Best codec for editing

What's the best codec to export to DVD if someone else is editing the footage?

Again, you're asking two separate questions. If your client wants to edit the footage, you don't want to burn a playable DVD, you want to burn a data disc. This means you are able to put HD content on there (really, you're able to put anything on there), but you're limited to 4.7GB on a standard disc. As Tom says, that is very little space (especially if you're working with HD).
What you really need is to send your client a hard drive with this footage. Whether or not it is editable on "various platforms" depends on what it is now-- open it in QT and bring up the Inspector. What does it say the format is?

Similar Messages

  • Best codec for DVD export for editing

    If I want to burn DVDs for a client who will want to edit the footage later, what's the best codec for that?

    What editing application will they be editing with?
    DVD's aren't the best archival solution. They hold 4.7GB of info, and that is like 20 min of DV quality footage. Forget about HD quality...Oh, unless you use HDV. That's the same data rate
    Shane

  • Best practices for Edit Proxies in Final Cut Server?

    We just bought Final Cut Server, and for the most part are pretty happy with the product. We are a small production facility, and primarily work with DVCPro HD footage at 720P. One feature we'd like to use would be the edit proxies feature in FCS, but they don't seem to be working for us.
    _Hosting Computer_
    We're using a mac mini server with snow leopard server and final cut server 1.5.
    Problem
    Whenever we specify in the Administrator Pane of FCS, Under Preferences and Analyze, we'd like to use a custom transcode setting for the edit proxies, keeping Frame Size, TC, and Frame rate the same, but changing the codec to h264 least quality, the effects are a different compression than expected. We tested out the compression settings using Compressor on the server, and we get the desired results:
    Input: DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: H264 Quicktime 960X720 (1248 x 702) 23.98 fps
    Also did the same outputs using Apple Prorez, Photo Jpeg and got the following outputs:
    Output: Apple Prorez Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: Photo Jpeg Quicktime 960X720 (1248 x 702) 23.98 fps
    (We also made new transcode settings for these compressor settings and we not able to control the compressions through FCS with these settings as well. Our target codec is H264.)
    After connecting the new compression settings on the Mac Mini Server to a new transcode setting in the FCS Admin Pane, we restarted the Java Client, logged in to FCS as an FCSadmin, opened the Admin Pane, and under preferences/analyze change the edit proxy setting to the New H264 setting that worked perfectly when using Compressor. After uploading a final cut project, with one associated media file (DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps), the resulting edit proxy did not match the specification: 384 x 216, 23.98fps, TC matches source.
    Also did not dynamically connect when checking out the project from FCS and selecting edit proxies and keep media with project and saving to the desktop.
    Question 1:
    Does anyone have any best practice transcode setting(s) to create for DVCPro HD 720P using edit proxies that dynamically connect and are smaller size than the original? H264? Photo Jpeg?
    Question 2:
    Why is Final Cut Server's Compressor giving a different output, when the same settings work well with just Compressor?
    Question 3:
    Does H264 work in creating dynamically linking edit proxies (ie, no need to reconnect)?
    I can imagine this information to be very useful to the community, so any input or solutions will be greatly appreciated.
    Thank you.

    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
    So my answer to all three questions would be to try ProRES 422 Proxy for your edit proxies and see if everything lines up.

  • Best codec for export from FCE?

    Heya, I'm sort of a newbie, so please be patient with me
    I'm trying to export a video from FCE using QT conversion.  I'm going to be putting it on Youtube.  What is the best codec for export?  I've always heard that H.264 is the 'best', but my videos have always been pale and washed out.  I tried exporting using MPEG-4 video, and it's not washed out.  Is H.264 better and I should just deal with the paleness, or does it not matter too much?
    Thanks

    All the Web video sites re-compress your videos. So it's generally best to upload high quality files – typically determined by bit rate.
    My suggestion would be to export as a Quick Time movie at current settings. (Guessing that you edited an AIC sequence,)
    If you don;t have MPEG Streamclip, do a search and download it. In Streamclip, open the file you exported from FCE. Export to Quick Time. For Compression, choose H.264 from the drop down menu. Don't change Frame Size. If your movie is interlaced, check De-interlace. Check the Limit Data Rate box and type in 12,000 if the size of your movie is1080; 6,000 if your movie is 720; 3,000 if your movie is 480.
    Use the YT uploader and you should be good to go.
    Russ

  • Best Codec for exporting animations with alpha channel from FCP timeline

    Whats the best codec for exporting animations (hopefully using loseless compression) that will retain alpha channel, and use the current sequence settings for fps and size?
    Currently Im exporting image sequences, but I'd prefer a wrapper.. I don't know much about the 'Animation' export codec.. I did notice that set to current size had some funky value of 753x450 or something.. instead of my current project size of 1920x1080...
    Anyhow.. Just seeing what others are doing..
    basically Im reading out some titles that I'll end up dropping over video later.. but since they render out so slowly (**** lower 3rds is slow) Im trying to get a jump on the process..
    Tx..

