Editing Colour Profiles

Hi all
Can anyone tell me if there is a way to edit an existing Monitor colour profile rather than having to go through the whole calibration process from scratch?
Thanks in advance. Derek.

Open in the System Preferences the pane monitor > colors. Select your standard profile and make the calibration. Save the settings and select at the end your new profile.

Similar Messages

Can you use a photo lab's colour profile in Elements?

Using PSE 6, I want to use a printer profile from a digital photo processing lab, so as to get accurately printed images. (Additonally my monitor is calibrated by a Heuy Pro)
The profile is 'FUJI 570 Supreme Lustre' which I have downloaded from the lab and installed on my Windows Vista PC. Following PSE Help instructions, if I go to the print option then from the drop down Printer Profile list, I can see, choose and select the Fuji 570 profile.
The problem is that this process only seems aimed at then allowing me to click on cancel or print (there is no save option etc). PSE seems to assume that I am connected to the Fuji printer and want to print the image myself, which, of course, I don't but rather want to save this image with the correct profile for the lab's printer and paper-type, so as to send the file(s) for my colour managed image(s) to be printed.
Is there any way that you can save a PSE image file with a colour profile like this in it?
If yes, how is this done?
The lab provides instructions as to how to do this with Photoshop but they are unfamiliar with PSE. In the lab's instructions it refers to View/Proof Set up/custom and unchecking Preserve Colour Numbers, Paper White and Ink Black. Is any of this possible/necessary with PSE 6 (or any later version?)
I have tried to resolve this myself but come to a dead end. If anyone can advise me how to achieve what I want to do, that would be really great or if it can't be done using PSE, to know that would be a great help.
(I have used this lab before without the profiles and whilst the results were good in several respects, some colours, not surprisingly, were not very accuate with my calibrated monitor)
Thanks for reading and considering my posting on the forum.

Thanks for this further advice- much appreciated.
I don't think the Edit>>Colour Settings is going to work as this means that the monitor set up becomes the profile. In my case the Huey profile (which is confirmed as it shows in the print set up preference/settings boxes). Although the Huey profile is important for accurate editing, it will not fulfil the lab'sFuji printer/papers settings.
It looks like PSE does not have any way to save to file with the printer profile (unlike Photoshop). This is a real shame.
It's an interesting issue, as I can't believe that I am the only user ever wanting to use a lab's profile to get better colour management and to use a photographic lab rather than an attached printer.
Anyway, thanks again for engaging in this issue and for your thoughts and advice - much appreciated.
Should I find a way to resolve this, I will post it on the forum.

Change colour profile on export of jpeg for using files on windows pc

My father, who is 80, has a mac and aperture.
He is reasonable proficient using it, but as a windows user myself I'm unsure of the in's and out's of things and it always falls on me to help him when he has a problem.
He also has a windows computer, which he has a programme on for making calenders.
The problem we have is that when he saves his photo's after editing in aperture to a dvd, he puts this dvd into his windows pc and he cannot see any of the previews.
On opening up any picture in photoshop on the pc, it asks if he wants to use the embedded colour profile or change it.
I'm wondering if Aperture is exporting using a certain profile which windows cannot read? Thus doesn't show the preview.
He needs the preview to pick which pictures he wants to use on the calender.
He then stores all his pictures on the dvd.
I'm pretty sure he shoots as jpegs, not raw. Though I need to ask him.
He has several different cameras, and I think he has trouble with all of them. I'm pretty sure one is a nikon d5300 (I just googled red body nikon)
Is there a colour profile for aperture when saving as a jpeg that is compatible with windows?
It's a hundred mile round trip to visit and to then sit down and try to work it out by trial and error would take some time.
So if I can find an answer and call on the phone to tell him what to do, it'd save me a lot of time
I'm not sure what Mac he has, what OS he's using or which version of Aperture, he only recently bought it, so guess at the latest one.......... I know I'm a great help !!!!!
I can find out if needed, but thought there might be an easy fix....... I know, whenever is there an easy fix for anything!!!
Cheers,
Graham

