Best practice for viewing short home videos on AppleTV?

Please help me find a simple way to view short home videos taken on a digital video camera, photo camera or cell phone on my Apple TV.
I've been using AppleTV to showcase my photos for a couple months now, but all the short little videos I take along the way have been gathering dust in a general folder. None of them are significant enough to warrant building a full on iMovie, and all are in Nikon's AVI format. To date I have about 300 of them, hoping that one day they won't just gather dust.
As I understand it these are the recommended steps that Apple encourages:
1) Import movies from camera onto hard disk (Aperture prompts me to do this when I import photos)
2) Import all movies into iMovie
3) Export for AppleTV (creating new projects for each video, individually!)
4) Import into iTunes
5) Sync with AppleTV
This is awful. For comparison, here is my current workflow for photos to get them to show on AppleTV...
1) Import photos into Aperture.
Assuming iTunes is already running (and it mostly is), there's not even a step two. iTunes is set up to sync a "Recent Import" smart album from Aperture to AppleTV so everything else is behind the scenes. A few seconds after importing I'm viewing new photos on my AppleTV.
Since AppleTV is actually built for video, I'm hoping for a revised workflow that can showcase my movies as quickly as it does photos.
I'm currently not running a hacked version of the AppleTV OS, but would consider it if it simplifies the process. Automator workflows, Finder Folder Actions, and AppleScripts are also fair game.

Thanks pvonk. I get that video is more complex than photos, but Apple still wrote its photo applications to accept all sorts of photo file types (even the many proprietary RAW formats). So I don't think it's crazy to question why this workflow isn't easier for video. Especially when Apple is the biggest champion of integrated video solutions.
Right now, here's my best guess at a workable solution. Care to weigh in?
Setup:
1) Attach a folder action to a folder (let's say ~/Movies/Imported/)
2) Folder-Action runs shell script that converts videos to mp4 via HandBrake's command line tool
3) Shell script triggers another folder action upon HandBrake completion to pushes the completed file to a new folder (let's say ~/Movies/Converted/)
4) "Converted" folder action to import to iTunes (perhaps Applescript? Automator?)
~ if one could automatically add a meta tag (let's say "AppleTV") they could be added to a smart album on iTunes that is set up to sync with AppleTV
*Workflow after Setup:*
1) Import all movies to a folder (~/Movies/Imported/)
Does this sound about right? My shell scripting skills are less than adequate for this, so if there is a way to accomplish this with AppleScript, that'd be ideal.
Any other suggestions to simplify the workflow? The setup here still seems overly complex for a normal user. I can't imagine the folks at Apple really excited about the hurdles involved in this either, so I hope that they're working out a solution already.

Similar Messages

Best Practices for viewing home video on my Mac

Come on people - THERE HAS TO BE A BEST PRACTICE out there for storing and viewing family video!!
I'm the typical dad out there taking photos and video of my kids playing soccer, family trips ect ...
When I get home I hook my camera up to my MacMini (which is hooked up to my Plasma TV - and backed up to an external HD) and within mere seconds, my photos are nicely captured in iPhoto. Friends and family come over, I flip on the MacMini, select iPhoto (or Front Row) and we enjoy great slide shows.
I want to be able to have the same easy access to my videos -flip on my MacMini, start Front Row, view my various home movies, pick one and enjoy the show.
What is the best way to do this?
Current Technology
Canon HV20
iMovie 08
iPhoto 08
Front Row

Thanks for the welcome WC! And thanks for the initial help.
I have never exported video before (sad but true), so I have a couple "Workflow" questions for you or anyone else that knows this stuff
1) Should I assume I just hook my firewire up from my Canon to the MacMini and everything just starts to export?
2) Once exported into iMovie, I assume I can edit out some of the garbage (example - my wife sometimes forgets to turn off the camcorder and she'll video her leg or the ground for minutes at a time - I'd like to trash that.
3) Once edited, how do I move it into iTunes?
I will probably need to take an iMovie class ...

