Export as JPEG's and more

Hey gang,
I am looking to export images with my Dev corrections as JPEG's to another folder, including cropping.
Or...have the 300 images developed as TIFF into a folder w/o having to open individual images in Edit in CS.
My end goal since I cannot change the image sequence in the Slide mode is to convert the images into JPEG w/ my Dev corrections applied and import them into another Slide program.
All ideas appreciated.
Chas

My end goal since I cannot change the image sequence in the Slide mode is to convert the images into JPEG w/ my Dev corrections applied and import them into another Slide program.
You don't need a diferent program to change the sequence. Lightroom handles this easily.
You place the desired photos into a collection, and then change the sequence there. Select View->Show Toolbar, and select "User Order".

Similar Messages

After editing camera raw and export as jpeg,image becomes overexposed when view on light room..please advise.

need some help here. don't know if i can describe this accurately.
i was using lightroom previously. edit my raw file and then export in jpeg. everything appear normal as what i wanted.
recently i got cs4 and started using bridge. now after i edit my photo in lightroom and export,the view of the jpeg file appears overexpose(exposure was increase) and when view on adobe bridge same problem. but if i open photoshop and use my workspace colour setting everything is ok. when i see my picture on iphoto it is normal as per i have edited. i just don't know what setting i have touch that cause my viewing of edited photo on lightroom and bridge goes overexpose. on bridge,thumbnail ok but preview bad...
for the record: i just install CS4 and snow leopard recently. before this i have no problems with LR. I'm also not sure if i have accidentally change any settings.
i shoot with a 5D mark 2 and use the raw file for edit.
will appreciate any advise. Thanks

grjacek wrote:
Is it possibe to return to a RAW image and edit it once I've exported it to another location as jpeg?
Yes
I've edited and exported an image to a different folder on my desktop. I've realised I still need to do some work on it
but when I try and open it again in Lightroom ( I see it in Library) I get a mesaage saying file not found...Please help
We're going to need a lot more details aobut exactly (EXACTLY) the steps you follow after you do the export, because normally I would say this is one of the easiest things possible in Lightroom. Are any files moved or renamed or disks unplugged in between the time of export and the time when you try to edit again?

Export - missing MacOS previews and thumbnails on exported JPEGs

When I export from Aperture 2.1.3 and then view the list of files in the Finder, there are no previews or thumbnails of the photos, just the JPEG icon. I can open those files and resave them with Photoshop and get the preview. Is there a setting in Aperture that I have wrong that causes it to not export the thumbnail at the same time as it exports the photo? Is there a MacOS function to regenerate Finder previews for selected JPEG files?

When I export from Aperture 2.1.3 and then view the list of files in the Finder, there are no previews or thumbnails of the photos, just the JPEG icon ... Is there a MacOS function to regenerate Finder previews for selected JPEG files?
The cause of the confusion is the difference between a page description which must be interpreted before it is imaged and a plain picture element pattern which does not need to be interpreted before it is imaged.
The assumption in photography and prepress is that if a page description, or a page description part, is interchanged then the sender supplies a pre-interpreted preview since neither system software nor application software may be able to interpret the page description.
Macintosh system software from version 1 in 1984 to version 9.2 in 1999 did not include interpretation of PostScript page description programs. The workaround was provide a PICT combined with the page description, the PICT at first being called the Parkhurst Picture.
JPEG, TIFF and other formats for interchange of picture element patterns are not programs and do not need to be interpreted before they are imaged. QuarkXPress only relatively recently moved to interpret and image placed page descriptions, though off the cuff I can't recall the version.
/hh

IPhoto09 Export has both a "JPEG quality" and a "Size" option

In iPhoto09 Export has both a "JPEG quality" and a "Size" option. What is the difference? iPhoto Help does not clarify. Size seeems to constrain the size of photo on screen, and it is not stretchable. 300 dpi no matter what options are selected.