There is no standard for a 'Preview'. It's a feature of the software that is opening a file as to how it shows those files to the user for selection. Some software will look in the file header for a thumbnail, some will use the files associated icon (if it has one) and some will just present a list of file names. I seriously doubt changing the colour profile output by Aperture will have any impact on this.
Although Aperture doesn't have a calendar feature, iPhoto does and as of the last year or so, Aperture has an option to open it's library in iPhoto. So if he has a current enough version of Aperture and iPhoto, he could avoid the issue altogether if he is happy to switch into iPhoto to make the Calendar.
If he wasn't using DVD (say a USB thumbdrive instead) he could run a utility on the PC to create icons for the files where the icon is a thumbnail of the picture, which the calendar software might then use when prompting for images to load. But the use of DVD complicates this, as it depends on the DVD drivers and file systems in use on the DVD.
Chances of resolving this remotely, remote
Andy

Colour profiles and my sanity!

I hope there's someone here who can help this Photoshop newbie!
I am a keen but very amateur photographer, and I'm experiencing a frustrating problem in Photoshop and though I've read a few articles on Colour Profiles, I must be missing something obvious.
I've set my Photoshop (CS6) colour settings (edit/color settings) to ProPhotoRGB. I import my images from my camera and edit them so they look exactly the way I want. The problem is, after I save the final images and view them in other image viewing software, such as FastStone InfanView, ACDsee etc. the colours look a little washed out. I must be missing something obviously but I just don't know what. I know for web uploading, it's usual practice to set your color profile to sRGB, and that seems to work fine for the web, but my images are being saved primarily for viewing offline and for possible printing.
Can someone explain to me in layman's terms what it is I'm doing wrong here?
Thanks.
Simon.

Good day!
Could you please post screenshots to illustrate the issue?
And set the Status Bar in Photoshop to display the profile.
Do you "Embed Color Profile" when you save the images?
Regards,
Pfaffenbichler

Colour profiles problem - images saving too dull. Please help.

I realise you have probably had this question a million times before and I have looked at enough related threads, but I am still at a loss as to what to do. Please note I'm not the most computer-savvy.
For the record I am using Photoshop 7 (yes it's old, but it suits my needs just fine!) and Windows Vista Home Premium.
What I do is take photographs of my artworks, edit them in Photoshop until they look accurate, then post them online. Images have always looked identical in every program, and I had never had any problems, until I got connected to the Internet on Tuesday. This computer has not been connected to the net for a good few years, and so lots of updates got installed. I'm not sure which ones exactly, as my boyfriend took care of that, but I'm convinced this has caused the problems I am having now:
First I found that an image I had edited and saved as .jpg for web use was showing up overly saturated and contrasty in the Windows Photo Gallery preview. I assumed I had saved it wrongly. I re-opened the jpg in Photoshop to check - it looked exactly as I had saved it. I figured something had messed up with Photo Gallery during updates, so I uploaded the jpg to the Internet. The image that uploaded was the overly-saturated, contrasty one.
After realising that suddenly ALL the images I had uploaded online, and all the images saved on my computer, now had this awful over-saturated look, and yet the thumbnails on my desktop looked fine... I realised it must be something to do with the colour profiles, and tried to find out the answer online. My monitor colour profile was set to "21.5 inch monitor" so I changed that to sRGB as default. I can't remember what Photoshop was set to, but at any rate I set it to sRGB also.
I thought I had it fixed, as it seemed to just be Photo Gallery that was not matching up (it was displaying my images with less saturation than as I saved them).
However today I took a new photo of a drawing I'm working on, to load onto my blog. I had to take it into Photoshop to make edits and correct, as always. I opened my photo in Photoshop... lo and behold, far too contrasty and saturated!!
This time, Windows Photo Gallery preview is showing the (unedited, straight out of camera) photo as it should be... Photoshop opens it too contrasty.
I made my edits anyway, saved for web as .jpg, checked the jpg in Photo Gallery before uploading... It saved duller than it should have done!
Uploaded the jpg to the internet... and I have the dull image uploaded.
So first they were too contrasty, now they're too dull. I have tried to follow advice given on similar topics, to no apparent avail.
Being an artist who displays work online and has a certain reliance on the internet... my images have to be accurate and consistent all the way through. Is there anything I can do to set things back to the way they were before?
I appreciate any help.

eartho - All my images are already converted to the sRGB colourspace by default, as far as I can tell. My images out of camera, the ones I have edited and saved as jpg - I even checked some old images. Through Mode/Convert to Profile, they're all already set to sRGB.
emil emil - Thank you. I will do that in the morning - right now my head hurts and I need my bed.

