Avid Footage for iDVD: Converting YCbCr / 601 to RGB

I have a black and white short film that was edited on AVID Xpress and exported as a Quicktime Reference movie using the AVID Meridien Uncompressed codec. I want to get this into iDVD - my problem is reserving the quality of the black levels.
When playing back the QT, the blacks show up as (16,16,16) not (0,0,0); the Meridien codec is obviously using YCbCr colorspace (16-235 instead of 0-255). I want to expand this range to restore full blacks and whites as iDVD seems to assume an RGB colorspace.
I've tried Quicktime Pro with SheerVideo codecs with no luck. Anybody know how to perform this color conversion?
Thanks

Not much help here... maybe on the FCP forum (or an Avid forum somewhere). Maybe some help here: http://www.signvideo.com/dv-black-level-dvd-7.5-ire-0-ntsc-part-2.htm
I am not sure how long your movie is, but iDVD uses uncompressed audio which will take bandwidth away from your video on longer sequences. If your worried about 0 black levels, I would be worried about a lower bit-rate in iDVD.
Mike

Similar Messages

  • Avid Footage: Converting YCbCr / 601 to RGB

    I have a black and white short film that was edited on AVID Xpress and exported as a Quicktime Reference movie using the AVID Meridien Uncompressed codec. I want to get this into iDVD - my problem is reserving the quality of the black levels.
    When playing back the QT, the blacks show up as (16,16,16) not (0,0,0); the Meridien codec is obviously using YCbCr colorspace (16-235 instead of 0-255). I want to expand this range to restore full blacks and whites as iDVD seems to assume an RGB colorspace.
    I've tried Quicktime Pro with SheerVideo codecs with no luck. Anybody know how to perform this color conversion?
    Thanks

    Do you still have the sequence on the...never mind, that's a stupid question, you already said it was a reference movie. Or...wait a minute, where does the Meridien codec come in..is that how you imported the OMFs? Reference movies generally don't use codecs; they refer to the original OMFs on your media drives so that what comes out of QuickTime Player is exactly what Avid is working with, subject to some minor post-processing to do things like change pixel aspect ratio and color levels.
    Go back to the Avid and export the sequence as a reference movie, but in the export dialog, click on Options and specify that you want RGB color space:
    That's the settings I used when I exported a widescreen clip as a reference movie so that I could use QuickTime Pro to do my final encode. In this case it was ultimately going to be an H.264 clip used in a Keynote show. Note that because my destination was not 601-aware, I specified both RGB color space and square pixels.
    --Dave Althoff, Jr.

  • Exporting HD footage from Avid (PC) for use in FCP (MAC)

    Hello,
    Here is my issue, there was and HD shoot of my business for local promotional use. I wanted the footage for marketing purposes down the road. I put together most of our promotional video using FCP 5.1.4. The footage was edited on a PC Avid system and exported using an animation codac to quicklime. (This is what the editor said would work)
    The footage will not play back correctly, starts off playing for the first second or so and freezes. When I import it into a sequence and render it I can here audio but the canvas remains black. Before I have them export this thing again I wanted to make sure it wasn't an issue on my end. Below are the clip details and CPU info. Thanks in advance for any help.
    Clip: 1920 x 1080, 29.97fps, Apple lossless Animation compression, Data rate 190.2 MB/sec, Pixel aspect ratio: square
    CPU Info: Model Name: Mac Pro
    Model Identifier: MacPro1,1
    Processor Name: Dual-Core Intel Xeon
    Processor Speed: 3 GHz
    Number Of Processors: 2
    Total Number Of Cores: 4
    L2 Cache (per processor): 4 MB
    Memory: 2 GB
    Bus Speed: 1.33 GHz
    Boot ROM Version: MP11.005C.B08
    SMC Version: 1.7f10
    Message was edited by: Jeffrey W Gilmore

    Animation files are much too large data-wise to play back. YOu need to use Compressor to convert them into a codec that is more editable. DVCPRO HD for example...or ProRes. Depending on what hard drives you are trying to play this footage from.
    Animation is a good transfer codec, but it needs to be converted.
    Shane

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    OK my fault for not being clear on an extremely important point: I don't need anamorphic widescreen. Sorry to waste your brainpower on my lack of clarity. Mea culpa.
    I intend to show this only on a standard definition TV from a standard definition DVD player. The "letterboxing" I spoke of is intentional on my part inside the standard def 4:3 frame. I will just let there be black bars at the top and the bottom.
    So I don't need full super high resolution during this transfer (IF iMovie hadn't stopped recognizing my Sony AVCHD MTS camera after the first batch of video I collected, this wouldn't even be an issue. Been spending days on the forums trying all the solutions for the rest of my footage...).
    But now that I have a workaround, I am just mostly confused about what to do about the field order (and thus, the frame rate) and the resizing (for convenience in size and playback speed). The original is upper first, and I am pretty sure that the QuickTime Movie I eventually make for iDVD should be lower field first (haven't tried tackling the can of worms of ideal MOV settings for an iDVD standard def disc yet).