    PNG should do it. I think PNG is lossless (that's what they say, anyway). But realistically, if you use PNG, Animation, or JPG2000 set on highest quality, I'd dare you to tell a difference.
    I use PNG because it's supposedly lossless, renders twice as fast as Animation in a FCP timeline, and is usually about half the size.
    If you use "Export Using Quicktime Conversion", you will need to check all of the settings manually to make sure they match your sequence settings. This is always true, no matter what codec you use.
    If that sounds risky, your other option is to go into your sequence settings and change the codec to the one you want to render to (this will probably turn your whole timeline red), and then choose Export -> Quicktime movie.

  • What's the best app for editing and viewing office doc's

    What is the best App for editing and viewing office doc's, that will be compatable with IPhone 5S and Air pad?

    Search the app store, find one that you like and that works for you.

  • Best Program for editing quicktime movies

    What is the best program for editing quicktime movies.
    For example, I have several quicktime movies in the 4:3 aspect ratio, but the video is ment to be 16:9 so there is black on the top and bottom. I want to be able to crop out the black and make the video file a true 16:9 wide screen video becuase my laptop has a widescreen 16:10 aspect ratio lcd. And when playing back these videos, you end up with a couple inches of black on the top and bottom, and right and left, so a lot of screen space get's waisted. The only programs I have found so far that can make a 16:9 quicktime video have not supported the H.264 format, and only stetch the video to 16:9 rather then croping it, so the black remains on the top and bottom and the aspect ratio is off and every one looks short and fat becuase it's not in its native aspect ratio correctly.
    Does anyone have any advice on what program I should use?
    Also, does anyone have any recomendatiosn for how to convert wmv files to quicktime / itunes videos? I have found one program that does so, but it comes out very blocky and the audio is out of sync with the video by a good five seconds.
    Thanks

    MPEG Streamclip (free) can crop and Save As so you wouldn't need to add any new compression to the existing files.
    The make a Windows version now (it used to be Mac only).
    No tips on converting WMP files but you'll find dozens of solutions in the iPod Discussions pages.

  • Best codec for delivering 1080p video in flash

    I'm developing some AS3 that will end up in a mac projector (.app).
    This app will stream 1080p videos from the local disk.
    What is the best codec for fluid videos? (no hiccups, fast start, etc)
    Is there any special setting I have to consider in the code or in the publish settings?
    TIA

    bump

  • Best notebook for editing HD videos?

    I consider to buy a MacBookPro or MacBookAir. Which one is the best choice for editing HD videos?

    You don't want a MacBook Air, a 13" or a 2.0 Ghz 15" for professional work.
    You need the 2.2 Ghz 15" anti-glare, high res, MacBook Pro or better. (has the 1GB Radeon 6750M)
    The 17" is prefered because it's screen is 1920 x 1200, so 1080i (1920 x 1080 pixels) is WYSIWYG.
    You need the anti-glare because your going to be using it for professional work in many environments that you can't control the glare, you need to be able to see the entire screen.
    If your ordering online, get the 7,200 RPM drive. Else it's not that much difference from the 5,400 RPM store sold models. Get the 8GB of RAM installed right when you purchase and also AppleCare.
    Good luck.

  • What is the best app for editing pictures

    what is the best app for editing pictures on iphone 5?

    Adobe Photoshop Express
    https://itunes.apple.com/sg/app/adobe-photoshop-express/id331975235?mt=8

  • What is the best codec to edit with in Premiere? I use a Canon 7D.

    With Adobe Premiere I read that you don't have to transcode your footage to edit, but is it BETTER to? In final cut people say that it is best to transcode your footage from h.264 to apple pro res in order to get higher quality footage. Is the same true with Premiere? Is it better to change your footage to a different codec before editing? FYI I use a Canon 7D.

