Creating an array of jpg images

hi. i want to create an array of jpg images and wrap them in an arrayCollection which will serve as the dataprovider for a TileList...
the images are located in a "asset" folder within the src folder...tried both actionscript and mx tags and can't figure out how to create an array of images.
thanx.

You need to use ItemRenderers to display images in list based controls.
Here is an example in mxml
<mx:TileList>
        <mx:dataProvider>
            <mx:ArrayCollection>
                <mx:Array>
                    <mx:Object source="assets/image1.jpg"/>
                    <mx:Object source="assets/image2.jpg"/>
                    <mx:Object source="assets/image3.jpg"/>
                </mx:Array>
            </mx:ArrayCollection>
        </mx:dataProvider>
        <mx:itemRenderer>
            <mx:Component>
                <mx:Image source="{data.source}"/>
            </mx:Component>
        </mx:itemRenderer>
    </mx:TileList>    
Check this livedocs page
http://livedocs.adobe.com/flex/3/html/help.html?content=cellrenderer_8.html

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    I can unambiguously and in good faith represent to you that my color management, from capture to print, is as spot-on as anyone with any kind of setup can hope to achieve.  Unequivocally and without qualifications.
    Now, first things first:  Forget about trying to synchronize color management across the point applications lumped together only by Adobe marketing fiat into a variety of meaningless "creative suites".  Concentrate on Photoshop.  Do not try to use Bridge to synchronize anything.
    The "suites" are a totally artificial construct created by Adobe bean counters and marketing types.  The point applications (i.e. the individual programs clumsily bundled together, e.g. Photoshop, Illustrator, InDesign, etc.) are developed independently by separate engineering teams that are not only not in the same building, but in different cities, different states of the American Union, and even in different countries.  They have very little communication among them, if any, as evidenced by repeated posts in these forums by Photoshop engineering staff urging us, the end users, to let the other teams know in their own forums that a given problem exists and is actually affecting our work.
    Enough said about the cause of the problem.  The end result is that Color Management is at very, very different levels of progress and sophistication in each individual point application, with only Photoshop fully entitled to be considered state of the art.
    Secondly, a disclaimer:  I have been hanging on to my CRT monitors and take care of them as Jascha Heifetz used to take care of his Stradivarius.  I don't know what I will do if I manage to outlive the usefulness and accuracy of my CRTs (unlikely at this point).  I have despaired in futile efforts to bring the luminosity of any LCD monitor down to where I would feel comfortable calibrating and profiling it.  I believe my monitors are the foundation of my color management efforts.
    Especially if you have one of the extreme wide-gamut LCD or LED monitors, you'll face an uphill battle. 
    Be careful to avoid any version 4 icc profiles, whether canned or generated by your calibration software.  Stick to version2 icc profiles.  Ask the manufacturer of your calibration software/hardware if in doubt.
    Here are some not-too-recent, but thoroughly representative screen shots of the calibration results I obtain with my monitors, which I calibrate and profile often and regularly (I validate the calibration at least several times per month).
    In a nutshell, my color management practices and settings mirror those described by Bruce Fraser, Jeff Schewe, Andrew Rodney and Gary Ballard's site.  I have learned from all of them.
    My working color space is ProPhoto RGB.  I choose to work with PSD and PSB files.  As a long-time, rabid JPEG hater, I only rarely deal with JPEGs, using them sporadically to illustrate a point in this forum or elsewhere in the web.  My main output consists of prints.
    I only deal with tagged image files (files with an embedded color profile) and often recommend beating up with a baseball bat any moron that hands you an untagged file—figuratively of course, but I find the expression gets my point across unambiguously.
    Following is a screen shot of some of my pertinent settings:
    Note that I have never bought into the "suite" concept myself.  I do have and routinely use Adobe Illustrator 10.x, InDesign 2.x and Acrobat Professional 8.x, but they are all older, independent versions of each point application, licensed at different times.
    Be further advised, that the answer to many problems offered by Adobe engineers often is not to install VersionCue, or uninstall it, or at least disable it.
    Also, as outlined at the beginning of this post, concentrate on Photoshop, not on synchronizing applications that can't really communicate with each other, despite the claims of Adobe marketing hacks to the contrary.
    One big caveat, do not fall into this trap:
    xxxxyyyyz wrote:
    …I believe my problem has nothing to do with my monitor profile, for several reasons, but…
    …It seems extremely unlikely to me that…
    You either want to learn, or you don't.  You either want to solve your problems, or you don't.
    When you start arguing instead of studying, questioning advice instead of following it and detecting where you went wrong, you're on the right track to nowhere.  That attitude will get you there fast.  Remember you are the one with the problem, and only you can acquire the discipline to learn how to solve it.
    Go ahead and ask me anything that is not clear, just don't argue with me please, and don't tell me why you think Fraser, Rodney, Ballard and I are wrong.  You see, I am not experiencing any problem that needs fixing.  I have an interest in helping you, but not in hearing about your speculations, theories or conclusions.
    Good luck.
    Wo Tai Lao Le
    我太老了

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