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    I purchased a new iMac and migrated my system across (from iMac5 (2.16 GHz) Mac OS 10.4.11 Quicktime 7.6.4 to a new imac 3.06 Mac OS 10.6.2 Quicktime 10.0).
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    I really want to convert them to a format that iDVD finds acceptable.
    iDVD will support any "conversion" compatible compression format supported by your current QT component configuration. Therefore, what you need to do is find out what compression format(s) are contained in the files that no longer play/are not being accepted by iDVD (or other QT apps).
    Any converters I have tried fail to read the files.
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    Contrary to what many people think, there are many video compression formats (technologies) used and no single player plays everything without having the correct component support available. This is like trying to play a DVD on a CD player, or playing and Blu-ray on a DVD player.

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    Export as a QUICKTIME MOVIE>Self Contained>Using Sequence Settings. Then import into iDVD and let it compress it to MPEG-2. That really is the way to go about it with iDVD.
    DVDs are all MPEG 2, not 4

  • How do I prepare a FCP Quicktime movie for iDVD?

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    Compressor is a program and you want to use it to convert your movie into an mpeg file and an ac3 file. 2 files to drop into your DVD program. Now, I haven't used iDVD so i don't know what it's asking for but. DVDSP is really easy to use if you just wan tto make a DVD without a menu. this requires an mpeg2 file and ac3. this you can make in compressor. in FCP have your timeline with your sequence in it active. FILE>EXPORT>USING COMPRESSOR. in compressor you can use the DVD 90 minute setting to make these two files. you have to check the manual cause it's different on how to do this with diff versions.
    once you have your files drop them in DVD SP asset box then drag them in the timeline. delete the menue blue box right click the green track box, select 'first play' build/burn button at the top and you're on your way.
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  • Progressive footage for DVDSP

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    Whats's going on here?
    Is 'interlaced' an unchangeable default format in DVDSP.
    Is it therefore a waste of time DE-interlacing footage with compressor before importing it into DVDSP.
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    Thanks for the response. Here's the whole story. I bought a Sony HVRV1 shooting Pal 25fps, as it boasted 'Progressive' but it also shoots Interlaced. The short story is that it turns out to be 'progressive segmented frames, laid to tape as interlaced' I had a load of problems finding this out. FCP treats it as interlaced, won't recognise it as progressive.
    So I abandoned the 'Progressive segmented frames' and shot Interlaced.
    As a result of 'authoritative' articles on a well known forum everyone was advised that we 'must' deinterlace. More red herrings. I took this advice at its word and I'm at this juncture now having wasted over a week encoding interlaced footage to progressive to find out from yourself that the DVD spec is by default, interlaced. I'm grateful for the heads up,thanks.
    One more thing you say
    "Material converted to progressive with Compressor will look better on progressive displays (such as computers) because you're scrubbing away the interlacing, so there is some benefit to that"
    All computer media players that I use will deinterlace footage for viewing anyway so any encoding is pointless. Picture the process. The footage is interlaced, encoded as progressive by compressor, reinterlaced by DVDSP? I couldn't see how this would improve how it looks, seems it might be why I'm so disappointed in the quality of my DVDs.
    I think you've solved my question and I'm one step closer to getting a 'clean' workflow.
    Thanks
    Peter

  • 2 movies AVI (each 600MB) = too large for iDVD? 6+ GB? Whats going on?!?!

    Bottom line, two avi files, I add to iDVD and it starts encoding but somehow makes it larger than it is.
    I go into PROJECT and I see now its a whopping 6+GB!
    Is there something better or is there a setting I am missing? I just want to make a DVD with the existing AVI files and don't want it at 6GB.
    Am confused.
    Thanks

    There could be whole host of issues here. It could be as simple as trying a different blank disk (Verbatim is one of the "preferred" discs). I imagine however that the answer will be a bit more elusive. It all starts with your source material... which at this point we don't know what it's format is. Once you know that, I would do a Google search on converting that format to a DV file- this is what iDVD expects. Depending on how compressed the original file is, determines what kind of quality you will get when it's converted. Once you have the "proper" file for iDVD, you can try to burn another DVD and see how successful that is.
    In general, compression is achieved by throwing away redundant frames. By converting and re-compressing, we are tossing out frames, inserting new frames and then tossing them back out again.... not the best scenario!
    To troubleshoot further... the DVD itself, via Apple's DVD player plays successful on you Mac but not on a tabletop DVD player? If so, have you played ANY home burned DVD movie on the table top player?
    Mike

  • What is the best iMovie codec for iDVD quality

    Hello all,
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    I've played around a bit but would like to know what you think is the best codec for my iMovie import that will then yield the best quality video end product from iDVD.
    I am currrently using the dv codec.

    yepp, that is the right choice, iM uses internal the dv-codec, same is with iDVD
    any other codec has a much higher compression =>lower quality
    does your pci card offer the export in dv too? would be much better in terms of pic quality, any mpeg flavor is meant as transport or playback format, not for editing/converting....

