Begs for these feature changes/suggestions

Question

1. *Use real "time stretching"*, any length the composer likes. Even with audio that was not recorded with Logic. Apple Loops are not necessary. Hate to refer to Live and Cubase, but they don't need any special "Loop" encoding to stretch audio at aill.
( the 'time and pitch machine LOOKS really cool and 3-dimensional, but it is all in all not very understandable ).
2. *BOUNCE AUDIO ONTO A TRACK*. Logic is the last remaining DAW on earth that doesn't render audio ONTO A TRACK in the song.
It hides the audio in the Bin, forces you to find it, create a new track, and move it manually to its original record position.
3. If a track is named "Vocals 1" or "Reverb Bus" in the arrangement, it should be known by that name EVERYWHERE in the project. Right now, a single track in the arrangement has 2 different names, and still a third name in the drop down menus. ( "reverb bus" a.k.a "aux 4" a.k.a. "bus8" ).

Answer 1

1. Option-drag the bottom right corner of audio files. Yes, there are length restrictions or some odd handling with this.
2. True, and agreed. You can at least now thought record audio from one track directly into another track via a bus, which at least is better than nothing.
3. Well, a track is not the same as a bus which is not the same as an aux or bus channel. Logic leaves you to organise things how you want. Personally I'd rather name thing how I want than have the software enforce this, but I understand your point. You can name tracks, audio channels, busses and aux/bus objects, so if might make sense for you to set up some regular mixer naming conventions in your autoload template.