Best-practice for Catalog Views ? :|

Hello community,
A best practice question:
The situtation: I have several product categories (110), several items in those categories (4000) and 300 end-users. I would like to know which is the best practice for segment the catalog. I mean, some users should only see categories 10,20 & 30. Other users only category 80, etc. The problem is how can I implement this ?
My first idea is:
1. Create 110 Procurement Catalogs (1 for every prod.category). Each catalog should contain only its product category.
2. Assign in my Org Model, in a user-level all the "catalogs" that the user should access.
Do you have any idea in order to improve this ?
Saludos desde Mexico,
Diego

Hi,
Your way of doing will work, but you'll get maintenance issues (to many catalogs, and catalog link to maintain for each user).
The other way is to built your views in CCM, and assign these views to the users, either on the roles (PFCG) or on the user (SU01). The problem is that with CCM 1.0 this is limitated, cause you'll have to assign one by one the items to each view (no dynamic or mass processes), it has been enhanced in CCM 2.0.
My advice:
-Challenge your customer about views, and try to limit the number of views, with for example strategic and non strategic
-With CCM 1.0 stick to the procurement catalogs, or implement BADIs to assign items to the views (I experienced it, it works, but is quite difficult), but with a limitated number of views
Good luck.
Vadim

What is the best practice for changing view states?

I have a component with two Pie Charts that display
percentages at two specific dates (think start and end values).
But, I have three views: Start Value only, End Value only, or show
Both. I am using a ToggleButtonBar to control the display. What is
the best practice for changing this kind of view state? Right now
(since this code was inherited), the view states are changed in an
ActionScript function which sets the visible and includeInLayout
properties on each Pie Chart based on the selectedIndex of the
ToggleButtonBar, but, this just doesn't seem like the best way to
do this - not very dynamic. I'd like to be able to change the state
based on the name of the selectedItem, in case the order of the
ToggleButtons changes, and since I am storing the name of the
selectedItem for future reference.
Would using States be better? If so, what would be the best
way to implement this?
Thanks.

I would stick with non-states, as I have always heard that
states are more for smaller components that need to change under
certain conditions, like a login screen that changes if the user
needs to register.
That said, if the UI of what you are dealing with is not
overly complex, and if it will not become overly complex, maybe
states is the way to go.
Looking at your code, I don't think you'll save much in terms
of lines of code.

Best practice for importing non-"Premiere-ready" video files

Hello!
I work with internal clients that provide me with a variety of differnet video types (could be almost ANYTHYING, WMV, MP4, FLV). I of course ask for AVIs when possible, but unfortunately, I have no control over the type of file I'm given.
And, naturally, Premiere (just upgraded to CS5) has a hard time dealing with these files. Unpredictable, ranging from working fine to not working at all, and everything in between. Naturally, it's become a huge issue for turnaround time.
Is there a best practice for preparing files for editing in Premiere?
I've tried almost everything I can think of: converting the file(s) to .AVIs using a variety of programs/methods. Most recently, I tried creating a Watch Folder in Adobe Media Encoder and setting it for AVI with the proper aspect ratio. It makes sense to me that that should work:using an Adobe product to render the file into something Premiere can work with.
However, when I imported the resulting AVI into Premiere, it gave me the Red Line of Un-renderness (that is the technical term, right?), and had the same sync issue I experienced when I brought it in as a WMV.
Given our environment, I'm completely fine with adding render time to the front-end of projects, but it has to work. I want files that Premiere likes.
THANK YOU in advance for any advice you can give!
-- Dave

I use an older conversion program (my PrPro has a much older internal AME, unlike yours), DigitalMedia Converter 2.7. It is shareware, and has been replaced by Deskshare with newer versions, but my old one works fine. I have not tried the newer versions yet. One thing that I like about this converter is that it ONLY uses System CODEC's, and does not install its own, like a few others. This DOES mean that if I get footage with an oddball CODEC, I need to go get it, and install it on the System.
I can batch process AV files of most types/CODEC's, and convert to DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio and at 29.97 FPS (I am in NTSC land). So far, 99% of the resultant converted files have been perfect, whether from DivX, WMV, MPEG-2, or almost any other format/CODEC. If there is any OOS, my experience has been that it will be static, so I just have to adjust the sync offset by a few frames, and that takes care of things.
In a few instances, the PAR flag has been missed (Standard 4:3 vs Widescreen 16:9), but Interpret Footage has solved those few issues.
Only oddity that I have observed (mostly with DivX, or WMV's) is that occasionally, PrPro cannot get the file's Duration correct. I found that if I Import those problem files into PrElements, and then just do an Export, to the same exact specs., that resulting file (seems to be 100% identical, but something has to be different - maybe in the header info?) Imports perfectly into PrPro. This happens rarely, and I have the workaround, though it is one more step for those. I have yet to figure out why one very similar file will convert with the Duration info perfect, and then a companion file will not. Nor have I figured out exactly what is different, after running through PrE. Every theory that I have developed has been shot down by my experiences. A mystery still.
AME works well for most, as a converter, though there are just CODEC's, that Adobe programs do not like, such as DivX and Xvid. I doubt that any Adobe program will handle those suckers easily, if at all.
Good luck,
Hunt