Wrong embedded colour profile causes huge jpg files when published to .Mac

D'oh! i posted the following on the iDisk discussion my mistake. Here it is all again for iWebbites:
I've spent most of the day trying to optimise my new iWeb site on .Mac but the published jpg files are far too big.
Despite sizing to 800x600 px and jpegging at about 5 or 6 in Photoshop which resulted in a file size of about 100kb on my local disk, when uploaded to .Mac via iWeb the they have turned into 800 kb files.
Lots of trouble-shooting, including ensuring that they weren't converted to png, that they have no borders, reflections or drop-shadows yet they still got bloated on the upload. Especially the photos in the photo-gallery page.
I've isolated the problem but don't know what to do next:
Turns out, iWeb ignores the sRGB embedded colour profile and replaces it with the monitor profile of the originating computer.
I discovered this after I opened the file in Photoshop directly via iDisk in Finder. Converting or assigning the file to sRGB and saving it back down to iDisk immediately restored it to its intended file size of 100kb and this time with the correct sRGB colour profile.
Going now to the domain.sites on my local disk and opening the package shows all the photos doubled up. A 360 x 264 .jpeg file with the monitor profile embedded and bloated out to 800kb plus the original 800x600 image with sRGB and .jpg as the file type but still only 100kb
So what the heck is happening in iWeb to do this and to use the wrong file type associations with the wrong file when uploaded?
There is very little on the forum about colour (color) profiles and no mention of the bloat in file size, just a reference to colour and tone issues with the wrong profile so I'm wondering if its related to the 1.1.2 update. (I haven't really tried using iWeb until the last week or so).
Fixing the problem by post processing the photos on my site every time I publish would be impossible with the amount of photos I have and my intention of updating the web galleries regularly.
As you can find out if you go to a photo page on my site:
< <a class="jive-link-external-small" href="http://">http://web.mac.com/adrian_malloch/iWeb/AdrianMallochPhotography/ Kabaddi.html > some pages take horrendously long to load. Check out some of the other Subculture pages. I haven't tested them all but Safari Activity viewer shows that most of the slow speed is related to opening jpeg files.
Any help and informed suggestions would be hugely appreciated.

This is doing my head in.
My last two comments "posted" half way through writing, before I had a chance to edit completely.
Here's how it should have read :
Using sRGB as a monitor profile, in itself, doesn't make a lot of sense.
A monitor profile is custom made specifically for the monitor to compensate for its display characteristics.
A "good enough" monitor profile is to use the software calibration built into the Displays preferences. Go to System Preferences/Displays/Color/Calibrate and follow the prompts. Hint: squint as you try to judge the colour and tone differences. The idea is to make the detail so fuzzy you don't notice it.
It's not very accurate, especially with LCD screens, but it's better than nothing and certainly better than using a universal colour space like sRGB, etc.
The accurate option is to get hold of a hardware calibrator like the Spyder, or Gretag-McBeth iOne Display (which I use). It costs a bit but is vital for accurate repeatable colour.
The whole point is that when the profile is made up and is set as the default profile, then you will get a WYSIWYG screen.
So, the same images will look the same on different monitors providing they each have accurate monitor profiles made specifically for them.
If you use sRGB as your monitor profile then you cannot expect the image to look the same on any one else's machine, whether they use sRGB, a monitor profile or any other profile. Worse still, if you change an image to "look right" on your screen, chances are that the image will look horrible on another screen.
Hence, why I will only switch to sRGB monitor profile as a workaround for uploading in iWeb. Nothing else!!

