CS6 Export Settings for Apple Pro Res 422 HQ

My project is 1920 x 1080 (1.0) 23.976 fps, progressive and my special effects guy is asking for the project to be rendered out to Apple Pro Res 422 HQ. I can not find an export setting that offers 23.976 fps and is progressive. I have offered to give him an "XML" file but he is insistant. What can I do?

I believe you will only find this option on a Mac that has ProRes installed from some other application, like QuickTime Pro or Final Cut.

Similar Messages

Exporting AVI to Apple Pro Res 422

I am using Adobe Premiere Pro CS4 4.2.1 and I would like to export my source file (AVI) to Apple Pro Res 422. Is that possible?
If not, which format do I export my video to be used on a Mac running Final Cut Pro. I realize I can export using Quicktime, but then Final Cut Pro would have to render the video. I am hoping to avoid the additional rendering step.

Open the AVI file in MPEG Streamclip, and choose prores 422 as the export option, and see if that works.
Here Is A Link To A Tutorial On How To Do It

Apple Pro Res 422 HQ export... no movie at the end of it

I just let an Apple ProRes 422 (HQ) export go for four hours. At the end, there was no error message. There was also no movie. My sequence settings are for Apple Pro Res 422 (HQ) as well. What happened?

were you doing a file: export: quicktime movie (NOT quicktime conversion) with current settings?
Have you done a search on your hard drives for the file name?
Was your target drive formatted macosextended? Some pc drive formats have a file size limit which might have caused a problem.
You might try doing a short export by marking an in and out in the timeline and see if that works.

Apple pro res 422 file consuming more space than usual

hi everyone!
I've been working with FCP 7 since 2008 and at the same time I started working with Canon T2 from 2 years ago and I haven't had any problems with my FCP workflow files, editing and output used to be H. 264 based files until I started to have problems with my hd DSRL projects. Recently when editing the audio went out of sync and I was suggested to change the Quicktime video settings from FCP 7 to imovie (which is th application I commonly use to create chapters and share to iDVD) this worked perfectly. It was the first time I which I had to change the Quictime Settings to Apple Pro Res 422 The Out of sync problem was resolved but the space consumed by the file was enourmosly ncreased instead. ie. A 5 min project usually would take like a 500 mbs quicktime file and now using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs!! And also the exporting process is taking forever!! For instance I'm working with a 30 min project and the Quicktime conversion never ends. It's taking about 12 hrs and is not taking more than the 20% of the process. Is there something I'm doing wrong? I need help in a extremely urgent way! Thank you all guys! And best regards from Mexico!!
Mac Pro early 2008
Processor 2.8 GHz Quad-Core Intel Xeon
Memory 10 GB 800 MHz DDR2 FB-DIMM
Graphics ATI Radeon HD 2600 XT 256 MB
Software OS X 10.8.4 (12E55)

>using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs
That's about right for a ProRes 422 file. High quality video takes a lot of space. It's sufficient to use the lighter ProRes LT for the footage from your T2 by the way. Your MacPro can also have up to 4 hard drives for plenty of storage.
Why are you using QuickTime Conversion?
Exporting to QuickTime with current settings and self contained is the better way. Then you use Compressor to make your delivery format from that master. Compressor is faster because it can take advantage of multiple cores - FCP doesn't. It will also give you far more control and choice over the encoding.

Export to quicktime audio out of sync Apple Pro Res 422

hello forum!
In a tizz as have an film due tomorrow but when I export to quicktime from final cut 7, the audio is out of sync...
I've scoured the forums and lots of other people seem to have this problem when using H264, however I converted to Apple Pro Res 422 (LT) before pulling files into final cut, plus all of the sequence and final cut settings (as far as I can tell) are already set to Apple Pro Res 422 (LT). I don't understand what I am doing wrong!
nb. the files seem to play okay in VLC

Thanks for your reply David! Indeed my audio is 16 bit 48 kHz and there is no MP3 audio (have a wav music file included).
I just spoke to a techy friend who said the fact it is playing smoothly in VLC indicates the problem is with quicktime and not with the film itself, so I am currently compressing to something smaller and will see how I fare from there!

Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix these?

Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix this?

