Cant import Sony F55 xacv proxy (sub) clips to FCPX

Fcpx won't read the Proxy clips from the SUB folder created on the XDROOT folder from the Sony F55. So I can't import these clips. It is only the 4k clips in the CLIP folder that can be imported. Anybody know why?

For import you sony 4k .mxf files into Final cut pro x , I suggest you choose the Sony Plug-in or a mxf converter. Such as this article. Click.

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Hi Bretacious1,
Check out the LUTs on the Sony Community site: http://community.sony.com/t5/F5-F55/NEW-3D-LUT-s-for-F55-and-F65/m-p/135617#U135617 Those should get you started.
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Imported Sony F55 footage into Premiere and AME is overexposed.

I am importing a series of .mxf files into AME directly into AME in order to save JPG sequences, however, we are encountering an unexpected issue. It looks like it's not properly processing the color space for these source clips and most of the exported frames are clipping or over exposed. Using the Sony RAW Viewer outside of Premiere, the clips look just fine.
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This is not retro-active: it won't fix any clips you've already shot
In some Sony video cameras (including my Hi8 analogue one) you can timecode the tape even after you have shot the footage, without in any way disturbing the footage, as the timecode and date information is contained on a seperate track on the tape.
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I am struggling with the new media management and organizational challenges of FCP X.
Am I the only person in the FCP community who used sub clips? In all the extensive belly aching about the new FCP, I've yet to see anyone list the death of subclips as a dealbreaker.
This leaves me to believe that even in the pre-FCP X world people used a different (better) workflow than the one I used for over a decade.
Tom Wolsky tells me that I'm trying to force the new software to work like the old... Maybe, but I think it's reasonable to expect that an "upgrade" means that the new version of a software will have all the functionality of the software it's replacing with new capabilities added.... What we have, however, are lots of new (and admittedly) very desirable new capabilities with (infuriatingly) many of the capabilities most of us thought were crucial to our editing approaches stripped entirely. Of course there's the promise that "some" of these capabilities will return at some future, unspecified date.
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If I shoot 22 hours of raw footage and hope to mine 90 minutes for the final cut, which has approximately 45 scenes, how should I use these radical new organization features to be able to easily locate my clips?
In the old way, I'd get my Sony PMW-EX3 clips into FCP (not intuitive--another question, when will FCP accept the native SxS files?), then look at each of those master clips and cut those clips into sub clips.
Each subclip would have a unqiue name. And I would create a series of folders for the subclips. Very clean, very organized and when I need a cutaway shot of the dog barking in scene 22, I look at folder 22, open it and there it is... "Dog Barking."
The new FCP X uses Favorites or Keywords... both approaches inferior (in my opinion) to my old workflow... So what am I missing? How is the new way better? Was there a better way before that I was just missing???
And now I'm getting the whiff of an even bigger problem... I haven't encountered it myself but others are finding that once a project exceeds twelve minutes, things become terribly unstable.
Oh, well. Growing pains, I suppose. And people are correct, I can just use FCP 7... but I had such hopes... such hopes....
Dale

Yes, I know FCP X is an upgrade in name only. That's part of Apple's PR headache over this whole debacle. When people launch a program and 10.0 Final Cut Pro X stares them in the face, they are justified to expect that it's a true update (upgrade) of Final Cut Pro. And with Apple overselling the product.... oh, well, it is what it is.
Most of us would have been happy with Final Cut Pro 8, a true 64 bit upgrade of the program that was working for us.
Yes, Favorites and Keywords are similar to Subclips but they are still so tied to the Master Clip.. If I Favorite 10 clips and sort by favorites, I get the Master Clips and have to hit the triangle beside them to see the Favorites. Even if all 10 Favorites are from the same Master Clip, I get ten redundant lines I have to wade through....
The old way was better... One bin with ten uniquely named subclips. Clear and clean....
The new program does not seem informed by anyone who ever made a movie longer than five minutes... and evidently (from all reviews) it wasn't influenced by anyone who considers himself a professional editor. (I do not consider myself a professional editor, just an independent movie maker who writes, directs, acts, edits, etc., and who happily used Final Cut Pro for over a decade.)
I'm hanging around for FCP X 10.1... I've never seen Apple so mishandle a situation... On a much smaller scale, it's Apple's Vista moment....
Thanks for responding...
Dale

Where is the import option for "Start a new clip at each scene break" in iMovie 2013?

I am currently in the process of importing several mini-DV tapes via firewire into iMovie 2013. I have the most recent version of iMovie and am using a Sony Handycam to facilitate the transfer. The problem I am having is that when I hit import, iMovie splits what is supposed to be a single scene into multiple scenes ranging anywhere from a second to 5 minutes. I am left with several scene chunks that I cannot combine into one. I did a little research and found that iMovie is probably deinterlacing my scenes as it mistakes them for multiple scene breaks. In the older iMovie options, all I had to do was to go to "Preferences" -> "Import" -> then deselect "Start a new clip at each scene break". However, this option doesn't appear to be available in iMovie 2013. Is there a way I can force iMovie 2013 to import a single scene from my mini-DV camcorder without breaking it into multiple clips? Thanks!

