixing to minimize background/ambient noise and interferences/distortions caused by large electrical appliances in some indoor scenes, such as taverns and cafes. We managed to clean up the audio, and the audio ultimately sounded great. However, when we exported the film to YouTube, the entire audio track sounded low. To hear the film at an adequate level on YouTube, the volume has to be turned all the way up. I'm wondering what can be done to export the film to YouTube and maintain strong, optimal audio volume/quality. Any help would be greatly appreciated. Thank you and take care.
As Jeff of Safeharbor noted, you really need to check the audio meters in Prpro with your "final" project. I found that I could have a sound level that played fine on my computer, but ... on exporting to a DVD ... was way low and required a very high setting on any other computer or a tv to be able to hear. I hadn't actually looked at the audio meters. On checking them ... yeah, the peak was down about -18, the main content of the talking-heads was below that. After raising it with PrPro's audio tools, the sound was fine.
I'd bet your sound is showing low on the meters ...
neil -
Logic Pro X keeps sending C0 notes to midi out when record is armed on a audio track
I have a annoying problem with Logic Pro X, which I bought a month ago. Here's al little scenario that describes the problem.
I disconnect my audio interface, so that Logic Pro has to rely on my MacBook Pro's internal audio. This way I exclude my RME-FF800 from being of any influence.
I start up the Midi Monitor tool, to analyse what comes out of Logic; MIDI-wise.
I start up Logic set up a small test project in Logic Pro X, that contains:1 audio track
There's little button on the audio track with a red-colored "R". This is the button to "arm" this track for recording audio.
I push the little "R" button, the R-character turns white, the button as a whole turns red. The button starts blinking.
From this moment on Logic starts sending MIDI messages ....... huh? Every second or so ... a low C.
In my regular studio setup this means that I hear a low repeated note coming out of my piano, every time I record audio. How annoying!!
By the way ... a Guitar/Bass track has the same problem. All the other track types (External midi, software instrument, drummer) don't have this problem.
Help is deeply appreciated, because it drives me crazy and if I can't fix this .... I think I have to return to my previous DAW-of-choice (Cubase 7.5).
Here's the Midi Monitor output.
20:46:01.241 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:02.008 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:02.774 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:03.541 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:04.308 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:05.075 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:05.841 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:06.608 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:07.374 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:08.140 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:08.908 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:09.675 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:10.441 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:11.208 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:11.975 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:12.741 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:13.507 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:14.274 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:15.043 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:15.808 To MIDI Monitor (midi monitor) Note Off 2 C0 0
20:46:16.574 To MIDI Monitor (midi monitor) Note On 2 C0 127
20:46:17.341 To MIDI Monitor (midi monitor) Note Off 2 C0 0
Logic Pro X = version 10.0.6
Mac Book Pro = late 2008.
Model Name: MacBook Pro
Model Identifier: MacBookPro5,1
Processor Name: Intel Core 2 Duo
Processor Speed: 2,53 GHz
Number of Processors: 1
Total Number of Cores: 2
L2 Cache: 6 MB
Memory: 4 GB
Bus Speed: 1,07 GHz
Boot ROM Version: MBP51.007E.B06
SMC Version (system): 1.33f8
Mac OSX = 10.9.1
System Version: OS X 10.9.1 (13B42)
Kernel Version: Darwin 13.0.0
Boot Volume: Macintosh HD
Boot Mode: Normal
Secure Virtual Memory: EnabledThe note is likely being sent out because of a Control Surface you have installed or used.... be it a hardware keyboard, controller or even an ipad controller app... such as Logic Remote or TouchOSC for example... or even an iOS software synth app that is sending midi over wireless....
So.. first make sure you have force quit any iPad/iPhone Logic/midi related apps and not just closed them..
Then if that doesn't fix things.. delete Logic's CS preferences... and Logic's own user preferences too...as described here..
Delete the user preferences
You can resolve many issues by restoring Logic Pro X back to its original settings. This will not impact your media files. To reset your Logic Pro X user preference settings to their original state, do the following:
In the Finder, choose Go to Folder from the Go menu.
Type ~/Library/Preferences in the "Go to the folder" field.
Press the Go button.
Remove the com.apple.logic10.plist file from the Preferences folder. Note that if you have programmed any custom key commands, this will reset them to the defaults. You may wish to export your custom key command as a preset before performing this step. See the Logic Pro X User Manual for details on how to do this. If you are having trouble with a control surface in Logic Pro X, then you may also wish to delete the com.apple.logic.pro.cs file from the preferences folder.
If you have upgraded from an earlier version of Logic Pro, you should also remove~/Library/Preferences/Logic/com.apple.logic.pro.
Restart the computer.
