Encode 4K dpx files with H264 codec or AVCHD to MP4 wrapper with Compressor?

I have 4K dpx files that I want to encode with H264 codec or AVCHD to MP4 wrapper.  Can either Compressor 4 or 5 support this?  If so, what specific encoder settings are needed?  Currently, I receive Quicktime error -108

Don't use mp4, use Qucktime h.264. I'm sure mp4 doesn't support 4k.

Similar Messages

  • Mp4 movies with h264 codec on iPhone

    I've been converting DVDs to mp4 format to take on my iPhone on vacation. I can get the mpeg-4 codec movies to download and play on the iPhone, but I can not get mp4 movies created with the h264 codec to download to the iPhone from iTunes. The message I get when syncing is "movie name" can not be copied to "my iphone" because it cannot be played on this iphone. Any ideas? has anyone gotten the h264 codec to work with iphone? I am using HandBrake to convert from DVD with the following options.
    File format= MP4 file
    Codecs=AVC/H.264 Video / AAC Audio
    Framerate= 29.97
    Encoder= x264 (h.264 iPod)
    Output size= 320 x 176
    Bit rate Average= 316(kbps)
    Message was edited by: Midirose
    null

    Have you double checked your video conversion settings to make sure they comply with one of the iPhone's three supported video profiles?
    These are:
    H.264 video, up to 1.5 Mbps, 640 by 480 pixels, 30 frames per second, Low-Complexity version of the H.264 Baseline Profile with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats
    H.264 video, up to 768 Kbps, 320 by 240 pixels, 30 frames per second, Baseline Profile up to Level 1.3 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats
    MPEG-4 video, up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats

  • How to change Camera settings while NetStream is published with H264 codec

    Hi,
    when I'm using H264 codec I can't modify my cam.setMode(w,h, fps) because my stream hangs (second call to cam.setMode() uhangs video. When I'm using Sorenson codec that same code works fine.
    So my question is how can I change Camera settings when I'm publishing images from this camera with NetStream encoded with H264. I'm using Flash Player 11,3,300,270 Windows 7 64 bit ActiveX.
    Swf compiled to target Flash Player 11.3, swf-version=16.
    Regards

    Try to unpublish/pause publishing just before setting the things on camera and resume/publish again after the settings are applied.
    C

  • CPU goes 70% with h.264 while NetStream is published with H264 codec

    Hi,
         I am creating an video conferencing tool in which I am using H.264 video codec for stream. When I tried to publish video with 640*480 and video quality= 90 and FPS =15, My machine CPU usage  crosses 70% mark. while with same setting I publish my video with Sorenson then it never cross more than 30%. It is same with all flashPlayers.
    Anyone can tell how to reduce CPU usage.
    Regards,

    Would you mind reposting this question over on the Flash Professional forums?  This forum is primarily for end users, the Pro forums will get you in touch with a wider developer audience.

  • Quicktime Mov with H264 codec keeps crashing.

    Hi all, i keep getting an buffer overflow when viewing several mov, h264 videos.
    The problem seams to be an memcpy witch is made by quicktimeh264.scaler.
    Any way to fix this?
    Exception Type: EXCBADACCESS (SIGSEGV)
    Exception Codes: KERNINVALIDADDRESS at 0x0000000038c9b000
    Crashed Thread: 0
    Thread 0 Crashed:
    0 libSystem.B.dylib 0xffff0884 __memcpy + 228
    (cpu_capabilities.h:246)
    1 QuickTimeH264.scalar 0x0bd6d8bd 0xbd6a000 + 14525
    2 QuickTimeH264.scalar 0x0bd7015f JVTDecoBeginBand + 363
    I've tryed updating everything(Quicktime, OS), but still the problem remains.
    I can use windows + vlc to view the files without any crash...

    Almost every file created by ffmpeg in h264, makes quicktime component h264 scaler crash after about 30 minutes of playing / editing.
    Not sure i understand your solution, there seams to be an exploitable bug in quicktime, witch crashes any app that uses quicktime for playback.
    Mpegstream will play the file almost for sure, but this doesn't fix the quicktime bug.

  • Green line on movies bottom when converted with H264/MPEG4 codecs-HELP PL!

    Hi all,
    Every time I convert movies from any Quicktime-readable format to .mov format (including .mov to .mov), the resulting movie has a (horrendous) *green line* on the bottom.
    This happen only when I use Quicktime Pro. No other application give me this bad result.
    As only one of many examples you can see in this screenshot a movie (right) made using iShowU with "Apple none" codec, which means that is totally uncompressed.
    To reduce the size I have used QT with H264 codec. The result is (always) that green line (left).
    No matter if I change the movie size or crop it. After all when I export it to save, the green line will be there again.
    Could somebody please help me with this issue?
    http://img.skitch.com/20080820-d4623ia122inbdbwex6c7cciyb.png
    *Thank you very much.*

    Thank you David.
    Did work!
    I also read the post you suggested.
    My original video was 426x175 and I changed it in the export properties to 426x 174 . One (1) pixel smaller, and voila!
    Doing this and reading that post doesn't match with Apple's straight forward style.
    Imagine if you have a stubborn movie because of its dimensions?
    I felt like doing medieval engineering.
    Thanks a lot again, David.

