Best import settings for HDV 1080i Video

Hello,
I just shot some HDV 1080i footage on a Sony HDR-FX1. What are the best settings for importing it into FCP 5.1.4? Just kind of lost with all of the options.
Thanks,
-Phil

Apple Intermediate Codec.
http://manuals.info.apple.com/en/FCP5HD_and_BroadcastFormats.pdf
Read chapter 1 "Working with HDV".

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What are the best export settings for a HD video in Premier Pro CS4?

Hi!
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FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

Best Import Settings for Sony XDCAM EX

Ok, this is a variation on my best export settings question. Considering the Sony XDCAM EX1 shoots 8 bit video with 4:2:0 color space, what's the best import settings to use? Which DNX codec will give you the best results? I don't want to import at a quality higher than my source material. And of course, I don't want to import at a quality lower than my source material. I'm looking for the sweet spot.
Thanks
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Roger,
Here's a recent thread somewhat related to your question.
http://discussions.apple.com/thread.jspa?messageID=10171207&#10171207
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WHAT ARE THE BEST IMPORT SETTINGS CONSIDERING SIZE AND QUALITY?
(I know this has probably been asked a million times, but I did a search and nothing came up that answered my Q - also all the answers that came up in Google search where dated 2003/ 2004 - a little out-dated me thinks!!)
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Personally I've started ripping everything Apple Lossless. That way I hope I never have to rip again.
I used to rip 320 mp3. I couldn't tell the difference between 320 mp3 and lossless, but, one day I might be able to - big maybe. But since disk price is not likely to go up, I figured I'd rip lossless from now on "just in case."
Probably few, if any, people could tell the difference between 256 AAC and lossless (I've done it at 192, but never at 256, and I have not bothered trying again recently - there might be a song out there where I could hear the difference, hence ripping lossless from now on - my time costs more than disk space . . .)
256 AAC is a pretty safe bet, unless you need mp3 compatibility, then use 256 (or 320) mp3.

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Hi,
The best importing option for video is streaming from flash media server. Below I discuss the drawbacks if you use other alternatives.
i) If you use embed video option
File size will go huge. Loading time will be higher. This is not a good option if you have big size video files.
ii) If you use progressive download from a web server
Video file gets downloaded to the client machine during the progressive download. Since video file is downloaded into the client machine, there are chances of the external user to reuse the same video.
iii) If you use streaming from flash media server
Video directly gets streamed from Flash Media Server. In this case, video file download does not happen on the client side. Video file security concerns are already addressed by Flash Media Server protocols.
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rb

Roger,
Here's a recent thread somewhat related to your question.
http://discussions.apple.com/thread.jspa?messageID=10171207&#10171207
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Best sequence settings for editing HD video material from Nikon D3S

Hello there,
My quesstion is, what are the best settings in FCP for editing material from the Nikon D3S?
At this point I had a sequence (automatically generated from FCP) with settings
Frame Size: 1440X1080 Aspect Ratio (1440X1080) (16:9)
Pixel Aspect Ratio: HD 1440 X 1080
Field Dominance Upper (Odd)
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Compressor: HDV 1080i50
Now, when I place a video clip form the D3S into the timeline, in the preview screen it does not fill the frame. I have to grab the corners and pull it to fill the gaps.
I opened the same video clip in QT to check on the inspector and this is what is telling me:
Apple OpenDML JPEG, 1280 X 720
FPS: 24
Normal size: 1280X 720
Current size: 1280 X 720 (Actual)
What do I need to do, so that the sequence settings are very similar to my AVI files? Or to make the same? I assume that if I pull the corners to fill the frame, I am loosing quality? Is that the case?
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Sorry, I guess too many questions, but they all lead to the same thing
Thanks a lot!
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I have a D3s. I'm using FCP7, it's been awhile since I used version 5 so all I can do is let you know my workflow with ver.7 If you convert to ProRes 422 1080x720 24fps, it works very well, change the audio from 44 to 48kHz and set the frame rate to 24 instead of 23.98
Here's what I do.
1. Copy the CF card to the HD of the computer
2. Open Compressor, in these next steps we'll make a custom Droplet.
a. In the Settings tab, select Formats > Quick Time > Apple ProRes 422
b. Drag this to "Drag Settings & Destinations Here" and click it
c. In the Inspector, select Encoder
d. Select Video Enabled, then hit Settings. Frame rate 24 > OK
e. Select Audio Enabled, then hit Settings. Choose 48 kHz
f. Save As. Name it. It will be in > Settings tab > Custom
g. Click your new Cutom setting
h. File > Create Droplet
i. select your new custom setting
j. save it to the desktop, leave destination as source.
3. open the Droplet,
4. drag all you D3s clips in, change destination to a new folder
Now you have all your original .DVI and the converted ProRes clips
5. Open FCP, select Final Cut Pro > Audio/Video Settings
6. in the Sequence Setting tab select Apple ProRes 422 1280x720 48kHz
7. Clip Duplicate and give it a new name
8. change the Editing Timebase to 24 > OK
9. select the summary tab click Create Easy Setup
10. name it, give it a description > Create
11. the next time your open FCP use this Easy Setup
12. your D3s clip should not need rendered now.
13. When your done editing use Send to Compressor
14. Vimeo will accept a wide varity of formats
15. I use Quicktime H.264 with settings set to best
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Best Streamclip settings for iPhone 4 Video - to edit in FCE