This is the clip:
This is the sequence:
I know they both should match. Question is, should I re convert the clips in mpeg using different size settings? Or should I change the sequence settings? how?
Thanks A LOT.

If I imported proxy media to edit in fcpx, can I export a hight resolution (apple pro res 422 (hq)) version of the project ?

If I imported proxy media to edit in fcpx, can I export a hight resolution (apple pro res 422 (hq)) version of the project ?

OK, let me re-answer here. You HAVE to have either original or optimized media, you can not have Proxy only media, when using FCPX's inport options. You will switch between which FCPX is using; in 10.1 via the Canvas menu option called "Media", or in 10.0.9 and earily via the Preference's "Playback" settings.
When set to Proxy, FCPX only references that medai, which is 1/4 resolution, and not full quality. When set to Original Or Optimized, you'll get full resolution output, as FCPX is not referencing those files.
The only way to have Proxy only media is to convert it in Compressor and then import that. And that would just be a huge mistake.

Apple Pro Res 422 HQ export - "render at max depth" and "24 bit or 48 bit depth"?

I'm exporting my 90 minute feature for DCP using the Apple Pro Res 422 HQ codec. The film is 1920x1080 and that is what the export will be. We used a variety of cameras (Canon 7D, Sony XR160, GoPro, Blackmagic in HD) for the film.
For the export options:
Do I check "Render at Maximum Depth"?
Which do I choose - 24 bit or 48 bit depth? - one has to be chosen even when "Render at Maximum Depth" is unchecked
When I asked the DCP house, they said that "Render at Maximum Depth doesn't actually do anything when using this codec" and haven't answered the 24 vs. 48 bit question.
This discussion:
https://forums.adobe.com/message/4529886#4529886
says that you "never need to enable the Max Render Quality (MRQ) unless you are exporting in a format/pixel ratio different from your original video."
This discussion:
https://forums.adobe.com/message/5619144#5619144
adds insight into what 24 vs 48 bit depth means, but doesn't answer my specific question
Thanks for your help.

For your reading enjoyment -
http://forums.adobe.com/message/4529886
http://images.apple.com/finalcutpro/docs/Apple_ProRes_White_Paper_October_2012.pdf
A question for you - what is your workflow where you think you might need this? Keep in mind that the majority of cameras only record 8-bit color, and also in a very highly compressed format, so you won't necessarily gain anything by going to 4444, as the source video is of limited quality already.
Basically, if you don't have any high-bit-depth sources in your timeline to preserve the quality of, there may be little or no benefit to enabling "Max Depth".
Thanks
Jeff Pulera
Safe Harbor Computers

Exporting FCE project to Apple Pro Res 422 HQ Quicktime conversion file

Hi Folks,
I have recently tried exporting an FCE project (HD 1080 16:9) as:
1. Quicktime file
2. Quicktime conversion using Apple Pro Res 422 HQ
and noticed that the Pro Res file is 2Gb. larger than the standard Quicktime file.
Does this mean the quality is 2Gb better? (it certainly looks crisp and clear)
Should I be doing this everytime I export from now on?
Any information much appreciated. Regards.

Transcoding your material from one codec to a higher quality codec will not improve the quality of your source material. You are always limited by the quality of the image prior to the transcode.
If you have a pair of shoes you want to store, you can put them is a shoe box, or you can put them in a shipping crate - but neither method will improve the shoes.
The shipping crate will just take up more space.
The only possible advantage of transcoding your AIC sequence from FCE to ProRes would be:
1) you force the need to repeatedly decompress and recompress the file - ProRes will bear this better than AIC
or
2) you plan to use the file in an edit system that supports working directly in Pro Res.
MtD

