Clean downconversion from DVC-Pro HD to NTSC for Broadcast

We just shot some PSAs for the local DirecTV channel with the HVX200. We edited the footage in Final Cut and everything looked good. Then we downconverted the footage in Final Cut to NTSC and outputted it to DVCam. When we played it back on a TV monitor, it looked blurry and faded.
How do we maintain that clean HD look when we downconvert our footage for broadcast?
Most of the other programs shot on HD and then subsequently downconverted all have that clean professional look. Am I missing something?
Thanks.
BTW, we shot 720P24PN straight into the P2 cards.

Most of the other programs shot on HD and then subsequently downconverted all have that clean professional look. Am I missing something?
I would hazard a guess that most of these "other programs" are not using a bundled piece of software to up/down/cross-convert their HD video.
Look into hardware conversion.

Similar Messages

  • Transfer vision from DVC PRO 50 to XDCAM for Final Cut Express

    Hi there friends....
    I would like to transfer vision from DVC PRO 50 to XDCAM 700.
    Can you please advise the best/quickest method.
    Regards

    Hi Flore
    This a huge debate. There are very few advantages to the new AVCHD camera's and the vgery long list of negative aspects of AVCHD camera's outweighs any usefulness of them. They are designed for Grandad to pick up and shoot good quality pictures and not for editing.
    I have posted below the wiki address for AVCHD, please read the page. It is very important you do read it. It explains in depth about AVCHD.
    I feel the is no real place for the hard drive based AVCHD camera. There is a place for a mini-dv tape based camera.
    Life will be very hard if you go the Hard-drive camera route. Stay with tape.
    Tape is cheap, hardy and easy to move around. Hard drives not so!!!
    Take some time to read the following wikipedia page...PLEASE READ THIS PAGE!!!
    http://en.wikipedia.org/wiki/AVCHD
    You will see that AVCHD is not all the bee's knee's.
    I personally hope it dies an extremly painful agonising drawnout death.
    AVCHD has no place in the professional domain.
    Justin... Durban.. South Africa

  • Upconverting from DVC Pro HD to a 10-bit codec

    Hi,
    I'm working on a project that has been edited in DVC Pro HD (720p). There are a lot of layered effects and color adjustments. We want to move the project to a 10-bit codec for final rendering and mastering.
    What is the best way to make this transition?
    Is it better to use the Media Manager to make a recompressed copy of the project, change the codec in the Sequence Settings and force a rerender, or simply export a quicktime movie with a 10-bit codec? (will simply exporting re-render the effects in 10-bit color space?)
    We're using FCP 5.1.4 and a Kona LHe card on a MacPro Quad G5

    dwburman wrote:
    We're using FCP 5.1.4 and a Kona LHe card on a MacPro Quad G5
    What do you mean by final rendering and mastering? I ask because I'd argue that the benefits of going 10-bit (vs 8-bit, in most cases) only apply to smoother gradients and intensive color correction (where you're aggressively altering color balance, recoloring shots or greatly adjusting contrast). If all that has already been done, I'm not sure that I, personally, see the benefit in what you're looking to do.
    Also, since you're working with FCP 5.1.4 - and cannot go ProRes422 - can you afford the extra hard drive space and drain on your resources? Correct me if I'm wrong, but your only choice would be to go from DVCProHD to 10-Bit Uncompressed. Which means files, what, about 4-5x larger?
    All those doubts aside - meaning you have the drive space available and have yet to do color correction - I'd use Media Manager to create a new project using only the media referenced and, as mentioned by ap_TonyTony, use FCP to render out in 10-bit.
    If you're also looking to uprez the material (going up to 1080p, for instance) then I'd dump those new clips into Compressor, crank up the Frame Controls and let the machine churn out files for the next 3 days. Once that's done, I'd go into your fresh Media Manager-created project and do a manual reconnect to your 1080p stuff.
    Or am I totally lost on what you're attempting to do?

  • Capture from DVC Pro AJ-D250

    I am a rookie user. Have a FCP HD ver 4.5. Can control the DVC Pro deck (AJ-D250) via firewire. When trying to capture get a large black box with an error message at the bottom saying, "Waiting for Timecode. Device must be in VTR mode when capturing."
    Any ideas as to what I'm doing wrong?
    Have the capture settings on Firewire and DV NTSC.

