Convert any picture to vector graphic

How do i convert in freehand lets say jpeg or any ohter
picture format to vector graphic so i can scale it freely?
I have been trying to find answer from internet but there is
just too much information.
I would need this information on making logos to bigger size.
Thank you for your answers

567murmeli567 wrote:
> How do i convert in freehand lets say jpeg or any ohter
picture format to
> vector graphic so i can scale it freely?
If you have a sharp, high resolution image you may be able to
trace it with
FreeHand's trace tool. Give it a try, experimenting with
settings.
If you don't have a high resolution image, then you will have
to manually
trace it. Put the image on its own layer, lock the layer, and
draw with FH
drawing tools.
Judy Arndt

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Export a PDF and convert the vector-graphics to pixel-graphics

Hey,
i want to export a PDF out of indesign CS3 and convert all vector-graphics to pixel-graphics.
Is there any solution, maybe a plugin, to do this?
Thanks!!!!

You could apply a transparency effect to your vector objects that doesn't effect their appearance and make a flattener preset which forces everything to rasters—then export a flattened PDF using that preset. Why do need rasters?

How do I convert a bitmap/jpg type image to vector graphics/editable outline?

Corel Draw 5 did this very nicely but it's obsolete and I can't load it onto this machine (HP all-in-one Pavilion desktop with Windows 8).
I am working with hand-drawn images but since I need to manipulate the outline/s with a 4 - 12 pixel tool, it would be great to just be editing nodes instead. Creating the image from scratch as a vector graphic would be a horrible large amount of work and is not feasible at this time.
Is there any way other than Corel Draw 5 to make the conversion from bitmap-type images to editable vector graphics, ie: editable nodes?
Thanks.
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For occasional conversions, did you consider 'online bitmap to vector' conversions ? Do a Google search for that.
For more advanced and free solution, consider inkscape. It's a real vector drawing tool and can convert bitmaps.

Tracing a .gif file to convert to a Vector graphic in Photoshop CS5 Extended

I have been on Photoshop CS3 for a couple of years, and now at work they upgraded to CS5 Extended. I am having some small problem finding some things I used to do a lot. I really need to take a bitmap, JPEG, or .gif file and "trace" it and make it into a scalable vector graphic. This used to be easy with Live Trace in CS3. But now on CS5, Live Trace seems to be nowhere to be found.
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I think Live trace is in Illustrator, not Photoshop.
(I still use Freehand. )
Edit: Snap!

How do you prevent Acrobat PDFMaker from rasterizing vector graphics?

I am using the "Create PDF" button (provided by the Acrobat PDFMaker in Acrobat X) to create a PDF from a Microsoft Word 2010 document.
This works fine, except that vector graphics in the Word document appear in the resulting PDF as raster graphics. (That is, when I zoom in, document text outside the graphics appears smooth, but the graphics are blocky; and text inside the graphics that should be retained as text - it's not converted to curves - is just pixels.)
The original artwork for the vector graphics is in CorelDRAW X6 (sorry, Adobe!).
I have exported the following files from the original vector drawing in CorelDRAW:
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I can insert any of these files into Word okay (Insert > Picture), but the resulting PDF always contains a rasterized (bitmapped) version of the vector graphic ("line art").
From memory, this didn't use to happen in my previous working environment (Acrobat 8 Pro with Word 2003, using artwork exported from CorelDRAW 12).
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Transparency Flattening is being invoked.
From the Create PDF button, select Properties, what is your setting for Default Settings? Select High Quality Print

Loading vector graphics at runtime

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I'd like to know if there is any way or any vector graphic file format that i can load dynamically at runtime on a web-based flash application.
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thanks in advance.
Greg

Hi All,
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Replacing bitmap text with vector graphic text

In a layout for an ebook I have some important black and white bitmap illustrations in tiff., 300 dpi. These have appeared ok on print, but on screen, reading the same pdf-file, they´re unacceptable, especially some texts in fontsize 5-6 pt are unclear. People tell me I have to convert the drawings, or at least the texts, to vector graphics.
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You are right, there are no layers, some geometric shapes with texts in and around. It´s possible to mark or lassoe the bits of text, since spaces were made in the figures for the texts. And then delete them, and then insert new ones. That will be in another layer, I guess, but from that point I don´t know what to do :-)

Reduce file size vector graphics

When it comes to imported vector graphics are there any methods to decrease the swf's file size as much as possible?
So far I have:
- imported an illustrator ai file (strokes 'expanded' in illustrator and unneeded swatches/brushes etc. deleted and with no raster images embedded)
- exported the file in illustrator as swf and imported that swf into flash
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I rather use vector as much as possible. For a banner for examle, I've imported vector images of trees. I couldn't get it below 40 kb so I exported all illustrator files to png files which helped. Can detailed vector images be optimized just as much? Or is it better to use bitmap files when it comes to more detailed graphics? Does it matter if it is a vector images made in flash or a imported vector file even if both have the same number of paths?
Any other ideas I might try besides the things I've already tried?