What are best practices for managing my iphone from both work and home computers?

What are best practices for managing my iphone from both work and home computers?

Sync iPod/iPad/iPhone with two computers
Although it isn't possible to sync an Apple device with two different libraries it is possible to sync with the same logical library from multiple computers. Each library has an internal ID and when iTunes connects to your iPod/iPad/iPhone it compares the local ID with the one the device normally syncs with. If they are the same you can go ahead and sync...
I have my library cloned to a small 1Tb USB drive which I can take between home & work. At either location I use SyncToy 2.1 to update the local copy with the external drive. Mac users should be able to find similar tools. I can open either of the local libraries or the one on the external drive and update the media content of my iPhone. The slight exception is Photos which normally connects to a specific folder on a specific machine, although that can easily be remapped to the current library if you create a "Photos" folder inside the iTunes Media folder so that syncing the iTunes folders keeps this up to date as well. I periodically sweep my library for new files & orphans withiTunes Folder Watch just in case I make changes at one location but then overwrite the library with a newer copy from the other. Again Mac users should be able to find similar tools.
As long as your media is organised within an iTunes Music or Tunes Media folder, in turn held inside the main iTunes folder that has your library files (whether or not you let iTunes keep the media folder organised) each library can access items at the same relative path from the library folder so the library can be at different drives/paths on different machines. This solution ensures I always have adequate backups of my library and I can update my devices whenever I can connect to the same build of iTunes.
When working with an iPhone earlier builds of iTunes would remove any file not physically present in the local library, even if there was an entry for it, making manual management practically redundant on the iPhone. This behaviour has been changed but it will still only permit manual management with a library that has the correct internal ID. If you don't want to sync your library between machines on a regular basis just copy the iTunes Library.itl file from the current "home" machine to any other you want to use, then clean out the library entires and import the local content you have on that box.
tt2

What is the best free app for viewing adobe flash videos

what is the best free app for viewing adobe flash videos?

Lanny wrote:
Flash is free ?
But the original question said best and free, Flash maybe free but is hardly best.

Best practices for setting up projects

We recently adopted using Captivate for our WBT modules.
As a former Flash and Director user, I can say it’s
fast and does some great things. Doesn’t play so nice with
others on different occasions, but I’m learning. This forum
has been a great source for search and read on specific topics.
I’m trying to understand best practices for using this
product. We’ve had some problems with file size and
incorporating audio and video into our projects. Fortunately, the
forum has helped a lot with that. What I haven’t found a lot
of information on is good or better ways to set up individual
files, use multiple files and publish projects. We’ve decided
to go the route of putting standalones on our Intranet. My gut says
yuck, but for our situation I have yet to find a better way.
My question for discussion, then is: what are some best
practices for setting up individual files, using multiple files and
publishing projects? Any references or input on this would be
appreciated.

