Codec from after effects and transcoding in encore

Hi
I am new to encore
that are my questions:
1. with witch compression should I send a mov to encore
(it is dv pal material with a lot of psd images witch is prepaired in after effects)
with dv pal (I guess not), with none ? or with photoJpg75 ?
2. inside of encore: witch are the best transcoding adjustments for the best possible quality (5 minutes project and a 40 minutes project)
thanks for answering
I am using cs3

Converting from A to B means either a lossy conversion or a significant increase in storage requirements (up to 5x with DV as the starting point). You are best served with keeping conversions to a minimum.
> cause this compressor doesn't like images
What is that based on?
> in several forums I have red that "automatik" inside of encore does often not work properly
This is in contradiction with the general feelings on this forum.

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Problems exporting Animation codec from After Effects CS3 to FCP

Hi,
I wonder if anybody can help: I am having troubles with video transfer from After effects CS3 to FCP 6
my workflow is to edit and export in FCP as quicktime movie - work on the clip in AE and then export as Animation/best quality/Millions of colors+. The footage is SD Pal 1024 x 576.
the problem is that the files don't seem to play back properly in quicktime - very jagged and lots of ghosting. I assume this is due to the memory heavy features of the codec.
However any file over 10 seconds will not be imported into FCP natively and a message reads final cut pro does not support this file type.
I overcame this by opening the clip in quicktime and then exporting again with exactly the same settings - this then reads in FCP - although this seems over the top
I now want to work with a 10 min finished comp in FCP but when I try to do this it picks up the ghosting that had appeared when playback in quicktime. However when rendered/ exported from the FCP timeline it retains the ghosting
in short I can burn a successful DVD of the footage as is from AE but it is not suitable to FCP.
I have tried exporting the clip in quicktime as quicktime DV pal but this retains the ghosting. Is this a hard ware problem or is my work flow wrong?
thanks
Paul

Converting from A to B means either a lossy conversion or a significant increase in storage requirements (up to 5x with DV as the starting point). You are best served with keeping conversions to a minimum.
> cause this compressor doesn't like images
What is that based on?
> in several forums I have red that "automatik" inside of encore does often not work properly
This is in contradiction with the general feelings on this forum.

Importing from After Effects and Adobe Premiere Pro

This question was posted in response to the following article: http://help.adobe.com/en_US/aftereffects/cs/using/WS3878526689cb91655866c1103906c6dea-7f47 a.html

I don't think anybody is going to answer the question at this point... but WHAT are you supposed to do when the current version of AE informs you that it can't convert the file and you should "use an older version of AE and resave" to do it?? 1, I don't have the older version, those files were created almost a decade ago, and 2, what good would it do to "resave" it with the SAME older version??

Blurry comp from After Effects to Premiere

Hello,
I did a simple logo as a 3D object to spin and have some text flash by. I encoded it and imported it to Prem Pro. The problem is the logo and text look blurry when I hit play. Is there a rule of thumb for export settings etc etc. Thanks for the help.

Suggestions -
1. Use Dynamic lik instead of exporting from after effects and then impoting in premiere pro if you have production premium or master collection.
2. If you are exporting for the purpose of importing in another application (premiere pro or Encore) you should chose to export in uncompressed format like uncompressed avi. So that you dont loose quality twicw that is once while export from after effect and then while export from premiere pro.

What are the best setting to export video from after effects to get the best video quality ?

Hi
I am editing a raw time lapse in after effects and also some short video clips I would like to export them from after effects and upload them online afterwards but i get a bit lost in exporting settings and formats and mbps..
What are the best settings to export a video and get best quality(high) in full hd 1080 ? in 4k ? and what would be the best setting to export animations/logo/intro and get best quality ?
Thank you very much.

Thanks for reply !
I used until now quicktime in H264 codec was that OK ?
two more questions :
what are the export settings for 4k files for web/you tube ?
to play on my PC using windows media player or Quicktime player and getting the best quality ?
Thanks in advance.

After Effects and Final Cut Express

Hey,
Is it possible to export a project from After Effects into Final Cut Express? I just want to make sure before I get it.
That's all, thanks,
Leroy

You can export a QuickTime movie from After Effects and use it in FCE. AE projects will not open in FCE.

Exporting Motion Graphics and animation from After Effects CS5

I find that exporting from After Effects is problematic when using a ramp or working with anything that has a gradient of some kind. Always banding and artifacts.
Any insight into how to achieve good result with projects such as this?
Thx in advance.