There is a certain threshold when a bitmap can actually be smaller than a detailed vector graphic. Especially when working on small image sizes, bitmaps can often be quite smaller.
For a vector graphic, you can't do more than reducing the number of vertexes which may result in a poorer graphic.
With bitmaps, you can do a lot more:
Keep in mind that bitmaps with an alpha channel use up much more memory than bitmaps without alpha information. So try to reach your goal without using transparent bitmaps - which seems hard in the beginning, but as Flash provides different blending modes, you can, for example use the blending mode "multiply" for a black logo on a white background with just a grayscale bitmap instead of a bitmap with alpha channel information.
The same is valid for a white logo on a black background: Use the "add" blending mode instead, then.
I have also written some Photoshop Plugins to reduce the alpha-channel bit-resolution which sometimes gives me the extra 3-4kb I needed. Instead of using 256 shades of alpha, it reduces them to maybe 8 or 16. Alpha-Channels are comressed like GIF/PNG images inside of flash, so having as few different shades of alpha as possible will make images smaller. I even use dithering sometimes for softer alpha areas.
In some rare cases, you can also gain some bytes if you convert text to vector graphics (pressing CTRL-B twice), but this only works when there's not much text at all. That's because the metric information for text glyphs take up a bit more space then just the shapes. So you can imagine that this may only work if there is just one text element with all different letters. So you won't get much size reduction by converting "abracadabra". But you will get some reduction if you convert "the quick brown fox jumps" into shapes.
This all can help if you have restrictions like 30kb or even 20kb to create a full animated flash banner.

Using a vector graphic for a button

Adobe Photoshop, Illustrator, and Encore CS5, everything is patched, Windows 7 64-bit
I have been reading various posts, and either not seeing or not understanding something about using a vector graphic as a button on a menu.
I drew a one-color shape in Illustrator, saved it as EPS and PNG and used it in a menu designed in Photoshop. When I preview it in Encore or burn a DVD, the graphic looks awful. And I'd like to use highlighting with it so it changes color when selected but that is another problem....
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The behavior is fine. The graphic moves to indicate which menu item is selected, the text is constant, never changes.
In Photoshop, the graphic looks fine but when I preview it in Encore it looks crappy and pixelated. What do I do?

Part of the problem is I have no idea what some of these terms mean ... "2-bit indexed", ... The first one might mean an object that has one color,
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The latter includes "(Technically, the subpicture overlay is a two‑bit indexed image.)," but you don't need to understand the technical meaning (they don't explain it anyway). You do need to understand the liimitations they explain there, For example, under "solid colors only," they say "Elements on these layers must use solid colors and sharp edges. Use one solid color per layer. Do not use gradients, feathering, or anti-aliasing on the subpicture layers. Color gradations are not possible in subpictures."
"sub-picture highlight" ... the second one is probably made up.
Heh, heh. Searching that in Encore help (which I often find lacking) finds the page on Button Subpictures. I agree that some of the terms, whether they are from the DVD specs or Sonic's applications (on which Encore is based), can make it difficult to look things up.
"vector layer".... I searched Photoshop help for "vector layer" and got nothing. There is such a thing as a vector mask on a layer but I have no clue what a vector layer is.
You're correct - vector mask. Within a button group, the vector mask will be part of a layer, so I think of it as the button group "vector mask" layer. That's part of why I pointed to using a library menu and editing in photoshop so you could compare what you have to what a template looks like.
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Jeff Bellune's book (he's a moderator here) is still very applicable. While some things have change, the basics haven't.
But, hey, Jeff. Why haven't you updated your book yet? Inquiring minds want to know!