1st : this is the wrong forum, this is iMovie for ipod/iphone and ipad ( iOS is the OSX mobile Operating System )
2nd : iMovie 11 is the current OSX version. iMovie 06 was the last of its kind, all newer, including iMovie 09 have complete new workflow, so functions of 06 are gone and have replaced with others.
Please go to the correct forum to find specific answers.

I can't view video on imported clips on FCPX, it shows blue instead of image

I can't view video on my imported clips on FCPX, it shows blue instead of image on the clip. I can hear sound but no video. What is the problem. I wish someone can help me on this issue? Thanks.

The camera is Sony Handycam HDR-CX550. I used the internal hard disc to record. I can's use MTS clips if it is recorded on the internal hard disc. I converted clips into MOV, MP4, and Final Cut formats, non of them worked on Final Cut Pro X. I tried to import the same clips on iMovie, it worked but super slow. MOV and MP4 formats used to work for FCPX, the only difference is I recorded the footage with HD 1920x1080.
The clip I imported showed as a blue thing with two rectagle shapes on it. I can hear the sound, but no video. I also imported my old clips with sam format, it worked. I tried a lot of things, no use.
By the way, what is spwecs?

Making sub-clips in a multicam sequence

Hi,
I used two cameras conducting while conducting an interview, and I'd like to be able to make sub-clips of the parts I want to use of my multicam sequence. Is that possible?
Warm regards,
Bob Fischer

I have a similar issue. I have a two camera shoot that I have synched up. I haven't done the multicam edit yet.
It is of a museum exhibit opening gala. So, there is a linear timeline of singers, speakers, singers, speakers.
< Clip One --singers -- singers -- speaker -- speaker -- speaker -- singers -- singers -->
< Clip Two --singers -- singers -- speaker -- speaker -- speaker -- singers -- singers -->
What I need to do is to take the footage - 35 Minutes - and trim it down to 3 minutes. What I need to do is show singers doing one song (multicam) then fade out the audio, bring up b-roll footage and audio, bring back in singers, fade out singers and bring in speakers (singers as backround audio while speaker speaks) and - this important - speakers are part of the two clips that make up the entire multicam sequence.
So, I could multicam everything first and then use that footage as my basis for cutting, adding b-roll and cutting entire speeches, songs, etc.
Or, I could set markers in the original multiclip synched sequence marking the beginnings of each "event" I could use the razor tool and start hacking it up and sliding it around. Then resynch all cut clips from the two sequences and multicam from there.
Is this clear at all?
Thanks.

Breaking a long clip into 'sub-clips'

So, I have a long clip that I've imported from, say a single long shot at an event. I want to break that clip up into what used to be subclips. I want to be able to treat those subclips as if they were clips - I want to be able to give them names, organize them in folders and I want to be able to drag them onto the timeline.
My question is, how does Apple think we should be doing this? The way that I see recommended around the web is:
Select your 'master' clip.
Set In and Out points.
Bring up the keyword editor.
Enter a new keyword for that 'subclip'
Doing this allows you to organize each 'subclip' by the keyword that's assigned to it and, by 'expanding' the master clip in the clip window, you can see the subclips/keywords in that master clip and you can drag them onto the timeline.
There are big issues with this, however.
There is no easy way to organize these subclips. Lets say I make 40 subclips (keywords) from a master clip. I then organize them into folders, 20 per folder, according to how I want them grouped. When I select a folder, I see a list of 20 clips - all named the same ... they are all named after the master clip! I have no way of telling which clip is which without individully exanding each clip! I could go back to the actual master clip by looking at it under the Event and exanding the master clip to see the list of all the 'keywords' - but then I have no way of orgainizing them - they're all just under that master clip.
What I want is not a 'keyword' - which is essentially a reusable identifier, used in this work-around as a single-use identfier - but a way of making parts of a master clip funtionally equivalent to the original master clip. Just because I shot some things in one take - especially with event videography - that doesn't mean I want them grouped together for editing. As far as I can see, there is no way to dissociate these subclips from the original master clip for the purposes of working with them.
This is basic functionality ... so am I missing something? What is the non-workaround way of doing this?
Here is another explanation of the issue by a kindly blogger:
http://fcpxquirks.tumblr.com/post/7122539715/so-far-the-biggest-workflow-problem -in-final-cut-10-0
Thank you!
A