I find that exporting from After Effects is problematic when using a ramp or working with anything that has a gradient of some kind.
...then don't! Sorry, but this is the same old thing: Simple computational math dictates that between points A and B only so many discrete color levels can exist in 8bit color and that any distance beyond 1024 pixels will result in duplicate pixels of the same colors to be adjacent, commonly referred to as banding. Or in other words: You are looking to fix a thing that can't really be fixed, even more so when compression reduces the available color range further. Yes, you can use all sorts of tricks like adding noise or adjusting gamma to minimize this, but it will never go away. The ugly harsh truth is, that it all starts with a flawed design approach and any of that is merely trying to fix things at the wrong and. As I said in my initial sentence, don't use gradients that cover such large distances along just one axis or uniformely colored areas. Ad structure by adding more gradients perpendicular/ at an angle to the main gradient, use subtle color variations, add vignetting or generally use "busy" designs that have more elements or textures that would allow to forego large uniform areas....
Mylenium

Menu from After Effects to Encore has a black screen in between

I created a menu in Encore that I sent to After Effects to animate.
All is good except when I import the After Effects animated menu to Encore to link to the Encore menu a black screen appears.
How can I achieve a seamless transition?
I hope someone there knows the answer as it is driving me bonkers.
Thanks

...problem is, this error occurs when I have ONLY After Effects open. No other applications. I even shut down AE before using PP.
I could see how if there was slow import speed or freezing/crashing that this would be a processing or memory issue. I even have a processor/RAM monitor widget that doesn't show a lot going on during the composition importing/copy&pasting.
But in the process, I either get:
- a new premiere project (via dynamic link) that's blank
- a composition that will import but not open in a timeline
- copied layers from AE that are basically blank ("media disconnected" even though the media works in AE)
I'm going to take a look at a few things once I get back to my PC. Maybe I don't have some settings right.
Thanks for your help, Dave.
Anyone else have any ideas?

Audio Troubles wiz after effect composition file throught encore.

So i run the CS3 master collection. Got a server dual core xeon 3ghz,4GB of ram and a 7800 GT Geforce video card.
My trouble started when i wanted to make a commercial DVD for some customers.
Been creating and editing videos assets, animated menus in after effects(i kept low setting to be sure i would have enought ram memory to run it then in encore. Until there everything was fine.
The nightmare started when i had to compile all of this in Encore.
The DVD by itself including menus, transitions and video footage are supposed to be 2.9 GB once the asset are transcoded (DVD is not even full).
Now it took me an insane amount of time before i could render some preview version of it. After running computer all nite long, finally get it burn, but keep on being freezed for long time when it came to get files transcoded in the building process.
Anyway after getting dvd burned, went to check on it and some part of the dvd, (video assets mainly) had missing soundtrack, or get soundtrack from transition assets.
So now i am extremly frustrated and ********* at Adobe, don t know what to do. Even think that Adobe Dynamic Link is the biggest joke ever... Can t even run after effects and encore together... So when they said on the CS3 master collection box that requirement needed is 1 to 2 GB of ram, i cannot beleive it.
For now the CS3 master collection might work on the paper but not on my computer...
Anyway if anyone would have the same audio problems and found a solution to it plz share it. It would save me from angry customers...
Cheers.
Arno.

So tried to render the project by taking off one RAM stick from the computer (renaming my after effects files and redoing my encore composition also with an other name) and did work (still did it with vista business as the OS tho, because I ve seen Neil's post to late and already format the computer , couldn't be bother to redo it to put an xp version :p ).
Cheers for that.
By the way I did READ the system requirements and they say : "Microsoft windows xp with sp2 OR windows vista home premium, BUSINESS, ultimate, or enterprise"... after I reckon they also say "certified for 32-bits editions" but if it not 100% certified for 64-bits edition why do they put Vista business on it ???
It's also right on the box : "more RAM recommended when running multiple components". Anyway I m not a computer specialist, and obviously differents setting must work better than others. Also, I won't take my computer retailer advice for granted anymore because they tried to make me buy heaps of components to run it when finally it wasn't a matter of boosting the computer...
Anyway thanks you all for your support, it's been precious, really appreciate it, I am now an happy Adobe customer again :)
PS: To come back at my initial sound troubles, it vanished when I renamed my After effects compo and redo my encore project.
Cheers,
Arno.

CS5 After Effects and Premiere Pro

I am using CS5 After Effects and Premiere Pro with footage from a Canon 5D Mark III. Shooting/editing 1080p 24 (or at least their version of it). What are the best render settings/codecs to use to export from AE for import into Premiere Pro other than the animation codec or Pro Res? I dont have Pro Res and the animation codec is great but the file size slows down the app. Thx in advance.
Or a few resources to explain the whole codec/export/bitrate/etc issue once and for all for different situations wether it be brodcast or internet or simply burning a dvd to play on a HD TV. It is almost like this is some kind of secret no one will tell...LOL...i cant find a difinitive answer anywhere.

