Batch export audio in channels grouped

Hi!
My english is not the best so I will try to explain myself as good as possible.
I need to get the 5.1 audio from 11 sequences in discrete channels.
I know how to do this from each and one sequence. Right Click->Export->Audio to AIFF (s)...
But this takes a long time.
Is it possible to make a batch export and get the same result.
If I mark my sequences and choose batch export, the press settings I can only get the AIFFS as mono or stereo, but I cant get it as discrete channels.
I want it to be as same when I choose one individually.
When I use the method each one this is the result:
Sequence name_1
Sequence name_2
Sequence name_3
Sequence name_4
Sequence name_5
Sequence name_6
I hope I have made my problem clear.
Thank you for the help
/Sebastian

Hello.
here is the full script. I made a few changes. Hope it works for you.
#target indesign
var saveFold; 
  function main(){   
     saveFold = Folder( Folder.desktop + '/Batch' );
        if ( ! saveFold.exists ) { saveFold.create(); }
   app.documents[0].groups.firstItem().select();
  //  app.swfExportPreferences.fitMethod  = FitMethodSettings.fitGivenScalePercentage;
//    app.swfExportPreferences.fitOption = FitDimension.fit1024x768;
    app.swfExportPreferences.fitScale = 100;
  //  app.swfExportPreferences.pageRange = "Selection";
    app.swfExportPreferences.dynamicDocumentExportReaderSpreads = 0;
    app.swfExportPreferences.rasterizePages = false;
    app.swfExportPreferences.generateHTML = false;
    app.swfExportPreferences.viewSWFAfterExporting = false;
    app.swfExportPreferences.textExportPolicy = DynamicDocumentsTextExportPolicy.live;
    //app.swfExportPreferences.includeInteractivePageCurl = true;
    app.swfExportPreferences.rasterCompression = RasterCompressionOptions.losslessCompression;
    app.swfExportPreferences.jpegQualityOptions = DynamicDocumentsJPEGQualityOptions.maximum;
    app.swfExportPreferences.curveQuality = SWFCurveQualityValue.maximum;
    app.swfExportPreferences.rasterResolution = 100;
for (var j=0; j<app.documents.length;j++){
groupsToJPEGs (app.documents[j]);
function groupsToJPEGs(doc) {
      var i, grps, expFile;
    grps = doc.groups;
    for ( i = 0; i < grps.length; i++ ) {
        expFile = File( saveFold + '/'+ doc.name + '_' + ( i + 1 ) + '.swf' );
        doc.groups[i].select();
        doc.groups[i].exportFile( ExportFormat.SWF, expFile, false );
main();
ps. Anyone can tell me how can i make the "advanced editor" as default for replies in this forum?
Message was edited by: Vamitul

Similar Messages

  • Audio Settings - Channel Grouped

    Hi there,
    Recently re-installed FCP 7 and using Easy Setting for capturing DV tapes.
    When check the Sequences Settings the Audio Settings/Config: Channel Grouped. This cause I can get only one audio track in timeline (L). How can I switch the Audio Settings/Config: Channel Grouped to "Default" instead of "Channel Grouped" than can get 2 audio tracks (L+R)?
    Can anyone help me to solve this problem?
    Thank you here.
    Kory

    First, I'd ask... are you sure there are two tracks on the tape?
    Wow, been a while since I opened log and capture... BUT... use the CLIP SETTINGS tab that is inside there.
    Good luck,
    CaptM

  • No Method of Batch Export for Clips with Alpha Channels?

    Good morning,
    As many a flustered editor has eventually discovered, in order for FCP to export sequences with alpha channels to a 32-bit format, the timeline has to be un-rendered at the time of export, or else the transparent parts will appear black in the outputted file. This sort-of makes sense if you know how FCP and render files work, but in a perfect world I think I'd have designed the export interface a bit differently. Now that I think about it, I'm actually working in an Animation (Millions of Colors +) sequence, so converting transparent areas to black makes no logical sense at all.
    Anyway, I have several sequences that I would like to export as 32-bit TGA QuickTime files, preserving their transparency. If I Export Using Compressor, the process results in pre-rendering of the sequence, turning the transparent areas black. The same problem occurs if I export QuickTime reference movies from FCP and open them directly with Compressor.
    Does anyone know of a way to avoid this silly phenomenon or am I stuck individually exporting each sequence from FCP, one...at.......a................time?
    Thanks,
    Zap

    Thanks, Andy, "Batch Export" eventually did the trick!
    I forgot about that tool because I've never actually had to use it before! After playing around with it for a while, I found that as long as the sequence settings for each sequence in the batch are set to a codec with an activated alpha channel, it works just fine.
    Thanks again,
    Zap

  • Best practice for exporting an 8-channel Quicktime's audio into stereo and 5.1 files for Encore BD?

