Best sequence settings for editing HD video material from Nikon D3S

Hello there,
My quesstion is, what are the best settings in FCP for editing material from the Nikon D3S?
At this point I had a sequence (automatically generated from FCP) with settings
Frame Size: 1440X1080 Aspect Ratio (1440X1080) (16:9)
Pixel Aspect Ratio: HD 1440 X 1080
Field Dominance Upper (Odd)
Editing Timebase: 25
QuickTime Video Settings
Compressor: HDV 1080i50
Now, when I place a video clip form the D3S into the timeline, in the preview screen it does not fill the frame. I have to grab the corners and pull it to fill the gaps.
I opened the same video clip in QT to check on the inspector and this is what is telling me:
Apple OpenDML JPEG, 1280 X 720
FPS: 24
Normal size: 1280X 720
Current size: 1280 X 720 (Actual)
What do I need to do, so that the sequence settings are very similar to my AVI files? Or to make the same? I assume that if I pull the corners to fill the frame, I am loosing quality? Is that the case?
Since I need to deliver this today I will continue working on the sequence as with the former settings, but I am wondering that if I have to change the settings, will this affect my already edited material? Do I then need to start a new sequence from scratch?
Sorry, I guess too many questions, but they all lead to the same thing
Thanks a lot!
Emil

I have a D3s. I'm using FCP7, it's been awhile since I used version 5 so all I can do is let you know my workflow with ver.7 If you convert to ProRes 422 1080x720 24fps, it works very well, change the audio from 44 to 48kHz and set the frame rate to 24 instead of 23.98
Here's what I do.
1. Copy the CF card to the HD of the computer
2. Open Compressor, in these next steps we'll make a custom Droplet.
a. In the Settings tab, select Formats > Quick Time > Apple ProRes 422
b. Drag this to "Drag Settings & Destinations Here" and click it
c. In the Inspector, select Encoder
d. Select Video Enabled, then hit Settings. Frame rate 24 > OK
e. Select Audio Enabled, then hit Settings. Choose 48 kHz
f. Save As. Name it. It will be in > Settings tab > Custom
g. Click your new Cutom setting
h. File > Create Droplet
i. select your new custom setting
j. save it to the desktop, leave destination as source.
3. open the Droplet,
4. drag all you D3s clips in, change destination to a new folder
Now you have all your original .DVI and the converted ProRes clips
5. Open FCP, select Final Cut Pro > Audio/Video Settings
6. in the Sequence Setting tab select Apple ProRes 422 1280x720 48kHz
7. Clip Duplicate and give it a new name
8. change the Editing Timebase to 24 > OK
9. select the summary tab click Create Easy Setup
10. name it, give it a description > Create
11. the next time your open FCP use this Easy Setup
12. your D3s clip should not need rendered now.
13. When your done editing use Send to Compressor
14. Vimeo will accept a wide varity of formats
15. I use Quicktime H.264 with settings set to best
16. For Blu-ray I use Export to QT Movie and use Sony DVD Architect to author the BD at 35 mbps, but that's another story.

Similar Messages

  • What are the best sequence settings for editing a movie made on your iPhone

    I have a lot of footage taken on my iPhone 3Gs. I want to make a summer fun movie and compile all the clips together. What are going to be my best sequence settings to make editing of the footage easy and viewable in real time without the need to render. Is this possible?

    Open the videos in QT Pro player and export to a codec and frame rate consistent with any easy set up such as NTSC DV and edit that.

  • Best Streamclip settings for iPhone 4 Video - to edit in FCE

    First, the problem: iPhone 4 records HD video in h.264. But Final Cut Express doesn't have sequence settings for editing h.264 or iPhone video clips.
    The solution: I'm using Streamclip to convert all of my iPhone 4 videos to a format FCE lets me edit in.
    Question: What are the optimal settings to insure that my final output retains quality almost equal to the original video shot on my iPhone? (More specifically, I plan on uploading to Youtube as a HD video).
    I've read somewhere that I should convert to Quicktime Movie format, with Apple Intermediate Codec 720p 30fps. Is that the best compression type to convert to for editing iPhone 4 videos in FCE? If so, how should the other settings in streamclip be jiggered? For instance, does it make much difference if I set the Quality slider to 100% (As opposed to the default at 50%?) What about audio compression settings?
    (P.S. I think it's very annoying that I can't directly edit a video from iPhone 4 on another consumer Apple product, the FCE. Does FCP let me directly edit h.264/iphone 4 videos?)