  • Import DPX Files Workflow?

    One of the main reasons I upgraded from PPro CS4 to CS5 was to handle DPX files.  I used FCP 7 together with Glue Tools Cineon/DPX add on to import large DPX files for editing.  However very little info is available in the various Adobe PPro CS5 help sources.  As I result I am stumbling around trying to crack the code on how to bring in 1080p 24 f DPX files.
    I work with very large 1080p DPX file sets.  Eack folder holds 15,000 frames.  The frame images are 1920 by 1080 pixels. The DPX files are stored on a very large RAID set with read and write rates of 1200 MB/sec.  More than fast enough for any regular uncompressed file.  But DPX files take many minutes to import and then I can not play the 15,000 frame clip in  the source monitor, nor cam I add the clip to a sequence.   I can add one frame at a time to the sequence but that defeats the whole purpose.
    Does anyone have any workflow suggestions for importing large DPX files?  Like the right presets to use etc.  Do I need to process the DPX files in After Effects or some other Production Preimere CS5 utility?
    Bill Wood

    Steve - Thanks for the tip!  I was trying to Import my DPX files from the Media Browser.  The Import function there does NOT have the numbered still check box.  I had to do the Import from the Project window.  That has the numbered stills check box and other options.  It is very quick and acts more like Final Cut Pro 7 with the Glue Tools Cineon/DPX plugin does. - Bill

  • Payload type of wav files encoded with gms codec

    Hello everybody,
    I have an application which receives and plays alaw formated wav files using JMF(with the help of some additional libraries) . I want to use lower bandwidth for my application. A quick google search indicated that i can do this by using gsm format.
    I have 2 questions:
    1-) what are the differences between .gsm files and .wav files which are encoded with gsm codecs? Which one's quality is better? which one's compression ratio is better?
    2-) which payload type should i use for wav files which are encoded with gsm codecs?
    In [Rtp Payload list|http://www.iana.org/assignments/rtp-parameters] page, there is a gsm entry whose payload is 3. I suppose that is for files with gsm extension. I tried it but it didn't work with my wav sample (as u can guess it was encoded with gsm 6.10 codec)
    Any suggestion is appreciated. If you have a comment about the main problem (which is using lower bandwidth for sending audio data) i would also like to hear it
    Thanks in advance
    btw i also tried this [gsm sample|http://www.nch.com.au/acm/sample.gsm] with payload 3.At first it worked but then strangely it played just static. In Sun's page it says gsm format is supported. I played both ulaw and alaw succesfully so i wonder what i am doing wrong. Do we need to tell the player that it is going to receive data in gsm format? I didnt do such a thing for u-law and a-law formats...
    Edited by: Bugra.Hasbek on Nov 10, 2008 1:18 AM

    Bugra.Hasbek wrote:
    Hello everybody,
    I have an application which receives and plays alaw formated wav files using JMF(with the help of some additional libraries) . I want to use lower bandwidth for my application. A quick google search indicated that i can do this by using gsm format.
    I have 2 questions:
    1-) what are the differences between .gsm files and .wav files which are encoded with gsm codecs? Which one's quality is better? which one's compression ratio is better?I would imagine they are the same...
    2-) which payload type should i use for wav files which are encoded with gsm codecs?I would imagine 3...
    In [Rtp Payload list|http://www.iana.org/assignments/rtp-parameters] page, there is a gsm entry whose payload is 3. I suppose that is for files with gsm extension. I tried it but it didn't work with my wav sample (as u can guess it was encoded with gsm 6.10 codec)
    Any suggestion is appreciated. If you have a comment about the main problem (which is using lower bandwidth for sending audio data) i would also like to hear itMy suggestion would be not to worry about so much stuff. JMF does all of this for you automaticlly.
    On the sender side, make your processor take in whatever kind of supported file you want. Set the processor to output your GSM mono, and then you can just use a Player to play it on the other side. It's really not very different than the examples...
    [http://java.sun.com/javase/technologies/desktop/media/jmf/2.1.1/solutions/AVTransmit.html]
    When you're programming the tracks, and you're calling "setFormat" on them, just set their format to be gsm.
    [http://java.sun.com/javase/technologies/desktop/media/jmf/2.1.1/solutions/AVReceive.html] should be able to play this out of the box...

  • Problems with H264 encoding -- corrupted files...