Jpeg Quality is the amount of compression applied to the file.
Size is the dimensions of the shot - length by breadth - measured in pixels.
There is no dpi setting, nor any default setting for dpi. Dpi is sent when you decide the dimensions of the photo when you print.
Regards
TD

InDesign has stopped exporting to JPEG and I don't know why?

InDesign (version CS6) has stopped exporting to JPEG and I don't know why. but really need it for work - does anyone have any ideas of how to fix? Thank you

Troubleshooting 101: Replace, or "trash" your InDesign preferences
http://forums.adobe.com/thread/526990

I need your help with a decision to use iPhoto. I have been a PC user since the mid 1980's and more recently have used ACDSee to manage my photo images and Photoshop to edit them. I have used ProShow Gold to create slideshows. I am comfortable with my

I need your help with a decision to use iPhoto. I have been a PC user since the mid 1980’s and more recently have used ACDSee to manage my photo images and Photoshop to edit them. I have used ProShow Gold to create slideshows. I am comfortable with my own folder and file naming conventions. I currently have over 23,000 images of which around 60% are scans going back 75 years. Since I keep a copy of the originals, the storage requirements for over 46,000 images is huge. 180GB plus.
I now have a Macbook Pro and will add an iMac when the new models arrive. For my photos, I want to stay with Photoshop which also gives me the Bridge. The only obvious reason to use iPhoto is to take advantage of Faces and the link to iMovie to make slideshows. What am I missing and is using iPhoto worth the effort?
If I choose to use iPhoto, I am not certain whether I need to load the originals and the edited versions. I suspect that just the latter is sufficient. If I set PhotoShop as my external editor, I presume that iPhoto will keep track of all changes moving forward. However, over 23,000 images in iPhoto makes me twitchy and they are appear hidden within iPhoto. In the past, I have experienced syncing problems with, and database errors in, large databases. If I break up the images into a number of projects, I loose the value of Faces reaching back over time.
Some guidance and insight would be appreciated. I have a number of Faces questions which I will save for later.

Bridge and Photoshop is a common file-based management system. (Not sure why you'd have used ACDSEE as well as Bridge.) In any event, it's on the way out. You won't be using it in 5 years time.
Up to this the lack of processing power on your computer left no choice but to organise this way. But file based organisation is as sensible as organising a Shoe Warehouse based on the colour of the boxes. It's also ultimately data-destructive.
Modern systems are Database driven. Files are managed, Images imported, virtual versions, lossless processing and unlimited editing are the way forward.
For a Photographer Photoshop is overkill. It's an enormously powerful app, a staple of the Graphic Designers' trade. A Photographer uses maybe 15% to 20% of its capability.
Apps like iPhoto, Lightroom, Aperture are the way forward - for photographers. There's the 20% of Photoshop that shooters actually use, coupled with management and lossless processing. Pop over to the Aperture or Lightroom forums (on the Adobe site) and one comment shows up over and over again... "Since I started using Aperture/ Lightroom I hardly ever use Photoshop any more..." and if there is a job that these apps can do, then the (much) cheaper Elements will do it.
The change is not easy though, especially if you have a long-standing and well thought out filing system of your own. The first thing I would strongly advise is that you experiment before making any decisions. So I would create a Library, import 300 or 400 shots and play. You might as well do this in iPhoto to begin with - though if you’re a serious hobbyist or a Pro then you'll find yourself looking further afield pretty soon. iPhoto is good for the family snapper, taking shots at birthdays and sharing them with friends and family.
Next: If you're going to successfully use these apps you need to make a leap: Your files are not your Photos.
The illustration I use is as follows: In my iTunes Library I have a file called 'Let_it_Be_The_Beatles.mp3'. So what is that, exactly? It's not the song. The Beatles never wrote an mp3. They wrote a tune and lyrics. They recorded it and a copy of that recording is stored in the mp3 file. So the file is just a container for the recording. That container is designed in a specific way attuned to the characteristics and requirements of the data. Hence, mp3.
Similarly, that Jpeg is not your photo, it's a container designed to hold that kind of data. iPhoto is all about the data and not about the container. So, regardless of where you choose to store the file, iPhoto will manage the photo, edit the photo, add metadata to the Photo but never touch the file. If you choose to export - unless you specifically choose to export the original - iPhoto will export the Photo into a new container - a new file containing the photo.
When you process an image in iPhoto the file is never touched, instead your decisions are recorded in the database. When you view the image then the Master is presented with these decisions applied to it. That's why it's lossless. You can also have multiple versions and waste no disk space because they are all just listings in the database.
These apps replace the Finder (File Browser) for managing your Photos. They become the Go-To app for anything to do with your photos. They replace Bridge too as they become a front-end for Photoshop.
So, want to use a photo for something - Export it. Choose the format, size and quality you want and there it is. If you're emailing, uploading to websites then these apps have a "good enough for most things" version called the Preview - this will be missing some metadata.
So it's a big change from a file-based to Photo-based management, from editing files to processing Photos and it's worth thinking it through before you decide.