    Thanks for the reply. I tried FireWire Basic in the Device Control selection with no luck.
    In the Capture/Input window there are no selections for any DVCPRO NTSC decks, only DV NTSC and DVCPRO HD decks.
    I'm wondering if I need to use a third party interface to utilize the DVCPRO AJ-D250.

  • CAPTURING FROM DVC PRO INTO iMOVIE

    I am feeding a DVC pro deck with SDI out into the firewire port on my new mac. I can see the video in imovie capture window, but cannot actually capture footage (either by selecting import or hitting the space bar). No clips are captured.
    I have rebooted the mac but still can't capture video. Since I can see video in the imove capture window, I can assume that the source (dvc pro) is not the problem.
    Any help would be appreciated.

    iMovie 11 is well worth the cost. Get it for $14.99 in the new App Store.
    In iMovie 11, you need to get a free app called MPEG Streamclip. You need to have it anyway. It is like a Swiss Army Knife for people who make videos. Right-click on the clip in iMovie. Select Reveal in Finder. Drag this clip to MPEG Streamclip. Move the playhead to the frame you want, and click FILE/EXPORT FRAME. Pick Jpeg, TIFF, or PNG and you are done.
    In iMovie 08, the above procedure works fine as well. However, there is another way, which I have documented [here|http://discussions.apple.com/thread.jspa?threadID=2255510]

  • Converting DVC PRO HD to NTSC 720x486

    Help
    I shot my project in DVC PRO HD 720p24 and I want to transfer it to a 720 x 486. What is the best way? I have to export to a QT so is it best to crop it or can I keep the image as is and let it just letterboxed. If the second option is better how do we go about doing so? Thanks for any help in advance.
    Guy

    Create a new sequence, either 8-bit Uncompressed SD or 10-bit Uncompressed SD.
    Drop your DVCProHD sequence into the new sequence. It should automatically scale and letterbox.
    If you're happy with letterbox, you're done. If you want to crop the left & right, simply adjust the scale setting.

  • CMYK image in a PDF is involuntarily converted to RGB when you send from Acrobat Pro DC to Photoshop for editing

    Hi,
    When I send a CMYK image from Adobe Acrobat Pro DC to Photoshop CC 2014 to be edited, it opens up as RGB in Photoshop CC 2014. If I do the same with Adobe Acrobat XI on another machine, the image opens as CMYK, as it should normally do. As we had created the print-ready PDF in the first place, we know that the image is definitely CMYK and is properly opened in Photoshop if we use Adoba Acrobat Pro XI. We of course can go back to the original document and edit the linked image and re-export a new PDF. But on many occasions we need to do last minute corrections on images by editing them externally in Photoshop.
    Best,
    Refik Telhan

    It's really necessary to know by which program you had created the PDF.
    Here comes a test PDF for questions like yours, created by InDesign:
    http://docs-hoffmann.de/riptest05072013.pdf
    Different images:
    sRGB, pRGB=ProphotoRGB, CMYK , all with individually embedded profile,
    Grayscales: without embedded profiles, because InDesign doesn't embed gray profiles,
    Lab: without profile, because Lab is automatically detected and not ambiguuos.
    Of course, using so many different images in one PDF is useful only for tests.
    An actual test:
    Touch Up Object Grayscale and edit in Photoshop. There is no embedded profile
    but the image is in PS detected as Grayscale. One has to assign a profile.
    Re-imported in the doc, it is a Grayscale JPEG*, before it was a Grayscale ZIP.
    In Acrobat 8 one can check the actual content of a PDF by
    Advanced > Print Production > Preflight
    In newer versions this is still available but somewhere else.
    I'm using version 8, because I uninstalled X on purpose.
    Best regards --Gernot Hoffmann
    *Edited:
    As far as I remember, there is no special code for Grayscale JPEGs, it's just a JPEG
    with zeros in the Cb Cr channels ... like an R=G=B gray image.

  • Exporting from Premiere Pro.  Takes forever for Media Encoder to start.