    The slider makes no difference as AIC is variable bit rate within a specific range. No audio compression in FCE ever. Uncompressed stereo 48k, the video standard sample rate.
    It would be truly miraculous if FCE worked with iPhone media as the current version predates it by three years, which in computer lifetimes is two generations, basically the equivalent of your grandfather having developed an app for a smartphone when he was a young man. FCP is a mere year old, well before the iPhone did video. Furthermore, if you'd read the forums, you'd see that H.264 is an acquisition and delivery forward. It is not used in production. The codec is not suitable for efficient production and really should never be used there. It's very unfortunate that camera manufacturers have taken the cheap way out and used this codec, rather than actually developing and using a suitable intraframe production codec.

  • What are the best export settings for a HD video in Premier Pro CS4?

    Hi!
       I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
    FPS 23.98
    1920 x 1080, then a few lines down it says 1408 x 792
    16 bit,
    2 channels
    48000 Hz
       What should the settings be when I make a new sequence?
                 When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
    But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
    I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
    Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
    I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
    What are the best sequence settings for HD video?
    What are the best export settings for HD without loosing any quality?
    What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
    Thank You!
    http://forums.adobe.com/thread/713070
    On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

    It Stands for "Coder Decoder."
    Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
    This might be a bad analogy but I'll give it a try.
    A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
    In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
    Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
    I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
    Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
    I posted the link before but here it is:
    http://goo.gl/8GZq4i

  • What are the best sequence settings for a movie to be put on youtube?

    I am making a video that consists of mainly jpegs and audio. The final movie needs to be crisp and fairly high resolution because the pictures have some house plans that need to be easily read.
    I have tried the following settings only to get a blurry image result in the end:
    Frame Size: 960x720 Aspect Ratio: HD (960x720) (16:9)
    Pixel Aspect Ratio: NTSC - CCIR 601 DV 720X480
    Editing Timebase: 29.97
    Quicktime Video Settings:
    Compressor DVCPRO50 - NTSC
    Quality: 100%
    This seems to me like it should be a crisp enough image result but the end result is very poor. When I use the H.264 Compressor instead of DVCPRO50 - NTSC, the image is much sharper but the faded transitions are sometimes choppy, and you have to render the timeline with each change you make. Please help me find the best overall settings for smooth editing and sharper image.
    Thanks,
    Caleb

    Your settings -- between the Compressor, Pixel Aspect Ratio and Frame Size -- are oil-and-water.
    If this is going to YouTube (meaning not going to be viewed on traditional TVs) and it's mainly Photos, try using this:
    Frame Size: 1280x720
    Aspect Ratio: HDTV 720p
    Pixel Aspect Ratio: Square
    Editing Timebase: 29.97
    Compressor: Motion JPEG A
    Quality: 100% (though in a lot of cases, you could drag this down to about 75-80% and quality will not suffer)
    Unfortunately, you won't get much (if any) real-time effects. Unless, of course, you're on FCP 6 or later, where you can use a ProRes compressor instead. But with your signature saying 10.4. something, I wasn't sure if it was safe to assume that. The Motion-JPEG setting should work in all versions.

  • Best sequence settings for imported video

    I created a simple screencast of a powerpoint slideshow with another piece of software, and exported it as .mov (H264). The screencast was created at 25 FPS with no audio.
    When I import it to Premiere CS5, the video quality is pretty bad. I can't read someo the smaller letters on the slides, and when the slides are static, the graphics on them pulsate. Bottom line is, I need the quality to be better.
    I think the problem might be that I am not matching my sequence settings to fit the imported file. When I create a new sequence, there are dozens of different presets, and I have no idea which one is the best one.
    The reason I want import to Premiere is so I can add audio...etc., and export, and upload to Youtube, burn to cd...etc. But, I want the quality to be good, and it is quite simply...terrible.
    Any help would appreciated.

    For CS5 and later, the easy way to insure that your video and your project match
    See 2nd post for picture of NEW ITEM process http://forums.adobe.com/thread/872666

  • What are the best sequence settings for anamorphic?

    sorry for the long explanation....
    i have a project that was shot 16:9. my question is what is the best sequence setting to use so that when i export it to tape it will look right on a regular TV? on the FCP viewer it looks right with either setting. the difference is that if i choose a regular sequence setting ("anamorphic" unchecked), the video clips need to be rendered (it's green, but it will limit my ability to add effects and watch them without rendering). therefore i would prefer to use the anamorphic setting that does not need rendering. However, when i export the movie it comes out stretched (and only works with TV that has an anamorphic setting).
    Can i edit the whole project with the anamorphic sequence setting and in the end copy it to a regular sequence without it becoming stretched?
    i tried this on a little test sequence and it appeared to work, but i'm afraid that if the project becomes elaborate... well, last time i tried editing an anamorphic sequence (a while back, on FCP 2) i had to redo my whole film cut by cut with a regular sequence setting and then render it anamorphic so that it will look right.... it simply didn't work to just cut and paste the project onto a new regular sequence (could this have happened because i had many effects?). it came out stretched as it would when you merely uncheck the "anamorphic" box. has this been solved in the newer versions?