[CS2 AS] Export as Jpeg... image missing in the output.

Hi,
I'm using alot the export as jpeg feature as a validation helper while doing batch processing (for quality output, i have used export as pdf and rasterisation in photoshop... require more processing, but it give more reliable output).
So with the base export, i'm having a odd problem where on other machine the some images are not exported appropriately (some appear with a white strippe and other completely blank).
I have not found documentation on this but i'm pretty sure that the export is done from a low-res preview, so i suspect that that my script processing make the export before indesign has completed some document display refresh.
I tought that i could use a arbitrary delay, but i find this solution quite inconvenient as it make the process slower and not completely deterministic.
Is there a equivalent call to "recompose" that would let me be sure to call the export when the display refresh of the document is done? (if i remember well, i have tried forcing the document quality display to maximum).
Thanks for any ideas! :)
Eric

On 5/2/09 6:22 AM, "EricGagnon" <[email protected]> wrote: > Thanks for any ideas! :) Are you sure you're using the most recent version of CS2? And are you sure all the links are present and up to date? -- Shane Stanley <[email protected]> AppleScript Pro Florida, April 2009 <a href=http://scriptingmatters.com/aspro>

Exporting as JPEG

I'm trying to export my D70s RAW files as JPEGs from Aperture and the end result is total garbage - very pixelated. Another useless feature of Aperture.
It's looking more and more like I've just wasted $500 and despite what Apple is claiming the wait still continues for one-stop software that can deal with all the pro photographers workflow/management needs.

I'm also experiencing heavy pixelation when exporting as JPEG from Aperture -- at least at reduced sizes (as for web galleries).
Here are some samples:
http://crimdom.net/photos/2005/africa/aperture-issue/index.html
It looks like excessive sharpening or a lack of anti-aliasing when reducing images via export.
I'm thrilled with the potential of Aperture in terms of workflow and managing versions but also very much needing to see issues like this addressed. In the meantime, I guess I'm going to have to export the full-size revisions and use something else to resize them. Erg.
PowerBook G4 1.5 GHz Mac OS X (10.4.3)

Exporting as Jpeg in Aperture

When I export a version as a jpeg, it wont open in Nikon View 6. Error is unsupported file type. However, does open in photoshop and preview. Anyone have any ideas on this one?

Size refers to the Pixel dimensions of the image. So, Jpeg Original Size means it'll be the same length x breadth as the original.
Aperture does not "recompress images on export".
Think of it this way: A Jpeg is a container for your photo - like a box for shoes. When you work in Aperture it works on the image not the file. When you export it puts the image into a new box - and the size of that box will depend on the settings you choose. So more compression, smaller box. Less compression, bigger box. It's perfectly possible to export an image to a file that's larger then the original file.
To adjust the compression used on the export, Click on the Export preset drop down and note the option to Edit. Image Quality is the one to check out.
Regards
TD

White becomes red on export to JPEG - why?