    When I exported a timeline out of PrePro to the Media Encoder and press "Start Queue" it took it over 19 minutes before it began rendering.  Is this normal?

    Morning all
    Fair point John.
    Webshark2000, the orignal poster of this topic, has got Vista 64bit, so he can make use of the more memory.
    I understand that memory use for  CS4 is:
    Premiere -  2gigs
    Encore - 2gigs
    Media Encoder - 1 gig
    + Windows and other apps you may have running!
    So if you don't have around 5 - 6 gigs ram, Windows will be doing ALOT of paging! Thus slowing the system and render times down.
    64Bit and tons of ram -  is the way forward. It rocks with it!
    Hope that helps - Shaun

  • Premiere Pro Metadata & iXML/BEXT for Broadcast WAV files

    Hi.
    For feature film workflows, we depend greatly on the iXML and BEXT chunk in broadcast wave files.
    As far as I can see, the XMP metadata "engine" (don't know of a better word) doesn't "see" the iXML and BEXT chunk in broadcast wave files.
    Is there a particular workflow/workaround where the iXML and BEXT metadata show up in the "Metadata" tab in Premiere Pro.
    Thanks!

    mrmr450 wrote:
    I see, thanks for the response.
    I know there is a plug-in that allows FLAC files to be played in iTunes, so I'm wondering if there is some kind of 3rd party app that could solve this WAV metadata issue?
    I have never heard of such a plug-in, and kind of doubt there is one, but perhaps a search would turn something up.
    By the way, iTunes does not "lose" the tag data, it just fails to display or do anything with it. The tag data is still there if you use that same WAV file in another program.
    Or am I just running into a brick wall here?
    Maybe.
    The more typical way to use WAV files is to embed the relevant information into the filename, which is always available. In iTunes, for any file which it thinks has no tags, the exact filename is displayed in the Name field.

  • Capturing DVC Pro with firewire

    Having some trouble, hope someone has a solution. I am trying to capture footage from DVC Pro 25 into FCP using firewire. FCP 5 does not support DVC Pro 25 anymore, not since ver.3, but I was wondering if there was a way to adjust the capture and sequence settings to make my own setting that would do it right. I have played with the settings a lot and I continue to lose audio sync. It looks good until about 5 min and then progressively loses sync so that at a 25 minute end of a clip the audio is as much as two seconds out of sync.
    I am using a Panasonic AJ-D250 and the firewire card is the AJ-YAD250.
    MacG5   Mac OS X (10.4.6)   FCP Studio, DVC Pro Deck

    As the deck controller (in this case, Final Cut Pro) is cueing up the deck for the 'edit' (in this case, a capture), the controller signals the deck as to what frame/field it's on and the deck responds. This happens with a certain frequency (every so many fields/frames), and the capstans in the deck adjust the speed of the tape so the tape is playing the proper frame when the controller tells the recorder (in this case, FCP) to start recording.
    FCP5 changed the number of polls the controller made with the deck, effectively doubling the polling. Most decks respond to this very nicely. Pannys don't, so tech support wrote a plug that returns the polling to what existed in FCP4.
    As I said, I don't know if this has any effect when you're controlling the deck via FW. But, if you'll Email me at the address in my Profile, I'll send the plug to you. It's a zipped text file that you'll unzip and drop into /Library/Application Support/Final Cut Pro System Support/Plugins folder.
    I'm doubtful that it will resolve the sync problem you're having, but you're welcome to it.

  • How to transfer movie from MacBook Pro to iPad ?

    How to transfer movie from MacBook Pro to iPad ?

    For transferring videos you could use 'Video Transfer App'. I'm the developer of this universal application (iPhone/iPad) that let's you transfer videos from your iPad or computer directly to another iPhone or iPad.
    The app is currently in the Top 25 iPad apps in the photography category.
    Here are couple of videos that show how the app works:
    http://www.phototransferapp.com/ipad.html
    I hope you find it useful.

  • Exporting from Premiere Pro into Story

    Can the metadata etc be exported from Premiere Pro into Story.
    For example in the process of roughing out a documentary idea I'm shooting clips and making subclips in bins and developing sequences in this rough style.  It would be useful to document this in Adobe Story if such an interface exists thanks...
    Many thanks

    The closest I can find is here:
    http://helpx.adobe.com/story/help/workflow-movies-script.html
    Seems like there is a semi-manual solotion ... has anyone used this reverse workflow in anger I wonder and can describe their experience, the results and the potential?