    In Media Encoder CS5 I tried to export my Premiere Pro CS5 sequence with H264 encoding(30 fps, progressive, CBR 6 mbps, 640 x 480). Audio(AAC,  48 kHz, 256 kbps). It have made a corrupt video file(with 2 GB size, and it should be ~3,5 GB). I tried to re-export with these settings, and now the size was 1045 MB. Again corrupted file, it cannot be played... The Media Encoder says that there is no errors, the rendering was successful. After several other tries with different settings, I cannot render my movie.
    What can I do?
    Thanks for help!
    Daninet

    Hello all,
    This is an old thread, but it's an old problem that I'm concerned may still be continuing.
    We're moving from 3.2 to 4.1. While copying our applications from 3.2 to a test 4.1 installation, we did a static file export for "All static files" from 3.2 and did an import to 4.1. We're seeing the same behavior that I and others have reported in the past - any static files that are javascript are corrupted when "all static files" was chosen. Exporting/importing each javascript static file individually appears to work fine.
    If the bug was in 3.2 in that it was generating a corrupted export file when "all static files" is chosen, then I'm not concerned - we're moving from 3.2 anyway. But, if the issue is in the import then it must still exist in 4.1 and that would be a concern.
    Does anyone know if this was a recognized bug in 3.2 and has since been corrected?
    Thanks!
    John

  • Canon 60D saved footage files in H264...need to convert...is there a way to automatically shoot and save as a different codec?

    Hey,
    My friend has the Canon 60D. We shot some footage and I uploaded it to my computer and saw that it was H264 codec. I now have to convert it all to ProRez Lite. I'm not too familiar with the camera but - is there a way for the Canon 60D to automatically save the files it shoots to a better codec so that when I upload them to my computer it's ready to go?
    My friend only has an 8GB SD card. The stuff we would be shooting would'nt be too too much footage but if there was a way to make it save as something like Pro Rez lite where it can be editable in FC and still a decent file size that would be great.
    Thanks

    Thanks for the replys. Since it's not my camera he was just letting me borrow his sd card, so I wouldn't be able to do the log and transfer thing because I won't have the camera/usb etc. But that seems like the transcoding would take some time regardless since it's still converting.
    I usually use the regular Prores 422, but I mentioned trying out pro res lite cause I hear the quality is similiar and less on the file size.
    I guess I will have to just deal with waiting to convert footage everytime I want to edit. It doesn't make sense to me why their default is a delivery format on a prosumer product... I can understand iphones being h264 cause they need it small compression on just planning to upload it raw to youtube or something but with a dslr which would most likely be used with editing is in a delivery codec... So is that the standard workflow with everyone to spend hours converting first?
    Thanks

  • Trouble exporting any mov files into H264 after adding K-Lite codec pack into Windows XP SP3.

    I have QuickTime 7.7 (1680.34) installed. I have used it extensively and exported the video separate from the audio and extracted and used filters and it has all worked great with all of the other codecs I have had installed. It even worked great after I recently installed this K-Lite codec pack that actually saved files in a *.hdmov file type and I was able to view them with the Media Player Classic .... (I have Windows XP update 3)  and see what I could do over there and then go back to saving them as *.mov file types and work in QuickTime Pro. And still export them relatively fast to their latest H264 format.
    I gave more file types to the Media Player Classic. I think along the line of the just the *.3g2 and *.mp4 and took them away from QuickTime but still keeping the *.mov, *.qt and *.mqv  file types .... and that is when I think everything must have changed.  all of a sudden I can not save any *.hdmov files and the export process in QuickTime takes longer than forever.
    I thought that I had reconfigured Media Player Classic back to its default ....
    and it should all go back to being how it was.
    Is there some Direct Show filter or codec that upsets QuickTime Pro ... that I might have not reset back to what it was?
    Any codec help would be much appreciated.
    This is what the K-Lite site says in one instance about H264:
    If the video that you are playing contains H.264 video, then you could try using another decoder. The codec pack by default uses ffdshow for decoding H.264 video. This is a free and open-source decoder. Other decoders exist that have better performance as ffdshow. They should give you smoother playback, specially if you have a dual-core or quad-core processor.
    Alternative H.264 decoders are:
    CoreAVC. This decoder is unfortunately not available for free.
    DivX H.264 decoder. This decoder is available for free as part of the DivX Bundle. Tip: disable everything in the bundle except the H.264 decoder.
    ffmpeg-mt. This is an experimental multi-threaded version of the libavcodec decoding library, which is used by ffdshow. You can select ffmpeg-mt as decoder in ffdshow video decoder configuration.
    MPC DXVA H.264 decoder. This is an internal decoder of Media Player Classic Homecinema. It uses your graphics card to perform most of the decoding process, resulting is a very low CPU usage. You can enable this decoder though: MPC Options -> Internal Filters. Note: this decoder has some specific requirements.
    I downloaded the DivX bundle and will pull out that codec. I bought the CoreAVC for $13 but Norton said it was a risky file when I downloaded it ... (I have a question into the site about that) and I will try the ffmpeg-mt codec as well as see what they say about the last one. I will also try to undo everything I did that happened I guess before QuickTime started to export so slow that it is not even worth it to try and convert a mov file into H264.
    Sorry so long ... I just was trying to lay out the things I have attempted, will attempt to try and improve the situation.
    Thanks again very much if anyone makes it thru this ... geez .. sorry.