JHeadstart & (Scalable Vector) Graphics - From the AMIS JHeadstart Cookbook

A picture can tell more than a thousand words. Adding meaningful graphics to our web-application can enhance the visual attractiveness s well as the functional effectiveness. Simple, data-drive graphics such as progress indicators, status traffic lights, gauge and speedometer like indicators can all represent data-values in a explicit, obvious way. Charts such as line-graphs, bar-charts and pie-charts facilitate quick interpretation of multiple values and trends.
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In this recipe, we look at the use of SVG technology together with the JHeadstart architecture for incorporating data-driven graphics in our web-application. See: http://www.amis.nl/technology/Cookbook/Recipe%20for%20GeneratingSVGObjects.htm
The Dutch Oracle partner AMIS has a 10-person JHeadstart team, currently involved in 4 JHeadstart-projects in The Netherlands. Their experiences and ideas are compiled in the AMIS JHeadstart Cookbook that is published on the internetsite (http://www.amis.nl) for other JHeadstart developers to share.
I hope the recipes are of use to you.
best regards,
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As a result of reorganizing (and re-providing) our website, some of the URLs stopped working. I apologize for any inconvencience.
The JHeadstart Cookbook can now be found at: http://www.amis.nl/files/technology/Cookbook/AMISJHeadstartCookbook.htm and the Recipe on Generating SVG is located at: http://www.amis.nl/files/technology/Cookbook/RecipeforGeneratingSVGObjects.htm.
Note that the AMIS Demo Application (AMIS Library System) created along with our Cookbook is now shipped as part of JHeadstart 9.0.5.1 to demonstrate the use of Oracle Toplink. This will make it easier for you all to apply our recipes - since you have the ALS application already available when using JHeadstart 9.0.5.1.
best regards,
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Working with labelled vector graphics (CS4)

I've working with a rather large set of simple geometric vectors.
They've all been created in illustrator, but need to be scaled in InDesign and flow with the text.
The only method I've come up with is somewaht convoluted, so I thought I'd share and see if anyone had any suggestions on how I might improve the workflow.
- vector graphic is pasted (not placed) into InDesign and ungrouped
- strokes are converted (manually) to object styles (graphic styles created in illustrator are lost)
- graphis is regrouped and roughly scaled
- labels are added and paragraph styles applied
- labels are grouped with graphic, cut, and "paste into" anched text box
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More complicated graphics will be linked and rescaled in illustrator and relabelled and placed as above.
Is there a better/easier way to do this?
(Maybe CS5 will have a container isolation mode...)

I want to keep the labels out of illustrator, but there are a few graphics with more detail that percentage scaling is the way to go.
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FAQ: Why are my vector graphics (e.g., from Illustrator) jagged or soft?

(For a video version of this frequently asked question and answer, click this link.)
After Effects must convert imported vector graphics to bitmap (raster) graphics. By default, this conversion (called "rasterization") happens once for a layer, and it happens before transformations, like scaling. This means that scaling such a layer up is really scaling a bitmap image, and that can expose jagged pixelation.
You can tell After Effects to rasterize after transformations like scaling, and to do so once per frame, to ensure that each frame is as crisp as possible. Just click the Continuously Rasterize switch for the layer.
This is only an issue for imported vector graphics (from Illustrator, SWF, EPS, and PDF files). Vector graphics created in After Effects, like text and shape layers, are always continuously rasterized.
For more information, see"Continuously rasterize a layer containing vector graphics".

I'm going to answer my own question and then ask another.... Why?
When I open just one PDF document it look great. but when i open two, the second
document always has this fuzziness to the edges. Doesnt matter which documents I open
This is a close up of two documents opened and the windows placed over each other. As hopefully you can see
in this screen capture, the one on the right has a furry edge and looks quite rough. Its the document opened second.
Any ideas?

Vector graphics import, labelling dilema

I'm using Framemaker 10, Autodesk Illustrator Publisher, Inkscape, Windows Vista.
I have imported some CAD illustrations from Autodesk Illustrator into Illustrator Publisher. There I have labelled them.
I have then saved/published them as .svg files.
If I import them directly in to Framemaker, they open with the callouts at a strange angle and 3/4 of the picture missing. Therefore I have to open them in Inkscape, bring the whole picture in to frame and line up the callouts.
Now I import them into Framemaker. The trouble is, the numbering is difficult to predict. The labelling/callouts/numbering always turns what looks to be bold. But the real problem is resizing the illustrations. Because there is no way of predicting the size of the output from Publisher, the illustrations have to be resized in Framemaker. This would be no problem usually as the illustrations are svg (vector graphics) but of course it resizes the labelling/callouts/numbering which makes it look really daft when I have 10 illustrations all with different sized fonts.
What do people in here do? Does anyone else use Vector graphics in their manuals.
I would really appreciate some response on this as I feel I've hit a brick wall here.
Thanks