I'm working with photos in lightroom, adjust colors etc. And finally export files to JPEG-format to use them with websites. However: White in lightroom becomes super-soft-red after export to jpeg.
Can someone please help?
Some data that might help:
Macbook, Mac Os Tiger
Lightroom for Mac
Monitor calibrated using Spyder 2
Shooting RAW with SRGB
I've checked all settings in lightroom but don't find any answer.
Thanks in advance
Andreas

>The problem is the difference between my workspace (lightroom) and the resulting JPEG (lightroom export). All my JPEG-exports from lightroom have more red than the version in lightroom.
If you are really exporting to sRGB jpegs (again, shooting in sRGB mode on your camera has NO impact on the RAW files - check whether the export settings in Lightroom are set to sRGB!), there are usually several possible causes for the redshift.
1. Your screen calibration is bad. This is very common and the fix is usually trashing the monitor profile and creating a new one. A common issue is bad monitor profiles supplied by monitor vendors.
2. You are using a wide gamut monitor such as an Eizo, one of the Dell HC screens, etc., and are viewing the exports in unmanaged apps. If you have a monitor that has a gamut significantly different from sRGB, you cannot use unmanaged apps, such as Internet explorer or Firefox 2.0 (basically every windows app except for Vista picture viewer basically), to judge color of your images. You need to use color managed apps, such as Safari, Photoshop, etc. to judge the color. Viewing sRGB images in unmanaged apps on such a screen will make your image appear oversaturated.
3. You are using a dual monitor setup and the OS is confused which profile belongs to which screen. Especially on windows, it is often not possible to really correct for two different screens even if the software tells you it does. This can be hard to diagnose, but usually it just takes plugging out one monitor and recalibrating the one that is still connected.
In conclusion, If you have a typical normal-gamut monitor and you have calibrated correctly, you should see almost NO shift when exporting to sRGB jpegs and viewing in unmanaged apps. The images should look identical in apps that are managed.

Resizing and export function in LR and printing adjustments

(1) Lightroom version 5 should correct deficiencies in the export function, Many picture agencies/websites require a target file size in megabytes, say a minimum of 24MB or 48MB in RGB or sRGB-Only megapixels can be enterd in LR. LR does not display the original nor developed/cropped image size in MB so following compression to an 8 bit jpeg, it is not clear what target file size has been achieved unless it is separately opened in Photoshop or when uploaded. There is also no means of viewing within LR the resultant upsized image at 1:1 in the export window to check for artifacts/softness before exporting, so poor quality or under sized images can be exported. An accurate preview display would be useful. ( 2) Separately, I am not sure why LR4.4 and earlier versions do not the allow the export of the same image more than once to the same or different folder on the computer? There also seems to be a low limit on the file size than can be exported. (3) The print module should preview accurately the lightness and contrast adjustments for printing which would avoid a lot of wasted ink and paper. The soft proofing mode does not in my view accurately do this either.

If you'd like to submit features for possible inclusion into future versions of Lightroom, here is the link to use.
http://feedback.photoshop.com/
As far as Lightroom 5 is concerned, the list of features is relatively fixed and can be seen in Lightroom 5beta, and it is unlikely that additional new features will appear in Lightroom 5.
Regarding (1), I simply don't understand why anyone would require a specific megabytes for a photo. It makes no sense to me. Depending on what manipulations I perform on a photo, I can get the same photo to be many different sizes, but I'm not adding value nor am I producing a superior photo, I'm just changing the megabytes.
Regarding (2), I never tried exporting a photo twice, but it seems to me that if you just change the name on the second export file, there shouldn't be a problem. Am I wrong?

When exporting to Jpeg file, Ai file layers are missing.