Hi,
Here are some of my suggestions:
1) Set up a style guide for all your standard slides. Eg.
Title slide, Index slide, chapter slide, end slide, screen capture,
non-screen capture, quizzes etc. This makes life a lot easier.
2) Create your own buttons and captions. The standard ones
are pretty ordinary, and it's hard to get a slick looking style
happening with the standard captions. They are pretty easy to
create (search for add print button to learn how to create
buttons). There should instructions on how to customise captions
somewhere on this forum. Customising means that you can also use
words, symbols, colours unique to your organisation.
3) Google elearning providers. Most use captivate and will
allow you to open samples or temporarily view selected modules.
This will give you great insight on what not to do and some good
ideas on what works well.
4) Timings: Using the above research, I got others to
complete the sample modules to get a feel for timings. The results
were clear, 10 mins good, 15 mins okay, 20 mins kind of okay, 30
mins bad, bad, bad. It's truly better to have a learner complete
2-3 short modules in 30 mins than one big monster. The other
benefit is that shorter files equal smaller size.
5) Narration: It's best to narrate each slide individually
(particularly for screen capture slides). You are more likely to
get it right on the first take, it's easier to edit and you don't
have to re-record the whole thing if you need to update it in
future. To get a slicker effect, use at least two voices: one male,
one female and use slightly different accents.
6) Screen capture slides: If you are recording filling out
long window based databse pages where the compulsory fields are
marked (eg. with a red asterisk) - you don't need to show how to
fill out every field. It's much easier for the learner (and you) to
show how to fill out the first few fields, then fade the screen
capture out, fade the end of the form in with the instructions on
what to do next. This will reduce your file size. In one of my
forms, this meant the removal of about 18 slides!
7) Auto captions: they are verbose (eg. 'Click on Print
Button' instead of 'Click Print'; 'Select the Print Preview item'
instead of 'Select Print Preview'). You have to edit them.
8) PC training syntax: Buttons and hyperlinks should normally
be 'click'; selections from drop down boxes or file lists are
normally 'select': Captivate sometimes mixes them up. Instructions
should always be written in the correct order: eg. Good: Click
'File', Select 'Print Preview'; Bad: Select 'Print Preview' from
the 'File Menu'. Button names, hyperlinks, selections are normally
written in bold
9) Instruction syntax: should always be written in an active
voice: eg. 'Click Options to open the printer menu' instead of
'When the Options button is clicked on, the printer menu will open'
10) Break all modules into chapters. Frame each chapter with
a chapter slide. It's also a good idea to show the Index page
before each chapter slide with a progress indicator (I use an
animated arrow to flash next to the name of the next chapter), I
use a start button rather a 'next' button for the start of each
chapter. You should always have a module overview with the purpose
of the course and a summary slide which states what was covered and
they have complete the module.
11) Put a transparent click button somewhere on each slide.
Set the properties of the click box to take the learner back to the
start of the current chapter by pressing F2. This allows them to
jump back to the start of their chapter at any time. You can also
do a similar thing on the index pages which jumps them to another
chapter.
12) Recording video capture: best to do it at normal speed
and be concious of where your mouse is. Minimise your clicks. Most
people (until they start working with captivate) are sloppy with
their mouse and you end up with lots of unnecessarily slides that
you have to delete out. The speed will default to how you recorded
it and this will reduce the amount of time you spend on changing
timings.
13) Captions: My rule of thumb is minimum of 4 seconds - and
longer depending on the amount of words. Eg. Click 'Print Preview'
is 4 seconds, a paragraph is longer. If you creating knowledge
based modules, make the timing long (eg. 2-3 minutes) and put in a
next button so that the learner can click when they are ready.
Also, narration means the slides will normally be slightly longer.
14) Be creative: Capitvate is desk bound. There are some
learners that just don't respond no matter how interactive
Captivate can be. Incorporate non-captivate and desk free
activities. Eg. As part of our OHS module, there is an activity
where the learner has to print off the floor plan, and then wander
around the floor marking on th emap key items such as: fire exits;
first aid kit, broom and mop cupboard, stationary cupboard, etc.
Good luck!

Best Practices for Export

I have recently begun working with a few AIC-encoded home movie files in FCPX. My goal is to compress them using h.264 for viewing on computer screens. I had a few questions about the best practices for exporting these files, as I haven't worked with editing software in quite some time.
1) Is it always recommended that I encode my video in the same resolution as its source? For example, some of my video was shot at 1440x1080, which I can only assume is anamorphic. I originally tried to export at 1920x1080 but then changed my mind as I assumed the 1440x1080 would just stretch naturally. Does this sound right?
2) FCPX is telling me that a few of my files are in 1080i. I'd like to encode them in 1080p as it tends to look better on computer screens. In FCPX, is it as simple as dragging my interlaced footage into a progressive timline and then exporting? I've heard about checking the "de-interlace" box under clip settings and then doubling the framerate but that seemed to make my video look worse.
3) I've heard that it might be better practice to export my projects as master files and then encode h.264 in Compressor. Is there any truth to this? Might it be better for the interlaced to progressive conversion as well?
Any assistance is greatly appreciated.