As is stated above there are Production codecs which can be lossless, nearly lossless, and at higher bit depth. Production Codecs include Uncompressed (huge files but fast do decode and will not playback in real time) Editing Codecs like Black Magic, Avid, ProRez, and others that are smaller, can still be lossless, may support alpha channels and higher bit depths, and Archival Codecs like Microcosm, JPEG2000, PNG, which support alpha channels, are lossless, and on some systems, will playback in real time.
Editing codecs are specifically designed to be played back in a NLE. These are good choices for a Premiere Pro / AE workflow. So are Archival Codecs. If your project involves a lot of sharing of files between users and apps, then pick a format common to everyone that is at the highest bit depth your storage system can accommodate.
There are also image sequence formats. These include PSD sequences, TGA, TIFF, PNG and others. Some support higher bit depth (32bit Float). Image Sequences work great, have advantages when it comes to correcting just a few frames here and there, and are used to a great extent in professional production pipelines. They are much more flexible than video but they have a distinct disadvantage when it comes to keeping track of the files and keeping things organized.
Then there are delivery codecs. These are designed for playback. They are not suitable for production because delivery codecs use GOP compression, are limited to low bit depth, and are not lossless. IOW, if you render to a delivery codec, then you process and render again to the same codec the artifacts start to build up. H.264 for example, after just 2 or 3 passes, even at very high quality settings, falls completely apart.
Consumer and ProSumer cameras use delivery codecs for image capture. Your Cannon 5D does. This is OK, and it's the only option you've got with some cameras, but the best workflow for these types of capture systems is to transcode the footage to a production codec before you do anything. Production codecs will render faster because it takes less time to decode the footage for processing. You should never render AVCHD or MPEG footage back to the same codec. Always use a production codec until you're project is ready to archive and deliver.
One note on ProRez on Windows. This is not a good idea for production. You cannot maintain proRez native 10bit color space. You should not render to ProRez using 3rd party workarounds because you're just building a proRez container for a windows compressed video. Sure, it will playback on a Mac, but the actual image will have lost important detail and color depth.
Let me give my humble opinion on Dynamic Link. This works great for a shot or two in a Premiere Sequence. This works great for working with Audio in Premiere and Audition. This works great for rendering for delivery or even production using the Adobe Media Encoder. Did you note my second sentence? Dynamic link between AE and Premiere Pro for a few shots in a sequence is a good idea and a time saver, but if you're cutting a film that's over a few minutes, each scene should be it's own sequence. If the scene has more than just a few shots that need to be processed in After Effects then using Dynamic Link can easily become a monster you don't want to deal with. The key to efficient post production of an effects laden production is planning. You've got to cut for story first, then produce your effects shots with sufficient handles (extra frames) to allow some fine tuning, then recut the final. Any other workflow on a long project is just wasting time.

Issues with Quicktime in Mavericks. I cant export to quicktime codecs in After Effects Or Premiere

Hi,
I recently updated to OS Mavericks. And in the beginning I really liked the update, but I recently fired up my After Effects CC and Premiere CC to work on some animation videos I had to produce for client. And when I wanted to export my animation. I could not find my Quicktime Codec settings like. H264, Mp4, Apple Pro res or any other quicktime codec. I read some articles on issues with Mavericks/Qucktime and this export problem in After Effects and Premiere. But I could not find a solution. It used to work on 10.8.5!
I tried this... But it did not work ;-(
http://blogs.adobe.com/aftereffects/2013/08/solutions-for-problems-with-quicktim e-files-in-after-effects-cc-12-0-because-of-conflict-with-dvcprohdvideoout-quick time-component.html
I tried to uninstall perian. But did not help at all. They even discontinued the product.
Does anyone else stumbled on this problem? Or maybe has a solution? I thought of downgrading to 10.8.5 But that is not ideal because I don't have a Time machine Backup from that period or earlier. And otherwise I have to collect all my data, emails, pictures etc. I seriously could use some help!

After uninstalling and reinstalling the entire Adobe CC suite and all QuickTime components I was still dead in the water. I then tried another User account on my computer and AE and AME worked perfectly with fast startup and all QT/H.264 components in place. This established the problem was in my main User directory...
After some backing up, I deleted all Adobe and com.Adobe.whatever files from User/Library/Preferences and then restarted the computer. I then copied all Adobe and com.Adobe.whatever files from the other user folder and restarted and found that After Effects and Adobe Media Encoder were working perfectly:
https://www.dropbox.com/s/lfd3k8au6exfxqb/yes.mov
YES!!

