Dual Monitor ICC Profiles

Has anyone had luck setting up ICC profiles for dual monitors? I have created ICC profiles for both my Cinema display and MacBook Pro display but cannot get them to work at the same time. Once I set up an extended desktop my Cinema display grabs onto the correct profile but the laptop won't. Any suggestions?
Thanks....

Keep using your EyeOne to calibrate, but don't use that monitor profile as a working space. That's not what it was designed for. Stick with the sRGB or Adobe RGB as your working space. As to your legacy file, this is where the Assign Profile can come into good use. Try using Assign Profile to find the working space that makes your old file looks its best. Then you can either leave it in that space or convert to your preferred working space. As to printing, it won't make a hell of a lot of difference whether you use Adobe RGB, sRGB or something else. It's more important that you've properly calibrated and that you are using a good (preferably custom) printer profile while printing.

Similar Messages

  • Dual monitors, ICC profiles, color management...problems

    Problem:
    An image displayed in Safari and then pulled off the web into Photoshop shifts colors noticeably. This is esp. apparent in a side-by-side comparison on the same monitor with the Safari window open next to the Photoshop file window…they look very different.
    Possible clues?
    When I drag an image in Photoshop from one monitor to the other it shifts color after I release the mouse. In my two-monitor setup one is a large LCD (that's the "main" one) and the other is a MacBook Pro laptop. Even though they both have ICC profiles the laptop is slightly more saturated than the LCD…and Photoshop seems to mirror this but exaggerate it. For example: I pull the same image pulled off the web into two separate Photoshop files and then I display one on each screen: the one on the laptop will be /much/ more saturated than the one on the LCD.
    In the end, if I have 4 windows open of the exact same image (2 on each screen: one in Photoshop and one in Safari) I am looking at 4 differently colored images - with the Photoshop images appearing even more exaggeratedly different than anything.
    Obviously I understand that the two monitors will never look identical, but Photoshop seems to be imposing some extra color management on my files that makes it impossible to use with my previously very helpful dual-monitor setup.
    Specs:
    - Dual monitor setup: both are calibrated using an i1Display 2 from x-rite and have their own different profiles (this is new as of this week)
    - Mac OS 10.6.6 (w/all current updates)
    - Photoshop CS3 10.0.1 (w/all current updates) :: Edit>Color Settings : set to North America General Purpose 2
    Help?

    Just read this entire thread and wanted to leave a few comments and qualifications, first a couple of FACTS for all to consider.
    1) I am not "new" to color management - in fact I am quite experienced in color management at a commercial level since the days of film back when getting "accurate color" was actually difficult. At this point it should be easy if the involved software is working correctly and impossible if it is not.
    2) I have the top of the line color management solution provided by one of the top players in the color management market and am using it properly as verified by their technicians.
    3) I am running 10.6 on my main computers. Mac Pro, 2 27inch iMac sandy bridge quad cores, and am using mac cinema displays (new ones) on all of them.
    Now the rant - I have been trying to run down this or a similar and related issue for over a year. If you happen to be experiencing the same issue as I am, which I will summarize as trying to get 2 displays to display anywhere near the same color (even identical monitors) do not bother upgrading to CS5 as I am using CS5 as well as a bunch of other tools (Aperture, LR, etc, etc) - this is BROKEN and all I can get from any of the vendors involved is finger pointing from one to the other. Each of them wants to blame the other vendor for not doing something correctly but NONE of them can actually give me any details as to what exactly is the problem.
    At this point in time I am holding the color management vendor I use to create the profiles responsible - the reason that I am doing that has nothing to do with what exactly the technical problem is. It s purely because they claim that the product is compatible with OS 10.6 and they claim that their software does EXACTLY what I want = mach two monitors. Now we all know that different monitors have slightly different gamuts but at the end of the day if two identical colors fall within the gamut of both monitors they should display the same. They don't. I have worked with my color management vendor for 6 months on this, they agree that it is not working properly, they blame apple but they cannot tell me exactly what the issue is.
    If a company advertises and sells a product they claim to be compatible with a particular brand and version of hardware and software and they claim that it will manage color consistency across multiple monitors (even on differing machines) then I believe they are ultimately accountable for ensuring it actually works and resolving the issue - whatever it is, if it fails to function properly.
    RB