    The subject pretty much says it all. A client has given me a Quicktimde ProResHQ with 8 channels of audio.
    I understand how to export the stereo channels (1 and 2) from Premiere but how are channels 3-8 normally handled for proper 5.1 surround authoring in Encore?
    Thanks for any advice - I was unable to find specifics when searching previous posts.

    how are channels 3-8 normally handled for proper 5.1 surround authoring in Encore?
    You must create the 5.1 outside Encore. Note that from Premiere it requires the optional Surcode.
    Encore essentially passes the 5.1 through to the build process; you do not get preview of the 5.1 audio.

  • NO AUDIO ON BATCH EXPORT.  First 2 times i posted this it never showed up....

    Why do I randomly get audio from batch export using AME.  Usually it doesn't work at all as in NO audio but other times several of the files in a batch will have audio.  And other times none.
    What gives?
    running Mavericks on G5 with 12GB of RAM and Quadro FX4800 video card. 
    Rob

    First of all, could you tell me what version of AME you are using?
    Did you import files directly into AME or queue jobs from Premiere Pro or other Adobe apps?
    Could you clear the following cache folders while no Adobe app is running and try again?
    /Users/<user name>/Library/Application Support/Adobe/Common/Media Cache
    /Users/<user name>/Library/Application Support/Adobe/Common/Media Cache Files
    How many files did you encode at one time?  If you encode one at a time, does it encode fine?

  • What is the difference between"export audio and "bounce"?

    What is the difference between the "export audio" and "bounce" functions?
    Do plug ins get saved with the created BWF(broadcast wave files)in the "export" function?
    Or is the "bounce" method the required function to enable plugins embedded in BWF files?
    Also I noticed that the "convert to SDII file" produces files not readable by ProTools.
    It was my understanding that using the convert to SD II files via the audio bin is used, it would produce BWF files for use in Protools.And if you use symbols like / in your track names the files won't get converted or bounced!
    Also would it not be cool if LE8 had a feature that could render BWF files small enough to send via internet file sharing and transfer apps, in other words a built in file transfer feature. Am I asking for too much.

    Export audio is good to move the tracks to another application or computer for further editing.
    Bounce renders the mix into a stereo track in 2 basic ways: PCM, i.e. uncompressed, or compressed (like AAC, mp3 etc.).
    PCM can be AIFF, Broadcast WAV (even if it's written only WAV those are BWF), and SDII that's the standard file type of ProTools.
    Note that PT doesn't use interleaved stereo files but two separate files for left and right channels, i.e. filename.l and filename.r and if you save in this way PT will accept those files for sure.
    Uncompressed audio files cannot be compacted (in fact, that's why they're called uncompressed).
    These days there are a lot of Internet services that permit to transfer several Gb (up to 5) for free.
    If you are thinking of something like Digidelivery then you should put your attention towards Digi's products, not Apple's ones.
    cheers
    rob

  • How do i change the size of a clip using batch export?

    hi, when i try and do a batch export to change my clips from a DV PAL to PhotoJpeg 320*240 sized clips the "options" button is greyed out. so all i have as export settings are the QT presets in a pulldown list. is there any way i can create my own setting? (and the also save that?)
    thx

    what i'm seeing is that
    a) selecting all files in Media Man. gives me the option to size and set codecs but not the audio off.
    b) selecting all files in Batch Export allows me to pick a format (QT, aiff etc) choose a preset (photoJpeg included) select whether to include audio and video or both but not set the size or customize the QT settings
    c) selecting all clips then "file>export>using QT conversion" gives me all options, but seem to grab only the first clip.

  • Exporting audio meta data for Speech Analysis.