Well, the difference is you can't do anything, like drag to the timeline or scrub, with the names in the library pane, only in the clips pane.
But you're right, that does suggest an improvement over using the folder to reveal the (sub)clips in the clip pane. I could drag the library pane as wide as possible so I can see as much of the 'subclip names'/'keyword collection names' as possible. Then expand the folder I want in the library pane, revealing those names. Then I click on the subclip/keyword I want, which reveals the (sub)clip in the clips pane. I can then drag it to the timeline or scrub it etc there. That's probably also an improvement over expanding the master clip in the clips pane, though still a right hacky pain.
I really don't think that being able to create subclips is an either/or with keywords. They fullfill different needs. Keywords do what they do well, but we still need the ability to create subclips, both from a logical workflow point of view and from a practical point of view, given how inconvenient this hack with keywords is. It should be 5 step process ...
1. You shoot your video, stopping and starting how it suits you at the during the shoot.
2. You import the video.
3. You break it up into clips for editing convenience.
4. You label and group and fine tune those clips with the keywording system.
5. You edit.
The ability to non-hackily do Step 3 is missing in Final Cut Pro X, it seems.

Managing multiple sub clips

I have just migrated from Final Cut Studio to Final Cut Pro X. I am trying to get my head around the workflow of managing clips and sub-clips. I am working on an interview, so I have a master shot which was recorded to tape and lasts an hour or so and is a single clip. I am having problems with the following:
a) I have an audio recording from a portable digital recorder which I need to synchronise to the master clip (it has a poor quality audio track from the camera's microphone). I have connected the digital audio track and removed the camera audio and it is more or less in synch but I can't see how to easily move the audio track in small increments to improve the synch with the interview video. (The automatic synch option failed - the digital audio was first followed by the camera video/audio, so the whole clip was over two hours.)
Any suggestions on how to do this with accuracy?
b) I started making subclips from the master track using keywords but I really want to give a sensible name to each of the subclips and then group them. I see that I can add additional ranges with Command Shift "i" - but if I forget and press just "i", I lose all the marked up ranges! I still have the subclips so I can add them one by one, but this seems very clumsy. Using keywords works okay - but I can't order them unless I name them alphabetically - again, its very clumsy. It seems to me that the developers assumed the clips would be short and probably only one in and out per clip. They must never work with a master shot from tape...
Any suggestions on a better way to do this?
Stephen
Sydney

Hi Karsten - thanks for the suggestions - I still haven't figured out how to move the audio clip by frame (rather than by dragging with the mouse) but it is more or less in-synch now.
I don't like the keywords option - I want proper name for each subclip and bins to put them in. Keywords on top of that would be great - but not instead of. That's how my mind works - a heirarchical structure provides a lot more information than the vagueness of subclips in multiple buckets - how do you know if you have included every subclip in your movie? How can you be sure you havent used the same clip twice? Also, if you delete the last keyword, the subclip vaporises! I have an hour long clip from the tape on the main camera for an interview. If i make a mistake at ANY TIME by pressing just "i" instead of Command "i" all my subclips vaporise - they still appear in the keyword collection but you cannot favourite them, and therefore you cannot name them individually. They are like phantoms!
I found a solution today after 2 hours with Apple support on the line - You can knife up the long clip, create new compound clips and give them a new name. Then you can use keywords to organise them - this is your only choice because you can't put clips in a folder. Its not ideal - if you knife in the wrong place you can't roll back the edit like you could with a subclip in the old Final Cut Pro.
I don't think the Final Cut Pro X development team use the product - there are so many problems related to assumptions they have made about the original material that it is very difficult to figure out how to use this software for a serious project. If you have lots of short clips then perhaps it makes sense - but if the keyword has to substitute for the name of the clip it becomes very unwieldy...
I recorded an interview - so every sub-clip has to tell me what the interviewee is saying. And then I want to organise the clips in a hierarchical system (I'm a computer programmer by trade). I want one copy of each clip in an order which makes sense to me. No extras! No multiple copies. Keywords is MUCH too vague...
Its not a professional's program any more. Every edit is now destructive - nothing goes to trash in 10.1.1 it just vaporises, and unless you remember to take a copy of your library before you start editing, if you delete something important you have to start again from the beginning. With a library of nearly 400Gb for this project, taking a copy is a big deal! I wonder if its the iMovie team who developed this software? If I hadn't thrown out my old software I would go back to the old version immediately.
This is a fiasco on the scale of the Apple Maps disaster... I hope they sort this out soon!

Timecode in the media browser - Sony F55 Xavc

Working in of PP CC with footage from the Sony F55 (4k Xavc codec) and timecode is not available in the media browser. The only work aounrd is to import ALL of the footage in the project. Any ideas on how to see timecode in the media browser so as to avoid import of masive amounts of footage?

That's where I'm trying to change them. It doesn't allow for anything other than "XDCAM-HD", which doesn't have any timecode columns (it does have duration, but that doesn't help me at all). Even if I change it something to like "AVCHD", which does have Start Timecode, it defaults right back to XDCAM-HD.

Cant import Sony F55 xacv proxy (sub) clips to FCPX

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