Best practices export video with 5.1 surround sound

I've created my first 5.1 FCPX project and would like to play on an Apple TV2 as well as a Windows 7 HTPC running Windows Media Center. I've been trolling this and FCPX discussions and still having much difficulty. I've exported Quicktime movie using ProRes 422, opened in Compressor 4 and verified that file has six channel audio. I seletect target, HD for Apple Devices, Device Apple TV HD and select include 5.1 sound.
Here is the summary for output:
Name: HD for Apple Devices (10 Mbps)
Description: Compatible with Apple TV (2G), iPad, and iPhone/iPod touch with Retina Display
File Extension: m4v
Estimated size: 117.7 MB
Device: Apple TV HD
Frame sync rate: Automatic
Video Encoder
          Width and Height: Automatic
                    Selected: 960 x 720
          Pixel aspect ratio: HD (960x720)
          Crop: None
          Padding: None
          Frame rate: (100% of source)
                    Selected: 29.97
          Frame Controls: Automatically selected: Off
          Codec Type: H.264
          Multi-pass: On, frame reorder: On
          Pixel depth: 24
          Spatial quality: 50
          Min. Spatial quality: 50
          Temporal quality: 50
          Min. temporal quality: 50
          Average data rate: 5 (Mbps)
          Maximum data rate: 14 (Mbps)
Audio Encoder
          Sample Rate: 48.000kHz
          Channels: 2
          Bits Per Sample: 16
          AAC encoder quality: high
          Data rate: 128 Kbps
Include Dolby 5.1 Audio track
Compatible with Mac, PC, iPad, Apple TV (1st gen.), Apple TV (2nd gen.) and iPhone 4,
Resulting m4v file only has 2 channels as seen in get file info and when playing on the ATV2 and HTCP.
What am I missing here?
TIA
DJK

I had the same problem - my findings:
- source has 6 channels --> verified via inspector in Compressor
I create 1 Job (in compressor) with exactly this source:
- one with (a modified) "HD for Appledevices..." giving a *.m4v and "Include 5.1" checked - output is stereo
- one with Quicktime - H.264 + Audio = 5.1 giving a *.mov that does have the 5.1 track
So I consider case #1 as a bug in Compressor 4.02 or the Settings-profile.
Anoying - because I am almost sure it worked in the past!
regards
Hausi

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Video with 5.1 surround sound only shows up as center left and right in FCPX?

When I import a video that already has 5.1 surround sound, the clip will show up in only center left and right, according to the audio meters. Other files with surround sound will sometimes play in only the center and left channel. I know the file has 5.1 surround sound because it plays fine through my home theater and it shows there's 6 channels in video information....It just doesn't play right in Final Cut.

gjg8195 wrote:
When I import a video that already has 5.1 surround sound, the clip will show up in only center left and right, according to the audio meters. Other files with surround sound will sometimes play in only the center and left channel. I know the file has 5.1 surround sound because it plays fine through my home theater and it shows there's 6 channels in video information....It just doesn't play right in Final Cut.
Make sure your Project Audio and Render Properties/Audio Channels are set for Surround:
You then need to define your audio stems in the Inspector based on channel, like this:
-paul.

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Would most of you do something similar? Would you use one SQL statement to retrieve all of the data for display and use logic to avoid printing the redundant part of the data? Or would you have used separate SQL queries, one for each table? Would you have saved the results into something other than an instance of a bean class that represents one record in the RecordSet? Would you have had a bean class with attributes other than Strings - like had a collection attribute to hold the results from the "many" table? The way that I am doing everything just seems so cumbersome and difficult compared to using Struts and JDO before.
Your help/opinion will be greatly appreciated!

Would you use one SQL statement to retrieve all of the data for display Yes.
and use logic to avoid printing the redundant part of the dataNo.
I believe in minimising the number of queries. If it is a simple one-many join on a db table, then one query is better than one + n queries.
However I prefer to store the objects in a bean class with attributes other than strings - ie one object, with a collection attribute to hold the related "many" records.
Does the fact you are not using Struts mean that you have to use scriptlet code? (shudder)
Or are you using JSTL, or other custom tags?
How about tools like Ant? Junit testing?
The way that I am doing everything just seems so cumbersome and difficult
compared to using Struts and JDO before.Anything different takes adjusting to. Sounds like you know what you're doing for the most part. I agree, in terms of best practices what you have described so far sounds like a step backwards from what you were previously doing.
However I wouldn't go complaining about it too loudly, too quickly. If you're new on the block theres nothing like making a pain of yourself, and complaining how backwards the work they have done is to put your new workmates' backs up
Look on it as a challenge. Maybe discuss it quietly with a team leader, to see if they understand how much easier/better/less error prone such approaches can be?
Struts, cumbersome as it can be, definitely has the advantage of pushing you to follow good MVC practice.
Good luck,
evnafets

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Hi all,
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Hi James,
For exporting a multitrack .wav file, you have to start a project with a multichannel audiomaster (3-16 tracks).
Copy and paste your complete edit to the new editsetting.
Now in the audiomixer you can route your audiolayers to the multichannel you like.
(CH1+2 pan to left is channel 1, pan to right is channel 2 and for a stereo track pan to center : channel 1 for left and channel 2 for right.)
Then you export your project to a 3-16 tracks multitrack .wav file.
When you need mono tracks you can import your multitrack .wav file in premiere. Then send it to Audition (edit in Audition) and then adobe will convert the file into mono tracks.
You'll find the mono tracks in your audio capture folder or can premiere search for then by 'reveal in explorer'.
The multi track .wav file has got timecode within the file.
When exporting in QT you can also choose for a multitrack audio file. It also contains your timeline timecode.
.avi or .mp4 video files cannot be exported with more than 5.1 channels of audio
MXF OP1a in XDCAMHD can also be exported with max. 16 channels of audio. It also contains your timeline timecode.
Hopefully you can get further with Premiere Pro with this info.
Succes with it!!
gr. Mano

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Dear All,
I would like to inquire about the best practice to deal with computer and computer account of a departed employee. should be disabled, reset, deleted, or just kept as it is until it is needed by another user?
Regards
hiam
Hiam

Ultimately your needs for their identities and equipment after they leave are what dictate how you should design this policy.
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Best practices export video with 5.1 surround sound

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