    Working on a video project that has about 4hrs of recorded audio. Using Premiere Pro CS6/Media Encoder's Speech Analysis I processed all of these audio tracks which added the "Analysis Text" to their metadata.
    I need to provide all of this text to my copywriter so he can construct a copy deck, which will be used for other media.
    Does anyone have an efficient way to (batch) export all of the metadata for each clip, even more specifically, just this particular property (as he won't be interested in the other standard metadata)? I would want to dump it into a large .doc along with the relevant file name.
    I'll then provide him with mp3s of the audio so he can listen and proof the copy – as I imagine there will need to be quite a few corrections made.
    If there isn't a magic-bullet solution, I would of course need to find the next best option, e.g. export as mp3s, and see if I can embed all that metadata in them. Then provide him with some way to view that content while he plays the files back. Keeping in mind I'm not working with tech-savy individuals on that side of the procesess. I would have loved to have them just open Prelude and be done with it.
    I appreaciate the thoughts.
    Stephen

    As I mentioned in my post, I was looking for a way to "batch export" all of the clips, as I have 50+ for this particular shoot alone.
    Surely I can't be the first person who wanted to externalize all that content.
    Thanks.

  • Problem when exporting audio from Premiere Pro v4.2.1 into wave 5.1 format

    Hello to Adobe experts!
    After installing of last updates for Adobe Premiere Pro (v4.2.1) and for Media Encoder (v4.2.0.006) the was a problem:
    Now I cannot to export audio from adobe sequence into uncompressed wave format with 5.1 channels settings. Source m2ts video files in sequence are with 5.1 audio.
    What I doing:
    1) in Premiere I execute "File\Export\Media"
    2) Export settings are:
    - format: Windows Waveform
    - audio codec: Ucompressed
    - basic audio settings: 44100Hz, Channels: 5.1, Sample Type 16bit
    3) After OK button it opens Adobe Media Encoder.
    4) After pressing Start Queue in Adobe Media Encoder there is a message "Error compiling movie. Unknown error"
    In earlier versions it worked fine.
    Can you help me with this problem?
    Alexander

    Here are the options, from a sequence with 5.1 master track:
    and with Surcode:
    Notice that first one does only give stereo as an option. Nothing more. With Surcode it gives you 5.1 sound.

  • Using BATCH-EXPORT on subclips vs MM to create independent media files

    I've been capturing full HDV tapes with the DV Start/Stop Detection turned on and everything has worked just fine - until now. I'm now encountering a problem w FCP "Searching for Media" on roughly 25% of my clips DURING capture, and in the process, losing about 5 seconds at the start of the clip. I've been having lots of problems w my G5 over the last couple months and it's been acting quite slow and I imagine this is related to that.
    So... after a full 2 days trying to get Media Manager to create independent media files from my subclips (after capturing a twenty minute chunk whole, then breaking it down), following the FCP manual volume II pg 42 to a tee... I concur w many others on this site that Media Manager *****! No matter what I did, it would not produce new files out of my subclips and instead kept giving me the same error: "Reconnect Media Failed. The clip such-and-such was unable to be reconnected to the trimmed file due to a mismatch of the media present in the file... yada yada." Yes, I shortened the end of the first subclip by a couple frames, and I also had another subclip to delete, and I tried going straight from the bin, then from the timeline, then after making all clips independent in the timeline... nothing!
    Then I discovered BATCH EXPORT.
    Using it, I exported my HDV subclips using Quicktime Movie, Self-Contained, HDV 30, audio and video. It processed 20 minutes of subclips in just a few minutes so I'm fairly confident that no real 'processing' occurred.
    Can someone verify for me though that this is a safe procedure and that I am not re-processing HDV files with more HDV nonsense? Before continuing, I would just like to know for sure that Batch Export produces exactly the same result with subclips then if I were to simply capture one clip at a time.
    Thanks a bunch,
    Chris

    I can confirm that it does not merge audio tracks. Track 1 and 2 remain the same. In fact everything appears as it would if I were to capture direct, I just want someone who knows better to validate this!
    Also, has anyone else experienced the slowdown during log & capture that I described, with the intermittent message "searching for media"?

  • Batch Export Filename Errors

    When doing a batch export I receive a message:
    "Batch Export Filename Error
    The output filename for this item already exists for another item in the export queue.
    To continue the export, enter a new base output filename below and select ok."
    I then have to assign some random file name for each or the default mattes and titles in my timeline that are all named “color,” "Title 3D." So I am naming them “color1” “color2” etc. I just went through naming a ton of them and now it is asking me the same questions again!
    How can I avoid all of this?
    Thanks for your help!