Assignment of colour profiles in indesign vs PDF colour profile

Hi all,
If in the assign colour profiles menu of indesign I had the same setting for all my indesign files, as shown in screenshot attached.
And then when a PDF is created from an Indesign file using a different CMYK profile, will the original indesign setting have any impact on the PDF created? Will the PDF ignore the settings of the Indesign document?
Regards, Tim

Many templates that get populated with RGB images. .... The only colour change in the process is when the final PDF is rendered to go to the printers.
So, for my master indesign files what is the best colour set up?
The PDF/X presets are designed for your scenario.
I doesn't make much sense to use any CMYK color because you never know what the destination will be and CMYK colors will almost always get reconverted. The only problem RGB presents is gamut, so when you edit, a soft proof setup with a CMYK space would be advisable. The ideal would be to establish one RGB editing space (Adobe RGB?) and assign it to all your RGB objects and ID files.
It sounds like you are expected to finalize color management at PDF creation, if that's the case PDF/X-1a forces all RGB color into one destination CMYK space and flattens transparency. When you automate the PDF creation you would need to be able to set the destination in the Output panel depending on the where the file is going.
The alternative is PDF/X-4 where there are no color conversions but every object gets a color profile. In that case the color conversions would happen at output, i.e. the PDF going to a newspaper gets converted to the newspaper's profile (SNAP?) at output. All the vendors would have to be on board for that to happen, which might not be the case.

Colour profiling

is it possible to use colour profiling on Elements 10? if so, how.

TILLYFRAN wrote:
Hello R Kelly,
Thank you for your interest in my dilemma.
Apparently “soft proofing” is an option, I simply want to edit-convert profile. I have been advised by my Photo printers that Elements does not support this facility and have suggested I try edit- export, but this is not highlighted under the edit column and hence is not supported either. I,m beginning to think that Elements 10 is the worst piece of software I,v ever purchased!. Again thank you for your interest, any help would be most welcome.
Let's be clear : you have been miguided.
CMYK is used in commercial offset printing. In my professional life, I have dealt with photographers, publishing agencies and printers (not only offset). The point is that to get good offset prints in CMYK, you have to know in detail the profiles needed for the process (paper...) We considered the conversion was the responsability (and the art) of the printer. (Anyway, the conversion to CMYK from pictures made in RGB is often a lossy one). I don't know of serious commercial printers who does not have the full Photoshop or similar.
For amateurs today, even for printing, RGB is becoming the required color space. Advanced home or professional printing process (photo books) is often made on hardware with 6 or more inks. If you provide CMYK, the pictures will be first converted back to RGB !

Press colour profiles / ink density

I am setting up press. I have been given colour profiles. I go edit convert to colour profile. I save the file and place in indesign. I make a high res pdf set to 2001 and this colour profile and my ink density is still too high.
Am I not converting the colour correctly?
I have a lot of press to get out, each with bespoke images and not much time to do it.
Please help. Thanks!

Hello
The colour profile was supplied by the newspaper.
The tac max was stated by the newspaper.
I checked the tac in acrobat > output preview (same as you use)
The image showed up bright green areas showing that the ink density exceeded limit requested.
I must be doing something wrong just not sure what it is?

Colour profiles etc. workspace & pdf

Hi there
I know that there will always be a difference between onscreen and printed results. Although I would like to know what are the best settings to avoid a huge difference between the bright and colourful colours I get in InDesign when working on the file, and the final result CMYK-pdf that goes to the printing company? Sometimes difference is so big...
Are there special Adobe (or other) tools to avoid this huge difference between InDesign workspace colours and CMYK-PDF?
And is it recommended to use for example the ColorMunki calibration for a MacBook Pro?
Thanks a lot!
Bob

And is it recommended to use for example the ColorMunki calibration for a MacBook Pro?
Hardware monitor profiling will help with overall display and soft proofing accuracy, but won't change the realities of color gamuts. If you are choosing out-of-gamut RGB or Lab colors they will have to change when they are converted to CMYK values.
If you want to work with RGB colors it's a good idea to turn on Overprint or Separation Preview while you work, which will preview the eventual conversion to your document's CMYK space. The document's profile (Edit>Assign Profiles...) should be the correct profile for the destination press—the CMYK profile affects the softproof accuracy.
RGB also has a gamut limit—100% cyan cannot be accurately displayed, so some CMYK blues will print with more saturation than a soft proof even on a well calibrated display.

Monitors forget the colour profile

After my monitors wake up, they switch back to default colour profiles. I have a ViewSonic VE710b booked up to a MacBook Pro 15" 2.4GHz.
To fix the problem all I have to do is open Display Preferences and they both switch back to the previously used profiles, making them both look as they should. Without changing anything, I then quit Display Preferences and the monitors are fine. Until they go back to sleep again.
How can I make sure Energy Saver doesn't reset the Colour Profiles?