> I'm using Framemaker 10, Autodesk Illustrator Publisher, Inkscape, Windows Vista.
Is Adobe Illustrator available?
> I have imported some CAD illustrations from Autodesk Illustrator into Illustrator Publisher. There I have labelled them.
Why not label them in Frame? We do, and it has advantages beyond avoiding text rendering and scaling issues, such as being able to re-use the same illustration for multiple purposes with different callouts. We use embedded callouts in our service manuals (the XML engine requires it), and depopulate the callouts (usually just switching off one layer) for re-use of that art in the Frame manuals.
> I have then saved/published them as .svg files.
Let me admit that I have no experience with SVG, due to lack of SVG support across all of our workflow, but we use vector EPS extensively.
> If I import them directly in to Framemaker, they open with the callouts at a strange angle and 3/4 of the picture missing. Therefore I have to open them in Inkscape, bring the whole picture in to frame and line up the callouts.
If SVG has preview/thumbnail embedded images, is there a chance that this is just a preview problem? What happens at print or render to PDF?
> Now I import them into Framemaker. The trouble is, the numbering is difficult to predict. The labelling/callouts/numbering always turns what looks to be bold. But the real problem is resizing the illustrations.
This is one of the downsides of embedded callouts. If the images cannot be pre-sized, either the text will scale arbitrarily, which is ugly, or it won't scale, which is a disaster. More bad news - your stroke weights are scaling too.
> Because there is no way of predicting the size of the output from ...
I would junk any image editor, vector or raster, that didn't provide that basic level of output control.
> Does anyone else use Vector graphics in their manuals?
Yes, sourced from Pro-E, AutoCAD, Adobe Illustrator, Frame and extractions from supplier PDFs of unknown origination. We clean them up in Adobe Illustrator, using specific dimensional extents, and a stroke weight that's acceptable for a limited range of up and down scalings. Callouts are added in Frame, using a self-masking arrow, and a self-masking bubble with a grouped text frame and a paragraph format specific to callout use.

How to print a Proe .drw ( Vector Graphic ) file to a printer.

I am having a drawing model (proe .drw file). I want to print this file to a .tif file using java.The print driver is "Informatik Image Driver 3.20".
.Can some one help me out with the steps involved in this.
I understand .drw file are of type Vector Graphic. How to print it.
I also have a corresponding postscript file generated from the .drw file. Is there a way to print this post scritp file to the printer mentioned above to create .tif.
Any quick help will be deeply appreciated.
The postscript file content as below
%!PS-Adobe-2.0
%%BoundingBox: 0 0 1190 841
%%Creator: Pro/ENGINEER
%%Title: c:/temp/xx.plt
%%CreateDate: 18-Mar-10 17:29:28
%%DocumentFonts: Times-Roman
%%EndComments
%%EndProlog
%%Page: ? 1
%%BeginPageSetup
systemdict /setpagedevice known
<</PageSize[1190 841]>> setpagedevice
} if
%%EndPageSetup
newpath
%90 rotate 0 -11.6929 72 mul translate
/m {moveto} def
/l {lineto} def
/rm {rmoveto} def
/rl {rlineto} def
/slw {setlinewidth} def
/srgb {setrgbcolor} def
/sd {setdash} def
/gs {gsave} def
/f {fill} def
/gr {grestore} def
/s {stroke} def
/np {newpath} def
0 setlinecap
2 setlinejoin
0 0 0 srgb
72 72 scale
s
[] 0 sd
s
[] 0 sd
s
0.02 slw
1.21121 0.393701 m
1.21121 11.2992 l
1.21121 0.393701 m
15.3242 0.393701 l
15.3242 11.2992 l
1.21121 11.2992 m
15.3242 11.2992 l
8.01388 7.69355 m
5.49708 7.69355 2.5168 0 360 arc
14.2189 7.69355 m
10.8812 7.69355 3.33771 0 360 arc
8.03498 5.85547 m
7.69023 5.85547 0.344747 0 360 arc
11.1515 5.53362 m
7.81378 5.53362 3.33771 0 360 arc
3.33558 4.07796 m
7.52551 5.0152 4.29347 192.609 398.596 arc
7.44242 10.0908 m
4.1278 2.50717 8.2764 66.3911 106.456 arc
s
0 0 0 srgb
0 rotate
showpage
---------------------------------------------

I did try google. But could not get a solution. Any idea what is the doc flavor for .drw file.?
Edited by: ekuriakose on Mar 22, 2010 11:47 PM

How do I convert a pdf to vector in illustrator?

how do I convert a pdf to vector in illustrator?

The artwork in the PDF might already be a vector graphic.
If not you need to trace it either automatically or manually

Convert any picture to vector graphic

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