Apple Pro Res 422 / FCP7 render issues

Hello,
I do a lot of timelapses and have pretty good workflow for all this. However, I am experiencing one issue that makes everything a bit difficult. I appreciate if anybody could help me.
My workflow is:
1. Shoot some stills RAW
2. Develop in Adobe Camera RAW
3. Import stills sequence and render in AfterEffects CS4 to AppleProRes 422
4. Import to FCP7 and edit
5. Grading / color correction
6. Publishing
All works fine, however I am having very often an unpredictable issues with the Apple Pro Res 422 codec under FCP7.
I always render a bunch of sequences from AE using the same settings for all files. The only difference is resolution.
My render settings for exporting from AE are:
- Apple Pro Res 422 wrapped in MOV
- render in 10-bit YUV from RAW 16 bit sequence files
- AE project in 16 bit
- Resolutions of rendered all files around 3500x2500 px, this vary from file to file.
The sequences render fine in AE.
The sequences play properly in QT, I can import them to FCP properly, play in FCP properly. I can drag to timeline, scale, rotate, scrub etc.
However: Some sequences fail to render in FCP7.
When I drag them to my working sequence in timeline (Usually a Full HD 1080p, Pro Res 422, YUV), scale down (usually) and try to render timeline footage (don't mean exporting here yet) I get the following error:
"Codec not found. You may be using a compression type without the corresponding hardware card."
This happens on many computers including iMac, MacbookPro and a Mac Pro.
I discovered that setting the footage size to even width and height figures when exporting from AE eliminates the problem sometimes, but it does not help in all cases.
Also it sometimes help if i take such sequence, crop and export using QT under the same settings, just a few pixels less in size. But again - it helps sometimes.
Can anybody help me with these?
Anybody experiencing similar issues?
Thanks a lot.

I had the same problem when we started to edit on Pro Res timelines. The solution I found was to go the Sequence Settings > Video Processing > and change the Render setting to "Render in 8-bit YUV" that allowed me to actually render the timeline and view my work. Hope that helps.

DVCPRO HD/Apple Pro Res 422 HQ slow to transcode to DVD on 8 core Mac Pro's

I've been conducting some tests and narrowed down the slow transcode times I'm having specifically to DVCPRO HD or Apple Pro Res 422 HQ clips when transcoding to 90-150 MPEG-2 DVD Presets. These formats take forever to render on a Mac Pro 8 core when compared to a G5 or a quad 2.66GHz Mac Pro. DV and DVCPRO 50 are transcoding at very fast speeds on a Mac Pro 8 core. I would like other Mac Pro 8 core users out there to confirm this... that way Compressor developers can do soemthing about these slow MPEG-2 transcode times. A 6 minute DVCPRO HD clip is taking 52 minutes to transcode to a MPEG-2 90 minute DVD Best Preset in Compressor. This is in comparison to 20 minutes on a G5 and 10 minutes on a Mac Pro 2.66GHz for the same transcode. This problem does not happen while transcoding to MPEG-1 or HD DVD MPEGs.
I've tried everything:
1. Wiped the system
2. Switched memory
3. Tried virtual clusters.. still slow even at 750% cpu utilization.
4. Tried with updates and without updates.
5. Tried with multiple other clips.
6. Looked at my file permissions for each clip
7. Made sure that each file is self contained.
8. Tried custom presets.
9. Googled to see if other people are having the same problem... found this: http://forums.creativecow.net/thread/155/866630
10. Compared times to DVD Studio Pro's encoder... DVD Studio Pro is way faster.
11. I've written to Ken Stone and Mike from HDforindies.com... just to confirm the problem... waiting for their response.
12. I've also written a suggestion/problem report to Compressor developers.
Message was edited by: Trancepriest
Message was edited by: Trancepriest
Message was edited by: Trancepriest

I've had the same chooppy/ipxelated results that you are having with DVD Studio Pro's encoder at different settings. If DVD Studio Pro had worked well... I would have dropped this issue somewhat. I'm so irritated that a Mac Pro 8 core... top of the line machine is getting floored by G5's and Quad Mac Pro's. Even though it's just with the DVD 90-150 minute presets... its still a major issue because i need to make DVD's on a regular basis. I woud feel so much better if I knew someone was looking at the problem. Including you I've found 3 others with the same issue. I'm hoping to get them on this thread.