  • *** Question for down-converting Z1U or FX1 users

    I am importing some HDV material that I am down-converting in the camera into DV into a sequence that is 720x480 anamorphic.
    I want to guarantee that when people view the 16:9 footage on their square tv that it automatically is shown as letter-boxed and not stretched vertically. Currently, I am having problems because when I preview my 16:9 footage on a square tv, unless I set the tv to 16:9, it stretches the image. If the wrong client who doesn't know any better does this and it stretches it will look horrible. Is there any way to bring in down-converted footage and guarantee that it will be properly framed on a square tv.
    Currently I am bringing in the footage and down-converting with the "squeeze" setting. Should I be using this, or the "letter box" setting? My understanding is that using the letter box setting will actually crop off the top/bottom of my 16:9 footage which ISN'T what I'm looking for.
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    Well, it's usually a bad idea to use 16:9 Pan-Scan & Letterbox because it depends on how your client has set the TV Shape setting on their DVD player.
    If the DVD player is connect to a 16:9 TV (and therefore the TV Shape setting is 16:9), there is no issue - the anamorphic image fills the screen.
    However, for 4:3 users, the TV Shape setting provides two choices: 4:3 Pan-Scan (sometimes labeled at 4:3 Normal) and 4:3 Letterbox. When you use the 16:9 Pan-Scan & Letterbox display mode in DVDSP, your footage will have the edges cropped off if the player is set to 4:3 Pan-Scan. The edges will be cropped off because you cannot specify Pan-Scan vectors in DVDSP or Compressor (Pan-Scan vectors being an element of the DVD spec that companies have been unable to implement). As you might be able to guess, if the player is set to 4:3 Letterbox, your footage gets letterboxed.
    Now, this wouldn't be a problem except for 2 factors:
    Most of the time, cropping the edges of your video is not what you intended (it makes you look bad when something important is cut off)
    Because most commercial DVDs use the 16:9 Letterbox display mode - where it doesn't matter which 4:3 TV Shape setting is used, the 16:9 image is letterboxed - most users don't know the difference between the two 4:3 settings. This can lead to unexpected results when you send them a disc encoded as 16:9 Pan-Scan & Letterbox. (And let's just say that most users are really confused by the setup menus on DVD players)
    Of course, I preface all of this by saying usually. If it's worked for you in the past - or you compose your shots in such a way that cropping off the edges is no big thing - don't let me cramp your style.

  • Fastest iMovie Video Import Fromat for iDVD Processing

    Which iMovie video import format will end up being converted the fastest when I export the final result into iDVD?
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    Just what format DOES iDVD convert iMovies into? Seems to take a REALLY long time, even with my iMac G5. If I could initially import the raw video into the same format, seems logical it would take less time for iDVD to do its thing.
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    iMac G5, Powerbook G4   Mac OS X (10.4.6)  

    DV is the native format for iMovie and iDVD. Encoding contents to mpeg2 is a looong process in iDVD.
    Of course authoring a DVD in an app like DVD Studio Pro with mpeg2 files would be a time saver, however unlike DVD SP, iDVD does not except mpeg2 files. (it only encodes to mpeg2).
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    Meaning all the A/V tracks, transitions, effects, titles, etc. comprising a iMovie project is shared/exported as a DV file(s) into a new project.
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    It also reduces the number of encoding errors that can occur in iDVD.

  • Best Soreson Squeeze settings for iDVD?

    Hi everyone,
    Looking for a bit of help!
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    I know iDvd doesn't play nicely with Flash formats. But I don't have much experience with Sqweeze:
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  • Anamorphic DV export for iDVD - method?

    Help!
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    I am editing an anamorphic sequence of PAL DV footage captured from a Panasonic hvx202 - recorded to tape in native 16:9 DV.
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    For some reason QuicktimePro and iDVD don't see the anamorphic flag created in FCP for Quicktime movie.

  • What other file format for IDVD project?

    hi I have edited hd video files which are Quicktime movies in m-peg2 1920x1080.  The files currently put me over the size limit to be able to burn a DVD. I don't want to leave any of the files of of the DVD.  My question is what's the next best conversion format I should use so that they all can fit onto my DVD.  in other words I want to convert to a smaller size using compressor to fit the idvd project.
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    RD

    I advice you to use Brorsoft Video to iDVD Converter.
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    2. If you share an iMovie HD project as a QuickTime movie using the Full Quality option, iMovie HD doesn’t include chapter markers in the QuickTime movie.

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