  • Aperture and dual monitor ICC profile problem

    I am using an Epson Stylus Pro 3800 and run Aperture 2.1 from a MBP with a Cinema Display 23". I calibrated both displays (the 23" and the MBP display) with my ancient but working ColorVision Spyder, using OptiCal 3.7. I calibrated for a gamma of 2.2. and native white point. I check the results with various test images.
    Here is the problem: the calibration produces a perfectly calibrated display, but when I open Aperture some color change is taking place, as if Aperture pulls in a wrong profile for the display (which then also leads to wrong colors in the prints): sometimes the photo which I have printed out before in perfect quality displays with either a nasty yellow cast or with totally oversaturated colors. I have used ColorSync utility to make the 23" the default display and I have also tried to simply close the MBP to work only with the 23", and sometimes either of these this did the trick. Most of the times, however, I get these color casts or oversaturation of the photos which I had worked on for a while and printed earlier with perfection.
    I ran Disk Utility to Repair Disk Permissions (many Epson-related permissions were wrong, for example "Library/Printers/EPSON/InkjetPrinter/Libraries/UtilityCore.framework/Versions/ A/Resources/Icon8007.png", should be -rw-rw-r-- , they are -rwxrwxr-x ) and reinstalled the latest Epson driver for 10.5 repeatedly.
    Even more surprising, at times the color of the full screen image can be off at the same time the thumbnail looks perfect! How is this possible? It seems as if thumbnail and full image use different display profiles. In addition, if I export the Master and display it in Lightroom or CS2 it looks perfectly fine and prints as expected. (I use the appropriate "canned" ICC profiles for the printer-paper combination).
    The most surprising happens, however, when I drag the image from the 23" to the MBP: when the image is about half-way between the two displays (that is, one part is displayed on the 23", the other on the MBP scree) it suddenly changes from off-color or oversaturated to the correct color on the 23". If I then move the image up to the 23" again, the wrong display colors appear again.
    I am at a loss: I have spent a lot of money on the gorgeous screen, the great printer, and Aperture (which is a great program), but I cannot get Aperture to print reliably, or rather, I cannot get Aperture to use the right display profile to display the image correctly in a reliable way.
    I have read kbeat's color management blog and many entries on this blog here, but I have not found a solution. I appreciate your help.

    Kai,Simon,
    This is the problem i have been having.Colour profiling is correct,prints are rubbish.I run a fuji frontier
    as well as epson printers.Anything from aperture is not what you see on screen.I am running aperture2.1.
    Today we are removing 2.1 and doing a reinstall of 1.1 but not upgrading to 2 to test run prints.I have been looking for answers to this for sometime.
    Simon,the problems we are have are very similar to you clients,photoshop fine,aperture not.I also have 20"external apple monitor attached which is used as the colour correcting monitor ( as the imac screen is not that good for criticl work ) I will post my findings here.
    Simon, if you wish to investigate further,e-mail me,i am in leeds
    daisy ( not a happy printer )

  • 2nd Monitor ICC profile in Acrobat 9

    Hi,
    I have problem with iMac24" dual monitor setup and Acrobat 9 Pro. I can't get the second monitor ICC profile applied to the pdf document when dragged to the the second monitor. Had the same problem with PhotoShop CS4. I spent several day to figure out why the second monitor looks totally over saturated with PS CS4 (looked fine with PS CS3) and yes indeed the solution was to turn OFF OpenGL in PS preferences. Still have the same problem with Acrobat 9 Pro.  When the document is dragged to other monitor the ICC profile of that monitor is not applied. Any idea how to get that working as I can't find the OpenGL setting in Acrobat 9 . I have iMac24" and HP LP2475w as a secondary monitor which is wide gamut monitor which is far too over saturated without proper ICC. Any ideas?

    Jao...
    Does the secondary monitor always assume it will open in the monitor which WinXP defines in settings as '2'?
    The reason I ask, is that if I have the secondary monitor open as "full screen" it opens on the 2nd monitor.
    However, I have a slightly different set up. I have my primary LR space stretched some into the 2nd monitor, so that the right hand panels are on the second screen. This gives me a larger space to view the images on the main screen. When I open the secondary LR space, it is not full screen, but sized to just fit in the rest of the available space on the second monitor....and I usually use this space for the 'grid' of thumbnails.
    My concern is that if the secondary LR space is even slightly larger than the available space on the secondary monitor, it will pop up in the middle of the primary monitor. After much trial and error, I found the sizing solution and it works....
    However, since it seems to open either in #1 or #2 screen, I still have this nagging question....and there is no way I know to query LR to know what ICC profile is being used.
    Thanks...JOHN