Do not forget to Quit Logic before doing this and then restart the Mac after doing this.... -
Audio and Video out of Sync after Pro Res export
I´m getting an audio/video sync issue when I´m exporting to Pro Res.
I started off in a HDV1080i50 sequence. Audio sampling rate is 48khz. (16 bit depth)
The sequence is less than 20 minutes long. It plays correctly on the timeline.
When I export the sequence for DVD and view it on a set top it plays absolutely fine.
When I export the video to ProRes (422 HQ - I used Export using Quicktime Conversion) and the audio to AIFF, they quickly go out of sync. This was brought to my attention first by the guys who were making the DigiBeta master, and when I view the exported material in a Pro Res sequence I can see it for myself.
The audio and video clips are of the exact same duration.
Possible issues...
Some of the narration was recorded at 44.1 khz. I didn´t resample it (I´m still a learning novice..).. but if that is the issue should it not have affected the DVD as well? All the other audio in the project is 48khz.
Most of the material is HDV1080i50..but one clip used was originally an NTSC clip and therefore a different frame rate. However I converted it to a 25fps clip and this is reflected in the vid rate column in the browser where it says 25fps.
Final point, the exported AIFF files..when I import them back into the HDV1080i50 sequence and play back, it is perfectly in sync.
Any help would be greatly appreciated.First, yes resample the narration to 48k 16 bit. You will probably be able to reconnect to the resampled files. Usually works for me. That's a simple fix and will probably solve the problem. If it doesn't, you can try to change the codec (compressor) in the sequence settings to prores 422HQ, fully render and see if that solves the problem.
Wait, just reread your original post. Export from fcp using file: export: quicktime movie NOT quicktime conversion with current settings. If that works without synch issues, use compressor to convert to prores. -
How do you export separate audio tracks for Pro Tools?
I need to give separate audio tracks to my sound mixer but am confused on how to do so in FCP X.
So far I've:
Set the dialogue roles and stems for each character
Then I went into Master File>Settings
Selected:
"Format: Audio Only"
"Audio File Format: Wav File"
"Roles as: Audio only as separate files"
"Dialogue"
Sara
"Stereo"
And when I export and listen back to the wav file, there is either no audio or I hear select dialogue.
The only thing I can think of that I am doing wrong, is that each characters dialogue is not on the same track like the picture below. The tracks highlighted is of one character's dialogue that I am trying to export onto one linear track to export into Pro Tools.
Can tracks be assigned in FCP X? Or is there a crucial step that I am forgetting tthat explains why the audio for each character is not being exported.
Thanks!If you're dumping audio for ProTools, you should be able to export XML for use in PT. Haven't done it myself, but the option's been there for a while now. You should be able to find instructions easily.
If you want to stick with making Roles work, I suggest making sure the roles are assigned properly to each clip. Kind of a super pain in the neck, to go one by one, but ... that's the way. There are key commands for the three default roles, but if you've created custom ones then it's more time consuming. Is that 'Sara' one a custom Role that you've created?
My only thought is you have compound audio clips there. Maybe go in and set the roles on the individual files inside the compound clips. Dunno...
The visual organization shouldn't matter (one track above another). That's the X way.
((In your picture, you say you have some files selected. When I select, I get a yellow border; yours are light green and dark green. What is that?)) -
Macbook Pro C2D HD 5400rpm. How many audio tracks?
I'm looking to move from my Ti 1Ghz G4 to a newer Macbook Pro C2D, and i've a question about using the internal HD on the MBP.
On my old TiBook, ive popped in a 100GB 7200rpm drive, and from this i've been able to acheive around 44 to 46 stereo tracks (playback only) before i get "disk too slow errors" (the drive had around 55GB used)
Does anyone know the max number of audio tracks that can be streamed off an internal 160GB 5400rpm in a MBP C2D?
Anyone able to run a quick test for me please?
Powerbook Ti 1Ghz Mac OS X (10.4.8) 1GB ram, 100GB 7200rpm HDwhoa he came down hard on you there...
ok i have a macbook, not pro, didn't need the little extra u get more for a lot more money if you buy pro, not worth it to me... i run my sessions on the internal 5400rpm. keep everything in the lappy, samples and all, have her juiced up 2g's of ram and let me tell ya i haven't had any speed issues at all. i have all of logics performance tweaks set to blazing (128, live playback only) and it's comparable to my G5 tower. These Intel chips are no joke. If you have room in your go bag for the external HD take it with you cuz it'll even run sweeter. i'm seriously thinking of getting rid of the old tower and getting another lappy, but no i'll prob just get another macbook, for a grand it ain't bad at all, throw in the apple care, max out the ram and presto you've got all your gonna need from a computer-any application
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