    I have 4 tracks in the timeline:
    V4: Title 3D
    V3: Color (it is a black matte)
    V2: Video clip
    A3: audio
    A4: audio
    The video is cut into clips and I have copied-and-pasted many instances of the title and color clips so that it continuously plays during the duration of all of the video.
    I did a select all of the timeline and dragged everything to a new bin and did a batch export.
    Should I be doing this another way???? It just keeps asking me to rename the filenames over and over again and never gets anywhere.

  • Batch export question

    I need to export many sequences to a different NLE in the build that only takes quicktime animation codec. I can't find that setting in "batch export"... so not a big deal I guess. So if I use export to compressor it looks like i can do it there as a quicktime animation. My question which maybe should be asked in compressor forum. I know what the video settings need to be but the audio I'm not sure about. The clip needs to be QT animation /44.100 16bit mixdown. But I'm lost on the format ? Should that be "Linear PCM". The edit system it's going to is a Edius on a PC.
    Sorry if this is newb questions but I'm totally lost ?
    Thanks for any direction !

    Nick.. that's hilarious !! To be honest it probably is setup wrong. We use 48k and our smoke editors use 48k, but the Edius is so far out of my department I have no idea. I do know that our Deko's only take 44.100. I'm in the design dept. so audio isn't my strong area
    Thanks for the help I appreciate it !!!

  • Preserving Marker master comment in batch export

    Hello,
    I'm doing a quasi-transcription of clips using markers and the comments. I'd like to make subclips of all the markers (with Master Comments) to eventually export to Excel and have a nice rough transcription of interviews etc. However, when I make the subclips from the markers, the Master Comment 1 (which has good, supplementary info and/or dialog) is gone and I lose that info. Is there a way to preserve that master comment when making a sublclip from a marker?
    Thanks!

    Hi guys,
    I have solved the problem! Although I now realise that I have totally missed how this all works.. Doh.
    Basically I was expecting to see the batch export option icon in the 'Marker List' when in 'Multitrack' mode. I now realise that it is only available in 'Edit' mode.
    Sorry for wasting your time although this might help out others who make the same mistake as me. I assumed I would be able to do this from Multitrack mode as I find it easy to edit a large VO take in multitrack and then apply effects to the whole track easily. It would be nice to be able to batch export from this view based on the current track settings, but it's not too bad.
    Also, for anyone who is wondering you can take a multitrack session down into edit mode with ALL markers in place by going to File->Export->Audio Mixdown. From here it's then a simple case to export all markers out based on your preferences.
    So pleased to have solved this one.
    Thanks for all responses.
    James.

  • Channel grouping or stereo downmix

    a bit confused about the differeence between channel grouping or stereo downmix in the audio settings of the sequence settings. i've used channel grouping forever but it came up that maybe i should be using stereo downmix sice the ultimate output is stereo. for example in my current project i'm using using 4 channels on the timeline. channels 1 & 2 are stereo, panned left & right (though not linked since levels are different for each). channels 3 & 4 are centered. would there be a difference in the outputed audio. tried it both ways and sounds the same.

    Hi,
    If Express features the "grouping" feature for
    channel tracks, then you can use it.
    (Pro)Manual, page 276, subheading "Groups"
    Cheers
    Hi and thanks for the reply,
    Search as I may it appears Logic Express has no Grouping feature and there is nothing in the Express manual regarding grouping. I guess it's one of the reduced features compared with Pro.
    Thanks
    macbook   Mac OS X (10.4.7)  

  • Export Audio To Movies issue

    Hi folks,
    In Logic X, I can't seem to export audio to movie properly.  When I click the "Export To Movie" it seems to export a short section from wherever the cursor is, so I tried moving the cursor to the start and no difference.
    So, I then used the cycle area to select and export the whole track, which it did - but without the video!  When I play back it's just darkness!
    I had no such problems in Logic 9 - am I going mad or has anyone got any solutions?
    Thanks!
    Ben

    Well the temporary workaround I found right now is to use the sample delay plug-in on the output 1-2 channel. Actually needs 2 instances. The mas setting is around 10000 samples. I think in my situation, the video is around 8 frames late. So I set th combination of plugs to delay the audio by around 12800 samples. Upon exporting, the sync between audio and video is close enough.
    This is just a workaround. I hope apple fix it for the sake of users using Logic for score to picture purposes.

Maybe you are looking for