  • Monitor ICC Profiles

    Greetings Adobe People!
    I've been working with Photoshop since version 6.0, I know people quite often use that as bragging rights and I guess, that's what I'm doing, please forgive mefor doing so. Just trying to state in some term that I think I'm somewhat wise in a few of the ways of :Photoshop. I've read a few books here and there about what I should do for monitor ICC Profiles, I have a Gretag Macbeth, Eye-One Display 2 and I use it to calibrate my laptop and desktop monitor every couple of weeks. I stumbled upon an old picture I had made for some friends in CS2 I believe, a few years back, when I didn't have my Gretag and I was *GASP* calibrating my monitor using Adobe Gamma! When I load the psd file the colors are vibrant and stunning, when I load the associated jpg the colors are dull and extremely muted. Now I'm using Adobe RGB 1998, we could go on all day about sRGB and Adobe RGB and the slew of others that are out there, but at the end of the day it's really just personal preference, much like football fans or people who bicker over why X sports car is better than Y road car, what I'm asking is just keep it to your self if you don't mind doing so. If I select the most recent of my monitor profiles the colors return to there natural glory in both the jpg and the psd file, but I've heard for printing you need to have your RGB set to either sRGB or Adobe RGB 1998 and then print from your printer profile... When I do go to print I've got it down to a pretty good science of getting things done, so it doesn't take me too long to do it and I really don't pay too much attention anymore as to what I'm doing. I could go through the steps here, but I'm sure those that are familiar with it, know what I'm talking about. So all of this typing is leading to this, is it ok to just use my monitor profile for my main profile or should I stick with Adobe RGB 1998 and if I stick with Adobe RGB 1998, how can I get the muted colors to show up like they do in the psd file for the jpg file. Sorry for typing so much, and please take all the time you need to get back to me, I'm in no rush at all... Take care!
    - Me

    Keep using your EyeOne to calibrate, but don't use that monitor profile as a working space. That's not what it was designed for. Stick with the sRGB or Adobe RGB as your working space. As to your legacy file, this is where the Assign Profile can come into good use. Try using Assign Profile to find the working space that makes your old file looks its best. Then you can either leave it in that space or convert to your preferred working space. As to printing, it won't make a hell of a lot of difference whether you use Adobe RGB, sRGB or something else. It's more important that you've properly calibrated and that you are using a good (preferably custom) printer profile while printing.

  • 2nd monitor ICC profile?

    When using the dual monitor support in LR2, if it is opened in the 2nd monitor, is it aware of the different icc profile for this monitor or does it use the profile of the primary monitor?
    Can you manually change the profile used?
    Can you interrogate LR (main screen and/or dual screen) to see what profile is being used?
    I am using WinXP, but the video card I use looks like two cards and windows has a different default profile for each. Many cards do not do that, which is where being able to manually enter an icc profile would be useful.
    John

    Jao...
    Does the secondary monitor always assume it will open in the monitor which WinXP defines in settings as '2'?
    The reason I ask, is that if I have the secondary monitor open as "full screen" it opens on the 2nd monitor.
    However, I have a slightly different set up. I have my primary LR space stretched some into the 2nd monitor, so that the right hand panels are on the second screen. This gives me a larger space to view the images on the main screen. When I open the secondary LR space, it is not full screen, but sized to just fit in the rest of the available space on the second monitor....and I usually use this space for the 'grid' of thumbnails.
    My concern is that if the secondary LR space is even slightly larger than the available space on the secondary monitor, it will pop up in the middle of the primary monitor. After much trial and error, I found the sizing solution and it works....
    However, since it seems to open either in #1 or #2 screen, I still have this nagging question....and there is no way I know to query LR to know what ICC profile is being used.
    Thanks...JOHN

  • Multiple monitor ICC profile bug

    After considerable head scratching and testing I discovered that PS CS4 11.0.1 (Mac OSX 10.5.7) uses the colour profile of the primary monitor for the second monitor too. You may not notice this if your 2 monitors have similar profiles but you are still not getting the right results!
    If you want to work on a second monitor then a workaround is to set the profile of that monitor as the profile for the first monitor too in the OS. That works, but I hope Adobe fixes this ASAP!

    I spent several day to figure out why to second monitor looks totally over saturated with PS CS4 (looked fine with PS CS3) and yes indeed the solution was to turn OFF OpenGL in PS preferences. Still have the same problem with Acrobat 9 Pro.  When the document is dragged to other monitor the ICC profile of that monitor is not applied. Any idea how to get that working as I can't find the OpenGL setting in Acrobat . I have iMac24" and HP LP2475w as a secondary monitor which is wide gamut monitor which is far too over saturated without proper ICC. Any ideas?

  • Monitor ICC profile supported with Adobe Reader?

    Hi, I know Reader supports reading of input ICC color profiles like in embedded pictures (sRGB, Adobe RGB, etc.), but it seems it doesn't support outputting to the monitor's ICC profile. Is there a way to do this? I have used Reader 8 and 9. I need to properly preview the files, and sometimes print them.
    Thanks.

    Adobe Acrobat's latest version can run on 10.5.8, given the constraints listed on http://www.adobe.com/products/reader/tech-specs.html.
    You can upgrade to Mac OS X 10.7.4 if all your software and hardware meets the requirements.
    Acrobat 8.1 is the version designed by http://www.adobe.com/ as both PowerPC Mac and Intel Mac
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    See this tip for Mac OS X 10.6, and this one for 10.7 upgrade options.