1) yes. 1440 will display ax 1920.
2) put everything in a 1080p project.
3) Compressor will give you more options for control. The h264 from FCP is a very high data rate and makes large files.

Best Practices for Implementing Cryptographic VPN

With Marcin Latosiewicz
Welcome to the Cisco Support Community Ask the Expert conversation. This is an opportunity to learn and ask questions about implementing cryptographic VPN and how to prepare it for the future with expert Marcin Latosiewicz.
Marcin will share his best practices for implementing cryptographic VPN as well as advise those customers who are looking to build a new or update their existing setups how to maximize their potential. Additionally, Marcin will provide insight into which technologies could be applicable for new deployments and exciting new technologies that will be available in the next few months.
Marcin Latosiewicz is a customer support engineer at the Cisco® Technical Assistance Center in Belgium, with more than 6 years of experience with Cisco Security products and technologies including IPsec, VPN, internetworking appliances, network and system security, Internet services, and Cisco networking equipment. Prior to joining Cisco, he operated, administered, and ran UNIX and Microsoft networks for 14 years. Latosiewicz holds bachelors and masters degrees in engineering from Warsaw University of Technology. He also holds CCIE® certification in Security (No. 25784) and CCDP® certification.
Remember to use the rating system to let Marcin know if you've received an adequate response.
Because of the volume expected during this event, Marcin might not be able to answer every question. Remember that you can continue the conversation in the Security community, subcommunity, VPN, shortly after the event. This event lasts through September 20, 2013. Visit this forum often to view responses to your questions and those of other Cisco Support Community members.

Jouni,
Good question. And answer is complex, there is in depth and there is in depth.
Most people would be satisfied by reading a summary of all the different components - encryption, hashing, signing, PKI, how IPsec and SSL/TLS work. This group also counts most of security CCIEs.
To this extent CCIE Security Study Guide (by Henry Benjamin) was a good read, if a bit outdated today.
Most people who are in depth will look first into specification.
RFC 4301 (IPsec architecture)
RFC 2246 (TLS 1.0)
Are a good start and contain references to other documents worth reading.
This is where the good folks will base their knowledge of off.
The really in depth people will look into the math behind it and will conquer topics like
Elliptic Curve Crypto ( http://en.wikipedia.org/wiki/Elliptic_curve_cryptography ) and difference between CCM, GCM and CCB, to which you have really good materials published by universities.
There are relatively a few who know this.
To start with I can suggest:
- http://www.cl.cam.ac.uk/~rja14/book.html (Ross' Anderson book is free, informative and suprisngly entertaining, this is a definitely a must-read for security/VPN).
- Have a look at books recommended by Richard Bejtlich or Bruce Scheiner - while they might not be VPN specific it's a good security read most of the time.
I'll have a look at the books at home see which one can be interesting to read, and edit this post.
M.

Best Practice for SRST deployment at a remote site

What is the best practice for a SRST deployment at a remote site? Should a separate router such as a 3800 series be deployed for telephony in addition to another router to be deployed for Data? Is there a need for 2 different devices?