    Do the below to match your sequence and your video and you should be good to go
    See 2nd post for picture of NEW ITEM process http://forums.adobe.com/message/3776153
    -and a FAQ on sequence setting http://forums.adobe.com/message/3804341
    The tutorial list in message #3 http://forums.adobe.com/message/2276578 may also help

  • What's the best codec to edit with in Premiere coming from FCP

    Hi everyone
    I have a project that has been edited in Final Cut Pro on my Mac. The footage was compressed to Apple Prores HQ to edit in FCP. Now I have a new computer loaded with Adobe CC I want to export the FCP project in the best codec possible to colour correct/ add effects and colour grade with adobe CC.
    I don't want to bring all the project files over, just the finished sequence I've edited.
    Can anyone advise me on what the best possible codec is to export it in on my mac to start finalizing in Adobe Premiere?
    All the best
    Kevin

    Do the below to match your sequence and your video and you should be good to go
    See 2nd post for picture of NEW ITEM process http://forums.adobe.com/message/3776153
    -and a FAQ on sequence setting http://forums.adobe.com/message/3804341
    The tutorial list in message #3 http://forums.adobe.com/message/2276578 may also help

  • What is the best file for editing?

    I have movie clips that I need to burn onto a DVD-R. This DVD will be given to a friend and he will edit the contents in his own editing program (Pinnacle software). He asked for the highest resolution possible.
    Of the following, which is the best file to create for him so that he can edit it?
    - DV
    - AVI
    - MPEG-1
    - MPEG-2
    - MPEG-4
    Thank you!!

    if your source is from a camcorder, the native codec DV is 'best'.
    iMHD imports those streams from tape 1by1, it is a 'clone', a bit-identical 'copy' from the tape.. couldn't be an better...
    avi - is no codec nor 'format', just an old Windows media container. can contain literally all kind of codecs..
    mpeg1 - historic (=old) codec, Standard don't allow a higher res than 320x240 .. antiqué, therefor veery compatible.. not meant for editing, a delivery codec, e.g. on VCDs...
    mpeg2 - comes in many flavors, as on videoDVDs (.vob), .mod (JVC camcorders), .ts (transport streams from digital receivers), and in many 'versions', as h263, h264.. again: delivery codec by concept.
    mpeg4 - 'inbetween' version of mpeg1 and mpeg2, comes again in many flavors.. delivery codec by concept.

  • Best codec for data discs?

    I want to clear a large project off my drive by burning it onto data discs. What's the best codec to use for later FCP editing?
    On a slightly different topic, is there a best "universal" codec that can be edited in other popular NLE systems, e.g. Avid, Pinnacle, etc.?
    Thanks.

    On a slightly different topic, is there a best "universal" codec that can be edited in other popular NLE systems, e.g. Avid, Pinnacle, etc.?< </div>
    Read up on H.264, it's for distribution, not editing. The only codec that approaches platform agnosticism or universality is MPEG1 which is also useless as an image preservation or editing codec. After that, maybe plain ol' DV. There is a different flavor for each operating system but getting the files unwrapped and imported into all NLEs cannot be assumed.
    bogiesan

  • Best codec for dvd release

    I'm finishing two extras for a dvd re-release of a film I made in 1980, and am very new to codecs and HD, would like to know the best quality transfer/conversion and/or codec for putting into a DVD release format with a digi-beta master.

    Thanks for all the suggestions; to clairify, I wrote, directed and produced Ghostkeeper, am editing the extras which I want included on the DVD, so distrib said go ahead but he's not paying for it. So I'm doing 2 extras (actor & DP) on my own. I've had FCP3 (DV) for years and finally upgraded some time ago to, still not all that familiar with HD needs and requirements.
    Distrib will make the dvds, he made a digi-beta copy from a 35mm film print and said all he needs is a QT file, but he's not really tech-savvy, thus my enquires. I will definitely be speaking with whomever is actually making the DVD's, they'll be re-released in a week or two.
    I'm editing on FCP Studio 3 and downloaded two different files; the movie itself from a dvd straight from the digi-beta copy and the extras interview ftg comes from a Canon 5D with separate sound recording, thus having to sync it (got someone better than me to do that). I made the mistake of conflicting codecs, but still managed to stumble my way through.
    Movie was released in 1980 via theater and VHS and was lost in obscurity until a cult following began. You can see my first cut on youtube at:

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