First, the problem: iPhone 4 records HD video in h.264. But Final Cut Express doesn't have sequence settings for editing h.264 or iPhone video clips.
The solution: I'm using Streamclip to convert all of my iPhone 4 videos to a format FCE lets me edit in.
Question: What are the optimal settings to insure that my final output retains quality almost equal to the original video shot on my iPhone? (More specifically, I plan on uploading to Youtube as a HD video).
I've read somewhere that I should convert to Quicktime Movie format, with Apple Intermediate Codec 720p 30fps. Is that the best compression type to convert to for editing iPhone 4 videos in FCE? If so, how should the other settings in streamclip be jiggered? For instance, does it make much difference if I set the Quality slider to 100% (As opposed to the default at 50%?) What about audio compression settings?
(P.S. I think it's very annoying that I can't directly edit a video from iPhone 4 on another consumer Apple product, the FCE. Does FCP let me directly edit h.264/iphone 4 videos?)

The slider makes no difference as AIC is variable bit rate within a specific range. No audio compression in FCE ever. Uncompressed stereo 48k, the video standard sample rate.
It would be truly miraculous if FCE worked with iPhone media as the current version predates it by three years, which in computer lifetimes is two generations, basically the equivalent of your grandfather having developed an app for a smartphone when he was a young man. FCP is a mere year old, well before the iPhone did video. Furthermore, if you'd read the forums, you'd see that H.264 is an acquisition and delivery forward. It is not used in production. The codec is not suitable for efficient production and really should never be used there. It's very unfortunate that camera manufacturers have taken the cheap way out and used this codec, rather than actually developing and using a suitable intraframe production codec.

Best compressor settings for HDV downconvert -- attention hanumang

Reposting this bit because it differs significantly from topic of thread where it appeared.
goal: the best possible HDV-DV downconvert using final cut studio (hitch: I have added problem of converting resulting film from PAL to NTSC)
previous method: the best luck I've had is Quicktime converting from HDV to 10-bit PAL SD and compressor converting that to NTSC DVDPRO50
Hanumang recommended using compressor for first conversion. My response:
What settings?
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't seem any better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
I would be most grateful for help in this matter. I've spent a few weeks on this. I just plod along, zombie-like, trying a few different things every day, hoping to hit the jackpot eventually. I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget, but eventually, once the film is finished and (hopefully) I have more money, I''d happily pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.
What compressor settings do you recommend?
The best workflow I've come up with is qucktime conversion from HDV PAL to SD 10-bit PAL, then compressor conversion from 10-bit Pal to DVDPR0 50 NTSC.
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only been change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't look better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
Anyway, I would be most grateful for answers to these questions. I've spent a few weeks on this and am past the point of frustration. I just plod along, zombie-like, trying a few different things every day, dimly hoping to hit the jackpot eventually. Actually, I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget for the time being, but eventually, once the film is over and (hopefully) I have more money, I'll be willing to pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.

My bad, I was out in the afternoon and didn't get a chance to pick up on your reply to the last thread. Sorry to hear that your first attempt with Compressor was so disappointing.
Just so we're clear, you're using what exact versions of the software? FCP 5.1? Compressor 2? (For Compressor, in particular, 2.0 vs 2.1 vs 2.3 is important.) And, what are your sequence settings in FCP? Finally, we're to understand that you're actually working in PAL HDV? Or are you working in AIC?

Import settings for HDV for PAL

I film on HDV tapes (1440x1080i) and I have asked both Apple store trainers and a Final Cut pro trainer and I am getting told different things for what settings to chose in easy set-up on Final Cut.
I have chosen what I believed was the right setting to then complete and burn to a Quicktime movie folder to import in DVD Studio Pro, but Studio Pro is telling me it's not compatible as it had been created for NTSC when I want PAL! I can't find where you chose between NTSC and PAL on the HD/HDV settings - can anyone help please as I can only see DV on PAL?