    Your settings -- between the Compressor, Pixel Aspect Ratio and Frame Size -- are oil-and-water.
    If this is going to YouTube (meaning not going to be viewed on traditional TVs) and it's mainly Photos, try using this:
    Frame Size: 1280x720
    Aspect Ratio: HDTV 720p
    Pixel Aspect Ratio: Square
    Editing Timebase: 29.97
    Compressor: Motion JPEG A
    Quality: 100% (though in a lot of cases, you could drag this down to about 75-80% and quality will not suffer)
    Unfortunately, you won't get much (if any) real-time effects. Unless, of course, you're on FCP 6 or later, where you can use a ProRes compressor instead. But with your signature saying 10.4. something, I wasn't sure if it was safe to assume that. The Motion-JPEG setting should work in all versions.

  • Best Sequence settings for JVC Everio files (TOD format)

    I own a JVC Everio camcorder, and I recorded some videos if Full HD (1920 X 1080).  I loaded the TOD files to my computer and converted them to MPEGs using the bundled PowerDirector program.  When I play these HD MPEG files in Windows Media Player, they look fantastic.  Very smooth color and no pixelation.
    I loaded these files into a Premier Pro CS4 project because I need to perform some simple editing (trim in/out points, small rotation, and color correction).  I created a sequence using the AVCHD 1080p square pixel preset, which has the following settings:
    AVCHD 1080p square pixel
    29.97 frames/second
    Square pixels
    Progressive scan
    30 fps Drop-Fram time code
    48kHz audio
    I-Frame Only MPEG
    Maximum Bit Depth, Maximum Render Quality
    When I play the video files using either the Source or Project Monitor, the quality of the files appears degraded compared to what I see through Windows Media Player.  I'm concerned that I'm not using the correct settings to best work with this source video format.
    Should I change either the Program or Sequence settings to optimize for this file format, or is Windows Media Player performing some magic in the background?
    Thanks,
    Matthew
    Specs:
    Premier Pro CS4 4.2.1
    Windows 7 Professional 64-bit
    Intel Core i7 860 @ 2.67 GHz (having some overheating issues, so no overclocking)
    8 GB DDR3 RAM
    ATI Radeon HD 5700 Graphics Card

    This ARTICLE might offer some tips on the TOD files.
    Good luck,
    Hunt

  • Sequence settings for Sony HandyCam video

    I'm working with video shot on a Sony Handycam HDR-CX550.  I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use.  It appears to be 16x9, but shows up as 4x3 in my FCP bin.  Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
    Thanks in advance for any suggestions.

    My understanding is that IMovie works with DV streams (files with a .dv extension).  You need to convert these to DV quicktimes (with a .mov extensions).  Use Compressor (which comes with fcp) to do this.  There is an apple preset for this format.

  • FCP sequence settings for Sony HandyCam video

    I'm working with video shot on a Sony Handycam HDR-CX550.  I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use.  It appears to be 16x9, but shows up as 4x3 in my FCP bin.  Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
    Thanks in advance for any suggestions.     

    I have FCP 6.  Should I put this question in the Final Cut Studio forum?

  • *** Sequence settings for Canon 5DmkII video

    I'm trying to edit video footage from the new Canon 5D mkII and I don't know the sequence settings. The playback is really stuttery and jittery so I'm wondering if there's a plug-in or something that I need. Does anyone know?
    Thanks in advance!

    That shoots h.264 I believe, which is a delivery codec, not an editing codec.
    Convert it to an easy set up for FCP, ie pro res, DVCProHD or something in the easy set ups using QT Pro

  • Best export settings for hd SLR video.

    Hi
    I edit video from canon eos 5d 1080p /29.97 and want to get the BEST quality in exported files. (To be seen witha a WD media player and a full hd high quality video projector) .
    Premiere CS5 ver 5.03 cuda enabled GEForce 470  The original clips are .mov at about 45 mbps h264.
    When I open media encoder I have a lot of possibilities.
    If I choose "match sequence settings" I get  an mpeg file 31 mbps with  I frames appearing after two P frames. (Gop=3)
    I can also export as mp4 with higher framerates (45 mbps) and so on,
    I do not know wich is the best choice .
    Any suggestions or experiences welcome
    Tahnks

    If I choose "match sequence settings" I get  an mpeg file 31 mbps with  I frames appearing after two P frames. (Gop=3)
    Don't use "Match Sequence Settings." It is rarely useful.
    (To be seen witha a WD media player and a full hd high quality video projector) .
    <snip>
    I do not know wich is the best choice .
    The best choice will be dictated by what the media player can ingest and use. I would assume an H.264 MP4 will suffice, but you'll have to look into the supported formats, codecs, bitrates, and other parameters that the device allows.

  • Best Sequence settings for Panasoic Dvx100a...still trying to slow mo.