Hi Brian,
This is typically done all on one ISR Router at the remote site :)There are two flavors of SRST. Here is the feature comparison;
SRST Fallback
This feature enables routers to provide call-handling support for Cisco Unified IP phones if they lose connection to remote primary, secondary, or tertiary Cisco Unified Communications Manager installations or if the WAN connection is down. When Cisco Unified SRST functionality is provided by Cisco Unified CME, provisioning of phones is automatic and most Cisco Unified CME features are available to the phones during periods of fallback, including hunt-groups, call park and access to Cisco Unity voice messaging services using SCCP protocol. The benefit is that Cisco Unified Communications Manager users will gain access to more features during fallback ****without any additional licensing costs.
Comparison of Cisco Unified SRST and
Cisco Unified CME in SRST Fallback Mode
Cisco Unified CME in SRST Fallback Mode
â¢ First supported with Cisco Unified CME 4.0: Cisco IOS Software 12.4(9)T
â¢ IP phones re-home to Cisco Unified CME if Cisco Unified Communications Manager fails. CME in SRST allows IP phones to access some advanced Cisco Unified CME telephony features not supported in traditional SRST
â¢ Support for up to 240 phones
â¢ No support for Cisco VG248 48-Port Analog Phone Gateway registration during fallback
â¢ Lack of support for alias command
â¢ Support for Cisco UnityÂ® unified messaging at remote sites (Distributed Exchange or Domino)
â¢ Support for features such as Pickup Groups, Hunt Groups, Basic Automatic Call Distributor (BACD), Call Park, softkey templates, and paging
â¢ Support for Cisco IP Communicator 2.0 with Cisco Unified Video Advantage 2.0 on same computer
â¢ No support for secure voice in SRST mode
â¢ More complex configuration required
â¢ Support for digital signal processor (DSP)-based hardware conferencing
â¢ E-911 support with per-phone emergency response location (ERL) assignment for IP phones (Cisco Unified CME 4.1 only)
Cisco Unified SRST
â¢ Supported since Cisco Unified SRST 2.0 with Cisco IOS Software 12.2(8)T5
â¢ IP phones re-home to SRST router if Cisco Unified Communications Manager fails. SRST allows IP phones to have basic telephony features
â¢ Support for up to 720 phones
â¢ Support for Cisco VG248 registration during fallback
â¢ Support for alias command
â¢ Lack of support for features such as Pickup Groups, Hunt Groups, Call Park, and BACD
â¢ No support for Cisco IP Communicator 2.0 with Cisco Unified Video Advantage 2.0
â¢ Support for secure voice during SRST fallback
â¢ Simple, one-time configuration for SRST fallback service
â¢ No per-phone emergency response location (ERL) assignment for SCCP Phones (E911 is a new feature supported in SRST 4.1)
http://www.cisco.com/en/US/prod/collateral/voicesw/ps6788/vcallcon/ps2169/prod_qas0900aecd8028d113.html
These SRST hardware based restrictions are very similar to the number of supported phones with CME. Here is the actual breakdown;
Cisco 880 SRST Series Integrated Services Router
Up to 4 phones
Cisco 1861 Integrated Services Router
Up to 8 phones
Cisco 2801 Integrated Services Router
Up to 25 phones
Cisco 2811 Integrated Services Router
Up to 35 phones
Cisco 2821 Integrated Services Router
Up to 50 phones
Cisco 2851 Integrated Services Router
Up to 100 phones
Cisco 3825 Integrated Services Router
Up to 350 phones
Cisco CatalystÂ® 6500 Series Communications Media Module (CMM)
Up to 480 phones
Cisco 3845 Integrated Services Router
Up to 730 phones
*The number of phones supported by SRST have been changed to multiples of 5 starting with Cisco IOS Software Release 12.4(15)T3.
From this excellent doc;
http://www.cisco.com/en/US/prod/collateral/voicesw/ps6788/vcallcon/ps2169/data_sheet_c78-485221.html
Hope this helps!
Rob

Best Practice for Conversion Workflow

Hello,
I'm converting video files from our "home grown" virtual media reserve to iTunes U. Some of the files are in RM format, some are already compressed .mov's (not H.264) and some I have the original DV files for.
Anyone out there have a best practice for converting these file types for posting to iTunes U? I have Final Cut Studio (Compressor), QT Pro and Squeeze available to me.
Any experience you have with this would be helpful.
Thanks,
Jeana

For converting old files to a podcast compatible video and based on the machine you have, consider elgato turbo.264. It is a fairly priced "co-processor" for video conversion. It is comprised of an application and a small USB device with a encoder chip in it. In my experience, it is the fastest way to create podcast video files. The amount of time that you will save will pay for the device quickly (about $100). Plus it does batch conversion of any video that your system currently plays through QuickTime. it has all the necessary presets and you can create your own. It has a few minor limitations such as not supporting (at this moment) enhanced podcasting features such as chapter markers and closed-captions but since you have old files for conversion, that won't matter.
For creating new content, the workflow varies a lot. Since you mention MP3s, I guess you are also interested in audio files. I would stick with GarageBand, especially if you are a beginner plus it supports enhanced podcasts.
In any case the most important goal is to have the simplest and fastest way to go from recording to publication. The less editing the better. To attain that, the best methods will require the largest investments. For example, for video production the best way is to produce the content live so when you finish recording it is only a matter of encoding and publishing. that will require the use of a video switcher that can ingest at least one video camera and a computer output to properly capture presentation material. That's the minimum. there are several devices that can do this for you. Some are disguised PCs and some connect to a PC for tapeless recording. You can check the Tricaster, which I like but wish it was a Mac and not a Windows Xp PC. Other routes may include video mixers from manufacturers like Edirol, Pansonic or Sony connected to a VTR or directly to a Mac for direct-ti-disc capture. I f you look at some of the content available in iTunes U, you will see what I explain here. This workflow requires preparation and sufficient live support but you will have your material ready for delivery almost immediately after the recorded event. No editing required. Finally, the most intensive workflow is to record everything separately and edit it later, which is extremely time consuming.