    Hello Tim,
    I decided to do a clean install, a fresh new installation of windows and all its updates, I didn't get the option of
    install SP1 yet.
    After that I only installed Catalyst drivers: 11.5 and Realtek HD audio drivers, all downloaded on May 24 2011.
    Then latest FFDShow and MPC-HC to test, both x64 versions Nothing else installed.
    Only a fresh copy of windows with its updates and those mentioned drivers.
    To my surprise, it happened a gain.
    It still crashes after a while when playing MKV videos.
    It's weird, because it doesn't happen with avi's or mp4's.
    So, there must be something wrong with one of windows updates that creates this windows FREEZE.
    Also there is no possibility to find out what error it is in "Event Viewer" as nothing gets recorded there. Anyone could
    advise?
    Thanks

  • Why do files exported with H264 randomly slip out of sync.

    I am currently in the middle of exporting 34 individual videos/sequences.
    I am using the H264 codec. Some of them are in sync and some seem to have the audio lagging roughly a frame behind. The videos are of musical instrument demonstrations so there is no margin for error. It seems totally random as to whether they come out of Adobe Media Encoder in sync or out of sync. I have to export each one and then if it's incorrect I have to manually drag the audio a frame forward on the timeline and outout an 'out of sync' timeline in order to get an 'in sync' video! Needless to say, all of the audio is perfectly in sync on the timeline. Plenty of the them are fine and I'm not changing the settings, so it must be some kind of inconsistency with the encoding.
    Why is this always such a problem with Adobe Premiere? Even in the past it's been really difficult to get acceptable quality videos out of the software package.
    If anyone can offer a solution to this it would be greatly appreciated!

    That is the realty of the situation.
    Just like a cinematographer, who works so hard making the image look just the way he wants, has no guarantee that the end viewer will have a properly calibrated display and see the film the way it was intended to be seen.
    All you can do is your job correctly, and offer suggestions to those whose systems don't work right.  Which in this case means using a decent media player.

  • Media encoder inserts black frame at beginning, when converting my MOV file to H264 for YouTube 720pHD

    I'm using Adobe Media Encoder to convert my MOV file to H264, and selecting "YouTube 720pHD" (for Instagram) as I was instructed by someone at Adobe over the phone. But it inserts a black frame at the beginning or end. When I open the converted file on my desktop, the black frame is the first frame. After I upload to Instagram, the black frame is at the end. How can I get rid of the black frame?! Please help!

    Welcome to the furum, Forrest.
    Hmmm. I don't recall hearing of that problem. There may not be many users who can offer a solution.
    This workaround should work, however: Open the exported movie in QuickTime Player and remove the first frame. (I think it's only the first frame that is black, not the first second. Remove all the black, whatever it is.) Save the movie. That may cause QT Player to save it into a new movie. Use the modified movie for your Web site. QuickTime Pro is required — $30 from Apple.
    Note that you've posted in the iMovie 6 forum, not the iMovie HD forum for iMovie 5. There are fewer current iMovie 5 users here. Most were iM5 users, however, so someone might remember this problem.
    Karl

  • Encoding failed in "file name" with error: -43

    Hi!
    I've tried everything but still, after about 20 hours of encoding DVD Studio Pro just stoppes, saying "encoding failed in "file name" with error: -43". The movie is in DV PAL format and made in Final Cut Pro version 5. I'm using DVD Studio Pro 4.0. The movie is about 1 hour and 30 minutes long and I'm trying to put it on a double layer DVD. I've tried to shorten it (it was nearly 2 hours before), but that didn't help. I also tried to shorten it even more and put it on a single layer DVD, but still the same message.
    So if somebody has any idea of how I can solve this problem, please let me know as soon as possible!
    Thank you!

    Error -43 means "File not found." If you are compressing from a reference movie, make sure that all referenced movie clips are present on the disk and that permission settings are not preventing DVD Studio Pro from accessing them.
    Error -1309 means "Out of bounds." This means that the source file is pretending to be bigger than it actually is.
    So it sounds like there are issues with your source movie.
    P.S. Compressor has a much better MPEG-2 encoder and I would recommend using that instead.

  • HT3775 Is the Codec listed adjacent to the file format the Codec used with that file format?

    Is the Codec listed adjacent to the file format the Codec used with that file format?

    Is the Codec listed adjacent to the file format the Codec used with that file format?

Maybe you are looking for