  • Searching for a monitor icc profile for a Satellite M60-139

    i'm a grafic-designer useing a Satellite M60-139 - and therefor i need a color-profile for my Satellite M60-139-display - has anybody an idea where from i can get one?

    Hi,
    From what I understand, you do not need to download or install any color profiles. It is exactly what the name implies, a profile. One you create and save on your computer. It can also be used to set different color profiles for different monitors. If you right click desktop, and then select the tab on the far right, then click advanced. Under advanced go to color management, and then click add, at which point it will give you a list of predefined color profiles. You can select the one closest to what you need and modify it to your specifications, and then save it. I hope this helps, if not, I can google around and see if there are any predifined on the internet to download, but I found none so far. Let me know how it goes.
    Googling around, I found this website with some ICC's you can download. I hope you find the one you need.
    http://www.serendipity-software.com.au/support/download/icc/monitor/generic+equipment/
    Message was edited by: [email protected]

  • Aperture Dual Monitor Color Profile Problem

    I have 'discovered' an interesting problem when using my MBP with a Cintq tablet as a secondary monitor. The displayed colors agree very well in Aperture until I go to full screen and then the laptop monitor develops a greenish tint. I have tried all the different secondary display options, and in all cases where an image is displayed on both monitors the tint develops. It goes away as soon as full screen is exited. The Thunderbolt port is being used to feed the display to the Cintq (with a thunderbolt to DVI (?) adapter. I would guess that the laptop must grap the cintiq profile as soon as it goes to full screen.
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    I have no real answer except to say that on an older setup pre-Aperture I never did get the Cintiq 15 color well managed. I used the Cintiq mostly for palettes in Photoshop.
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  • Monitor Profile incorrect on Dual Monitor Setup

    Hello,
    I've searched the forums and I can't find an answer to my problem.  I've read about dual monitor setups in Windows and how to set the defaults and whatnot, but it doesn't seem to fix my problem.
    I am running on an nVidia GeForce 8600M GT, Windows 7 x64, Photoshop CS4 x64.  I calibrated my main display (Dell Vostro 1700) as well as the attached monitor (ASUS VK246H) using Datacolor Spyder3Elite.  Both monitor profiles seem to load just fine.  I've also went into Windows' color manager and set the system defaults for each monitor respectively.  The problem I'm having is that if I were to load Photoshop on the 2nd monitor, Photoshop only uses the main display's color profile (Vostro 1700) and not the ASUS VK246H profile.  What could be going wrong?
    Just to clarify, what I mean by "loading PS on the 2nd monitor" is that when I execute Photoshop.exe, the splash screen and main window shows up on the 2nd monitor, not the main monitor (which is what I want).

    function(){return A.apply(null,[this].concat($A(arguments)))}
    Chris Cox wrote:
    What if the image is in between two monitors?
    The piece on each display is corrected for the display it is on.
    Is it supposed to work that way?  Because it doesn't.  Not with Photoshop CS5 x64 at least.
    As a test I intentionally misconfigured the profile for my Monitor #1 (left) so that it's REALLY OBVIOUS which profile is being used.  When set this way, on Monitor #1 red colors will appear pale orange.
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    If even 1 pixel of the edge of the image is moved onto Monitor #2, it will use the Monitor #2 profile on the entire image.
    See for yourself:
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  • Monitor profiling & ICC profile management in VMware virtual machines?

    Greetings,
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    No, actually the System Default stayed the same, but the ACER profile showed up in the Devices panel.  However, [ ] Use My Settings was NOT checked, implying they found some way to install the profile that's outside the normal configuration settings somewhere between the Advanced and Devices level configuration.
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  • HELP! Newly calibrated monitor loses ICC profile setting while computer is on, in middle of editing!

    I'm so frustrated!!! Just a few days ago I calibrated my monitor with my new Huey Pro. Today in the middle of the computer being on for hours, at some point, without my knowing it, the ICC profile shifted from the new, calibrated setting BACK to the old default profile!!   I didn't realize it and went about editing ... messed up so many files!
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    Ans to Q2 - Epson put them inside the "package" to keep them safe. You can access the package contents via the Ctrl+click or right+click context menu item labelled "Show package contents" (see attached screenshot), but I would
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  • Help Photoshop/Monitor Calibration and ICC Profiles.

    I don't know if this is the right place to ask this, I am completely new here, if I am not, can you help show me where I can get answers to this?
    If you can help me, then please. (:
    So I'm helping my dad with a photography studio over the summer to make money for a car and I will be doing the editing and such.
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    Apparently photoshop is applying additional color correction on top of
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    Photoshop doesn't apply any color correction to the images per se, it just operates in a selected color space, and takes into account your monitor profile.
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    2. Tell your OS that that it your monitor profile
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  • How to use Dual monitors with G5 Mac;  AND    How can the image in "Develop" be made to look like wh

    Two questions: How can I use my dual monitors on my G5 Mac?
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