Best practice for server configuration for iTunes U

Hello all, I'm completely new to iTunes U, never heard of this until now and we have zero documentation on how to set it up. I was given the task to look at best practice for setting up the server for iTunes U, and I need your help.
*My first question*: Can anyone explains to me how iTunes U works in general? My brief understanding is that you design/setup a welcome page for your school with sub categories like programs/courses, and within that you have things like lecture audio/video files and students can download/view them on iTunes. So where are these files hosted? Is it on your own server or is it on Apple's server? Where & how do you manage the content?
*2nd question:* We have two Xserve(s) sitting in our server room ready to roll, my question is what is the best method to configure them so it meets our need of "high availability in active/active mode, load balancing, and server scaling". Originally I was thinking about using a 3rd party load balancing device to meet these needs, but I was told there is no budget for it so this is not going to happen. I know there is IP Failover but one server has to sit in standby mode which is a waste. So the most likely scenario is to setup DNS round robin and put both xserves in active/active. My question now is (this maybe related to question 1), say that all the content data like audio/video files are stored by us, (We are going to link a portion of our SAN space to Xserve for storage), if we are going with DNS round robin and put the 2 servers in Active/Active mode, can both servers access a common shared network space? or is this not possible and each server must have its own storage space? And therefore I must use something like RSYNC to make sure contents on both servers are identical? Should I use XSAN or is RSYNC good enough?
Since I have no experience with iTunes U whatsoever, I hope you understand my questions, any advice and suggestion are most welcome, thanks!

Raja Kondar wrote:
wht is the Best Practice for having server pool i.e
1) having a single large serverpool consisting of "n" number of guest vm
2) having a multiple small serverpool consisting of less of number of guest vm I prefer option 1, as this gives me the greatest amount of resources available. I don't have to worry about resources in smaller pools. It also means there are more resources across the pool for HA purposes. Not sure if this is Official Best Practice, but it is a simpler configuration.
Keep in mind that a server pool should probably have up to 20 servers in it: OCFS2 starts to strain after that.

Best Practices for zVM/SLES10/zDB2 environment for dialog instances.