    Ok, so im editing this guys film. He filmed on his Dvx100a at 24p with this Scene advance look thing on....not to sure that the Scene advance look does...
    Anyways. We are..as we have posted a few times before trying to slow a few shots...everything looks like it could be better. What should are Sequence settings be set at? right now they are
    Frame size 740-480
    Pixel aspect ratio NTSC_CCIR 601/DV
    QuickTime Video setting
    Compressor DV/DVCPRO-ntsc
    Video Processing
    Render in 8-bit YUV
    We read that we may need to use Cinema tools tools to do something to it?
    I hope that gives you the info you need to help figure this one
    We also tried to use shake...but we couldent do much, its my first time using it.
    Thank....you guys need to get paid for this

    FCP has a distinct slow motion look, I personally find it distinctly unappealing. As previous posts have suggested, you should do the slow motion work in shake.
    shake is a completely different beast than final cut. I recommend taking a look at the below link- it's a wonderful tutorial by the captain.
    http://forums.creativecow.net/cgi-bin/pagewrapper.cgi?forumid=8&page=http://www.creativecow.net/articles/mench_michael/slo wmotion/index.html
    In conclusion, Getting a really good film-like slow motion look is going to be impossible because there just are not enough images being captured on the tape per second when shooting in 24Pa mode. But shake will do a better job at it than final cut.
    Good luck.

  • Best settings for exporting crisp video/graphic from iMovie to YouTube?

    Hi, I am working on a video for a client and after viewing on YouTube they had some issues with the type not looking "crisp," and I'm not sure how to fix it, not sure if it's a YouTube thing or something I am doing wrong.
    I am working in iMovie 6/HD on OS 10.4.11. I do my "type slides" in Photoshop and import them into the iMovie as photos (JPGs). I know some text/titles can be done in iMovie but there is very little control I have over what goes where, so by making my type slides in Photoshop I have more creative control to do what I want. I have done tests and it doesn't seem to matter what resolution the Photoshop files are when they're imported, the results are always the same.
    If anyone has a better suggestion for doing the type slides I'd gladly welcome them, but I think what I really need to know is the following:
    What are the best expert settings to export my iMovie file as, so that when I upload to YouTube, the quality stays fairly crisp? Or does YouTube's compression just negate anything I can do on my end?
    I have googled and found settings recs on other sites and other boards and tried a bunch of them and my results aren't any better than my original effort.
    From another post on this board I discovered I could play with the Filters setting when exporting, and I have set that to Sharpen and also used the Brightness filter to lighten the video (it was a little dark). I uploaded to YouTube and I think it is a little better, but would still love the info if anyone has a guaranteed rec for correct settings for YouTube video from iMovie HD/6.

    Hello Brian,
    Have you tried de-interlacing before exporting?
    Sometimes, when I'm in a rush, I would expand the Canvas/Viewer (viewed at 100%), pick the clearest frame, and do a screen capture.
    For example, with the captured image (in Photoshop), I have a marquee preset at 640x480 (NTSC). I created an action to crop, resize to 720x480, then set the Pixel Aspect Ratio to NTSC.
    Gary

  • Best import settings for HDV 1080i Video

    Hello,
    I just shot some HDV 1080i footage on a Sony HDR-FX1. What are the best settings for importing it into FCP 5.1.4? Just kind of lost with all of the options.
    Thanks,
    -Phil

    Apple Intermediate Codec.
    http://manuals.info.apple.com/en/FCP5HD_and_BroadcastFormats.pdf
    Read chapter 1 "Working with HDV".

Maybe you are looking for

  • Escape characters such as \n dont work??

    Im taking a string eg "Hello \n World" from an xml file. However when I system out the resulting string I get Hello \n World whereas I'd expect Hello World Anyway round this?? I'd appreciate any input.

  • Coherence stats example code

    Hey all, I attached the Java class we use to collect Coherence stats to display in our admin tool. Hopefully it will be useful to someone else. I'll keep this thread updated with the latest copy as well. Provides the following stats about each cluste

  • OS 10.3 is HOSED..PLEASE HELP

    ok my friend has an iMac G5 and the OS refuses to load. at first start-up screen was very fuzzy-colorful pixellated. we've restarted many times...the white screen gray apple got clearer and clearer everytime. then the startup screen would load and th

  • Browser can not display webpage

    Hi there I am having problems viewing webpages although I appear to be connected. I got a trojan virus on my pc and have managed to get rid of it but since then am unable to view web pages through my bt infinity hub. IE states that it 'cannot display

  • Reemplazo pantalla tactil Edge 15

    Hola es posible conseguir el reemplazo de pantalla tactil de laptop lenovo Laptop Edge 15 N/S: xxxxxxx Edicion de mod: Nro. de serie removido por motivos de privacidad