16:9 video sides cut off when exported from After Effects

When I export a 16:9 video from After Effects, the sides are cut off in the exported clip. I've tried different export settings and and my composition settings are correct, from what I can tell. Does anyone know why this could be happening?
Thanks!

and my composition settings are correct, from what I can tell.
But are they really? We cannot know, because you don't say anything about your exact render settings and comp settings, which is what is required here. You could be using an unsuitable CoDec or even crop your output inadvertently by using a specific output module setting....
Mylenium

Color in .mov file from After Effects CS6

Scrren shot of how my animation looks in After Effects CS6 (on the left), vs. how it looks when rendered to a .mov file. (on the right). See how washed-out the colors look?
I am on a Mac, latest software versions and OSX.7.4. The source material is in RGB mode, Color Setting is Adobe RGB 1998, which is my wRGB working space. Color settings are synchronized across the entire suite. In the AE project settings, I see that color management is turned on and we are indeed in the Adobe RGB 1998 color space.
Possibly export settings, because I do not know thing one about those!
Thanks,
--Carol Gunn
Gunn Graphics
Austin, TX

Read this FAQ: What is the best format for rendering and exporting from After Effects?
Then I would suggest trying a different codec. When you send your comp to the Render Queue it says lossless next ot the Output Module Settings, that means that it's using After Effect's defualt lossless settings, which uses a codec called Animation. Animation is an ancient codec that delivers huge files and it isn't used so much in production anymore. If you click on lossless the Output Module Settings screen will come up where you can change the format of your render and you can change the codec by hitting the Format Options button.
I've seen that washed out issue before with the Animation codec and just did some tests. I also played with the Color Management settings using the Animation codec by going to the upper right hand tab in the Output Module Settings menu. That seemed to have no effect on the final look of the render. A quicktime render with the Apple ProRes 422 (HQ) codec seems to match the AE screenshot almost identically.
Unfortunately, you can't get the ProRes codecs without having either Final Cut Pro installed or Apple Motion. I think it's possible to buy them from the Apple website. However, there are other lossless codecs you can try such as Uncompressed YUV 10bit or 8bit, but I just did a test and I got a much darker render than the ProRes renders and the screenshot. Judge for yourself what's best...
If you want ot know more, here's an FAQ on the basics of rendering and exporting in AE...
http://help.adobe.com/en_US/aftereffects/cs/using/WS3878526689cb91655866c1103a4f2dff7-79f4 a.html#WS3878526689cb91655866c1103a4f2dff7-79f1a

Sound problem with exporting from After Effects

Hello everybody,
I exported a windows media video from premiere cs5 (it was shot with the cannon 7d).
The video has 1 video channel, 1 audio channel that contains a conversation, and another audio channel that contains only music.
After I exported it, I imported the video into After Effects cs5, I added some effects, and then I exported it as a windows media video.
The audio settings were:
Mode- music
codec- windows meida audio voice 9
audio format- 20kbps, 22.05 khz, mono
Even though the video from Premiere was flawless, the one from After Effects contains the conversation perfectly, but the music is very low and even erratic.
Did anybody experienced this problem?

AE doesn't deal with multiple channels. It always assumes that a file with 2 channels is stereo. You need to export the audio from Premiere separately or create a proper stereo mix, not throw two interleaved mono channels at AE...
Mylenium

Exporting from After Effects to Final Cut Pro

Hi
Could anybody tell me the best way to export from After Effects, back in to Final Cut Pro? Do I need to get Automatic Duck for this, if so which one?
Thanks for any help!
Matt

You need to add your composition to the render cue and then export to the same format and codec that you're using in FCP. Automatic Duck is a great tool for getting your FCP or Motion timelines into After Effects but most of the time I simply select a clip in FCP, export it as a reference movie, bring it into AE for processing, then render a file to use as a replacement in FCP.
Search for After Effects Final Cut Workflow and you'll find some more tips including this one. It isn't bad for organization but it misses the point of using the same codec. All my FCP projects are ProRez HQ or ProREZ 444 so that's my choice. Also, if you use the entire shot, which is not a bad idea, then you can use the replace footage option in FCP which is more efficient than the demoed technique of dragging your rendered shot into the timeline and then trimming if needed.
Hope this helps.

Codec from after effects and transcoding in encore

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