  • New document about sequence presets and codecs missing from Premiere Pro

    If you're having problems with sequence presets and codecs missing from Premiere Pro, see this document for solutions for this activation issue.
    This document relates to the following problems:
    - missing sequence presets when creating a new sequence
    - Encore error: "Encore will not launch in non-royalty bearing mode. The application needs to be serialized with a royalty bearing serial number."
    - When opening a project in Premiere Pro: "Error Adobe Premiere Pro: This project contained a sequence that could not be opened. No sequence preview preset file or codec could be associated with this sequence type."
    - When importing footage, the footage is missing audio or video.
    These failures are all because Premiere Pro and Encore use some codecs that require activation before they can be used. If activation of these codecs has failed, these codecs will not be available to use.

    Well done.

  • 35mm, DigiBeta or DVC Pro HD (1080/60i)???

    Looking for some guidance .......
    we edited a short file that was originally shot on 16mm, but the filmmaker decided to transfer it to DV cam for some unknown reason. We logged and captured with a DV deck and naturally assumed that the final output would be DV cam again. But now the filmmaker advised that it is needs be in either 35mm, DigiBeta or DVC Pro HD (1080/60i) for their screening.
    We know already that 35mm is crazy expensive. How would go about Digibeta or DVC Pro HD? Can we rent a deck? Any idea how much? Or is it better to burn to DV tape and do an outside transfer? If you need futher details, please feel free to email me at [email protected] or aol IM at paknyc
    Thanks,
    joeyngloria

    well of course that's the cheapest and easiest way to go but you shot FILM! It deserves much better treatment that a DVCam xfer.... but if ya don't have the $$$$ then that's another story.

  • Why I cannot export Video from my Premiere CS6 to my DVC PRO AJ-D455?

    I am trying to export video from my Premiere CS6 to my DVC PRO AJ-D455 I can only capture the video but not export, why?

    1st, go to that forum http://forums.adobe.com/community/premiere?view=discussions
    2nd, provide LOTS more information when you get there... PPro Information FAQ http://forums.adobe.com/message/4200840
    3rd, read these previous discussions
    Export to Tape http://forums.adobe.com/message/4699448
    Hardware MPE must be OFF to be able to export via Firewire
    http://forums.adobe.com/thread/902499
    http://forums.adobe.com/thread/880824
    Last, The PPro/Encore tutorial list in message #3 http://forums.adobe.com/message/2276578 may also help, with more help in message #5

Maybe you are looking for

  • Unable to install soa suite 10.1.3.1.0 in windows XP

    hello when i install SOA Suite10.1.3.1.0 in my windows XP, Configuration Assistant "Oracle Web Services Manager Configuration Assistant" failed, the following is the log: install.configApps.setUpLogging: [copy] Copying 1 file to D:\Oracle\10.1.3.1\Or

  • Does 10.6.8 support HP Photosmart D7260

    My iMac recently stopped working with my HP Photosmart D7260 printer.  (Cannot honestly remember if this was linked to a software upgrade, but is definitely not linked to the initial upgrade to Mac OS X 10.6.8 which was loaded a long time ago.) The p

  • Forgot Password for J2EE_Admin     An error occurred in the persistence. The or

    I need your help!! I forgot password for j2ee_admin and need to enter the Visual Administrator I do not like change, achieved with the user enter SAP* to UME but will not let me change it. When I try to change the key, I get the following error An er

  • Question about standalone apps

    Hi enerybody, i am interested in developing standalone apps in the Java lang and would like toknow which IDE should i use SUN ONE STUDIO 5 SE, JAVABEANS or ECLIPSE 2.1 I know that this has been asked a lot but please i really need to know because i a

  • Start Buffering Without Autoplay

    Hello, I'm trying to get my video player to start buffering without also auto-playing. Basically, I want the player to start buffering the video asap, so that, hopefully, by the time they hit the play button, it's buffered enough for them to start wa