HDV or Apple Pro-Res 422???????

ok i have an cannon xh-a1. and if i want to get the top quality which one do i use? would i use HDV or Apple Pro-Res 422, and then which one would i export in to get the top quality.
or are there any other ways to get the best quality. Thanks

A simple answer? OK here it is: You bought the wrong computer for doing what you want to do. You should have bought a MacPro, an external drive array, and a 3rd party capture device such as an Aja IoHD or Kona LHe.
That's your simple answer. However, as is often true in life, simple isn't the same as easy. Golf is a simple game, but it's far from easy.
If you have clients paying you money to produce video projects, then you should buy the tools for the job that won't let you, and your clients, down. You might be able to edit with an iMac, but it can let you down when you most need it to perform.
I would never recommend the iMac for a video business. You cannot expand it with 3rd party cards or powerful-enough external storage.
I know that is not possible for you, so of all the bad choices you have in front of you, the least bad is to edit HDV. Forget about your quest for "the best quality". That ship sailed when you chose your iMac. Even editing HDV, you might be disappointed in your iMac's performance from time to time.
For an external Firewire drive, I'd recommend a Burly enclosure (from MacGurus) with a removable drive tray and a Seagate 7200.11 SATA drive. Do not buy a LaCie or a Western Digital MyBook.
Sorry, but this is a realistic answer.

Apple Pro Res 422 versus Apple Intermediate Codec

I'm new to the world of FCE HD. I'm transfering video from a Canon HG10 to my MacBookPro and storing on an external drive. Earlier projects are bringing in video with Apple Intermediate Codec compressor... no problems, editing doesn't require rendering... Now video is being brought in as Apple Pro Res 422. The Pro Res is requiring that I render everything once I bring it from the viewer to the canvas. I've searched all menus, preferences and settings looking for where and how to change this setting. Does anyone have a solution to this snag?
The data rate for Pro Res 422 is 15.3mb/s and for Apple intermediate codec is 9.9
None of this makes sense to me... please assist.

Hi(Bonjour)!
How did you convert to ProRes 422?
ProRes 422 codec is a part of final cut studio 2.
FCE HD cannot edit nor render in ProRes like Final Cut Pro. You material havs to be NTSC, PAL or AVCHD and HDV (converted to Apple Intermediate Codec).
Michel Boissonneault

Converting 7D camera footage to Apple Pro Res 422 HQ

I shot footage with the Canon 7D. I brought the footage to Compressor (latest version as part of Final Cut Studio). I am transcoding the footage to Apple Pro Res 422 HQ for editing in Final Cut Pro 7.
A few clips have been transcoded. I open up the original file and the Pro Res HQ file and compare them side by side on my Mac Book Pro. I would like to attach the screenshot but don't think I can do it that here. Anyway, the Pro Res clip is slightly smaller when opened with Quicktime 7 and 10. Also, the colors seem to be darker and the clip a lot muddier than before.
Has anyone had any experience with this? Thanks.

My clips do experience a slight color shift but nothing nominal. However, I have no problems converting my files using the preset and opening them up in FCP 7. When I open them in QTX they appear the same size as their original. Have you checked the inspector pane on your MBP? I have had issues where QTX will not open a video full size due to screen resolution limitations and would always downsize instead. That could be your issue since the MBP cannot display a 1080p file at full resolution.

Log and Transfer: Options besides Apple Pro Res 422 ?

Hi, I am now using a camcorder that records files to a card. When I use Log and Transfer in FCP, the resulting files default to Apple Pro Res 422, which are absolutely huge. Is there a way to set this up to transfer to a smaller file type, maybe of a quality similar to HDV?
Thanks, BOb

There's a reason HDV files are small - they're highly compressed files. Final Cut is a professional product - it's built for high quality video, which requires storage space.
In some instances can change Log and Transfer preferences to transcode to ProRes422 LT, which is a lighter weight version of ProRes422. The files will be smaller, but they probably won't be as small as you're hoping they will be.
Open the Log and Transfer window. On the upper region there will be a gear, pick that and pick preferences. Find the camera type you're using and change the Target Format to ProRes422 LT if possible. As you did not tell us what kind of camera this is it is impossible to tell which one you need to change.
All that said, storage is pretty cheap. If you don't do a whole lot of editing a 320gb G-Drive Slim for $80 would be a great investment. If that isn't an option and you really need small files I would suggest editing in iMovie. I believe it converts everything to H.264, which is very small in comparison to ProRes. Don't try editing H.264 in FCP.

CS6 Export Settings for Apple Pro Res 422 HQ

Similar Messages

Maybe you are looking for