Hi, I am a zSeries system programmer who has just completed an IBM led Proof of Concept which demonstrated the viability of running SAP instances on SUSE SLES10 Linux booted in zVM guests and accessing zDB2 data via hipersockets. Before we build a Linux infrastructure using the 62 IFLs we just procured, we are wondering if any best practices for this environment have been developed as an OSS note or something else by SAP.    Below you will find an email which was sent and responded to by IBM and Novell on these topics...
"As you may know, Home Depot has embarked on an IBM led proof of concept using SUSE SLES10 running in zVM guests on IBM zSeries hardware to host SAP server instances. The Home Depot IT organization is currently in the midst of a large scale push to modernize our merchandising and people systems on SAP platforms. The zVM/SUSE/SAP POC is part of that effort, as is a parallel POC of an Intel Blade/Red Hat/SAP platform. For our production financial systems we now use a pSeries/AIX/SAP platform.
      So far in the zVM/SUSE/SAP POC, we have been able to create four zVM LPARS on IBM z9 hardware, create twelve zVM guests on those LPARS, boot SLES10 in those guests, install and run SAP instances in those guests using hipersockets for access to our DB2 SAP databases running on zOS, and direct user workloads to the SAP instances with good results. We have also successfully developed cloning scripts that have made it possible to create new SLES10 instances, configured and ready for SAP installs, in about 10 seconds using FLASHCOPY and IBM DASD.
      I am writing in the hope that you can direct us to technical resources at IBM/Novell/SAP who may be able to field a few questions that have arisen. In our discussions about optimization of the zVM/SUSE/SAP platform, we wondered if any wisdom about the appropriateness of and support for using zVM capabilities to virtualize SAP has ever been developed or any best practices drafted. Attached you will find an IBM Redbook and a PowerPoint presentation which describes the use of the zVM discontiguous shared segments and the zVM named saved system features for the sharing of reentrant code and other elements of Linux and its applications, thereby conserving storage and disk resources allocated to guest machines.   The specific question of the hour is, can any SAP code be handled similarly? Have specific SAP elements eligible for this treatment been identified?
      I've searched the SUSE Knowledgebase for articles on this topic to no avail. Any similar techniques that might help us reduce the total cost of ownership of a zVM/SUSE/SAP platform as we compare it to Intel Blade/Red Hat/SAP and pSeries/AIX/SAP platforms are of great interest as we approach the end of our POC. Can you help?
      Greg McKelvey is a Client I/T Architect at IBM. He found the attached IBM documents and could give a fuller account of our POC. Pat Downs, IBM zSeries IT Architect, has also worked to guide our POC. Akshay Rao, IBM Systems IT Specialist - Linux | Virtualization | SOA, is acting as project manager for the POC. Jim Hawkins is the Home Depot Architect directing the POC. I've CC:ed their email addresses. I am sure they would be pleased to hear from you if there are the likely questions about what the heck I am asking about here. And while writing, I thought of yet another question that I hoping somebody at SAP might weigh in on; are there any performance or operational benefits to using Linux LVM to apportion disk to filesystems vs. using zVM to create appropriately sized minidisks for filesystems without LVM getting involved?"
As you can see, implementation questions need to be resolved. We have heard from Novell that the SLES10 Kernel and other SUSE artifacts can reside in memory and be shared by multiple operating system images. Does SAP support this configuration? Also, has SAP identified SAP components which are eligible for similar treatment? We would like to make sure that any decisions we make about the SAP platforms we are building will be supportable. Any help you can provide will be greatly appreciated. I will supply the documents referenced above if they are not known to any answerer. Thanks, Al Brasher 770-433-8211 x11895 [email protected]

Hello AL ,
first, let me welcome you on board, I am sure you won't be disapointed with your choice to run SAP on ZOS.
as for your questions,
it wan't easy to find them in this long post , so i suggest you take the time to write a short summary that contains a very short list of questions.
as for answers.
here are a few usefull sources of information :
1. the sap on db2 for Z/os sdn page :
SAP on DB2 for z/OS
in it you can find 2 relevant docs :
a. best practices for ...
b. database administration for db2 udb for z/os .
this second publication is excellent , apart from db2 specific info , it contains information on all the components of the sap on db2 for z/os like zlinux,z/vm and so on ...
2. I can see that you are already familiar with the ibm redbooks , but it seems that you haven't taken the time to get the most out of that resource.
from you post it is clear that you have found one usefull publication , but I know there are several.
3. a few months ago I wrote a short post on a similar subject ,
I'm sure its not exactly what you are looking for at this moment , but its a good start , and with some patience you may be able to get some answers.
here's a link
http://blogs.ittoolbox.com/sap/db2/archives/index-of-free-documentation-on-sap-db2-administration-14245
good luck.
omer brandis.

Best practices for setting up users on a small office network?

Hello,
I am setting up a small office and am wondering what the best practices/steps are to setup/manage the admin, user logins and sharing privileges for the below setup:
Users: 5 users on new iMacs (x3) and upgraded G4s (x2)
Video Editing Suite: Want to connect a new iMac and a Mac Pro, on an open login (multiple users)
All machines are to be able to connect to the network, peripherals and external hard drive. Also, I would like to setup drop boxes as well to easily share files between the computers (I was thinking of using the external harddrive for this).
Thank you,

Hi,
Thanks for your posting.
When you install AD DS in the hub or staging site, disconnect the installed domain controller, and then ship the computer to the remote site, you are disconnecting a viable domain controller from the replication topology.
For more and detail information, please refer to:
Best Practices for Adding Domain Controllers in Remote Sites
http://technet.microsoft.com/en-us/library/cc794962(v=ws.10).aspx
Regards.
Vivian Wang

Best practice for viewing short home videos on AppleTV?

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