Hello PadProd,
If you want to stay in HD you can capture HDV natively or transcode. Since editing HDV natively is very processor intensive, I'd recommend transcoding to an i-frame format. The two options you have are ProRes or Apple Intermediate Codec.
http://www.kenstone.net/fcphomepage/capture_hdv_prores_fwbalis.html
http://www.kenstone.net/fcphomepage/when_to_staynative.html
+... but Studio Pro is telling me it's not compatible as it had been created for NTSC when I want PAL! I can't find where you chose between NTSC and PAL on the HD/HDV settings+
You'll need to change your project settings in DVDSP from NTSC to PAL (in preferences) not change the Easy Setup in FCP. Note that this setting will only affect new projects.
http://www.peachpit.com/articles/article.aspx?p=454800&seqNum=5
hope this helps
mish

Import settings for Music and Videos

Hi
I have my iTunes set up so that when I import music, it copies the files and keeps it organised in the iTunes folder on my Mac hard drive
However, I want to import my videos into iTunes, but I don't want it to import them into the iTunes folder, i want to keep them on my external hard drive
Is there a way I can do this? I want it to keep my Music on the mac hard drive, but for videos I want it to keep them on my external hard drive instead of copying them across like it does for music?
Thanks

before you add new movies, go iTunes > preferences > advanced and point +*iTunes media folder location+* to the external. point +*iTunes media folder location+* back to your local iTunes folder before adding music.
JGG

Best export settings for hd SLR video.

Hi
I edit video from canon eos 5d 1080p /29.97 and want to get the BEST quality in exported files. (To be seen witha a WD media player and a full hd high quality video projector) .
Premiere CS5 ver 5.03 cuda enabled GEForce 470 The original clips are .mov at about 45 mbps h264.
When I open media encoder I have a lot of possibilities.
If I choose "match sequence settings" I get an mpeg file 31 mbps with I frames appearing after two P frames. (Gop=3)
I can also export as mp4 with higher framerates (45 mbps) and so on,
I do not know wich is the best choice .
Any suggestions or experiences welcome
Tahnks

If I choose "match sequence settings" I get an mpeg file 31 mbps with I frames appearing after two P frames. (Gop=3)
Don't use "Match Sequence Settings." It is rarely useful.
(To be seen witha a WD media player and a full hd high quality video projector) .
<snip>
I do not know wich is the best choice .
The best choice will be dictated by what the media player can ingest and use. I would assume an H.264 MP4 will suffice, but you'll have to look into the supported formats, codecs, bitrates, and other parameters that the device allows.

Best export settings for 51 min video for itune styles sites?

Hey There I have a new bmx DVD about to come out and i want to try and sell it on PayLoadz.com,Itunes but they have a 2gig limit. The project settings are 1920 by 1080 30p and im using premiere pro cs 6. I hope someone can help thanks...

There is no way to get a decent 1920X1080 video into 2G when the duration is 51 minutes.
The bitrate would have to be so low that the image quality would suffer terribly.
Do the math. If you put it out there at a reasonable 25Mb/s you would need a file size of almost 10G.
Divide that by 5 to get 2G and your 25Mb/s becomes 5Mb/s. I suppose you could try that. If it was free you might get away with it. But if you want to sell it, people are going to expect a better image. I know I would.
But there you have it. Use H.264 as Kevin suggests, and set it for 5Mb/s. Export it and see what you think.

Best export settings for video for web

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For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
that play on their site, and there is an option to "Watch on YouTube". So I
guess I would love some recommended export settings for a straightforward
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Best export settings for HD video playback on computer?

I have shot my video on 1080p witha DSLR and edited it in premiere pro. I exported the video in .mp4 format.
Now i imported the video in after effects and added loads of animation. I want to export it to the best quality for playback ON COMPUTER ONLY. Which is the best export settings for this purpose.
I rendered it in .avi and my 12 minute video had a size of 55GB after render and did not play smoothly in the computer.. PLEASE HELP WITH THE BEST SETTINGS for the above purpose.

You messed up. You should NOT have rendered MP4 out of Premiere to use in AE. You're adding compression and quality loss in between stages. BAD video person!
The easiest thing to do would be to import your Premiere project in AE. That way it can use the original footage too. If, for some reason, you can't do that, you should render a lossless file out of Premiere. Speaking of lossless files, that's what you rendered out of AE. This page explains your large AE file issue.
Anyway, take that large file you render out of AE into the Adobe Media Encoder and render out your final compressed file. Either H.264 or WMV should work well for playback.

Best import settings for HDV 1080i Video

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