Hi to all. I hope you can help me out. I have an AI file that i'm trying to export as JPEG because the PDF file is 26 mb and my clients want to have at least 3 mb file size. When i do the normal export to JPeg trick, I noticed that a lot of colors are missing, it turns out that not all the layers are included in the jpeg image. I tried going to attributes and deselected the printoverview but i'm still getting the same result. thanks!

cantdesigns,
Obviously, everything that shows within the Artboard/Crop Area should be exported. So unless the layers are hidden, something is quite strange.
I do not know whether it may be a preference corruption.
When something stop working, it may be a preference corruption. In order to restore the preferences, you may either Ctrl/Cmd+Alt/Option at startup, or Move the folder with Illy closed. The latter is reversible and takes care or more issues, but requires a greater effort, especially the first time used. See explanations in the latter
Reinstalling does not replace the preferences.

Book Export to jpeg

book export to Jpeg doesn't work annymore

Hello,
Ligtroom 4.4 64bit
is that enough information? or do you have any other information?
Like to see a response.
Groet Sanne Steenbreker
From: [email protected]
To: [email protected]
Subject: RE: Book Export to jpeg
Date: Thu, 24 Oct 2013 12:05:05 +0200
Ligtroom 4.4 64bit
Date: Wed, 23 Oct 2013 14:56:20 -0700
From: [email protected]
To: [email protected]
Subject: Book Export to jpeg
    Re: Book Export to jpeg
    created by Geoff the kiwi in Photoshop Lightroom - View the full discussion
Could you please supply some information so we can attempt to resolve your issue. Such as lightroom version and operating system.
Thanks....
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IPTC on export to jpeg screwy

OK, I import some RAW images, add some captions, then export to jpeg. I then open the image in Graphic Converter, and the for the images I have added a caption to, GC says there are two caption fields! One is the caption I added and the other is the IFD0 field calle "ImageDescription" and is set to: "KONICA MINOLTA DIGITAL CAMERA". If I don't enter a caption, the caption is set to "KONICA MINOLTA DIGITAL CAMERA".
Worse, when importing into Gallery2 the IPTC information is not imported. I'm not the only one with the issue.
If I save the file in GC and then import into Gallery2 it works great.
THis all just leads me to believe that Aperture (1.1.2) is not exporting the IPTC info correctly. Your thoughts?
-Allan

>The problem is the difference between my workspace (lightroom) and the resulting JPEG (lightroom export). All my JPEG-exports from lightroom have more red than the version in lightroom.
If you are really exporting to sRGB jpegs (again, shooting in sRGB mode on your camera has NO impact on the RAW files - check whether the export settings in Lightroom are set to sRGB!), there are usually several possible causes for the redshift.
1. Your screen calibration is bad. This is very common and the fix is usually trashing the monitor profile and creating a new one. A common issue is bad monitor profiles supplied by monitor vendors.
2. You are using a wide gamut monitor such as an Eizo, one of the Dell HC screens, etc., and are viewing the exports in unmanaged apps. If you have a monitor that has a gamut significantly different from sRGB, you cannot use unmanaged apps, such as Internet explorer or Firefox 2.0 (basically every windows app except for Vista picture viewer basically), to judge color of your images. You need to use color managed apps, such as Safari, Photoshop, etc. to judge the color. Viewing sRGB images in unmanaged apps on such a screen will make your image appear oversaturated.
3. You are using a dual monitor setup and the OS is confused which profile belongs to which screen. Especially on windows, it is often not possible to really correct for two different screens even if the software tells you it does. This can be hard to diagnose, but usually it just takes plugging out one monitor and recalibrating the one that is still connected.
In conclusion, If you have a typical normal-gamut monitor and you have calibrated correctly, you should see almost NO shift when exporting to sRGB jpegs and viewing in unmanaged apps. The images should look identical in apps that are managed.

Question? Best Workflow HD/HDV and Reframing/Scaling to Export to both HD and SD when working in an HD Timeline?