I have been having this problem for a few weeks now. I think that it may have started with 10.5.6. I am STILL having the problem with 10.5.7.
I have three monitors and pretty much every time the screen's come back on after a screen goes to sleep (not the computer) one of the three (usually the middle one) has forgotten the color profile. I profiled the monitors again and it still happens. Note that this worked fine until recently. I have not made any hardware changes.
This is becoming VERY annoying. I am have to go to System Preferences > Displays over and over and over during the day to reset the profiles. Note that simply loading the Displays page fixes the problem. You don't actually have to select a color profile.
Any advice?
Thanks!
Message was edited by: dr_ml

IPhoto Book Colour Profiles & File Sizes?

I want to make a book in iPhoto. All my images are Adobe RGB. Do I need to change the colour profile.
I have a Mac with and Apple flat screen that has been colour balanced. So all the images look good. I am just concerned that they will be printed in a different profile and look rubbish.
What is the smallest file size and resolution that will look good.
Any other helpful advice.

Here's what Apple responded with when I asked them about book material and print quality:
"Thank you for contacting the Apple Print Products Customer Service.
I understand that you would like to know the printing process that is used and the color mode the files should be in, so you can better advise users in the iPhoto forum.
iPhoto version 4 or later, allows you to import and print files through the Apple Print Product service as RGB, grayscale, or CMYK color space. JPEG files with *RGB color space are recommended for best results.*
While iPhoto 2 can import files of various formats, including RGB color, grayscale, and CMYK, this version requires JPEG files with RGB color space when printing photos and books.
For more information regarding iPhoto 2, please visit the following article:
iPhoto: Color, Black and White Prints Appear Garbled or Distorted
For more information regarding iPhoto 5, please visit the following article:
http://docs.info.apple.com/article.html?artnum=165501
Here are some of the technical specifications for the books, cards, and calendars. I hope this gives you an idea about their quality and form.
BOOKS
All iPhoto books are printed using acid-free paper for long-lasting image quality. The photos are printed at a high resolution (300DPI if you use iPhoto 6). There is no external modification--such as sharpening or contrast adjustment--of the photos; what you see in the application is what is printed in the book.
Hardcovers Books
The cover is hard-bound and covered in linen. You select the linen color during the book-ordering process. The hardcover books have a solid, stiff binding that is glued and crimped. The internal pages, measuring 8.5 x 11 inches, are printed on McCoy 100# Text Gloss paper stock.
Softcover Books
The softcover books come in three sizes:
- Large 8.5 x 11 inches
- Medium 6 x 8 inches
- Small 2.6 x 3.5 inches
All of the softcover books have internal pages that are printed on McCoy 100# Text Gloss paper stock. The large softcover book has a white cover (Kromekoteplus Folding Cover, 16 point) with a cutout on the front that reveals the cover-page photo in the book. The covers for the medium and small softcover books have the cover image and title printed directly on the cover. All of the softcover books have a glued binding and feature a thick cover of McCoy 100# Cover Gloss paper stock.
CARDS
All cards are printed on McCoy 120# Silk Cover paper stock. The postcards measure 4 x 6 inches, and the greeting cards measure 5 x 7inches.
CALENDARS
All calendars measure 8 x 10 inches and are printed on McCoy 100# Silk Cover paper stock.
To ensure the best print quality, we have chosen to use Kodak NexPress technology. The press uses a dry toner, which is fused to the surface of the paper. Please see NexPress' site for more information:
KODAK NEXPRESS 2500 Digital Production Color Press
I hope you find this information helpful in answering questions on the iPhoto forum."
As for file size, keep the pixel dimension of the photo the largest you can. That will convert to the highest resolution possible when converted to the pdf for uploading and printing. iPhoto will assign a warning flag to those photos that end up with a dpi of less than 180 when added to a particular frame in the book. When added to a smaller frame the warning flag may go away. I've printed books with that warning and was happy with the results.
TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
I've created an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 08 libraries and Leopard. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