Just wondering, what is the best method for working with HD Footage both HDV 1440x1080 and HD 1920x1080
Not long been using Adobe Premiere Pro CC, just switched over from Grass Valley EDIUS 6.08 and atempting my first Stage Show Multi Camera.
Source is 5 HDV PAL and 1x1920x180 60fps MP4 file from a Sanyo Handy Cam.
Final delivery is going to be DVD.
Have done a few smaller projects prior to and normally have edited in HDV 1440x1080 50i PAL and exported to whatever format I need.
Slightly different this time, I need to I need to crop/reframe some video from a couple of the Static locked off cameras. I know what to do but at moment though, I'm very much undecided which method to use for best results.
Doing some testing I notice that if I import the footage and edit in my usual HD Timeline as said above, then I go into Motion and Scale and reframe to suit, then the picture still
looks better still Full Screen on my 2nd Monitor in the HD Timeline than if I switch the Sequence Settings to SD DV PAL.
I am wondering how the scaler works when exporting. Say I go with the original HD Sequence, scale the Locked off Shots as I want them, then export to SD DV PAL then does the Adobe Media Encoder take into account that I am working in a HD Sequence (HDV 1440x1080 50i PAL) and then Scale to suit or does upscaling go in an HD Timeline then Exporting to SD make things worse, I am asking this as I still like to have the option to output an HD file for the Web and possible Bluray or Mobile Device later on.
I also still prefer working in an HD Timeline as for the other Camera Angles, then it is easier to judge focus since the image is sharper, as apposed to working in an SD Sequence.
I guess the other option I suppose is to edit in HD and then switch the Sequence Settings later on to SD before Export, but not sure that would work with the scaling? Or is that the same as working in an HD Timeline anyway and then selecting an SD Preset in the Adobe Media Encoder anyway?
I guess what I am saying is, if I say for example, Scale a HDV source to 130% or then export to SD in the AME then, is the AME upscalling the original HDV Source to 130% Loosing Quality firstly (making less pixels that to begin with), then downscaling back again to 100% SD Resolution, loosing quality once more, or does it see that the source is HD and has more pixels to use and take that into account? If you get what I am saying. Obviously if I am exporting to any HD Format then, I understand that where will be some quality lose with any amount of HD scale.
I also read that it is less CPU resource full working in the native resolution of the media when editing, especially on an older system.
The other option is to work in an 720 Preset possiblely?
At the moment I don't have a proper Preview device and am making do with the 2nd Display on my Graphics Card GTX 760.
I was looking at getting a Blackmagic Device for preview, or possible one of the Matrox.
It is a shame really, since I already have the Canopus HD Storm in the PC, which I was using with EDIUS for a lovely full screen preview to a 32" TV, since looked great, so since switthcing to Premiere, I can't use it and am having to make do with the GTX 760. Which isn't as good.
Maybe there is some setting I can alter to get a better Playback Image?
Anyway, I notice that the Full Screen Image from the GTX 760 is not as clear as it should be when editing, especially whilst playing back the image is slightly soft and more so when in the Multicam Mode it is even softer.
I am not sure if this is because my computer is not quiet fast enough? Maybe I should post this in a seperate thread in the Hardware forum, but I thought it was worth mentioned in this post aswell.
SYSTEM SPECS
Gigabyte EP45-UD3LR (Socket 775) Motherboard
8GB DDR PC-800 RAM (4x2 Sticks)
Intel Core2 Quad CPU Q9650 @ 3.00GHz
60GB OCZ SSD (FM-25S2S-60GBP2 ATA Device)
2 TB 7200 Sata 300 Hard Drive - For Video (Hitachi HDS722020ALA330 ATA Device)
Windows 7 SP1 x64
So in short At the moment I am undecided which method is best to use

Your Creative camera is not the best one could wish for. Open a 1280 x 720 sequence, import some Creative footage, use motion scale to fit it in and judge the quality for yourself. My guess is you will be disappointed in the quality. Then when outputting to DVD you will reduce the resolution and quality again, making it even worse.
So, my suggestion is, don't follow that route.
Ultimately you will end up with 720 x 576 material for your DVD. You already need to upscale your Creative footage, and change the PAR and take serious quality hits, do not increase your problems by upscaling and then downscaling again.

Export as JPEG's and more

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