Illustrator CS4 uninstall colour profile rollback error

I've been using the same version of CS4 since July with no problem until today. I clicked on my AI desktop shortcut to be presented with a new licence agreement popup. Clicked agree and window disappeared but Illustrator didn't start up.
I read some other forum discussions on this subject which suggested uninstall - re-install - reboot. I uninstalled all of CS4 but when I tried to re-install it comes up with an error message.
Adobe support advisor says:
Issue no: id18308
Error UninstallColorProfilesRollback occurs preventing the installer from updating existing color profiles when installing the Adobe Creative Suite 4 product
I have since run through the suggest actions (deleting colour profiles and reassigning permissions) three times.
When I get to point 9 (Click OK in the "Advanced Security Settings" dialog box. Windows will now reset the permissions for each child object to correspond with its parent) I get the following permissions message "Registry editor could not set security in the key selected, or some of it's sub keys".
Is this why it's not working?
Would this also be why my pdf writer doesn't work?
Please help!!!
Edit: It seems Photoshop won't work either I need to uninstall and reinstall...great news as it was pre loaded.
Great work adobe!!

I fixed it eventually...sorry I meant to post a message.
I had to run clean script for CS3 and CS4 to completely remove all the components preventing the install.
http://www.adobe.com/support/contact/cs3clean.html
http://www.adobe.com/support/contact/cs4clean.html
I had little faith, but it worked. Hope this fixes it for you too.

Installing Colour Profiles in Distiller

Hi All,
Just wondering if anyone knows how to install colour profiles in Distiller. I need to add a profile to the CMYK area of Working Spaces. I've added the profile to the ColorSync folder, so I was hoping that it would be there to click on when I went to edit the settings, but the profile doesn't show up. Is there something I've done wrong or a step I've missed?
Thanks for your help!

Two things:
1.— Did you reboot your Mac after installing the profile?
2.— Keep in mind that profiles have two names: an internal name and an external one. What you see in the the Finder is the external name; what is displayed in Work Spaces is the internal name, so it may not be in the alphabetical order you expect and display as something completely different from its external name.
You can open the profile itself by launching the Color Sync utility and then you can see what the internal name so you can look it up in Distiller.
Wo Tai Lao Le
我太老了

Weird colour profile problem

I have a monitor (Dell 3008 WFP 2560x1600) colour profile created by my Spyder 3 Elite hardware unit and software.
For some reason photoshop is getting it wrong.
If I print screen an empty photoshop window and then paste that into photoshop, it gets a bit yellower. Repeat a few times, and it gets really yellow, as in the attached jpg.
What's going on? Why is photoshop making stuff yellow?
Thanks

Nothing unexpected is happening here.
Calibrating and profiling does NOT make your color-managed and non-color-managed applications match, nor make your screen grabs containing mixed output from color-managed and non-color-managed apps more accurate, in itself. In fact, it does just the opposite. Try to understand that, after profiling, your color-managed applications are putting out ACCURATE color while the non-color-managed applications are putting out INACCURATE color.
If your profiling process has delivered a profile that makes the color values more yellowish (e.g., reduces blue values) to compensate for your monitor's tendency to make them more bluish than they should be, then you would expect to see exactly what you're seeing. Each new screen grab and paste, unless you go through the process I list below, amplifies the differences in the pixels that have gone through the process more than once.
Unless your system is set up to use sRGB as the monitor profile, if you want the image within a screen grab from a color-managed app (like Photoshop) to exactly match the content of your color-managed document, you MUST go through this:
1. Grab the screen.
2. File - New and paste the capture into Photoshop.
3. Edit - Assign Profile, and choose your MONITOR profile, provided by the calibrator.
4. Edit - Convert to Profile, and choose sRGB (for example).
5. Publish the image.
In step 3 you're telling Photoshop that the image was captured from YOUR MONITOR, and that the monitor's profile describes what's in it. Then you're converting the color values in that image in step 4 to a document profile everyone understands.
-Noel
P.S., From time to time I try to advise people on how to make their color-managed and non-color-managed output match more closely, though doing so always seems to invite a bunch of heckling from small-minded people who think that even wanting to accomplish that is somehow bad. If you'd like to try to do that, adjust your on-monitor controls to make the display look more yellowish (e.g., lower the blue a bit) and then re-calibrate/profile your display. You should find that the profile that's generated by the recalibration will then cause less color shift than what you're now seeing.

Editing Colour Profiles

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